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Books on the topic 'Critique musicale – France'

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Author: Grafiati
Published: 7 July 2024
Last updated: 7 July 2024

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1

Pyee, Doris. La revue musicale, 1901-1912. Baltimore: NISC, 2002.

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2

Waters, Robert. Déodat de Séverac: Musical identity in fin de siècle France. Burlington, VT: Ashgate, 2008.

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3

Page, Christopher. The owl and the nightingale: Musical life and ideas in France 1100-1300. London: Dent, 1989.

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4

Morin, Elisabeth. Le livre d'orgue de Montreal: Un manuscrit de musique francaise classique : Etude critique et historique (Collection La Vie musicale en Nouvelle France). Presses de l'Universite de Montreal, 1988.

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5

Orzech, Rachel. Claiming Wagner for France: Music and Politics in the Parisian Press, 1933-1944. University of Rochester Press, 2022.

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6

Orzech, Rachel. Claiming Wagner for France: Music and Politics in the Parisian Press, 1933-1944. University of Rochester Press, 2022.

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7

Aguila, Jésus. Le Domaine musical. Fayard, 1992.

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8

Zecher, Carla. Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France. University of Toronto Press, 2007.

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9

Zecher, Carla. Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France. University of Toronto Press, 2016.

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10

P, Urquhart. Sound and Sense in Franco-Flemish Music of the Renaissance: Sharps, Flats, and the Problem of 'Musica Ficta'. Peeters Publishers & Booksellers, 2021.

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11

Rosenberg, Ruth. Music, Travel, and Imperial Encounter in 19th-Century France: Musical Apprehensions. Taylor & Francis Group, 2014.

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12

Rosenberg, Ruth. Music, Travel, and Imperial Encounter in 19th-Century France: Musical Apprehensions. Taylor & Francis Group, 2014.

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13

Tiersot, Julien, and George Doncieux. Romancéro Populaire de la France; Choix de Chansons Populaires Françaises: Textes Critiques Par George Doncieux, Avec un Avant-Propos et un Index Musical Par Julien Tiersot. Creative Media Partners, LLC, 2018.

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14

Voß, Heinz-Jürgen, ed. Die Idee der Homosexualität musikalisieren. Psychosozial-Verlag, 2018. http://dx.doi.org/10.30820/9783837978117.

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Abstract:
Guy Hocquenghem´s essay »Homosexual Desire« »may well be the first example of what we now call queer theory,« wrote Douglas Crimp on the back-cover blurb of a new US edition of this book. The French activist and theorist, journalist and novelist lived from 1946 to 1988 and helped shape the history of the radical gay movement in the 1970s and 1980s, not only of his country, but also of the old Federal Republic. While the interest in Hocquenghem is growing again in France and the US, he is largely ignored today in the German-speaking world. But reading him is worthwhile, because he offers perspectives for thinking about sexual orientation not as something rigid but »open« and in process – something »musical«, that is: A sound also occurs only when it exhausts its entire amplitude. In 2018, fifty years after the so-called sexual revolution and on the thirtieth anniversary of the death of Guy Hocquenghem, the authors of the present volume undertake to bring current queer critiques of identity and racism to an exchange with this thinker. With contributions by Guy Hocquenghem (translated by Salih Alexander Wolter), Rüdiger Lautmann, Norbert Reck and Heinz-Jürgen Voß.
15

McCarrey, Scott, and Lesley A. Wright. Perspectives on the Performance of French Piano Music. Taylor & Francis Group, 2016.

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16

Perspectives On The Performance Of French Piano Music. Ashgate Publishing Group, 2014.

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17

McCarrey, Scott, and Lesley A. Wright. Perspectives on the Performance of French Piano Music. Taylor & Francis Group, 2016.

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