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Books on the topic 'Cultural critics'

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Author: Grafiati

Published: 16 July 2024

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1

Ephraim, Nimni, ed. National cultural autonomy and its critics. London: Routledge, 2005.

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2

Arif, Dirlik, Xie Shaobo 1954-, and Wang Fengzhen, eds. Dialogues on cultural studies: Interviews with contemporary critics. Calgary: University of Calgary Press, 2002.

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3

Marien, Mary Warner. Photography and its critics: A cultural history, 1839-1900. Cambridge, U.K: Cambridge University Press, 1997.

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4

Paul, Hansom, ed. Twentieth-century European cultural theorists. Detroit: Gale Group, 2001.

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5

Paul, Hansom, ed. Twentieth-century European cultural theorists. Detriot: Gale, 2004.

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6

Ernest, Cashmore, and Rojek Chris, eds. Dictionary of cultural theorists. London: Arnold, 1999.

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7

Ernest, Cashmore, and Rojek Chris, eds. Dictionary of cultural theorists. New York: Arnold, 1999.

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8

Essin, Christin. Stage designers in early twentieth-century America: Artists, activists, cultural critics. New York, New York: Palgrave Macmillan, 2015.

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9

Miles, Patrick. Mikhail Gromov: Chekhov scholar and critic : an essay in cultural difference. Nottingham: Astra, 2003.

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10

Miles, Patrick. Mikhail Gromov: Chekhov scholar and critic : an essay in cultural difference. Nottingham: Astra, 2003.

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11

Stuart, Sim, ed. The A-Z guide to modern literary and cultural theorists. London: Prentice Hall/Harvester Wheatsheaf, 1995.

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12

Coppenger, Mark T. Moral apologetics for contemporary Christians: Pushing back against cultural and religious critics. Nashville, Tenn: B&H Academic, 2011.

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13

Cro, Stelio. Iris Origo: Dalle radici del neorealismo alla solitudine dell'utopia = from the solitude of utopia to cultural transformation. Montepulciano (Siena): Le balze, 2002.

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14

Marchant, Elizabeth A. Critical acts: Latin American women and cultural criticism. Gainesville: University Press of Florida, 1999.

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15

Dudková, Veronika. Na rozhraní kultur: Případ Paul/Pavel Eisner : sborník příspěvků přednesených na mezinárodním sympoziu. Ústí nad Labem: Univerzita J. E. Purkyně, 2009.

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16

Paul, Hansom, ed. Twentieth-century American cultural theorists. Detroit: Gale Group, 2001.

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17

Kammen, Michael G. The lively arts: Gilbert Seldes and the transformation of cultural criticism in the United States. New York: Oxford University Press, 1996.

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18

Klingenstein, Susanne. Enlarging America: The cultural work of Jewish literary scholars, 1930-1990. Syracuse, N.Y: Syracuse University Press, 1998.

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19

Ventura, Roberto. Estilo tropical: História cultural e polêmicas literárias no Brasil, 1870-1914. [São Paulo, Brazil]: Companhia das Letras, 1991.

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20

Bell, Janis Callen. Art history in the age of Bellori: Scholarship and cultural politics in seventeenth-century Rome. Cambridge: Cambridge University Press, 2002.

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21

Kabanov, Annette. Ol'ga Michajlovna Frejdenberg, 1890-1955: Eine sowjetische Wissenschaftlerin zwischen Kanon und Freiheit. Wiesbaden: Harrassowitz, 2002.

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22

Chen, Caixun. Gu dai xiao shuo jia, ping dian jia wen hua su yang lun: On ancient novelist and novel critics' cultural literacy. 8th ed. Beijing: Zhongguo she hui ke xue chu ban she, 2014.

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23

Blokland, Hans Theodorus. Pluralism, democracy and political knowledge: Robert A Dahl and his critics on modern politics. Burlington, VT: Ashgate, 2011.

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24

Fuller, Steven Nyole. The Nazis' literary grandfather: Adolf Bartels and cultural extremism, 1871-1945. New York: Peter Lang, 1996.

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25

Amaral, Cézar Cirinéa do, Pereira, Margarida Maria de Souza., and Menezes, Maria Lúcia Cordeiro de., eds. Mosaico cultural: Múltiplos olhares sobre a cultura brasileira. Recife: NUPEC, 2004.

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26

Nimni, Ephraim. National-Cultural Autonomy and Its Contemporary Critics. Taylor & Francis Group, 2009.

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27

Nimni, Ephraim. National-Cultural Autonomy and Its Contemporary Critics. Taylor & Francis Group, 2004.

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28

Nimni, Ephraim. National-Cultural Autonomy and Its Contemporary Critics. Taylor & Francis Group, 2004.

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29

Nimni, Ephraim. National-Cultural Autonomy and Its Contemporary Critics. Taylor & Francis Group, 2004.

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30

Nimni, Ephraim. National-Cultural Autonomy and Its Contemporary Critics. Taylor & Francis Group, 2004.

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31

Nimni, Ephraim. National-Cultural Autonomy and Its Contemporary Critics. Taylor & Francis Group, 2004.

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32

Barker, Martin. Comics: Ideology, Power and the Critics (Cultural Politics). Manchester Univ Pr, 1989.

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33

Barker, Martin. Comics: Ideology, Power and the Critics (Cultural Politics). Manchester Univ Pr, 1989.

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34

Williams, Jeffrey. Critics at Work: Interviews 1993-2003 (Cultural Front). NYU Press, 2004.

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35

Ebert, Teresa, Pamela McCallum, Barbara Foley, Arif Dirlik, and Fredric Jameson. Dialogues on Cultural Studies: Interviews with Contemporary Critics. University of Calgary Press, 2002.

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36

Ebert, Teresa, Wang Fengzhen, Barbara Foley, Shaobo Xie, and Arif Dirlik. Dialogues on Cultural Studies: Interviews with Contemporary Critics. University of Calgary Press, 2002.

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37

(Editor), Shaobo Xie, Fengzhen Wang (Editor), and Arif Dirlik (Editor), eds. Dialogues on Cultural Studies: Interviews With Contemporary Critics. Michigan State University Press, 2003.

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38

Williams, Jeffrey. Critics at Work: Interviews 1993-2003 (Cultural Front). NYU Press, 2004.

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39

Bronfen, Elisabeth. Obsessed: The Cultural Critic's Life in the Kitchen. Rutgers University Press, 2019.

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40

Bronfen, Elisabeth. Obsessed: The Cultural Critic's Life in the Kitchen. Rutgers University Press, 2019.

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41

Stage Designers In Early Twentiethcentury America Artists Activists Cultural Critics. Palgrave MacMillan, 2013.

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42

Murray, David. American Cultural Critics (Exeter Studies in American and Commonwealth Arts). University of Exeter Press, 1996.

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43

Kieffer, Alexandra. Debussy's Critics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847241.001.0001.

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Around the turn of the twentieth century, the work of Claude Debussy spurred a reimagining of music and musical listening in which Parisian musicians and intellectuals, informed by recent scientific discourse on affect, perception, and cognition, attempted to articulate a music aesthetics appropriate to the fully embodied, material self of psychological modernism. Important themes in debussyste music criticism are prefigured in the Symbolist wagnérisme of the late 1880s, which elaborated a model of affect and cognition drawn from the empirical psychology of Théodule Ribot. Following the premiere of Debussy’s opera Pelléas et Mélisande in 1902, Debussy’s supporters, attempting to explain the opera’s novelty, turned away from a music aesthetics that gave primacy to inner emotion and toward an aesthetics oriented instead toward listening, sensation, and the materiality of sound. Over the following decade, critics Jean Marnold and Louis Laloy, drawing from a wide swath of early-twentieth-century intellectual culture that included empirical psychology and post-Helmholtzian acoustics, were particularly influential as defenders of the ostensibly scientifically valid nature of Debussy’s innovations as well as his historical importance. After 1910, however, the cultural relevance of debussysme quickly declined as standards of aesthetic value shifted toward the abstract and universal (as opposed to the fleeting ephemerality of sensation) and as the deepening divide between scientific methods and humanistic ones made the intellectual culture of debussysme untenable.

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44

Pabst, Adrian. Liberal World Order and Its Critics: Civilisational States and Cultural Commonwealths. Taylor & Francis Group, 2018.

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45

Pabst, Adrian. Liberal World Order and Its Critics: Civilisational States and Cultural Commonwealths. Taylor & Francis Group, 2018.

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46

Essin, E. Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics. Palgrave Macmillan, 2015.

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47

Essin, E. Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics. Palgrave Macmillan, 2012.

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48

Pabst, Adrian. Liberal World Order and Its Critics: Civilisational States and Cultural Commonwealths. Taylor & Francis Group, 2018.

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49

Bottomore, Tom B. Critics of Society: Radical Thought in North America. Taylor & Francis Group, 2013.

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50

Bottomore, Tom B. Critics of Society: Radical Thought in North America. Taylor & Francis Group, 2013.

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