Academic literature on the topic 'Crossover singing'
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Journal articles on the topic "Crossover singing"
Gates, George A., Leonard Johnson, Joel Saegert, Alexander Shepherd, Neil Wilson, and M. Hearne Erwin. "Effect of β Blockade on Singing Performance." Annals of Otology, Rhinology & Laryngology 94, no. 6 (November 1985): 570–74. http://dx.doi.org/10.1177/000348948509400609.
Full textBurrai, Francesco, Rossella Lupi, Marco Luppi, Valentina Micheluzzi, Gabriele Donati, Gaetano Lamanna, and Rajeev Raghavan. "Effects of Listening to Live Singing in Patients Undergoing Hemodialysis: A Randomized Controlled Crossover Study." Biological Research For Nursing 21, no. 1 (September 24, 2018): 30–38. http://dx.doi.org/10.1177/1099800418802638.
Full textButala, Ankur, Kevin Li, Aathman Swaminathan, Susan Dunlop, Yekaterina Salnikova, Bronte Ficek, Brandon Portnoff, et al. "Parkinsonics: A Randomized, Blinded, Cross-Over Trial of Group Singing for Motor and Nonmotor Symptoms in Idiopathic Parkinson Disease." Parkinson's Disease 2022 (September 20, 2022): 1–14. http://dx.doi.org/10.1155/2022/4233203.
Full textBergmann, Melanie, Stefan Riedinger, Ambra Stefani, Thomas Mitterling, Evi Holzknecht, Peter Grassmayr, and Birgit Högl. "Effects of singing bowl exposure on Karolinska sleepiness scale and pupillographic sleepiness test: A randomised crossover study." PLOS ONE 15, no. 6 (June 1, 2020): e0233982. http://dx.doi.org/10.1371/journal.pone.0233982.
Full textCorella, Dolores, José Sorlí, Eva Asensio, Rocío Barragán, Olga Portolés, and Oscar Coltell. "Short-Term Effects on Gene-Expression and on DNA-Methylation at the Genome-Wide Level of the Iberian Ham Intake and Compared With Orange Intake: A Crossover Randomized Trial." Current Developments in Nutrition 5, Supplement_2 (June 2021): 937. http://dx.doi.org/10.1093/cdn/nzab050_004.
Full textSmith, Amy R., Joseph Hagan, Marlene Walden, Alix Brickley, Marial Biard, Christopher Rhee, Patricia McIver, Helen Shoemark, and M. Colleen Brand. "The Effect of Contingent Singing on Infants with Bronchopulmonary Dysplasia in the Neonatal Intensive Care Unit." Journal of Music Therapy, January 2, 2023. http://dx.doi.org/10.1093/jmt/thac019.
Full text"Aesthetic and Technological Basis for Synthesis of Academic and Pop Vocal Traditions in the Aspect of Musical Pedagogy." International Journal of Innovative Technology and Exploring Engineering 8, no. 12 (October 10, 2019): 355–58. http://dx.doi.org/10.35940/ijitee.l3253.1081219.
Full textGalinha, Iolanda Costa, Manuel Farinha, Maria Luísa Lima, and António Labisa Palmeira. "Sing4Health: protocol of a randomized controlled trial of the effects of a singing group intervention on the well-being, cognitive function and health of older adults." BMC Geriatrics 20, no. 1 (September 18, 2020). http://dx.doi.org/10.1186/s12877-020-01686-6.
Full textOsório, Flávia de Lima, Gleidy Vannesa Espitia-Rojas, and Lilian Neto Aguiar-Ricz. "Effects of intranasal oxytocin on the self-perception and anxiety of singers during a simulated public singing performance: A randomized, placebo-controlled trial." Frontiers in Neuroscience 16 (August 11, 2022). http://dx.doi.org/10.3389/fnins.2022.943578.
Full textFairchild, Charles. "'Australian Idol' and the Attention Economy." M/C Journal 7, no. 5 (November 1, 2004). http://dx.doi.org/10.5204/mcj.2427.
Full textDissertations / Theses on the topic "Crossover singing"
Silva, Raquel Antunes da. "O cantor crossover no Brasil: uma abordagem sobre a versatilidade vocal entre o canto lírico e o belting na Contemporary Commercial Music." Master's thesis, Universidade de Évora, 2022. http://hdl.handle.net/10174/31365.
Full textNascimento, Carlos Eduardo do. "O cantor crossover : um estudo sobre a versatilidade vocal e algumas diferenças básicas entre o canto erudito e popular /." São Paulo, 2016. http://hdl.handle.net/11449/148749.
Full textBanca: Adriana Giarola Kayama
Banca: Josani Keunecke Pimenta
Resumo: Este trabalho tem como objetivo, estudar, através de pesquisa bibliográfica e entrevistas com profissionais da área, a versatilidade vocal do cantor crossover ao transitar por vários estilos de canto oriundos de outras culturas e algumas diferenças básicas entre o canto erudito e popular. Essa pesquisa possui caráter descritivo de natureza qualitativa, descrevendo as características e a complexidade do canto crossover, compreendendo os processos dinâmicos vividos pelos profissionais que atuam nessa abrangente área, com o intuito de possibilitar, um entendimento das particularidades desse tipo de canto. Para a investigação do tema deste trabalho, foram feitas entrevistas com profissionais que atuam hoje no mercado como cantores e professores crossover. Como resultado, observamos que esses profissionais, conseguem desenvolver uma voz flexível e versátil através da manipulação do seu trato vocal e que a conscientização do modelo fonte/filtro constitui uma importante ferramenta para ajudar nisso. Outro achado dessa pesquisa, foi destacar algumas características bem específicas e distintas entre o canto lírico e o popular as quais o cantor multi-estilístico precisa estar atento.
Abstract: The aim of this thesis is to study, through bibliographical research and interviews with professionals in the field, the vocal versatility of the crossover singer when moving through various styles of singing originated from other cultures, and several basic differences between classical and popular singing. This research has a descriptive aspect of qualitative nature, describing the characteristics and the complexity of crossover singing, understanding the dynamic processes experienced by the professionals that work in this wide field, in order to allow comprehension of the peculiarities of this type of singing. For the investigation of the thesis' theme, interviews were conducted with professionals who currently act in the market as singers and crossover teachers. As a result, it was observed that these professionals are able to develop a flexible and versatile voice through the manipulation of their vocal tract, and that the awareness of the source/filter model is an important tool for achieving it. Another finding of this research was to highlight some very specific and distinct characteristics between classical and popular singing, which the multi-stylist singer needs to be aware
Mestre
Nascimento, Carlos Eduardo do [UNESP]. "O cantor crossover: um estudo sobre a versatilidade vocal e algumas diferenças básicas entre o canto erudito e popular." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/148749.
Full textApproved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-02-09T19:23:23Z (GMT) No. of bitstreams: 1 nascimento_ce_me_ia.pdf: 795537 bytes, checksum: 727981bbf9778470b920850e0a94bf72 (MD5)
Made available in DSpace on 2017-02-09T19:23:23Z (GMT). No. of bitstreams: 1 nascimento_ce_me_ia.pdf: 795537 bytes, checksum: 727981bbf9778470b920850e0a94bf72 (MD5) Previous issue date: 2016-12-19
Este trabalho tem como objetivo, estudar, através de pesquisa bibliográfica e entrevistas com profissionais da área, a versatilidade vocal do cantor crossover ao transitar por vários estilos de canto oriundos de outras culturas e algumas diferenças básicas entre o canto erudito e popular. Essa pesquisa possui caráter descritivo de natureza qualitativa, descrevendo as características e a complexidade do canto crossover, compreendendo os processos dinâmicos vividos pelos profissionais que atuam nessa abrangente área, com o intuito de possibilitar, um entendimento das particularidades desse tipo de canto. Para a investigação do tema deste trabalho, foram feitas entrevistas com profissionais que atuam hoje no mercado como cantores e professores crossover. Como resultado, observamos que esses profissionais, conseguem desenvolver uma voz flexível e versátil através da manipulação do seu trato vocal e que a conscientização do modelo fonte/filtro constitui uma importante ferramenta para ajudar nisso. Outro achado dessa pesquisa, foi destacar algumas características bem específicas e distintas entre o canto lírico e o popular as quais o cantor multi-estilístico precisa estar atento.
The aim of this thesis is to study, through bibliographical research and interviews with professionals in the field, the vocal versatility of the crossover singer when moving through various styles of singing originated from other cultures, and several basic differences between classical and popular singing. This research has a descriptive aspect of qualitative nature, describing the characteristics and the complexity of crossover singing, understanding the dynamic processes experienced by the professionals that work in this wide field, in order to allow comprehension of the peculiarities of this type of singing. For the investigation of the thesis’ theme, interviews were conducted with professionals who currently act in the market as singers and crossover teachers. As a result, it was observed that these professionals are able to develop a flexible and versatile voice through the manipulation of their vocal tract, and that the awareness of the source/filter model is an important tool for achieving it. Another finding of this research was to highlight some very specific and distinct characteristics between classical and popular singing, which the multi-stylist singer needs to be aware.
Дідоренко, Валерія Ігорівна, and Valeriia Ihorivna Didorenko. "Постать Монсеррат Кабальє у світовому вокальному мистецтві ХХ століття." Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9681.
Full textThe course of life of singer of Montserrat Caballe is in-process investigational. Becoming of creative career and world glory of opera singer is reflected; the features of creative collaboration of Montserrat Caballe are certain; the features of vocally-carrying out repertoire are analysed in activity of singer of Montserrat Caballe; meaningfulness of vocal dramaturgy of "Casta Diva" is considered from opera "Norm" В. Bellini in execution of Montserrat Caballe by facilities of vocal music.
Books on the topic "Crossover singing"
Gentry, Philip M. Singing Smoothly. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190299590.003.0002.
Full textWarren, Regina. Dimash Kudaibergen Adult Coloring Book: Classical Crossover Star and Folk Pop Legend, Prodigy Musician and Singing Icon Inspired Adult Coloring Book. Independently Published, 2019.
Find full textBook chapters on the topic "Crossover singing"
Meizel, Katherine. "Vox Populi, Vox Divo." In Multivocality, 49–70. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190621469.003.0003.
Full textPlatte, Nathan. "The Problem of Playing Oneself." In The Oxford Handbook of the Hollywood Musical, 345—C15.N64. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197503423.013.16.
Full text"Th e Emergence of Singing Voice Actors/Actresses: Th e Crossover Point of the Music Industry and the Animation Industry." In Made in Japan, 207–24. Routledge, 2014. http://dx.doi.org/10.4324/9780203384121-22.
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