Relevant bibliographies by topics / Crooks, Daniel

Academic literature on the topic 'Crooks, Daniel'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Crooks, Daniel"

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Stone, Lynden. "Re-Visioning Reality: Quantum Superposition in Visual Art." Leonardo 46, no. 5 (October 2013): 449–54. http://dx.doi.org/10.1162/leon_a_00640.

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The counterintuitive phenomenon of quantum superposition requires a radical review of our ideas of reality. The author suggests that translations of quantum concepts into visual art may assist in provoking such a revision. This essay first introduces the concept of quantum superposition and points out its divergence from conventional perceptions of reality. The author then discusses how visual art might provide insight into quantum superposition. Finally she discusses the visual representation of quantum superposition by contemporary artists Jonathon Keats, Julian Voss-Andreae, Antony Gormley and Daniel Crooks; the problematic and paradoxical nature of such representations; and how these works might provoke a revision of our views of physical reality.
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Hesketh, Ian. "The Psychic Force Serialized." Aries 22, no. 1 (November 22, 2021): 13–41. http://dx.doi.org/10.1163/15700593-02201002.

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Abstract This article considers the way chemist William Crookes utilized the editorship of the Quarterly Journal of Science to promote the scientific importance of spirit phenomena. It explores the publishing of Crookes’s series of sensational articles that investigated the ‘Psychic Force’, a purported force of nature that Crookes discovered during experiments with the medium Daniel Dunglas Home. Crookes thus used the platform afforded to him in the journal to describe his experiments and present his evidence within the framework of an orthodox scientific discourse. While Crookes endured much criticism from certain scientific men, the serial format of his investigation meant that he was able to generate a great deal of interest. It also meant that his subsequent articles in the series could respond to critics by adjusting his experiments, overcoming perceived difficulties, and providing his readers with new and exciting details concerning his ongoing investigation as it was being conducted.
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Cantrell, Phillip A. "Upstream Odyssey: An American in China, 1895-1944 by Daniel W. Crofts (review)." Ohio History 120, no. 1 (2013): 148–49. http://dx.doi.org/10.1353/ohh.2013.0009.

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Fielding, Henry. "A Charge Delivered to the Grand Jury, At the Sessions of the Peace Held for the City and Liberty of Westminster, &c. On Thursday the 29th of June, 1749." Camden Fourth Series 43 (July 1992): 325–43. http://dx.doi.org/10.1017/s0068690500001690.

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of our Lord the King, holden at the Town Court-House near Westminster-Hall, in and for the Liberty of the Dean and Chapter of the Collegiate Church of St. Peter, Westminster, the City, Borough, and Town of Westminster, in the County of Middlesex, and St. Martin le Grand, London, on Thursday the Twentyninth Day of June, in the Twenty-third Tear of the Reign of our Sovereign Lord George the Second, King of Great-Britain, &c. before Henry Fielding, Esq; the Right Hon. George Lord Carpenter, Sir John Crosse, Baronet, George Huddleston, James Crofts, Gabriel Fowace, John Upton, Thomas Ellys, Thomas Smith, George Payne, William Walmsley, William Young, Peter Elers, Martin Clare, Thomas Lediard, Henry Trent, Daniel Gach, James Fraser, Esquires, and others their fellows, Justices of our said Lord the King, assigned to keep the Peace of the said Liberty, and also to hear and determine divers Felonies, Trespasses, and other Misdeeds done and committed within the said Liberty.
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GRAACK, Hanns-Rüdiger, Ursula CINQUE, and Horst KRESS. "Functional regulation of glutamine:fructose-6-phosphate aminotransferase 1 (GFAT1) of Drosophila melanogaster in a UDP-N-acetylglucosamine and cAMP-dependent manner." Biochemical Journal 360, no. 2 (November 26, 2001): 401–12. http://dx.doi.org/10.1042/bj3600401.

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Glutamine:fructose-6-phosphate aminotransferase (GFAT; EC 2.6.1.16) expression is tightly regulated in the context of amino sugar synthesis in many organisms from yeast to humans by transcriptional and post-translational processes. We have cloned the cDNA of the GFAT1 of Drosophila melanogaster (Dmel/Gfat1). One of the two putative protein kinase A (PKA) phosphorylation sites proposed for the regulation of human GFAT1 [Zhou, Huynh, Hoffmann, Crook, Daniels, Gulve and McClain (1998) Diabetes 47, 1836–1840] is conserved in Dmel/GFAT1. In the other one the reactive serine has been converted to a cysteine, making further access by PKA unlikely. The Dmel/Gfat1 gene is localized at position 81F on the right arm of chromosome 3. By whole-mount in situ hybridization specific expression of Dmel/GFAT1 was detected in embryonic chitin-synthesizing tissues and in the corpus cells of salivary glands from late third larval instar. Expressing Dmel/GFAT1 in yeast we showed that Dmel/GFAT1 activity is controlled by UDP-N-acetylglucosamine and PKA in the yeast total protein extract system. We propose a model for the independent regulation of the Dmel/GFAT1 enzyme by feedback inhibition and PKA.
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Green, Michael S. "A Secession Crisis Enigma: William Henry Hurlbert and “The Diary of a Public Man.” by Daniel W. Crofts." Journal of the Civil War Era 3, no. 3 (2013): 414–16. http://dx.doi.org/10.1353/cwe.2013.0047.

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Striner, Richard. "Daniel W. Crofts. Lincoln and the Politics of Slavery: The Other Thirteenth Amendment and the Struggle to Save the Union." American Historical Review 122, no. 3 (June 2017): 850–51. http://dx.doi.org/10.1093/ahr/122.3.850.

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Pitcaithley, Dwight T. "Lincoln and the Politics of Slavery: The Other Thirteenth Amendment and the Struggle to Save the Nation by Daniel W. Crofts." Register of the Kentucky Historical Society 115, no. 2 (2017): 291–93. http://dx.doi.org/10.1353/khs.2017.0038.

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Cottrol, Robert J. "Lincoln and the Politics of Slavery: The Other Thirteenth Amendment and the Struggle to Save the Union by Daniel W. Crofts." Journal of the Early Republic 38, no. 2 (2018): 373–76. http://dx.doi.org/10.1353/jer.2018.0043.

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Woods, Michael E. "Lincoln and the Politics of Slavery: The Other Thirteenth Amendment and the Struggle to Save the Union by Daniel W. Crofts." Journal of the Civil War Era 6, no. 4 (2016): 599–602. http://dx.doi.org/10.1353/cwe.2016.0077.

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Dissertations / Theses on the topic "Crooks, Daniel"

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Reichholf-Wilscher, Daniela [Verfasser]. "Bilingualism across the lifespan - A cross linguistic and cross cultural approach / Daniela Reichholf-Wilscher." München : GRIN Verlag, 2008. http://d-nb.info/1187617261/34.

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Pethybridge, Ruth. "Unresolved differences : choreographing community in cross-generational dance practice." Thesis, University of the Arts London, 2017. http://ualresearchonline.arts.ac.uk/13357/.

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This practice-led research enquires into how ideologies of community as commonality have informed the dominant rhetoric in the Community Dance sector since the 1970s, and formed the conditions of possibility for Cross-generational Dance, a reciprocal relationship between discourse and practice that has arguably been overlooked in the historiography of Community Dance. Framed by Michel Foucault’s (1972) concept of the episteme – an umbrella mode of knowing that permeates historical taxonomies – Community Dance history is linked here with experimental choreographic processes during the 1960s and 1970s, and Relational Art of the 1990s. Such relationships suggest a more critical, politically-orientated genealogy. Cross-generational Dance is discussed through a reflexive approach to the writing which reveals how philosophies of community are divided into those associated with the idea of commonality – either through shared characteristics or common goals – and those that advocate a break with these imperatives, here examined through the philosophies of Adriana Cavarero, and Jean-Luc Nancy. Given its perceived agenda to bring people of distinct ages together into a harmonious totality, Cross-generational Dance provides a particular opportunity to discuss community, examined here through case-studies of key choreographers at the time of writing – Rosemary Lee, and Cecilia Macfarlane. The discussion of age is made explicit through an analysis of models of difference, and introduces how an ethical encounter with others can avoid the totalising impulse of community in subsuming these differences. The methodology of ‘relational choreography’ underpins the phenomenological emphasis on process and relationships in choreography over more conventional conceptions of product and form in dance and supports the hypothesis that community can be experienced as ‘being in relation through a phenomenology of uniqueness’. This conception does not rely on polarising the positions of the individual and the community, or self and other, young and old, but rather generates an experience of uniqueness, wherein differences remain unresolved, shared amongst ‘others plural’ (Nancy, 2000). This thesis therefore reconsiders what community means in the context of dance practice.
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Xue, Weichao [Verfasser], Martin [Akademischer Betreuer] Oestreich, Martin [Gutachter] Oestreich, and Werz [Gutachter] Daniel. "Metal-catalyzed radical C(sp3)–Si/Ge cross-coupling reactions / Weichao Xue ; Gutachter: Martin Oestreich, Werz Daniel ; Betreuer: Martin Oestreich." Berlin : Technische Universität Berlin, 2019. http://d-nb.info/1191256707/34.

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Perbandt, Daniela [Verfasser]. "Determination of yield and quality parameters of energy crops applying laboratory and field spectroscopy / Daniela Perbandt." Kassel : Universitätsbibliothek Kassel, 2010. http://d-nb.info/1003606652/34.

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Hyman, Randolph-Dalton. "The self is the dancer : a cross-cultural conceptualization of dance education." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0028/MQ50523.pdf.

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Savoiu, Daniel [Verfasser], and G. [Akademischer Betreuer] Quast. "Triple-Differential Measurement of the Dijet Cross Section at $\sqrts}$ = 13 TeV with the CMS Detector / Daniel Savoiu ; Betreuer: G. Quast." Karlsruhe : KIT-Bibliothek, 2021. http://d-nb.info/1228439273/34.

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Kiefer, Adam. "Multi-Segmental Postural Coordination in Professional Ballet Dancers." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1250045828.

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Kim, Sue In. "Naming Movement: Nomenclature and Ways of Knowing Dance." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/110764.

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Dance
Ph.D.
This study examines dance terminologies and documentation of Korean and French court dances, Jeongjae and Belle Dance, respectively. For Belle Dance, Raoul Feuillet's Chorégraphie (1700) and Pierre Rameau's Maître à Danser (1725) provide lists of movement terms, definitions of them, and instructions for how to enact them. For Jeongjae, Jeongjae mudo holgi, written in the nineteenth century, comprises diagrams and descriptions of dance movements. These sources have their own ways of converting dance movement into language, revealing the divergent perspectives toward body movement in each culture. Their divergent modes of documenting dance demonstrate the characteristic ways of expressing and constructing knowledge of body movement of their historical and cultural contexts. By comparing the terminologies and documentation that carry historically and culturally specific concepts, I explore underlying assumptions about what kinds of information are considered knowledge and preserved through articulation in words and graphic symbols. This study addresses the research question, what do dance terminologies and processes of documentation suggest about perspectives on dance movement in two distinct dance cultures. To articulate the differences, this study examines selected documents as a whole and dance terms in specific. The significance of characteristic features found in the textual analysis will be illuminated through an exploration of intertextual relationships between the dance texts and important sources of the period that focus on the body and how it is conceived in relation to the human being. This study suggests that, dance documents, which translate selected aspects of dance movement into words and graphic symbols, encapsulate historically and culturally specific ways of knowing dance movement. Intending to capture movement analytically and visually, Belle Dance treatises attempt to establish objective knowledge of dance. This mode of knowing corresponds to philosophical and practical milieus that constructed the theory of mind-body dualism, mathematical foundations of modern science, and reliance on sense perceptions. In contrast, Jeongjae documents take the performer's experience as the standard point of view, considering his or her inner experience as well as observable results of movement. Correspondingly, Korean traditional culture adhered to a holistic view of the body and promoted implicit expressions to describe body movements.
Temple University--Theses
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Villa, Elena M. "Eloquent flesh : cross-cultural figurations of the dancer in nineteenth- and twentieth-century literature /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?index=0&did=1232398811&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1180979327&clientId=11238.

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Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 313-332). Also available for download via the World Wide Web; free to University of Oregon users.
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Müller, Daniela [Verfasser], and Edgar [Akademischer Betreuer] Radtke. "Developments of the lateral in Occitan dialects and their Romance and cross-linguistic context / Daniela Müller ; Betreuer: Edgar Radtke." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/1179783441/34.

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Books on the topic "Crooks, Daniel"

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The sorcerer of kings: The case of Daniel Dunglas Home and William Crookes. Buffalo, N.Y: Prometheus Books, 1993.

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1961-, Galliano Daniele, ed. Daniele Galliano: Paintings, 1993-2014. Milano, Italy: Skira, 2014.

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Long, Ethan. The Croaky Pokey! New York: Holiday House, 2011.

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Mishler, Craig. The crooked stovepipe: Athapaskan fiddle music and square dancing in Northeast Alaska and Northwest Canada. Urbana: University of Illinois Press, 1993.

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Åkesson, Birgit. Att ge spår i luften: Föreläsningar, samtal, möten. Lund: Propexus, 1998.

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Stephanie, Jordan, and Grau Andrée, eds. Europe dancing: Perspectives on theatre dance and cultural identity. London: Routledge, 2000.

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Indigenous dance and dancing Indian: Contested representation in the global era. Boulder, Colo: University of Press of Colorado, 2012.

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Lipp, Nele, Krassimira Kruschkova, and Sabine Kaross. Tanz anderswo: Intra- und interkulturell. Münster: Lit, 2004.

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Lumpur, Malaysia) Asia Pacific International Dance Conference (2nd 2011 :. Kuala. Dancing mosaic: Issues on dance hybridity. Kuala Lumpur, Malaysia: Cultural Centre, University of Malaya & National Department for Culture and Arts, Ministry of Information, Communication and Culture, Malaysia, 2012.

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Janet, Lansdale, ed. Decentring dancing texts: The challenge of interpreting dances. New York: Palgrave Macmillan, 2008.

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Book chapters on the topic "Crooks, Daniel"

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Briesen, Detlef. "From the Danger of the Routes to the Alleged Certainty About the Roots: The Journey to India from the Early Eighteenth to the Late Nineteenth Centuries." In Cross-Fertilizing Roots and Routes, 197–215. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7118-3_12.

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Toubøl, Jonas, and Peter Gundelach. "Values, Activism and Changing Attitudes: Individual-Level Moral Development in Social Movement Contexts." In Nonprofit and Civil Society Studies, 95–118. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98798-5_5.

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AbstractLately, several studies have added crucial knowledge to our understanding of social movement participation by demonstrating its processual nature and how it relates to individual-level movement outcomes. Still, moral factors like values remain understudied. This paper develops a model of relationships between two types of value predispositions—self-transcendence and conformity—and differential participation in humanitarian activities, political protest and civil disobedience and their consequences for attitudinal changes of loss of institutional trust and an altered view of refugee policies. We use cross-sectional survey data from the mobilisation of the Danish refugee solidarity movement, which was revitalised in response to the 2015 refugee crisis. The main finding is that values, in accordance with our theoretical expectations, mainly influence attitudinal outcomes mediated by contexts of different kinds of movement activities. Conformity relates to participation in non-contentious humanitarian support activities that do not relate to any attitudinal outcomes. The non-conform and self-transcendent respondents participate to a higher degree in contentious political protest and civil disobedience, which relates to a loss of trust in the political institutions. The results suggest that heterogeneity of values and contexts of activism within a movement have implications for social movements’ role in the struggles for society’s fundamental morality, individual-level biographical outcomes of activism and movements’ internal processes related to collective identity.
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Scolieri, Paul A. "The Making of Personality." In Ted Shawn, 33–74. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199331062.003.0002.

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This chapter explores the formative influences on Shawn’s decision to become a professional male dancer. In particular, it examines how a serious, paralyzing illness during his adolescence led him to study dance, thus derailing his plans to become a minister. It also considers how his early sexual experiences and the premature death of his parents and brother fueled his determination to become an artist. The chapter also details Shawn’s early appearances on stage (including his debut as a cross-dressing “Oriental sissy,” his move to Los Angeles to pursue a career in film, and his experience choreographing the “first all-dance film,” Dances of the Ages (1913), for the Thomas C. Edison Company, which gave him the confidence and finances to travel to the East Coast in pursuit of becoming a professional dancer.
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George-Graves, Nadine, and Miriam Felton-Dansky. "Borrowed Crowds." In The Oxford Handbook of Dance and Theater. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199917495.013.43.

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Kapper, Sille. "11. Continuity and Reinvention." In Waltzing Through Europe, 317–42. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.11.

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Kapper (Estonia) focuses mainly on the twentieth century, basing her discussion on information from folk dance collectors and researchers connected to the folk-dance movement. She surveys round dance forms described or referred to as part of this information, and discusses the relationship between round dances and other dances in a local community, particularly if that community was known as a stronghold of traditional dance. She also refers in brief to the folk-dance movement. In this way, she includes two of the groups mentioned above: the ‘dancing crowds’ and the folk dancers, and discusses the place round dancing has within each.
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Zebec, Tvrtko. "15. A Twenty-First Century Resurrection." In Waltzing Through Europe, 417–32. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.15.

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Zebek (Croatia) surveys and contextualises the place of round dances, and particularly the Polka, in the twentieth-century Croatia. He shows how the folk-dance movement largely ignored or even rejected the round dances as new and foreign. He then portrays the revival of a ‘shaking’ kind of Polka that has a history in the region, but only rose in popularity as late as the twenty-first century. The peculiar aspect of the revival is that it seems to have arisen independently of the folk-dance movement, among the ‘dancing crowds’.
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Kwan, SanSan. "Talking." In Love Dances, 32–49. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514559.003.0002.

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This first chapter of Love Dances explores the ethics and politics of intercultural dance via a piece that draws on the modality of speech over that of movement. The chapter sets the stage for the other works examined in the book, all of which combine talking and dancing. It also places Pichet Klunchun and Myself within a longer history of intercultural dance and theater, reminding readers of the continuing context of Orientalism. As a duet between a white, European, heterosexual, cis-male, avant-garde choreographer and a Thai, heterosexual, cis-male, khon dancer, the work reproduces some of the more hackneyed patterns of Orientalist encounter, in contrast to the more complex not-exactly-East-not-exactly-West collaborations studied later in the book. As such, the piece provides a backdrop against which the other pieces may be understood. Finally, this chapter notes the ways that the cross-cultural and the aesthetic dynamics of this particular partnership tell us something about the pitfalls of intercultural collaboration, as well as the pedagogical potentials.
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Kwan, SanSan. "Mourning." In Love Dances, 50–77. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514559.003.0003.

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Chapter 2 examines two duets in which cultural miscomprehension occurs alongside personal expressions of loss. It begins with a discussion of Flash, a duet between Rennie Harris, a popper, and Michael Sakamoto, a butoh artist. Flash is compared to Simulacrum, a duet between an Argentinian contemporary dancer who also studies kabuki and a Japanese dancer famous for flamenco. Analyzing both works’ multimodal incorporation of dancing and talking, this chapter demonstrates how the grief the artists disclose to each other and the conjunctions and disjunctions they find in the different forms of danced mourning they practice result in a moving expression of cross-cultural empathy, an impetus toward understanding in the face of the incommensurability of tragedy.
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Laland, Kevin N. "The Arts." In Darwin's Unfinished Symphony, 283–314. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691182810.003.0012.

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This chapter considers the evolution of dance, which provides a wonderful case study with which to illustrate how human culture evolves. It shows that cultural evolution is a melting pot, with innovation often the product of borrowing from other domains, such that cultural lineages come together as well as diverge. This can be seen in the richly cross-fertilizing coevolution of dance, music, fashion, art, and technology, whose histories are intimately entwined. In the case of dance, evolutionary insights explain how humans are capable of moving in time to music; how we are able to synchronize our actions with others or move in a complementary way; how we can learn long, complex sequences of movements; why it is that we have such precise control of our limbs; why we want to dance what others are dancing; and why both participating in dancing and watching dance is fun. Armed with this knowledge, we can make better sense of why dance possesses some of the properties that it does, and why dances changed in the manner they did. As it is for dance, so it is for sculpture, acting, music, computer games, or just about any aspect of culture.
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Hartley, Barbara. "Izumo no Okuni Queers the Stage." In Diva Nation, 77–94. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297722.003.0006.

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This chapter introduces the dazzling brilliance of Izumo no Okuni, the woman credited with founding kabuki. Given the scant historical record regarding the real Okuni, the chapter draws extensively on the 1969 novel by the post-war literary diva Ariyoshi Sawako. In Ariyoshi’s telling, Okuni rises from a provincial shrine dancer to become a willful diva, enthralling sophisticated Kyoto audiences. Refusing to allow either her sexual identity or performance style to be constrained by societal norms, she championed theatrical innovation to achieve wild success. Since a feature of Okuni’s performance was to cross-dress and dance as a man, the chapter interprets Okuni’s performance art through the work of queer theorist José Esteban Muñoz.
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Conference papers on the topic "Crooks, Daniel"

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Yan, Wu, and Peijun Gao. "Research on Cross-Training of Dragon Dance." In 2013 International Conference on Educational Research and Sports Education. Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/erse.2013.83.

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Hatarik, R. "102Pd(n, γ) Cross Section Measurement Using DANCE." In CAPTURE GAMMA-RAY SPECTROSCOPY AND RELATED TOPICS: 12th International Symposium. AIP, 2006. http://dx.doi.org/10.1063/1.2187871.

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Bak, Hanne, and Dan Bysted. "Cross-sectional study of antibodies against Salmonella in Danish sows." In Sixth International Symposium on the Epidemiology and Control of Foodborne Pathogens in Pork. Iowa State University, Digital Press, 2005. http://dx.doi.org/10.31274/safepork-180809-785.

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Astaneh, Mostafa F., Zakir Hussain Rather, Weihao Hu, and Zhe Chen. "Economic valuation of reserves on cross border interconnections; A Danish case study." In 2014 IEEE Power & Energy Society General Meeting. IEEE, 2014. http://dx.doi.org/10.1109/pesgm.2014.6939415.

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Garland, Iris, Lucio Teles, and Xinchun Wang. "Fostering creativity through cross-disciplinary collaboration in an online dance course." In the 1999 conference. Morristown, NJ, USA: Association for Computational Linguistics, 1999. http://dx.doi.org/10.3115/1150240.1150260.

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Fogarty, Mary. "Sharing hip hop dance: Rethinking taste in cross-cultural exchanges of music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.17.

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Holst, G., A. Høst, G. Doekes, H. W. Meyer, A. M. Madsen, and T. Sigsgaard. "Indoor moisture and mold and respiratory health: A cross-sectional study in Danish schoolchildren." In Annual Congress 2015. European Respiratory Society, 2015. http://dx.doi.org/10.1183/13993003.congress-2015.oa1476.

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Song, Shunjun, and Jack R. Vinson. "Low Temperature Effects on IM7/977-3 Cross-Ply Composite Material Properties at High Strain Rates." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-32309.

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Composite materials are used in a wide variety of low temperature applications because of their unique and highly tailorable properties. These low temperature applications of composites include their use in Arctic environments and most of them involve dynamic loads, for example, spacecraft applications where they use cryogenic engines, hypervelocity impact situations at very high altitudes, civil engineering applications in extreme cold regions, and offshore structures in cold regions. The U.S. Navy stated that under certain conditions naval vessels might encounter strain rates up to 1200/sec. Because the dynamic properties of composite materials may vary widely with both strain rates and temperature, it is important to use the dynamic properties at the expected temperatures when the loading conditions involve high strain rates and extreme temperatures. Very few materials have been characterized at high strain rates even at room temperature. Still less effort has been spent in trying to model the high strain rate properties to develop a predictive capability at room temperature. It has been hoped that earlier modeling for metals, such as Johnson and Cook [1], and Zerilli and Armstrong [2] might be used for composite materials. The Johnson-Cook model was modified by Weeks and Sun [3] for composite materials. Other recent modeling research has been performed by Theruppukuzki and Sun [4], Hsiao, Daniel and Cordes [5] and Tsai and Sun [6]. Woldesenbet and Vinson [7] have characterized the high strain rate and fiber orientation effects on one typical graphite/epoxy composite. Most of these characterizations model ultimate strengths only.
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9

Szabados, F., C. Rasmussen, A. Linauskas, P. Leutscher, and J. Kragh. "AB0439 Travelling with arthritis: a cross-sectional analysis of danish arthritis patients treated with biologics." In Annual European Congress of Rheumatology, EULAR 2018, Amsterdam, 13–16 June 2018. BMJ Publishing Group Ltd and European League Against Rheumatism, 2018. http://dx.doi.org/10.1136/annrheumdis-2018-eular.4678.

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10

Lencautan, M. "Determinarea nivelului de rezistenţă a genotipurilor contra atacul bolilor principale a materialului genetic de ameliorare a culturilor leguminoase pe fonduri naturale şi artificiale de infecţie." In International Scientific Symposium "Plant Protection – Achievements and Prospects". Institute of Genetics, Physiology and Plant Protection, Republic of Moldova, 2020. http://dx.doi.org/10.53040/9789975347204.69.

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In the soil and climatic conditions of the Republic of Moldova, legume crops are attacked by a complex of harmful species, which present a danger in decreasing the level of plant productivity. To solve the problem of increasing the level of production, the basic factor is to estimate highly productive varieties (hybrids), adopted under stressful environmental conditions endowed with high levels of resistance to harmful pathogens can later be used in the process of plant improvement as initial genetic material.
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Reports on the topic "Crooks, Daniel"

1

Chyzh, A., and C. Wu. Neutron Capture Cross Section Measurement on $^{238}$Pu at DANCE. Office of Scientific and Technical Information (OSTI), February 2011. http://dx.doi.org/10.2172/1026477.

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2

Parker, W., U. Agvaanluvsan, P. Wilk, J. Becker, and T. Wang. FY07 LDRD Final Report Neutron Capture Cross-Section Measurements at DANCE. Office of Scientific and Technical Information (OSTI), February 2008. http://dx.doi.org/10.2172/950091.

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3

Mahdavian, Farnaz. Germany Country Report. University of Stavanger, February 2022. http://dx.doi.org/10.31265/usps.180.

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Germany is a parliamentary democracy (The Federal Government, 2021) with two politically independent levels of 1) Federal (Bund) and 2) State (Länder or Bundesländer), and has a highly differentiated decentralized system of Government and administration (Deutsche Gesellschaft für Internationale Zusammenarbeit, 2021). The 16 states in Germany have their own government and legislations which means the federal authority has the responsibility of formulating policy, and the states are responsible for implementation (Franzke, 2020). The Federal Government supports the states in dealing with extraordinary danger and the Federal Ministry of the Interior (BMI) supports the states' operations with technology, expertise and other services (Federal Ministry of Interior, Building and Community, 2020). Due to the decentralized system of government, the Federal Government does not have the power to impose pandemic emergency measures. In the beginning of the COVID-19 pandemic, in order to slowdown the spread of coronavirus, on 16 March 2020 the federal and state governments attempted to harmonize joint guidelines, however one month later State governments started to act more independently (Franzke & Kuhlmann, 2021). In Germany, health insurance is compulsory and more than 11% of Germany’s GDP goes into healthcare spending (Federal Statistical Office, 2021). Health related policy at the federal level is the primary responsibility of the Federal Ministry of Health. This ministry supervises institutions dealing with higher level of public health including the Federal Institute for Drugs and Medical Devices (BfArM), the Paul-Ehrlich-Institute (PEI), the Robert Koch Institute (RKI) and the Federal Centre for Health Education (Federal Ministry of Health, 2020). The first German National Pandemic Plan (NPP), published in 2005, comprises two parts. Part one, updated in 2017, provides a framework for the pandemic plans of the states and the implementation plans of the municipalities, and part two, updated in 2016, is the scientific part of the National Pandemic Plan (Robert Koch Institut, 2017). The joint Federal-State working group on pandemic planning was established in 2005. A pandemic plan for German citizens abroad was published by the German Foreign Office on its website in 2005 (Robert Koch Institut, 2017). In 2007, the federal and state Governments, under the joint leadership of the Federal Ministry of the Interior and the Federal Ministry of Health, simulated influenza pandemic exercise called LÜKEX 07, and trained cross-states and cross-department crisis management (Bundesanstalt Technisches Hilfswerk, 2007b). In 2017, within the context of the G20, Germany ran a health emergency simulation exercise with representatives from WHO and the World Bank to prepare for future pandemic events (Federal Ministry of Health et al., 2017). By the beginning of the COVID-19 pandemic, on 27 February 2020, a joint crisis team of the Federal Ministry of the Interior (BMI) and the Federal Ministry of Health (BMG) was established (Die Bundesregierung, 2020a). On 4 March 2020 RKI published a Supplement to the National Pandemic Plan for COVID-19 (Robert Koch Institut, 2020d), and on 28 March 2020, a law for the protection of the population in an epidemic situation of national scope (Infektionsschutzgesetz) came into force (Bundesgesundheitsministerium, 2020b). In the first early phase of the COVID-19 pandemic in 2020, Germany managed to slow down the speed of the outbreak but was less successful in dealing with the second phase. Coronavirus-related information and measures were communicated through various platforms including TV, radio, press conferences, federal and state government official homepages, social media and applications. In mid-March 2020, the federal and state governments implemented extensive measures nationwide for pandemic containment. Step by step, social distancing and shutdowns were enforced by all Federal States, involving closing schools, day-cares and kindergartens, pubs, restaurants, shops, prayer services, borders, and imposing a curfew. To support those affected financially by the pandemic, the German Government provided large economic packages (Bundesministerium der Finanzen, 2020). These measures have adopted to the COVID-19 situation and changed over the pandemic. On 22 April 2020, the clinical trial of the corona vaccine was approved by Paul Ehrlich Institute, and in late December 2020, the distribution of vaccination in Germany and all other EU countries
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