Relevant bibliographies by topics / Cultural Authenticity

Academic literature on the topic 'Cultural Authenticity'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Cultural Authenticity"

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U, Ibekwe Ephraim. "Africa and Cultural Authenticity." Asian Themes in Social Sciences Research 1, no. 2 (2018): 50–59. http://dx.doi.org/10.33094/journal.139.2018.12.50.59.

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YOUNG, GREGORY. "AUTHENTICITY IN CULTURAL CONSERVATION." Australian Planner 29, no. 1 (March 1991): 3–6. http://dx.doi.org/10.1080/07293682.1991.9657492.

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Hendrix, Burke. "Authenticity and Cultural Rights." Journal of Moral Philosophy 5, no. 2 (2008): 181–203. http://dx.doi.org/10.1163/174552408x328975.

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AbstractShould states extend customized political protections to 'minority nations' or 'minority cultures'? Part of the answer depends on whether the identities at stake are merely political artifacts created or exploited by 'ethnic entrepreneurs', or whether they are 'authentic' expression of an ongoing collective life. This essay argues that the real character of groups is persistently difficult to recognize, and that 'authenticity' is a problematic notion even in the abstract. Given these uncertainties, the essay argues that states should generally treat only the claims of small and vulnerable groups as moral issues, while treating the claims of large groups primarily as political matters. The essay closes with a discussion of the legal criteria for recognizing Indian tribes in the United States, arguing that the standards used are generally plausible, if problematic in one key detail.
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Al-Kharrat, Edwar. "Cultural Authenticity and National Identity." Diogenes 52, no. 2 (May 2005): 21–24. http://dx.doi.org/10.1177/039219210505200204.

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Horváth Futó, Hargita, and Éva Hózsa. "Divergent Cultural Environment – Translator Authenticity." Acta Universitatis Sapientiae, Philologica 8, no. 2 (December 1, 2016): 7–20. http://dx.doi.org/10.1515/ausp-2016-0014.

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Abstract People and communities living geographically far from each other and originating from culturally different environments establish contact with each other by means of the sudden spread of information and communication technologies. Knowledge of world languages no longer suffices for engaging in successful social interaction, it has to be accompanied by intercultural competence. Intercultural communication occurs when interlocutors belonging to different cultures understand each other. The translator’s work can be also understood as intercultural communication since in addition to translating linguistic material, the translator also transcodes the culture of the source language into the target language. (Inter)cultural competence is therefore one of the basic requirements for a translator. There is an ever-increasing emphasis on mediation between different cultures in translation, and according to new interpretations of translation this mediation represents the keystone of translation. The present study examines how elements of Hungarian culture are rendered in Serbian and German by analysing translations of Hungarian authors’ works into these two languages.
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Jian, Yufan, Zhimin Zhou, and Nan Zhou. "Brand cultural symbolism, brand authenticity, and consumer well-being: the moderating role of cultural involvement." Journal of Product & Brand Management 28, no. 4 (July 15, 2019): 529–39. http://dx.doi.org/10.1108/jpbm-08-2018-1981.

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Purpose This paper aims to improve knowledge regarding the complicated relationship among brand cultural symbolism, consumer cultural involvement, brand authenticity and consumer well-being. Although some literature has mentioned the relationship between the above concepts, these relationships have not been confirmed by empirical studies. Design/methodology/approach Based on the self-determination theory and the authenticity theory, a causal model of brand cultural symbolism, consumers’ enduring cultural involvement, brand authenticity and consumer well-being is developed. The structural equation model and multiple regressions are used to test the hypothesis. The primary data are based on an online survey conducted in China (N = 533). A total of six brands from the USA, France and China were selected as study samples. Findings The data reveal that brand cultural symbolism has a positive relationship with brand authenticity and consumer well-being; brand authenticity partially mediates the relationship between brand cultural symbolism and consumer well-being; and find a weakening effect of consumers’ enduring cultural involvement on the relationship between brand cultural symbolism and brand authenticity. Research limitations/implications The weakening effect of consumers’ enduring cultural involvement on the relationship between brand cultural symbols and brand authenticity should be further verified through experiments and the model should be tested in different cultural backgrounds from a cross-cultural perspective. Practical implications The present study offers novel insights for brand managers by highlighting brand authenticity as the fundamental principle that explains the effect of cultural symbolism of brands, consumers’ enduring cultural involvement, as well as eudaimonic and hedonic well-being. Originality/value The findings suggest that cultural significance of a brand is closely related to brand authenticity and consumer well-being; however, on consumers with a highly enduring cultural involvement, the effect of brand culture symbolism and brand authenticity is weakened. This is an interesting finding because in this case, consumers may measure brand authenticity more based on the brand actual behavior (e.g. brand non-commercial tendency and brand social responsibility) rather than the symbolic image.
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Lawless, Julie Williams, and Kapila D. Silva. "Towards an Integrative Understanding of ‘Authenticity’ of Cultural Heritage: An Analysis of World Heritage Site Designations in the Asian Context." Journal of Heritage Management 1, no. 2 (December 2016): 148–59. http://dx.doi.org/10.1177/2455929616684450.

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In the World Heritage Sites (WHS) designation, it is required to define the conditions that ‘authenticate’ the Outstanding Universal Value (OUV) of heritage sites. Initially, the notion of authenticity had been understood as an objective and measurable attribute inherent in the material fabric of sites. This perspective overlooked the fact that authenticity of a place is also culturally constructed, contextually variable and observer dependent. In 1994, United Nations Educational, Scientific and Cultural Organization (UNESCO) introduced a set of attributes that facilitate a holistic understanding of authenticity of heritage sites which considers both tangible and intangible aspects of heritage together. To find out the extent to which this holistic understanding of authenticity is currently applied in the WHS designations, we analyzed nomination dossiers of 31 sites from the Asian context that were designated as World Heritage between 2005 and 2014. The findings point towards the continuing need to apply systematic, holistic and integrative perspectives of authenticity standards to heritage sites.
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Green, Michael J. "Adaptation versus authenticity." International Journal of Cross Cultural Management 17, no. 2 (May 17, 2017): 257–71. http://dx.doi.org/10.1177/1470595817706986.

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Previous research on leader effectiveness in intercultural encounters has focused on the ‘cultural congruence proposition’ which indicates that leaders from one culture encountering followers from a different culture should modify their behaviour away from their own values towards the collective values of the followers in order to enhance their effectiveness. This proposition appears to contradict the basic tenets of authentic leadership theory which indicate that effective leaders align their behaviour strictly with their own values. This article proposes a theoretical model which draws upon each perspective and integrates them to reconcile this apparent conflict. The model suggests that effective cross-cultural leaders use both self-regulation and their cultural intelligence to engender optimum ratings from their followers.
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Underwood, Grant. "Mormonism, the Maori and Cultural Authenticity." Journal of Pacific History 35, no. 2 (September 2000): 133–46. http://dx.doi.org/10.1080/002233400445751.

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Duben, Alan. "İstanbul: Music, cultural authenticity, and civility." New Perspectives on Turkey 45 (2011): 237–45. http://dx.doi.org/10.1017/s0896634600001382.

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Dissertations / Theses on the topic "Cultural Authenticity"

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Joubert, Elize. "The relativity of authenticity: Notions of authenticity in the Cape Winelands cultural landscape and the impact of wine tourism on cultural heritage." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/21538.

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This study explores various notions of authenticity in tourism experience and seeks to establish if these notions are compatible with the concept of authenticity in conservation of the built environment. Three wine farms in the Cape Winelands cultural landscape, a proposed serial World Heritage Site, have been studied. The study suggests that object-related or material authenticity is being replaced with alternative notions of authenticity in tourism and that the toured object, for the purpose of winelands tourism in the Western Cape during this period, no longer needs to be authentic.
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Chen, Fuwei. "Preservation, authenticity construction, and imagination of cultural heritage in Taipei." Thesis, State University of New York at Buffalo, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3640736.

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This dissertation commences a critical examination of the issue of historical representation and draw on the fieldwork surrounding Bopiliao Historic District in Taipei to explore how the imagination and authentic sense of heritage influence the designation of historic sites and the way in which people use authenticity to negotiate their position in the progress of place making. The buildings cannot speak for themselves. Historical significance is not a given but something that needs to be interpreted and constantly reimagined. A sentimental yearning for a former time and place is not enough to explain the establishment of this historic district with twists and turns and the ambivalence over it expressed by the host community.

The first empirical chapter describes the historical background, preservation process, and the status quo of Bopiliao Old Street under the influence of the government-supported film Monga, which causes considerable controversy over heritage and culture representation and affects public image of the site and the host community. The second empirical chapter illustrates how an old urban neighborhood has been narrated, interpreted, and eventually certificated and accepted by the public as cultural heritage based on various social groups' heritage imagination and practice. The third empirical chapter examines how the stakeholders construct and employ the idea of authenticity to justify their viewpoint of cultural heritage and to strive for their position in the progress of place making.

My research seeks to contribute to the sociological literature on historic representation, heritage interpretation, and the construction of historical authenticity by exploring the increasingly central role played by media, activists and the locals. The tangible heritage is the production of the interaction between historic relics and the host community. Historical representation in the cinematographic media became a stimulus urging civil resistance to the existing official forms and strategy of historic preservation. Tourism continues to highlight the impact as well, for the opinions of the visiting tourists play an important role in reinforcing the image of destination. The contradiction in the sense of authenticity among social groups implies the existence of entirely different images of cultural heritage. The conflict represents the struggle of establishing local identity in contemporary Taiwan society. It is argued that the preserved heritage never denotes a successful end; rather, it is a start of the dialectical place-making process.

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Algarni, Mohammad. "Authenticity in leadership in the cultural context of Saudi Arabia." Thesis, University of Southampton, 2018. https://eprints.soton.ac.uk/419974/.

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Recent theory development in the field of leadership has focused on authentic leadership (Anderson et al., 2016). Authentic leadership is built on the concept of authenticity, which is about being real and true to oneself (Boyraz, 2014). Despite authentic leadership still being in its infancy both conceptually and empirically, a large increase in research within western cultures has emerged. However, very little is known about how it is viewed and how it works within non-western cultures (Li et al., 2014). This study addresses this significant gap and explores how Saudi leaders and followers perceive the concept of authenticity and how their perceptions of leadership are shaped by a cultural perspective. An exploratory qualitative study was undertaken using semi-structured interviews. 36 participants (18 leaders and 18 followers from 18 organisations) were interviewed within six different private sector industries in Saudi Arabia. This study takes a social constructivist view and uses an inductive design in order to give a better understanding of authenticity in leadership in a non-western culture (Gulf Cooperation Council GCC cultures), specifically within the Saudi context. This research finding conceptualise authenticity in leadership based on Islamic and Saudi perspectives, with eight distinct behaviours and practices of authenticity in leadership. It furthermore identifies the challenges and obstacles of applying authenticity in leadership within a Saudi culture. Additional findings illuminate the influence of organisational culture on authenticity in leadership and the relationship between authenticity in leadership and followership. The study yields a number of contributions. The impact of religion in general, and Islam in particular, on authenticity in leadership is a theoretical contribution to the extant body of literature concerned with authenticity in leadership. Methodologically, this study is one of few that explores authenticity qualitatively.
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Hodgson, Renata. "Perceptions of authenticity Aboriginal cultural tourism in the Northern Territory /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/32902.

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Thesis (Ph.D.)--University of Western Sydney, 2007.
A thesis presented to the University of Western Sydney, College of Business, School of Management, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Kang, Shin-Young. "Authenticity in heritage festivals in South Korea." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/11462.

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The aim of this study is to explore the role of authenticity in heritage festivals in Korea. It compares and critically evaluates the commodification of heritage festivals in Korea by investigating the tourists’, the performers’ (ethnic community) and the policy makers’ perceptions of authenticity based on comparative case studies and detailed empirical investigations of two contrasting heritage festivals in Korea. As one of the most debated issues in heritage tourism, authenticity has been an important topic of discussion. However, current authenticity research has been dominated by the naturalistic tradition with a strong emphasis on theory building. This study addresses the gap between conceptual and detailed empirical research in the area of authenticity. Therefore, this study identified stakeholders; visitors, performers and policy makers’ perception of authenticity in two comparative cultural heritage festival. The Baudeogi Festival in Anseong was selected as the first case study as it is representative of a commodified heritage festival. The Baudeogi Festival was started under deliberate government strategy in 2001 to promote local development. The second cases study, the Danoje Festival in Gangneung, was selected as representative of ancient forms of festivals. The Danoje festival is preserved and inherited from generation to generation for centuries by the local community and was registered as world intangible heritage by UNESCO in 2005. 800 visitor surveys were conducted with 17 interviews from festival performers and policymakers in both case festivals to identify their motivations for participating and their perceptions of authenticity. Several important findings emerged. Firstly, visitors’ characteristics at both festivals showed slight differences reflecting the character of the local area. Danoje visitors were younger than Baudeogi visitors while most Baudeogi visitors were with a family group whereas Danoje visitors also had a considerable number of friend/colleague groups. Regarding motivation, Baudeogi visitors generally showed stronger motivation than Danoje visitors about heritage festival visitation. The motivation to visit heritage festival were reduced through factor analysis to four each dimensions: cultural learning; escape/family togetherness; the need for authenticity; and enjoyment/socialisation factor at Baudeogi while enjoyment/novelty authenticity/cultural learning, family togetherness escape/socialisation were divers to those attending in the Danoje Festival. Secondly, authenticity was understood differently by stakeholders. Among visitors’ motivation, existential authenticity was identified as a strongest predictor for overall satisfaction from both festivals. Otherwise, performers and policy makers largely showed objective-related authenticity providers of the festival. However, there were tactical variations: performers and policy makers displayed existential authenticity as a means of engineering visitor satisfaction. Furthermore, the commodified Baudeogi festival was commonly perceived as staged authenticity (Cohen 1979) by visitors, where performers and local government viewed it as real in a staged setting whereas central and regional government perceived it as contrived authenticity, as a staged festival. In contrast, Gangneung Danoje Festival was perceived as an authentic experience by all levels of governments and by performers as real in a real setting, while it was perceived as denial of authenticity by visitors as staged festival. This result indicated that the perception of authenticity was identified as depending on personal judgement (Cohen 1988). Finally, through linear multiple regression analysis, visitors’ motivation and perception of authenticity was identified as an influence to visitors’ post-trip behaviours (satisfaction, recommendation and revisit). For the Danoje Festival, visitors’ perception of authenticity showed effective causal relationship to visitors’ intention of recommendation. Also, visitor satisfaction more strongly affected to intention of recommend and revisit. Keywords: Local Cultural Heritage Festival, Perception of Authenticity, Commodification, Stakeholders, Motivation, Satisfaction
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Tummons, Jonathan P. "Cultural assimilation, appropriation and commercialization : authenticity in rap music, 1997-2004 /." Morgantown, W. Va. : [West Virginia University Libraries], 2008. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=5611.

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Thesis (M.A.)--West Virginia University, 2008.
Title from document title page. Document formatted into pages; contains xvi, 195 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 183-195).
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Tetley, Sarah. "Visitor attitudes to authenticity at a literary tourist destination." Thesis, Sheffield Hallam University, 1998. http://shura.shu.ac.uk/3465/.

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Cultural tourism is assuming ever greater significance, and this study examines one particular form of this tourism whose main resource is the literary work of authors. Literary tourist destinations are places visited because of their associations with books or other literary outputs and with their authors. Such destinations are becoming increasingly popular as visitor attractions. This research examines the visitors to one well-known literary tourist destination. It examines the motivations, experiences and attitudes of the visitors as they relate to the authenticity of the destination. Although literary tourism is a significant part of both the cultural and tourism industries, it is very largely under-researched. Most concentrates on the historical emergence of literary tourist destinations. The present examination uses a case study of tourists visiting the literary tourism area of Haworth, West Yorkshire, England which was home to the literary Bronte family. The nature of the links specifically between literature, authenticity and tourism remain under-researched, with little sustained attention given to questions surrounding the authenticity of literary tourist destinations. Hence, the case study investigates visitor attitudes to the character of authenticity at the destination. Authenticity is evaluated explicitly as a social construct, and the research also questions how tourists respond to the signs or markers of literary connections. In this way, the research adds to the understanding of literary tourist destinations, visitor attitudes to authenticity, and their perceptions of, and responses to, signs as markers of authenticity. The case study is based on a social survey which comprises three different semi-structured questionnaires. While these surveys shared standard questions on motivations and authenticity, each had a distinct focus, which facilitated the assessment of visitor attitudes to a wide range of potential tourism products in the literary tourist destination. This research adds to methodological sophistication in tourism research by its innovative use of visual stimuli as a projection technique, with this method rarely being used in tourism studies. Verbal stimuli were less likely to be appropriate to explore the signs that visitors use as markers of authenticity. Consequently, photographs including key potential signs were used as a stimulus to gain insights into visitor responses. The results indicate that the literary tourist destination of Haworth attracts a broad range of visitor types, and that the different types of visitors differed in their motivations and experiences. It was found that different visitors were motivated to visit Haworth by the desire to learn and by the desire to have fun to varying degrees. Such motivations affected the extent to which they were concerned about the authenticity of the various aspects of the literary tourism product. In a similar vein, the empirical data suggests that visitors varied in the extent to which they considered their experience of the destination had been authentic, and differences also emerged between the features of the literary place that visitors used as markers of authenticity or of inauthenticity.
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Yang, Chen. "Representation and authenticity of historic landscapes in Australia and China." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/83479/1/Chen_Yang_Thesis.pdf.

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Histories of past communities are embedded in landscapes around the world but many are suffering from material change or neglect of their fabric. This study was aimed at discovering and representing the authentic intangible experience of two historic landscapes for conservation purposes. A 2500 year old site in Yangzhou, China and a 2000 year old site on St Helena Island in Moreton Bay were found to be managed under two culturally different regimes of authenticity. This research has contributed to challenging the notion that there is only one way to conserve authenticity in historic landscapes of the Asia Pacific.
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Lawrance, Robert A. "Defining and protecting cultural and heritage tourism authenticity in rural Nova Scotia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ39674.pdf.

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Grover, Mary. "The authenticity of the middlebrow : Warwick Deeping and cultural legitimacy, 1903-1940." Thesis, Sheffield Hallam University, 2002. http://shura.shu.ac.uk/3105/.

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My project has been to examine how the hierarchical structures of taste implied by the term 'middlebrow' were negotiated by the bestselling novelist, Warwick Deeping, 1877-1950. Deeping is my focus for three reasons: he was immensely popular; his popularity was perceived by such critics as Q. D. Leavis as a threat to the 'sensitive minority'; he was prolific. His 68 novels from 1903-1950 thus give the cultural historian the unusual opportunity of tracing the development of an author's attempts to protect both himself and his readers from a process of cultural devaluation. After 1925, the best-selling Sorrell and Son and its immediate successors established 'a' Deeping as a product about which both admirers and detractors had certain expectations. Deeping's response to these expectations provide an exemplary site within which to examine how certain cultural distinctions were being negotiated and contested in England between the wars. My introduction traces the genealogy of my theoretical approach. The theories of Pierre Bourdieu have informed my understanding of the ways in which any expression of taste reflects the class positioning of the consumer. However these theories are concerned chiefly with patterns of consumption. They do not account adequately for the generation of texts in response to perceived cultural hierarchies. Deeping's texts are increasingly explicit in the ways they dramatise their own questionable cultural status. I use this self-consciousness to test the limits of the usefulness of available theories of cultural production. My first chapter historicises the emergence of the term 'middlebrow', using the contrast between its use on either side of the Atlantic to demonstrate the necessity of placing its use in a particular class and cultural context. My second chapter, therefore, is a short account of Deeping's own class positioning, focusing on the way in which his biographical constructions marketed the writer of popular fiction. My third chapter examines how his first twenty novels dramatise the kind of fiction that Deeping thought himself to be writing before the term 'middlebrow' had currency. My fourth chapter examines the group of novels, preceding Sorrell and Son, in which the writer is depicted as feminised and declassified. My fifth chapter concerns the nature of the extraordinary success of Sorrell and Son and what this implies about the gendered cultural and class positions both of Deeping and his loyal readers. My final chapter deals with the animosity to which Sorrell's success exposed the culturally beleaguered Deeping and with how consciousness of this animosity shaped his later novels. My thesis seeks to demonstrate that the way cultural hierarchies are established shapes the nature of the products generated. Although commentators on mass culture have stressed the homogenous identity of popular texts, the mechanical nature of their production and the passivity of their consumers, Deeping's novels imply readers aware of and resistant to such characterisations. Q. D. Leavis identified this resistance, but she and other self-appointed members of the cultural elite, failed to recognise that the 'game' of drawing cultural distinctions blunted the exercise of the very quality on which the self-appointed umpires based their claim to cultural superiority: moral intelligence and discrimination. In a similar way commentators on the left, anxious to assert their affiliations with the working class, were only able to register the petit-bourgeois 'image' of Deeping's work from which they wished to distance themselves. They therefore failed to perceive that it is, amongst many other things, about class images. The project aims to encourage a greater attention to the particularity of cultural commodities consumed by the lower middle classes in the 1920s and 1930s.
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Books on the topic "Cultural Authenticity"

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Lindholm, Charles. Culture and authenticity. Malden, MA: Blackwell Pub., 2008.

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Barker, Joanne. Native acts: Law, recognition, and cultural authenticity. Durham: Duke University Press, 2011.

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1967-, Graham Colin, and Kirkland Richard, eds. Ireland and cultural theory: The mechanics of authenticity. Basingstoke: Macmillan, 1999.

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1967-, Graham Colin, and Kirkland Richard, eds. Ireland and cultural theory: The mechanics of authenticity. New York, N.Y: St. Martin's Press, 1999.

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Umbach, Maiken, and Mathew Humphrey. Authenticity: The Cultural History of a Political Concept. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-68566-3.

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L, Fox Dana, and Short Kathy Gnagey, eds. Stories matter: The complexity of cultural authenticity in children's literature. Urbana, Ill: National Council of Teachers of English, 2003.

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1970-, Williams J. Patrick, ed. Authenticity in culture, self, and society. Burlington, VT: Ashgate Pub., 2009.

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L, Kuzʹminich M., ed. Aŭtėntychny falʹklor--prablemy bytavanni︠a︡, vyvuchėnni︠a︡, peraĭmanni︠a︡: Matėryi︠a︡ly navukova-metadychnaĭ kanferėntsyi, 15--16 sakavika 2007 h. Minsk: Belaruski dzi︠a︡rz︠h︡aŭny universitėt kulʹtury i mastatstvaŭ, 2007.

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Navukova-metadychnai︠a︡, kanferėntsyi︠a︡ "Aŭtėntychny falʹklor-prablemy bytavanni︠a︡ vyvuchėnni︠a︡ peraĭmanni︠a︡ (2007 Minsk Belarus). Aŭtėntychny falʹklor--prablemy bytavanni︠a︡, vyvuchėnni︠a︡, peraĭmanni︠a︡: Matėryi︠a︡ly navukova-metadychnaĭ kanferėntsyi, 15--16 sakavika 2007 h. Minsk: Belaruski dzi︠a︡rz︠h︡aŭny universitėt kulʹtury i mastatstvaŭ, 2007.

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The romance of authenticity: The cultural politics of regional and ethnic literatures. Charlottesville: University of Virginia Press, 2004.

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Book chapters on the topic "Cultural Authenticity"

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Brost, Amy. "Reconciling Authenticity and Reenactment." In Cultural Inquiry, 183–92. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_19.

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Locating authenticity in artworks that are remade (all or in part) or re-performed over time presents a unique challenge for art conservators, whose activities have traditionally been oriented toward caring for the material aspects of art objects. The paper offers a brief overview of perspectives on authenticity and discusses various theoretical models that have been developed to conceptualize how media, installation, and performance artworks are displayed and cared for over time. These include the score/performance model, the concepts of autographicity and allographicity, the concept of iteration, and authenticity as a practice. The author proposes a theoretical model based on the ritual aspects of presenting artworks, arguing that authenticity, repetition, and community participation can be reconciled within a ritual context.
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Chen, Lingchei Letty. "Refashioning Cultural Authenticity: Taiwan." In Writing Chinese, 51–76. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403982988_4.

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Mulcahy, Kevin V. "Acadiana and the Cajun Cultural Space: Adaptation, Accommodation, and Authenticity." In Public Culture, Cultural Identity, Cultural Policy, 151–79. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-43543-9_6.

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Jones, Lucy. "Indexing Authenticity via Cultural Knowledge." In Dyke/Girl: Language and Identities in a Lesbian Group, 104–18. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271341_7.

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McIntyre, Phillip. "Popular Music: Creativity and Authenticity." In Creativity and Cultural Production, 160–75. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358614_12.

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Umbach, Maiken, and Mathew Humphrey. "Authenticity and Consumption." In Authenticity: The Cultural History of a Political Concept, 95–121. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68566-3_5.

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Umbach, Maiken, and Mathew Humphrey. "The Nature of Authenticity, and the Authenticity of Nature." In Authenticity: The Cultural History of a Political Concept, 13–38. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68566-3_2.

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Adams, Jennifer D., and Christina Siry. "Living Authenticity in Science Education Research." In Cultural Studies of Science Education, 143–58. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50921-7_9.

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Grazian, David. "Demystifying authenticity in the sociology of culture." In Routledge Handbook of Cultural Sociology, 168–76. Second edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge international handbooks | Earlier edition published as: Handbook of cultural sociology.: Routledge, 2018. http://dx.doi.org/10.4324/9781315267784-19.

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Holtorf, Cornelius. "Authenticity and Pastness in Cultural Heritage Management." In Encyclopedia of Global Archaeology, 1237–38. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1138.

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Conference papers on the topic "Cultural Authenticity"

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Doganer, S., and W. Dupont. "Cultural heritage tourism and authenticity: San Antonio Missions Historic District." In STREMAH 2013. Southampton, UK: WIT Press, 2013. http://dx.doi.org/10.2495/str130021.

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Podyapolskaya, Olga. "Categories Of Text Representing Its Authenticity (On The Basis Of German Texts)." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.129.

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Dabamona, Samsudin Arifin. "“I Then Called My Father Straight Away to Ask”: Educational School Trips and Cultural Identity." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.17-1.

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The authenticity and promotion of cultural immersion developed in cultural places has been seen to provide meaningful experiences and, at the same time, present unique aspects of cultural identity to student visitors. Conducting research in the Cultural Museum of Cenderawasih University and Abar village in Papua, Indonesia, this paper highlights how native Papuan students make meaning within a cultural context and identify their own identities based on an educational school trip. Moreover, the paper underlines students’ responses on cultural issues and threats resulted from their reflective experience.
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Wang, Qing, and Martin Liu. "EXAMINING THE INFUENCE OF CULTURAL EXPERIENCE ON CONSUMERS’ AUTHENTICITY EVALUATION OF LUXURY BRANDS." In Bridging Asia and the World: Global Platform for Interface between Marketing and Management. Global Alliance of Marketing & Management Associations, 2016. http://dx.doi.org/10.15444/gmc2016.06.05.06.

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Feng, Tao, and Ye Wang. "Evaluation method of authenticity of ceramic and porcelain cultural relics based on spectral analysis." In Optical Sensing and Imaging Technology, edited by Yongtian Wang, Bin Xue, Yadong Jiang, Xiaoyong Wang, and Dong Liu. SPIE, 2023. http://dx.doi.org/10.1117/12.2651740.

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Suzuki, Tadayuki. "How to Evaluate Cultural Authenticity and Stereotypical Generalizations that Exist in Asian-American Children's Books." In Charleston Conference. Against the Grain Press, 2012. http://dx.doi.org/10.5703/1288284314835.

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Markova, Anna. "THE TOURIST BLOG: BETWEEN PERSONAL TRAVELOGUE AND COMMUNICATION FOR VALORISING CULTURAL HERITAGE." In TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.65.

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In the context of the specifics of tourism discourse and communication through blogs, the paper presents an analysis of the image of the cultural heritage of the municipality of Kazanlak in 30 publications in French-language tourist blogs from the last ten years. The various discursive strategies and linguistic tools that can be identified in these texts are explored through the prism of their contribution to structuring a presentation that goes beyond the story of personal travel and emphasizes authenticity, identity and axiological charge, aesthetic value and the invitation to discover alterity in the described tangible and intangible cultural heritage. Elements that bring the discourse thus constructed closer to a communication that valorises cultural property. Thus, beyond the possibility of outlining the image of cultural heritage perceived by the foreign tourist, useful with a view to the efforts to promote it, the issue of the foreign tourist blog as a potential interesting component of communication campaigns in the field of cultural tourism deserves attention.
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Oasay, Rushiell, and Ma Cristina Ph. D. "Assessing Authenticity of Selected Cultural Heritage Sites of Paoay, Ilocos Norte: A Study on Enhancing Visitors’ Experience." In Proceedings of the 1st International Conference on Social Science, Humanities, Education and Society Development, ICONS 2020, 30 November, Tegal, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-11-2020.2303747.

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LUSHCH-PURII, Uliana. "THE UKRAINIAN HAPPINESS: THE UKRAINIAN CONTEXT OF HOMO EUDAIMONICUS ANTHROPOLOGICAL MODEL." In Proceedings of The Third International Scientific Conference “Happiness and Contemporary Society”. SPOLOM, 2022. http://dx.doi.org/10.31108/7.2022.26.

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The Ukrainian cultural context of homo eudaimonicus is analyzed. It is argued that the active phase of war of russia against Ukraine (since February, 24, 2022) has not destroyed Ukrainians’ happiness. It is shown how the Ukrainian specificity of eudaimonic happiness has been shaping since the beginning of the war 2022 for the independence of Ukraine. The main features of this Ukrainian type of eudaimonic happiness are outlined. Key words: homo eudaimonicus, eudaimonic happiness, morality, freedom, authenticity
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Leopaci, Juliana Do Amaral, Mariah Boelsums, and Fernanda Bredariol. "Restoration of polychrome wood sculpture: a case study with highly weakened polychrome." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13579.

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This article presents a case study of a polychrome wood carving sculpture representing Jesus Christ crucified. The piece belongs to the Chapel of Nossa Senhora da Glória, located in the district of Ressaca/Carandaí, Minas Gerais, Brazil. It was in a poor state of conservation, especially the very fragile polychrome, impairing the work. legibility. From the analysis of the state of conservation of the object, four important points were considered to support the proposed treatment: stability, reversibility, aesthetic legibility, and the potential oneness conceptualized by Cesare Brandi, which aimed at the stability of the material that would guarantee the potential oneness of the work without creating a historical and artistic falsehood. These points are directly linked to the modern techniques and resources used, as well as the intention to maintain the integrity and authenticity of the work. The entire polychrome process was of great importance to acquire its stability, due to the presence of four types of lacunae. Lastly, the chromatic reintegration, in which the pointillism technique was used, aimed to be distinguishable from the pictorial layer of the work. Therefore, this study aims to present the restoration process of a polychrome wood sculpture and, mainly, to demonstrate the importance of chromatic reintegration to insert and ensure aesthetic legibility and a potential oneness of the work.
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Reports on the topic "Cultural Authenticity"

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Southworth, Sarah Song, and Jung Ha-Brookshire. Role of Asian Cultural Authenticity on U.S. Consumers' Perceived Quality, Trust, and Patronage Intention. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1350.

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