Dissertations / Theses on the topic 'Critique'
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Rainjard, Marie. "Charles Péguy, critique de la critique." Paris 4, 1996. http://www.theses.fr/1995PA040131.
Full textFrom 1900 to 1914, within its fight against intellectualism, Charles Péguy denounced scientism and positivism invasion in literature. This new kind of literary criticism (literary history) that occurred in 1900 at both university and high school, was coming from Taine and Renan’s researches at the end of the XIXth century. The literature's teaching was modelled after history teaching and took its process from natural science and physics. The quest of facts, sources, objectivity and impartiality constituted the breviary of this discipline. On the opposite, Péguy extolled the author's critic, the genius' critic as far as the sympathy and intuition's critic. That is to say the dialogue between two thoughts, a philosophical and metaphysical dialogue. His critic is tendentious, partial and involved. That's the reason he reduce to scientism most of the authors he condemns in his texts: Renan and Taine in 1904, Brunetiere and Lanson starting from 1906. But nevertheless it results from its critic a prophetic intuition about the deadlock in which scientism drives literature and a propaedeutic to his own creation
Caviglia, Marconi Alessandro. "Social Criticism, Inmanent critique and Trascendental Critique The question of Inmanent Critique in Critical Theory." Derecho & Sociedad, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/118201.
Full textEl presente trabajo busca aclarar la cuestión de la crítica inmanente y la crítica trascendente en la llamada Teoría Crítica. Para ello distingue las diferentes formas de crítica social para poder presentar con claridad lo que la Escuela de Frankfurt denomina “crítica inmanente de la sociedad”, siguiendo las huellas de Hegel y Kant. Seguidamente pasa a presentar las objeciones que Rainer Forst, reinsertando una inspiración kantiana, presenta a la distinción entre crítica inmanente/crítica trascendente.
Tavares, Pierre Franklin. "Hegel, critique de l'Afrique : introduction aux études critiques de Hegel sur l'Afrique." Paris 1, 1990. http://www.theses.fr/1990PA010555.
Full textDuring along time, hegelian's texts about Africa have been considered subordinate, indeed without importance. Yet, their thorough reading shows they were not. They strike by their surprising richness and their heterogeneous composition. Hegel, we observe it, isn't the author. They belonged to his disciples who, on the subject, were unreliables. Tissues of paradox, misinterpretations and contradictions, these texts do not show the tensions which occupied Hegel during his africanists researches, neither his hesitations (Egypt, Ethiopia) nor his denials (Saint-Domingue). Besides, we count within three conceptions of Africa never been in evidence. Therefore, we have tried to reconstitute, period after period, the hegel's African itinary which takes intimately part in his evolution, from Stuttgart to Berlin. Between 1822 and 1826, his critical studies induce him to restore africa in the history. In 1831, just before his death, hegel got ready to adapt his conception of Africa. His run of african spirit is worth beeing completely thought over and done again
Zarzouli, Despoina. "Les enjeux de la "nouvelle critique" dans la critique racinienne." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015PA030011.
Full textThe nineteenth and twentieth centuries are characterized as centuries of literary criticism. The primary objective of this thesis will focus on the methodology used by “New Criticism” in relation to the work of Jean Racine. The New Criticism was a formalist movement, popular in the sixties, which focuses on objectively evaluating the underlying structure and text from literary work.Representatives of ‘‘New Criticism”, such as, Lucien Goldmann, Charles Mauron and Roland Barthes utilized structure methods to interpret Racine's literary works. The Sociological criticism of Goldmann, the Psychoanalytic criticism of Mauron, and the Structuralism of Barthes offer several areas of consideration.The aim of this study is to present the methods proposed by “New Criticism”, to reveal the essence of its theories, to assess their value by demonstrating the reason of their importance, and to understand controversy sparked around this formalist movement. So, identifying the “challenges of the ‘’New Criticism” in Racine’s criticism’’ by examining the criticisms made by other critics is the purpose of this work
Delanoë, Daniel. "Critique de l'âge critique : usages et représentations de la ménopause." Paris, EHESS, 2001. http://www.theses.fr/2001EHES0063.
Full textMourad, François-Marie. "Zola critique littéraire." Paris 4, 2001. http://www.theses.fr/2001PA040122.
Full textOf the figures that posterity retains from Zola, the most unrecognized one is that of the literary critic. And yet his whole work testifies to its pervasive and rich presence. .
Campa, Laurence. "Apollinaire critique littéraire." Paris 3, 1995. http://www.theses.fr/1996PA030051.
Full textWe first describe apollinaire's literary criticism : variety, chronology, influences. . . Then we show that this criticism serves the poet's aesthetic fights. We study apollinaire's judgements on classics and contemporary authors. Finally we study the poet's critical style
RAPTAKI, RAPTAKI SOPHIE. "Xenopoulos, critique litteraire." Paris 4, 1988. http://www.theses.fr/1988PA040028.
Full textSomet, Yoporeka. "Critique et revolution." Université Marc Bloch (Strasbourg) (1971-2008), 1995. http://www.theses.fr/1995STR20013.
Full textThis essay asserts the thesis of a revolutionary kant : before, during and even after 1789. The issue of revolution, as the main topic of what we now refer to as copernican revolution is raised in his own works before it occurs in france. How can this revolution give account of both kant's support to the french revolution and his intellectual links with the philosophy of the 1789 revolutionaries ? the real or alleged relations and affinities between kant and sieyes, and more generally, the introduction of critique in france as a complement of the revolution, are particularly examined here. However perfect this complementarity between critique and revolution may be, it is not without some shortcomings (like upholding the distinction between active and passive citizens, the continuation of the slave trade and slavery in the colonies. . . ) whose vestiges are still noticeable nowadays in the form of a number of exclusions
Raptaki, Sophie. "Xenopoulos, critique littéraire." Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb376178950.
Full textCampa, Laurence. "Apollinaire : critique littéraire /." Paris : H. Champion, 2002. http://catalogue.bnf.fr/ark:/12148/cb38809865t.
Full textMourad, François-Marie. "Zola critique littéraire /." Paris : H. Champion, 2003. http://catalogue.bnf.fr/ark:/12148/cb389560386.
Full textMaler, Henri. "Convoiter l'impossible. Critique marxienne de l'utopie et critique de l'utopie marxienne." Paris 8, 1992. http://www.theses.fr/1992PA080690.
Full textImmanent criticism of marx's theory, based upon the internal speading of its own discourse, hereby subjects it to a double reading the purpose of which is to take marxian criticism of utopia as the leading strand of criticism of marxian utopia. The first reading aims at undoing the standard commentary of criticism of utopia by marx, then at mapping out its itinerary, i. E. Scanning its genesis all over, redrawing its figures, throwing light on its forecats, assessing its deadlocks. What was not thought of in criticism of utopia then lets us have an inkling of the utopian unthought-of in the theory. Then a second reading makes it possible to define the dialectical figures that operate a displacement of utopia: a promised utopia, revealed first, then oblkiterated rather than passed over. And yet, together with those negatively utopian dimensions, one can find a required utopia. Thus the itinerary of marx's theory may teachy us the rescue of utopia: to accept to renounce the impossible so that it may be possible, with no promised land but not without compass, to hanker for the impossible. The impossible, i. E. What the power of established societies forbid to seek in order to prevent to rise
Mallory, Trista Elizabeth. "Parsing the practice critique of the institution, or institution as critique? /." Diss., Online access via UMI:, 2009.
Find full textEspejo, Roberto. "Paul Goodman et la critique en éducation : vers une pédagogie critique existentielle." Paris 8, 2011. http://octaviana.fr/document/163812330#?c=0&m=0&s=0&cv=0.
Full textIn this thesis we explore the contribution of Paul Goodman’s (1911-1972) pedagogical ideas to a critical theory of education. We consider our problem demonstrating that: a) the problem of alienation is central in Goodman’s discourse, b) the relevance of Goodman’s gestalt theory for understanding his analysis of education and c) that an existential component must be taken into account in order to describe his pedagogical approach. Goodman’s role in the development of gestalt therapy, expressed mainly through his “theory of the Self”, is considered as a basis for his anthropological approach. This approach is important in order to consider Goodman’s relationship to progressive education and other critical models, such as libertarian pedagogy. Goodman provides a strong criticism of the educational system of the United States in the sixties at all levels: primary, secondary and higher education. This criticism should be understood according to his gestalt-philosophy and his libertarian ideas. We show how critical ideas in education were already present in the American movement of progressive education (John Dewey) and in his offshoot, the social reconstruction movement (George Counts). This movement is an important element for understanding Goodman’s ideas, as well as for the development of the American movement of critical pedagogy. This trend is considered by us as an important contribution to educational theory. We explore Goodman’s heritage and his and the possibility of broadening the idea of critical pedagogy, through considering its “existential” aspect
Waggoner, Matt. "Adorno's ideology critique / by." Diss., Digital Dissertations Database. Restricted to UC campuses, 2005. http://uclibs.org/PID/11984.
Full textSalem, Bilel. "Sartre, critique des poètes." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20078/document.
Full textMy thesis deals with one aspect of Sartre's critic: the poetic criticism. It has three major parts. The first and the second parts of my thesis discuss two poets of the nineteenth century: Baudelaire and Mallarmé.Baudelaire and Mallarmé, La lucidité et sa face d’ombre represent two principals books which have been support my study. Both essays play a great role to change the way in which we thought about them before Sartre’s studies.The nineteenth century has made Baudelaire and Mallarmé as two most important poets, however Sartre brought innovation and tried to broke our popular belief. In the first part, Sartre has been denouncing Baudelaire’s disengagement.In the second part which deals with Mallarmé, la lucidité et sa face d’ombre,, Sartre describe the poets of second half of the nineteenth century as “The heirs of Atheism” . As a result, Sartre creates a new notion of freedom which is totally different from those of Mallarmé and Baudelaire. Finally, in the third part Sartre chose to express his admiration for Genet because he assumed his responsibility for his choice of being. Genet’s conception of existence is contradicted with that of Baudelaire.To crown it all, Sartre show his existential philosophy throughout these three poets of XIX and XX centuries. In relation to Sartre there is no Unconscious that would explain our actions. Consequently, he confirms the absolute freedom of Man
Carter, A. "Marx : A radical critique." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375882.
Full textGoddard, Roy. "Education, government and critique." Thesis, University of Sheffield, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427221.
Full textScott, David James Frederick. "Leibniz's critique of occasionalism." Thesis, University of Reading, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317669.
Full textLanglès, Olivier. "Le droit de critique." Paris 8, 1996. http://www.theses.fr/1996PA081315.
Full textThe comparison between two phrases evoking so different ideas is provoking a feeling of astonishment. Through the diversity of the various matters examined, the examination of relationships between law and critics - critics understood as a critics regarding feelings externalized in the context of a social reality and foreign to its genesis and non principally as the internal critics of law- gives a clear indication of an indisputably harmonious global unity beyond of the contingencies and a very various field of application for the phenomenon of the critic of law according to the occurrences : it is above the specific finality of critical right and the perception by right of his nature that will be work out the preservation, more or less expanded, of particular rights or interests, which will constitute so much limits. The conclusion of this transversal study regarding all who are in contact with law is double by trying to join the entire field of critical right and by reporting some subtleties which makes the subject more attractive : first bring the proof of the existence of critical right as mechanism, and then preliminary conditions, means, guarantees, sanctions, functions. In fact, between appearance antithetical phenomena, three types of relations could be established: the exclusion by fighting, the confinement by showing a certain tolerance, the encouragement by integration. During a long period, general exclusion and confinement govern their relations. The apparent antagonism of the relations between a source of interest conflicts and social peace vector is nourishing the field of their mutual mistrusts : general repulsion of law for the critical phenomenon can find its source in a voluntary organic ignorance, which is generating the wish not to take into consideration without knowledge, except to relegate it as a funny exception according to the mode of expression in use. Later on law disregards this prejudice, after the fashion of the etymological lesson, discovering the acceptation of a more constructive instrument of evaluation, of correction and of proposition : a dialectic process of de-singularisation of the expression, and consequently of the social relations, i. E. A representation of everyone by each person going above the critics person and her own interest. . . [etc. ]
SEMAAN, ABDUL HALIM. "Bergson critique de ribot." Paris 1, 1988. http://www.theses.fr/1988PA010579.
Full textMenager, Frédéric. "Théorie critique et sécularisation." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0141.
Full textCritical Theory is not a fixed set of authors grouped together into a school but rather astyle of thought. One of Critical Theory’s particularities is its frequent reference to concepts derived from theology and religious vocabulary, a feature well known to eminent commentatorssuch as Martin Jay, but held in low regard and inadequately expounded. This thesis attempts to map and describe the genealogy of the usage made of these concepts by looking at them from a genetic standpoint in order to elucidate their sources as well as from a structural standpoint in order to explain the functional contribution of Critical Theory to the general economy. Another aspect explored is the necessary confrontation of this meaning inherent to Critical Theory with the quarrel over secularization that has permeated German philosophical life since 1922 and the publication of Schmitt's Political Theology.To this end we have studied a corpus that spans from the founders of the so-calledFrankfurt School to later representatives who have been grouped under the term communicative shifting-point, also covering like-minded authors sharing Bloch or Kracauer's relationship to the secularization of theology. Research here is concerned with concepts as such and is notguided by historical rationale or any author classification scheme. An approach focused on major movements and conceptual changes has been emphasized. I nevertheless included the paradigmatic break, as it intersects a historical, methodological and conceptual turning point.Individual authors' positions have been compared with one another and their meaning placed in relation to underlying theological structures, in particular those dealing with the notion of Jewish messianism, but also with key themes surrounding secularization theory.This use of secularized theological concepts enables us to view the communicational paradigm as a response to certain difficulties arising from earlier use of secularized theological concepts and as part of the transition from a theory of domination to a theory of democracy. Said transformation entails a shift from secularized theology to a political philosophy ofreligion. Moreover, we have come to realize that Critical Theory is redefining the epistemic scope of the secularization quarrel by advocating an alternative to the Löwith-Blumenberg debate. Beyond metamorphosizing Critical Theory, this theory constitutes a leaven for unity,heralding a model for the conception of complexified secularization. The latter now requires systematic modelling in order to account for the aporia between the persistence of the power of heteronomic religious thought and the decline of its hold on the political and legal organization of societies that have become self-sufficient
Langbour, Nadège. "Diderot écrivain critique d'art." Rouen, 2007. http://www.theses.fr/2007ROUEL577.
Full textThis thesis entitled, « Diderot seen as an art critic », highlights the interactions of Diderot's writings on art and his literary works. Firstly, Diderot's artistic formation is presented, with an exhaustive repertoire of readings made by this noted « Salon » art critic and emphasizes the major role of the Encyclopaedia in the shaping of his artistic opinions and judgments. The following sequence examines in depth Diderot's nine « Salons » as well as his two « essays on painting ». At the outset, Diderot's status (position) is perceived in relationship with the artistic way of thinking (reasoning) of his time. The thesis then emphasizes the originality of the Salons, both on a thematic and theoretical level as well as on the formal level. The last section is an analysis of the influence of Diderot's pictorial judgements on his novels and plays (Romanesque and dramatic works)
Duclos, Alexandre. "Cosmopolitisme : critique du possible." Paris 7, 2013. http://www.theses.fr/2013PA070025.
Full textThe subject of this doctorate is strictly speaking a criticism of the aristocratic reason in the cosmopolitique field, it is - to say the criticism of a reason who gives the right as and as duty to substitute itself for the sociogenèse of the political cultures to supply a political culture adapted to the globalization and to its risks. To lead (drive) such a company, it is naturally advisable of to produce a first criticism of the literature, in particular the theories of Hans Jonas, Jean-Pierre Dupuy, Ulrich Beck, Jürgen Habermas but beyond an elaborate criticism, this work tries essentially to recognize and to exceed (overtake) the contradictions of the aristocratic reason by proposing the foundations of an intuitive political science
Jouault, Nathalie. "Ajustement structurel : analyse critique." Paris 5, 2001. http://www.theses.fr/2001PA05D017.
Full textThe structural adjustment program with conditionnalities, is a solution to the bad past gestion of states and makes credible politics of states under programs. Nevertheless, the priority giving to the stabilisation of public finance and to the generalised liberalisation induces the increase in poverty and inegalities and the fall in investments. The development strategy therefore, extends this action moving toward the micro-economics, including non economics phenomenons into economics analysis of development, where the duration is longer. This research does not show the macro-economic part of the stuctural adjustement program but essentially the approach of the accompanying public policies set. It analysis the origins of changing reforms, the costs et benefits at structural, politics and social levels. One can demonstrate that the objectif of a balanced economy needs multi-disciplinary approach. Closely linke, the components of growth impose a global coherente politic, including economic, stuctural and financial policies which depend upon economics stability. This set organisation must not neglect any sectors of economy because each one maintains closely relations with the others, leading to spread effects. Moreover, it seems essential to break with the compartmentalized pattern and go beyond of oppositions : autoritarism / under development ; state / privat sector ; industrial sector / agricultural sector ; format sector / informal sector. It shows that the optimal solution is not to oppose them, not to give priority to one to the detriment of the other, but to find a balance between them
Plaud-Dilhuit, Patricia. "Gustave Geffroy, critique d'art." Rennes 2, 1987. http://www.theses.fr/1987REN20025.
Full textCicurel, Ilana. "La liberté de critique." Paris 1, 2005. http://www.theses.fr/2005PA010284.
Full textPlaud-Dilhuit, Patricia. "Gustave Geffroy critique d'art." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37604551m.
Full textFrançois, Damien. "L'immédiateté : anthropologie culturelle critique /." Bern ; New York : Peter Lang, 2000. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009117981&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textRahmani, Behrad. "Foucault's concepts of critique." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/60907/.
Full textRizzolo, Gregory. "The critique of regression." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/21875/.
Full textSarkar, Sunil Kumar. "A Critique of phenomenology." Thesis, University of North Bengal, 1986. http://hdl.handle.net/123456789/38.
Full textBarman, Harekrishna. "Ambedkar's critique on hinduism." Thesis, University of North Bengal, 2018. http://ir.nbu.ac.in/handle/123456789/2838.
Full textMawhūb, Muḥammad. "Heidegger critique de Husserl." Paris 8, 1997. http://www.theses.fr/1997PA081869.
Full textDellaï, Sameh. "Marx critique de Feuerbach." Paris 8, 2010. http://www.theses.fr/2010PA083290.
Full textIn Marx the democrat, Manuscript of 1843, Franck FISCHBACH shows that: “the greatness of a thought is not to be assessed in comparison with its capacity to anticipate what would follow it but rather in comparison with its capacity to break free from what preceded it. ” From this standpoint, I have attempted, in this work of research, to examine the relation of Marx with Feuerbach. The result that I reached at this stage is that the moments of influence and rupture of Marx with Feuerbach are not separated but rather intertwined. If most of the previous readings consider Feuerbach as a mere passage in the education of Marx, my thesis is to show that this passage does not depend on a linear and unilateral logic. Moreover, Marx is not a “direct heir” of Feuerbach, but rather an opponent that has never ceased to argue with him. Therefore, the feuerbachism of Marx does not express its loyalty to the conception of Feuerbach as such, but rather its transformation on the inside. Marx is Feuerbachian to the extent that he actually attempted to go beyond Feuerbach. He is in a way his alter ego or, at least, he attempted to be so to the extent that the spectre of Feuerbach has followed, according to some readings, Marx until the Capital. A thesis that I did not examine in the frame of this work to the extent that I stopped to study this relation at the stage of the German Ideology where I show that the criticism of ideology, with Marx, finds its condition of possibility in the criticism of Feuerbach
Brotto, Alessio. "Montale critique de la littérature française." Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX1A116.
Full textSears, Robert. "Kant's Leibniz-critique in the amphiboly chapter of the "Critique of Pure Reason"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ46543.pdf.
Full textMerrien, Nadine. "La critique des livres scientifiques pour enfants : vers une critique de la science." Paris 11, 2000. http://www.theses.fr/2000PA112387.
Full textGosztola, Matthieu. "La critique littéraire d’Alfred Jarry à La Revue blanche : édition critique et commentée." Thesis, Le Mans, 2012. http://www.theses.fr/2012LEMA3004/document.
Full textJarry seems to have completely abandoned the learned syntaxic and lexical complications which characterized his first texts when he worked as a literary critic in la revue blanche. in fact, the author of messaline keeps exerting, but in an extremely underlying way, a kind of obscurity. that obscurity is paradoxical, in the sense that it is not apparent and that it ultimately results in the abiding development of an aesthetic of the abridged, and in an apparent setting back of his presence of critic, even in the very act of making reports. jarry gives all the importance to the commented text, hushing up the way he has to quote it, incessantly. thus, this work is led, on the one hand, by our concern of revealing the way the aesthetic of the abridged appears – jarry proceeds by ceaseless syntheses, which, by dint of being asserted, become either obscure or elusive – in those litterary criticisms which seem to be bread and butter work, because the author of le surmâle presents in them real concretions of sense, in connection with the notion of erudition, in extremely diverse fields. on the other hand, our work aims at showing how jarry diverts the usual use of the quotation – that carries a corrosive criticism of the status of critic – the author of la chandelle verte becoming a critic who expresses himself mostly according to the total absence of critical words, because when it is a question of expressing "judgments", this is in fact to continue to weave a filiation with an authors' community of which he feels close to, and thus, mainly, with the place of le mercure de france
Yasouf, Ahmad. "ʿAbd Allāh al-Ġaḏḏāmī de la critique linguistique (littéraire) à la critique culturelle." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2029.
Full textIn this doctoral thesis, we analyze, and then, expose the critical thinking of ʿAbd Allāh al-Ġaḏḏāmī. To our knowledge, to date, there has been no prior research work done on such a topic within the French context despite its significant importance in the field of critique studies of Arabic literature.We particularly focus on the recent endeavour of his critique project. Upon studying exiting scholars work investigating ʿAbd Allāh al-Ġaḏḏāmī’s critique project, our findings indicate two main hypotheses. The first hypothesis reflects that ʿAbd Allāh al-Ġaḏḏāmī’s critique project is of two components. While the first is focused on linguistic criticism, the second is focused on cultural criticism. The second hypothesis indicate that ʿAbd Allāh al-Ġaḏḏāmī has focused on cultural criticism since the early stages of his scholarly work. These two hypotheses appear to be in contradiction. Our work aims to resolve this contradiction.In this research study, we propose that ʿAbd Allāh al-Ġaḏḏāmī has a critique project with complementary factettes. These are the linguistic criticism and cultural criticism. In addition, what further distinguishes the ʿAbd Allāh al-Ġaḏḏāmī ’s critique project is that it is evolutionary in nature. Said differently, ʿAbd Allāh al-Ġaḏḏāmī did not make shift, or change a position, from one critique type into another. Rather, he integrated both- the linguistic and cultural critique- through an evolutionary process. In his recent project, he expanded his critique view to include not only literary texts but also all other types of discourses.Based on above assumptions, we reassess, analyze, and then, present the critique project of ʿAbd Allāh al-Ġaḏḏāmī. During this process, we aim to answer the following questions. First, how does ʿAbd Allāh al-Ġaḏḏāmī define cultural critique? The second question, what does a cultural system means from his point of view? The third question, will he abandon all linguistic critique school of thoughts and invent his new school on thought on the same? Lastly, upon studying a literal text, what changes will be applied in case the text is analyzed using a cultural event lens rather than an esthetically literal one? To achieve our objective, we adopt a three-premises evolutionally framework while deploying presentative, thematic, and comparative methods
Pinet, Catherine. "Oeuvres romanesques et critiques journalistiques : contribution à une sociologie du discours critique dans la presse écrite et à la télévision." Grenoble 2, 2000. http://www.theses.fr/2000GRE29042.
Full textCheccaglini, Isabella. "Lecture critique et critique de la lecture : le "Théâtre" et le "Livre" de Mallarmé." Paris 8, 2008. http://octaviana.fr/document/13781349X#?c=0&m=0&s=0&cv=0.
Full textThis study of Mallarmé's work focuses on the question of reading. The notion of reading usually consists in deciphering a text to discover its content or its meaning. We seek to question this notion by swinging the act of deciphering in favour of the act of producing knowledge and significance, that is, by studying the text's inner critical activity. Our study is a reading of Mallarmé's work which goes beyond the mere commentary in order to uncover the "mise en scène" of the text. Thus, from the well-known crisis that forced young Mallarmé to question the whole poetic inheritance, to the famous dream of the Book, we will endeavour to survey the theatricality of writing and reading within and by Mallarmé's work. The critique of reading in Mallarmé's work claims a critical reading for every work that makes the reader "better", or makes the listener a "musician" (with "this music [that] takes the listener for an intelligent person, for a musician […] I become a better man […] also a better musician, a better listener", says Nietzsche), since a piece of work is to be carried out no better nor differently
Benchama, Lahcen. "L'œuvre de Driss Chraïbi : réception critique au Maroc et étude critique de son idéologie." Paris 4, 1991. http://www.theses.fr/1992PA040020.
Full textStudies on Driss Chraïbi work are numerous, but in most cases, they are all about the theme of rebellion which in his early novels. None of them has tried to stress this writer's dialogue with the readers in his society of origin or the originality of the texts in his later novels. This is what we have tried to do in this research which is made up of two parts: a critical reception of Driss Chraïbi and his writing, his language and ideology. The first part is a systematic study aiming to determine Chraïbi 's place among the maghrebin writers in the Moroccan environment, and also the expectations and aspirations of potential readers. The second part ios an analysis through the linguistic substratum of the mother tongue, irony, parody, the writer's ideology and that or those of his characters, and their relationships with power, Islam, tradition and modernity
Servant, Catherine. "Critique et nation : la naissance de la critique dans les lettres tcheques, 1860-1890." Paris, EHESS, 1998. http://www.theses.fr/1998EHES0107.
Full textTins doctoral thesis, whose subject is the history of criticism in czech literature, takes as its starting-point the last decade of the nineteenth century during which czech literary criticism becomes an autonomous genre. The young generation of "modem critics" in the nineties is characterised by its opposition to all the "ancient criticism" or "non criticism" which came before. This gives rise to a retrospective investigation of the supposedly "acritical" world of the years from 1860 to 1880. The thesis therefore consists of a number of enquiries into the different faces which this pre-existent czech criticism presents and which the younger generation rejects, condemns or chooses to ignore. First, studying what is said about literature through the great literary debates of the 1860s and 1870s leads to questions about the place of criticism in the way czech letters function. These questions in turn are inseparable from an enquiry into the problematic inscription of czech literature in a much wider whole, that of czech national life in the nineteenth century, and into the cultural system where it fits, as well as into questions about its autonomy and its very definition. Secondly, the 1880s, when a general call to criticism can be heard, lead to the observation of a double turning-point. In the literary field, the first signs of an independent criticism give rise to a new type of relationship involving conflict between critics and creative writers. Furthermore, scientific realism instills in czech public life a form of "total criticism", which is the sign of a new critical consciousness in czech society. Finally, erudite practices in academic and university circles give rise to three paracritical disciplines - philology, literary history and aesthetics, which are studied separately
Dubois, Philippe C. "La surface du texte comme miroir. Roland Barthes : critique de l'image/image du critique /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487949836207157.
Full textChenet, François-Xavier. "L'"Esthétique transcendantale" de la "Critique de la raison pure" étude analytique et critique /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376039028.
Full textCheccaglini, Isabella Dessons Gérard. "Lecture critique et critique de la lecture le "Théâtre" et le "Livre" de Mallarmé /." Saint-Denis : Université de Paris 8, 2009. http://www.bu.univ-paris8.fr/web/collections/theses/CheccagliniThese.pdf.
Full textGrivaux, Agnès. "Raison, délire et critique : psychanalyse et critique de la raison chez Adorno et Horkheimer." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEE011.
Full textIn this study, we will propose an interpretation of the psychoanalytic references in the works of Adorno and Horkheimer, by starting from the way they are used in an unexpected, and yet central, field: the critique of rationality. Especially in Dialectics of Enlightenment, Adorno and Horkheimer affirm that reason, a concept that is both central and structuring to the modern capitalist society, comes into conflit with itself to the point of its self-destruction, which should be understood as a passage to madness. We intend to defend that this affirmation can be understood, by having recourse to psychoanalysis, in a non-metaphorical manner, starting from a double reading, both genetic and micrologic, of their writings. We situate the genesis of the intersection between psychoanalysis and the critique of rationality in their early works, when they were dealing with the relationship between psychology and the theory of knowledge, at first in a neo-Kantian perspective, then within the framework of the program of interdisciplinary research in the thirties. This precocious intersection led them to become interested as much in the unconscious part which works through the process of knowledge, as in the logic of phenomena which are apparently the most irrational. We therefore interpret their works from the thirties and forties as the unveiling of a conjunction of specific forms of social rationalization with the rising of particularly irrational phenomena, especially related to the emergence of fascism. This conjunction then leads to the psychoanalytical thematisation of reason’s self destruction. Our thesis is that by disclosing this singular critical paradigm – which links together the psychoanalytical approach, the critique of reason, and the theory of knowledge – the function attributed to psychoanalysis by these authors can be revealed in a global and coherent fashion: accounting for unreason as an effect of the contradictory logic that the modern capitalist society establishes between nature and history. We can therefore conclude our work by analyzing on what condition a dialectical and critical theory of knowledge is likely to avoid the pitfall that psychoanalysis has allowed to identify at the social level, i.e. the reduction of the relation between history and nature to a relation of domination. In this way, the critical potentials of this paradigm within the framework of contemporary debates on the pathologies of reason can be brought to light
Grivaux, Agnès. "Raison, délire et critique : psychanalyse et critique de la raison chez Adorno et Horkheimer." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEE011.
Full textIn this study, we will propose an interpretation of the psychoanalytic references in the works of Adorno and Horkheimer, by starting from the way they are used in an unexpected, and yet central, field: the critique of rationality. Especially in Dialectics of Enlightenment, Adorno and Horkheimer affirm that reason, a concept that is both central and structuring to the modern capitalist society, comes into conflict with itself to the point of its self-destruction, which should be understood as a passage to madness. We intend to defend that this affirmation can be understood, by having recourse to psychoanalysis, in a non-metaphorical manner, starting from a double reading, both genetic and micrologic, of their writings. We situate the genesis of the intersection between psychoanalysis and the critique of rationality in their early works, when they were dealing with the relationship between psychology and the theory of knowledge, at first in a neo-Kantian perspective, then within the framework of the program of interdisciplinary research in the thirties. This precocious intersection led them to become interested as much in the unconscious part which works through the process of knowledge, as in the logic of phenomena which are apparently the most irrational. We therefore interpret their works from the thirties and forties as the unveiling of a conjunction of specific forms of social rationalization with the rising of particularly irrational phenomena, especially related to the emergence of fascism. This conjunction then leads to the psychoanalytical thématisation of reason’s self destruction. Our thesis is that by disclosing this singular critical paradigm – which links together the psychoanalytical approach, the critique of reason, and the theory of knowledge – the function attributed to psychoanalysis by these authors can be revealed in a global and coherent fashion: accounting for unreason as an effect of the contradictory logic that the modern capitalist society establishes between nature and history. We can therefore conclude our work by analyzing on what condition a dialectical and critical theory of knowledge is likely to avoid the pitfall that psychoanalysis has allowed to identify at the social level, i.e. the reduction of the relation between history and nature to a relation of domination. In this way, the critical potentials of this paradigm within the framework of contemporary debates on the pathologies of reason can be brought to light