Journal articles on the topic 'Crucifixion in art'
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Jeffrey, David Lyle. "Meditation and Atonement in the Art of Marc Chagall." Religion and the Arts 16, no. 3 (2012): 211–30. http://dx.doi.org/10.1163/156852912x635205.
Panteleev, Aleksey D. "Crucifixion in the Ancient Art of the Roman Period." Actual Problems of Theory and History of Art 11 (2021): 124–33. http://dx.doi.org/10.18688/aa2111-01-11.
de Chaves, Lila. "An Investigation on a Coptic Embroidered Panel from the 13th Century “Crucifixion with the Twelve Apostles” (Benaki Museum, Athens)." Heritage 4, no. 4 (November 13, 2021): 4335–43. http://dx.doi.org/10.3390/heritage4040239.
Coatsworth, Elizabeth. "The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion." Anglo-Saxon England 29 (January 2000): 153–76. http://dx.doi.org/10.1017/s0263675100002441.
Fowler, Cynthia. "Herman Trunk’s Cubist Crucifix: A Case Study." Religion and the Arts 15, no. 5 (2011): 628–47. http://dx.doi.org/10.1163/156852911x596264.
Ledovskih, Natalya P., and Olga G. Belomoeva. "Existential analysis philosophy of art creation." Aspirantskiy Vestnik Povolzhiya 19, no. 7-8 (April 7, 2020): 50–53. http://dx.doi.org/10.17816/2072-2354.2019.19.7-8.50-53.
Tarakanova, Ekaterina I. "WOODEN “CRUCIFIXION” BY FILIPPO BRUNELLESCHI AND MASACCIO’S FRESCO “TRINITY”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2022): 124–33. http://dx.doi.org/10.28995/2686-7249-2022-1-124-133.
Misler, Nicoletta, and John E. Bowlt. "Catherine’s Icon: Pavel Filonov and the Orthodox World." Religions 12, no. 7 (July 6, 2021): 502. http://dx.doi.org/10.3390/rel12070502.
Bigaj-Zwonek, Beata. "Religious Motifs in Polish Contemporary Art Using the Crucifixion: An Outline of the Problem." Perspektywy Kultury 28, no. 1 (March 1, 2020): 149–66. http://dx.doi.org/10.35765/pk.2020.2801.12.
González, Cristina Cruz. "Crucifixion piety in New Mexico: On the origins and art of St. Librada." Res: Anthropology and aesthetics 65-66 (March 2015): 89–104. http://dx.doi.org/10.1086/691028.
Schulze-Witzenrath, Elisabeth. "„compassio“, Leidenschaft, Ekstase." Poetica 52, no. 3-4 (December 23, 2021): 180–227. http://dx.doi.org/10.30965/25890530-05201009.
Szot, Zofia. "Kolory Ofiary – akwarelowe malarstwo pasyjne Danyły Mowczana." Sacrum et Decorum 14 (2021): 108–28. http://dx.doi.org/10.15584/setde.2021.14.6.
Sugiyama, Miyako. "Jan van Eyck’s New York Diptych: A New Reading on the Skeleton of the Great Chasm." Arts 11, no. 1 (December 25, 2021): 4. http://dx.doi.org/10.3390/arts11010004.
Chynoweth. "Women Crucified for the Sins of the Fathers: Censorship and the Crucifixion Motif in the Art of Rachael Romero." Journal of Feminist Studies in Religion 30, no. 1 (2014): 167. http://dx.doi.org/10.2979/jfemistudreli.30.1.167.
Wallace, Isabelle Loring. "Rivalry, Retribution, and Religion: The Art of Paul Pfeiffer." Religion and the Arts 16, no. 3 (2012): 231–62. http://dx.doi.org/10.1163/156852912x635214.
Cunningham, Dawn. "Elucidating Opposites." Religion and the Arts 21, no. 3 (2017): 309–34. http://dx.doi.org/10.1163/15685292-02103001.
Esaulov, Ivan. "KAMENNOOSTROVSKY CYCLE OF ALEXANDER PUSHKIN AS EASTER TEXT: MIMESIS, PARAPHRASIS, CATHARSIS. ARTICLE 1." Проблемы исторической поэтики 19, no. 1 (February 2021): 88–123. http://dx.doi.org/10.15393/j9.art.2021.9002.
Startsev, Anton Vladimirovich. "Features of the Composition in the Iconography of the Crucifixion on the example of the works of Old Russian iconography of the late XV - early XVI centuries." Культура и искусство, no. 4 (April 2022): 112–40. http://dx.doi.org/10.7256/2454-0625.2022.4.37849.
Murphy, Jill. "Dark fragments." Alphaville: Journal of Film and Screen Media, no. 7 (June 25, 2014): 39–56. http://dx.doi.org/10.33178/alpha.7.03.
Stoian, S. P. "UKRAINIAN BAROQUE IN VISUAL ARTS – NATIONAL SYMBOLS IN THE CONTEXT OF EUROPEAN CULTURE." UKRAINIAN CULTURAL STUDIES, no. 2(9) (2021): 88–94. http://dx.doi.org/10.17721/ucs.2021.2(9).15.
Borgers, Kathrin. "Recto and Verso: The Pictorial Fronts and the Marbled Reverses of Two Flemish Panel Paintings." Arts 11, no. 1 (January 3, 2022): 10. http://dx.doi.org/10.3390/arts11010010.
Verbivska, H. O. "AESTHETICAL EXPERIENCE AS PATHOLOGICAL DISCOURSES OF ABJECTION AND MELANCHOLIA IN THE BEKSINSKI' ART." UKRAINIAN CULTURAL STUDIES, no. 1 (6) (2020): 55–59. http://dx.doi.org/10.17721/ucs.2020.1(6).12.
Osadcha, O. A. "Strategies of Representing Christian Imagery And Motives in the Art of Kharkiv in the Late Soviet Period." Culture of Ukraine, no. 71 (April 2, 2021): 100–110. http://dx.doi.org/10.31516/2410-5325.071.13.
Smorąg Różycka, Małgorzata. "Miejsce ekfrazy w bizantynistycznej historiografii artystycznej." Vox Patrum 70 (December 12, 2018): 471–84. http://dx.doi.org/10.31743/vp.3217.
Hickson, Sally. "Exporting Caravaggio: The Crucifixion of Saint Andrew. Erin E. Benay. Cleveland Masterwork Series 4. Cleveland: Cleveland Museum of Art, 2017. xiv + 170 pp. $28.95." Renaissance Quarterly 72, no. 4 (2019): 1450–51. http://dx.doi.org/10.1017/rqx.2019.401.
Morlier, Margaret M. "The Death of Pan: Elizabeth Barrett Browning and the Romantic Ego." Browning Institute Studies 18 (1990): 131–55. http://dx.doi.org/10.1017/s009247250000290x.
Titarenko, E. M. "Russian painting of the 19th century in the context of the projective aesthetics of N.F. Fyodorov." Solov’evskie issledovaniya, no. 4 (December 15, 2019): 114–27. http://dx.doi.org/10.17588/2076-9210.2019.4.114-127.
Bräunlein, Peter. "Negotiating Charisma: The Social Dimension of Philippine Crucifixion Rituals." Asian Journal of Social Science 37, no. 6 (2009): 892–917. http://dx.doi.org/10.1163/156848409x12526657425262.
Keefe, John. "Boltanski’s dilemma: Mimetics, distance and spectating suffering." Performing Ethos: International Journal of Ethics in Theatre & Performance 11, no. 1 (November 1, 2021): 3–22. http://dx.doi.org/10.1386/peet_00034_1.
McMANUS, I. C. "Symmetry and asymmetry in aesthetics and the arts." European Review 13, S2 (August 22, 2005): 157–80. http://dx.doi.org/10.1017/s1062798705000736.
Hibberts, Stephen, Howell G. M. Edwards, Mona Abdel-Ghani, and Peter Vandenabeele. "Raman spectroscopic analysis of a ‘ noli me tangere ’ painting." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 374, no. 2082 (December 13, 2016): 20160044. http://dx.doi.org/10.1098/rsta.2016.0044.
Chazelle, Celia. "The Cult of the Virgin Mary in Anglo-Saxon England. Mary ClaytonSaints and Relics in Anglo-Saxon England. David RollasonAnglo-Saxon Crucifixion Iconography and the Art of Monastic Revival. Barbara C. Raw." Journal of Religion 71, no. 4 (October 1991): 574–75. http://dx.doi.org/10.1086/488721.
Alexander, J. J. G. "Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival. By Barbara C. Raw. (Cambridge Studies in Anglo-Saxon England, 1.) Pp. xii + 296 + 16 plates. Cambridge: Cambridge University Press, 1990. £35. 0 521 36370 5." Journal of Ecclesiastical History 42, no. 3 (July 1991): 475–76. http://dx.doi.org/10.1017/s002204690000347x.
Franolić, Branko. "An Historical Outline of Croatian Painting from Crucifixtion to Computer Art." Journal of Croatian Studies 31 (1990): 40–66. http://dx.doi.org/10.5840/jcroatstud1990312.
Martins, Leonardo, and Diogo Caldas Leonardo Dantas. "Crucifixos em repartições públicas: do exame de constitucionalidade de uma prática administrativa baseada na tradição." Espaço Jurídico Journal of Law [EJJL] 17, no. 3 (December 20, 2016): 885–912. http://dx.doi.org/10.18593/ejjl.v17i3.10247.
Marušić, Matko. "Paolo Veneziano’s arbor crucis in Dubrovnik and the Rhetoric of the Frame in the Mid-Trecento." Zeitschrift für Kunstgeschichte 85, no. 4 (November 23, 2022): 440–64. http://dx.doi.org/10.1515/zkg-2022-4003.
Kobielus, Stanisław. "The Concordia Novi Et Veteris Testamenti in its Juxtaposition of Illustrations: the Hitting of the Hammers of Tubalcain and the Hammering of the Nails into the Hands and Feet of Christ During the Crucifixione." Roczniki Humanistyczne 66, no. 4 SELECTED PAPERS IN ENGLISH (October 23, 2019): 37–61. http://dx.doi.org/10.18290/rh.2018.66.4-2e.
Leith, Mary Joan Winn, and Allyson Everingham Sheckler. "Background as Foreground: The Santa Sabina Crucifixion Panel." Source: Notes in the History of Art 37, no. 4 (June 2018): 205–14. http://dx.doi.org/10.1086/699962.
Przybos, Julia. "Polish Decadence: Leopold Staff's Igrzysko in the European Context." Nordlit 15, no. 2 (March 26, 2012): 79. http://dx.doi.org/10.7557/13.2045.
Lahuerta, Juan José. "The Crucifixions of Velázquez and Zurbarán." Res: Anthropology and aesthetics 65-66 (March 2015): 259–74. http://dx.doi.org/10.1086/691038.
Appleby, David F. "David Rollason. Saints and Relics in Anglo-Saxon England. Cambridge, Mass.: Basil Blackwell. 1989. Pp. xii, 245. $39.95. - Barbara C. Raw. Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival. (Cambridge Studies in Anglo-Saxon England.) New York: Cambridge University Press. 1990. Pp. xii, 296. $55.00." Albion 23, no. 3 (1991): 510–12. http://dx.doi.org/10.2307/4051116.
Van der Linde, G. "In the shadow of the cross: on Lagerkvist’s Barabbas." Literator 28, no. 2 (July 30, 2007): 101–18. http://dx.doi.org/10.4102/lit.v28i2.161.
Milroy, Elizabeth. "'Consummatum est . . .': A Reassessment of Thomas Eakins's Crucifixion of 1880." Art Bulletin 71, no. 2 (June 1989): 269. http://dx.doi.org/10.2307/3051198.
Delimata, Maria. "Authenticity and commercialization. Cambodian theatre in a postcolonial perspective." Journal of Education Culture and Society 1, no. 2 (January 17, 2020): 15–26. http://dx.doi.org/10.15503/jecs20102.15.26.
González de Zárate, Jesús María, Dorleta Núñez Ortíz de Zárate, and Virgilio Bermejo Vega. "La huella de la iconografía alemana y los modelos figurativos en «La Crucifixión» del Greco." Boletín de Arte, no. 11 (August 15, 2022): 61–66. http://dx.doi.org/10.24310/bolarte.1990.vi11.15242.
Furnal, Joshua R. "Crucifixions and Resurrections of the Image: Christian Reflections on Art and Modernity - By George Pattison." Reviews in Religion & Theology 18, no. 2 (February 23, 2011): 273–75. http://dx.doi.org/10.1111/j.1467-9418.2011.00798.x.
Rolska, Irena. "Ferula świętego papieża Pawła VI – innowacja i symbol tradycji." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 73–80. http://dx.doi.org/10.18290/rh20684-5s.
Wardropper, Ian. "A Silver Relief of the Crucifixion of St Peter by Luigi Valadier." Sculpture Journal 4, no. 1 (January 1, 2000): 79–84. http://dx.doi.org/10.3828/sj.2000.4.1.10.
Ladous, Régis. "La crucifixion transportée. L’Exemple de l’art contemporain Hongrois (1900–1980)." Hungarian Studies 30, no. 1 (June 2016): 111–24. http://dx.doi.org/10.1556/044.2016.30.1.7.
KREUDER, FRIEDEMANN. "Flagellation of the Son of God and Divine Flagellation: Flagellator Ceremonies and Flagellation Scenes in the Medieval Passion Play." Theatre Research International 33, no. 2 (July 2008): 176–90. http://dx.doi.org/10.1017/s0307883308003672.