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Academic literature on the topic 'Criticism of Blanchot'

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Published: 28 September 2022

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Journal articles on the topic "Criticism of Blanchot"

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Crowley, Martin, Leslie Hill, Brian Nelson, and Dimitris Vardoulakis. "After Blanchot: Literature, Criticism, Philosophy." Modern Language Review 103, no. 2 (April 1, 2008): 550. http://dx.doi.org/10.2307/20467842.

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van Rooden, Aukje. "Kafka Shared Between Blanchot and Sartre." arcadia 55, no. 2 (November 9, 2020): 239–59. http://dx.doi.org/10.1515/arcadia-2020-2010.

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AbstractEver since their translation in the course of the 20th century, the works of Kafka have been widely appreciated by French intellectuals. Kafka’s greatest admirers include Maurice Blanchot and Jean-Paul Sartre, both of whom consider his work an exemplary illustration of their own poetical-philosophical views. This is remarkable, because Blanchot’s and Sartre’s respective views are generally conceived of as opposites. Apparently, then, these two authors who are so divergent in their philosophical views and literary criticism, as well as in their own literary works, find themselves on the same page in their appreciation of Kafka. I will argue that this shared appreciation not only reveals some unexpected points of agreement between them, but also facilitates an interesting intellectual encounter between Blanchot and Sartre in the late 1940 s. It is, we will see, only on the basis of an agreement with regards to Kafka’s work that their ways can part.
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Devitt, Ryan. "Toward a Foucauldian Literary Criticism." Poetics Today 42, no. 4 (December 1, 2021): 471–99. http://dx.doi.org/10.1215/03335372-9356809.

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Abstract The article argues for the renewed relevance of Foucault's early essays on literature, written throughout the 1960s, given a return to anthropological reflection in so much literary theory today (especially through affect theory and “new” phenomenologies—both of which rely on older categories supplied by psychoanalysis). On one hand, Foucault reminds us of all the “warped and twisted forms of reflection” that arise from anthropological thought, with its assumptions regarding the “unthought” and the hidden structures of sense and perception. This same Foucault, on the other hand, is deeply engaged with literature; his writings on a range of authors—from Homer and Cervantes, to Friedrich Hölderlin and the Marquis de Sade, to Georges Bataille and Maurice Blanchot—constitute nothing less than an oeuvre. And yet, despite proposals to move beyond Foucauldian critique and its orthodoxy in literary studies today, hardly anything has been thought or said about this body of work in which Foucault, as David Carroll points out, “has the most to say about literature and language.” This lacuna is all the more surprising, since Foucault's early essays offer a rich and fruitful understanding of the being of literature as more than a limpid reflection of the body. In his reading of Bataille and Blanchot in particular, Foucault offers a unique vision of literature that is neither suspicious nor negative but that, in connection with his well-known critique of finitude, culminates in a hopeful call for openness.
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Opelz, Hannes. "The Political Share of Literature: Maurice Blanchot, 1931–1937." Paragraph 33, no. 1 (March 2010): 70–89. http://dx.doi.org/10.3366/e0264833409000753.

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From the very beginning, Blanchot's thought on literature was intimately linked to his experience and conception of politics. It is this beginning that this article sets out to explore. In particular, it examines how Blanchot's discourse, insofar as the literature/politics relation is concerned, begins to shift toward the second half of the 1930s. Initially, literature is seen as a propitious ground to prepare what Blanchot terms a ‘healthy’ politics — not in any partisan or programmatic sense but in the more fundamental sense of being the active site of what he refers to as ‘concrete’ values, that is, national, cultural and spiritual values which may call upon writers to commit themselves politically and take action to defend those values in the real world as part of an effort to stimulate national, spiritual renewal. Gradually, however, Blanchot's discourse breaks with this logic of continuity established between literature and the field of political realities. From 1937 onwards, the political element provides Blanchot, this time in the form of a revolutionary force detached from its empirical conditions, with a conceptual framework to theorize literature and to account for the violent, negating force encountered, according to him, in the literary work. As a result, it is no longer — or just — about literature contributing to a revolutionary project in the socio-political world; what is at stake, instead, is how the political, understood (conceptually rather than empirically) as a ‘force of opposition’ or negation, can contribute to literary criticism and thought by offering Blanchot a new language to explore the experience and violence of literature.
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Norman, Barnaby. "Blanchot and Literary Criticism by Mark Hewson (review)." Modernism/modernity 20, no. 1 (2013): 163–64. http://dx.doi.org/10.1353/mod.2013.0006.

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Mole, G. D. "Radical Indecision: Barthes, Blanchot, Derrida, and the Future of Criticism." French Studies 65, no. 2 (March 25, 2011): 279–80. http://dx.doi.org/10.1093/fs/knr064.

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Crowley, Martin. "After Blanchot: Literature, Criticism, Philosophy by Leslie Hill, Brian Nelson, Dimitris Vardoulakis." Modern Language Review 103, no. 2 (2008): 550–51. http://dx.doi.org/10.1353/mlr.2008.0192.

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Effinger, Elizabeth. "Beckett's Posthuman: The Ontopology of." Samuel Beckett Today / Aujourd'hui 23, no. 1 (August 1, 2012): 369–81. http://dx.doi.org/10.1163/18757405-023001024.

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Identifying the posthuman as that which is locatable within a half-posthumous space and which both has a subjectivity that is always divided and distanced from itself, and a corporeality of the same quality, this paper considers the mutually reflective ontology and topology of the unnamable narrator in Beckett's through the terms and . Drawing on Derrida, Blanchot, Butler and Latour, while engaging the recent turn to posthumanism in Beckett criticism, this paper examines how the unnamable posthuman and its narrative engage and nuance ontological questions of what it means to think subjectivity without a subject.
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Bident, Christophe. "R/M, 1953." Paragraph 30, no. 3 (November 2007): 67–83. http://dx.doi.org/10.3366/para.2007.30.3.67.

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French literary criticism in the twentieth century is marked by two names: those of Roland Barthes andMaurice Blanchot. Each of them cut an individual path through the dense and variegated cultural terrain of their era, and few authors escaped their attention. Their paths generally ran in parallel, and they rarely opposed each other, yet their dialogue was never easy, and the impression remains that between them, there was never really a meeting of minds. Taking 1953 as a crucial year, this article will attempt to situate both the convergences and the divergences which mark their respective careers, by considering them in relation to a single question: that of the neuter.
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Teixeira, Derick Davidson Santos. "Walter Benjamin e Roland Barthes às margens da escritura." Cadernos Benjaminianos 14, no. 1 (January 30, 2019): 87. http://dx.doi.org/10.17851/2179-8478.14.1.87-102.

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Resumo: A noção de escritura, desenvolvida por teóricos como Roland Barthes,Jacques Derrida e Maurice Blanchot, no século XX, possui um lugar medular nateoria da literatura e na crítica literária. O presente trabalho propõe um cotejamento entre a teoria de Walter Benjamin e de Roland Barthes no que concerne à escritura. Tomando alguns traços principais da escritura, analisados por Barthes, em conjunto com o pensamento de Benjamin acerca da narração, do declínio da experiencia e de algumas obras da literatura moderna – como a obra de Proust– é possível elucidar de que forma a escritura, operando como um limiar (Schwelle), escapa à rigidez das fronteiras que separam o pessoal e o histórico, a ordem comum do individualismo, a experiência da vivência.Palavras-chave: Roland Barthes; Walter Benjamin; escritura; limiar.Abstract: The notion of writing, developed by theorists such as Roland Barthes, Jacques Derrida and Maurice Blanchot, in the 20th century, has a fundamental place when it comes to literary theory and literary criticism. This work proposes a collating between Walter Benjamin’s and Roland Barthes’ theory concerning writing. Taking some main features of writing, analyzed by Barthes, together with Benjamin’s thought about narration, the decline of experience and some modern literary works – such as Proust’s oeuvre – it is possible to elucidate how writing, working as a threshold (Schwelle), escapes from the rigidity of the borders that separate the personal and the historical, the common order and individualism, experience and “inner lived experience”.Keywords: Roland Barthes; Walter Benjamin; writing; threshold.
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Dissertations / Theses on the topic "Criticism of Blanchot"

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Bourgon, Julie. "Création, éthique et vérité : Broch et Blanchot ; suivi de, En trompe-l'oeil." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37193.pdf.

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Khakshour, Faroudji Morteza. "Poétique du silence dans l’œuvre de Maurice Blanchot." Thesis, Sorbonne université, 2022. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2022SORUL016.pdf.

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L’œuvre de Maurice Blanchot est mystérieuse et inquiétante. Son lecteur devrait être d’ores et déjà prêt à se perdre dans un labyrinthe et à accepter le risque d’être à jamais enfermé dans cet espace où chercher à trouver la sortie est comme une faute grave. L’essentiel de la critique blanchotienne s’attache à la quête désespérée de l’infini et de l’impossible dans la littérature ; dans ses récits, Maurice Blanchot tente de pratiquer les principes et les éléments de cette conception spécifique de la littérature à travers une poétique du silence. Cette thèse porte, dans un premier temps, sur la pensée littéraire de Blanchot qui, selon nous, s’intéresse avant tout à indiquer les failles et l’échec de l’écriture pour tracer l’indicible ; nous tentons ensuite de mesurer les conséquences d’une telle approche dans l’œuvre narrative de Blanchot
Maurice Blanchot's work is mysterious and disturbing. Its reader should already be prepared to get lost in a labyrinth and accept the risk of being locked in this space. Much of the Blanchot criticism is concerned with the desperate quest for the infinite and the impossible in literature; in his stories, Maurice Blanchot tries to practice the principles and elements of this specific conception of literature through a poetics of silence. This thesis focuses, first, on the literary thought of Blanchot who, in our opinion, is primarily interested in indicating the flaws and failure of writing to trace the unspeakable; we then attempt to measure the consequences of such an approach in Blanchot's narrative work
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Katz, Yael. "Configuring crisis : writing, madness, and the middle voice." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ56569.pdf.

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Laporte-Marginean, Maude. "La mémoire et l'oubli dans Cent ans de solitude de Gabriel Garcia Marquez : suivi de Nuits blanches." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99729.

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This master's thesis in literary creation is composed of two parts. The first one, a literary critic approaches the confrontation between memory and oblivion, in the novelistic work One hundred years of solitude from Colombian Gabriel Garcia Marquez through various themes. Primarily, we explain how this duality is seen through hereditary memories, loneliness, activity and inertia. In the next chapters, we show how this duality is also connected with death, collective and individual memories which contributes to make history and identity, with transformation of the past by careful scrutiny of the writing and sleep themes, and finally, to the memory awakened by associations coming from a sensual perception of the past, along with the significance given to objects and through the omnipresence of repetition.
The second part of this master's thesis untitled Nuits blanches is composed of 6 short stories each casting a women battling her anguish and demons, and who throughout a moment, day or night, loses or thinks she's losing her reason.
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O'Connor, Clémence. "'Pour garder l'impossible intact' : the poetry of Heather Dohollau." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/791.

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Sturli, Valentina. "Le figure dell’invenzione negli inediti di Francesco Orlando : teoria, prospettive, applicazioni." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL033.

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La thèse est née de la possibilité qui nous a été donnée d’analyser en exclusivité une partie des travaux inédits du critique italien et théoricien de la littérature, Francesco Orlando (1934- 2010), qui portent sur le thème de l’invention littéraire. Les perspectives contenues dans ces inédits, dûment contextualisées, sont autant de contributions au débat sur les instruments et les méthodes de recherche dans le domaine critico-thématique. Cette matière première, qui se compose de fiches de notes et d’un corpus consistant de leçons et d’interventions intégralement enregistrés à l’aide d’un appareil audio, permet de grands développements interprétatifs; elle se prête parfaitement à une recherche qui a pour point de départ le cadre de la proposition théorique et s’ouvre ensuite, dans une seconde phase de notre travail, à l’application des résultats à l’analyse comparée des œuvres de deux auteurs de la littérature italienne, Walter Siti, et française, Michel Houellebecq, que rapprochent d’importantes convergences aussi bien thématiques, formelles que du point de vue des figures utilisées
The thesis considers previously unpublished works by Italian literary critic and theoretician Francesco Orlando (1934-2010) concerning the subject of literary invention. The ideas expressed in these works, with due contextualization, provide interesting contributions in the debate about methodologies and tools of research in the field of thematic criticism. The material I consider consists in notes and in the audio tapes of a consistent corpus of lectures and conferences, and leaves room for further interpretative developments. My research considers Orlando’s material as a theoretical frame for an analysis of Italian author Walter Siti and French author Michel Houellebecq, who share important common features both thematically and stylistically
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Books on the topic "Criticism of Blanchot"

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Blanchot and literary criticism. New York: Continuum, 2011.

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Maurice, Blanchot, ed. Maurice Blanchot. Paris: l'Herne Editions, 2014.

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Haase, Ullrich M. Maurice Blanchot. London: Routledge, 2001.

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Jacques, Derrida. Demeure: Maurice Blanchot. Paris: Galilée, 1998.

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Leslie, Hill. Blanchot, extreme contemporary. London: Routledge, 1997.

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Wilhem, Daniel. Maurice Blanchot: Intrigues littéraires. [Paris]: Lignes-Manifeste, 2005.

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Laporte, Roger. Maurice Blanchot: L'ancien, l'effroyablement. Montpellier: Fata Morgana, 1987.

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Limet, Yun Sun. Maurice Blanchot critique: Essai. Paris: Éditions de la Différence, 2010.

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Wilhem, Daniel. Maurice Blanchot, intrigues littéraires. [Paris]: Lignes-Manifestes, 2005.

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Limet, Yun Sun. Maurice Blanchot critique: Essai. Paris: Éditions de la Différence, 2010.

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Book chapters on the topic "Criticism of Blanchot"

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Blanche Warre Cornish, ‘The Autobiography and letters of Mrs. M.O.W. Oliphant’." In Literary and Cultural Criticism from the Nineteenth Century, 251–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199861-49.

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Bident, Christophe. "The Year of Criticism." In Maurice Blanchot, 192–94. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0029.

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"chapter 29. The Year of Criticism." In Maurice Blanchot, 192–94. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823281787-031.

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Bident, Christophe. "Respecting Scandal." In Maurice Blanchot, 195–207. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0030.

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A substantial treatment of Blanchot’s literary criticism in the late 1940s. Bident enters into the thinking that produced a large number of critical articles, collected in two volumes, The Work of Fire and Lautréamont and Sade.
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Bident, Christophe. "The Universe Is to Be Found in Night." In Maurice Blanchot, 121–26. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0019.

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France under Occupation is the setting for a discussion of Blanchot’s activities during WWII. His literary criticism, his reaction to precise political events, his silence by comparison with previous periods, and the Resistance are all touched on.
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Bident, Christophe. "Of an Amazing Lightness." In Maurice Blanchot, 290–96. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0045.

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Addresses The Last Man, a relatively short narrative by Blanchot whose influences and aesthetics are unpacked here. We are shown how the thinking of notions such as language, solitude, and death carried out in previous fiction and criticism is pursued further.
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Plotnitsky, Arkady. "22. Georges Bataille (1897-1962) and Maurice Blanchot (1907-)." In Modern European Criticism and Theory, 172–85. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-023.

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Thomas, Lyn. "Voix Blanche?" In Making Waves, 201–14. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620429.003.0014.

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One of the most important ‘nouvelle vérités’ that has challenged 1970s feminisms in the Anglophone world is intersectionality, and particularly the need to address race and ethnicity as constantly interacting with gender, sexuality, class and other variables; This chapter provides some general reflections on the extent to which a similar crisis and trajectory are present in French feminist histories and narratives, but its main focus is a case-study of Annie Ernaux’s work in this regard, considering questions that have rarely been asked in Ernaux criticism to date: to what extent does Ernaux engage with race and ethnicity as well as class and gender in her writing? If she is an unusually intersectional writer in terms of gender, sexuality and class, and in more recent years one might add age and ageing, does this approach and the strong influence of sociology on Ernaux’s writing lead to awareness of dimensions of oppression that she herself as a white French woman has not personally experienced? How does Ernaux write her own whiteness? Is the ‘I’ of Ernaux’s texts, whether fictional or autobiographical, ‘unevoix blanche’, adopting the cloak of universal whiteness?
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May, Adrian. "Excluded from Thought?" In From Bataille to Badiou, 218–55. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940438.003.0008.

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This chapter takes a more critical stance towards the review to examine its cultural conservatism and reticence towards identity politics. The review’s literary tastes, largely shaped by the legacies of Georges Bataille and Maurice Blanchot, are shown to harbour a sense of artistic exceptionalism which often precludes representations of the everyday, and therefore also limits political solidarity with those usually defended by Lignes. Despite the racial or gendered exclusions it can produce, literary elitism or conservatism is in itself not necessarily criticised, but the hostility to mass culture inculcated by some aesthetic Marxist approaches is seen to be politically unhelpful in the present moment and other approaches to cultural politics in Lignes are sought. After Alain Badiou’s Circonstances 3 caused a row over anti-Semitism and the critique of Israel, it is suggested that the strategic essentialism of Judith Butler provides a more appropriate stance compared to Badiou’s strategic universalism. Lastly, Lignes’ virtual silence on gender and sexuality issues (a stance softening in recent issues) is contrasted to the Parti Socialiste’s progressive measures on parity, PACs and gay marriage.
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Godinez, Jose. "Corruption in Latin America and How It Affects Foreign Direct Investment (FDI)." In Business Development Opportunities and Market Entry Challenges in Latin America, 30–46. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-8820-9.ch002.

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Foreign direct investment has aided in a significant manner the economic development of Latin America since the early 1990s because capital in this region is limited (Blanco, 2012). Despite some criticism literature on FDI has overwhelmingly demonstrated that FDI has positive effects on host countries (Tan & Meyer, 2011) especially in Latin America (Wooster & Diebel, 2010). Authors researching the effects of FDI in Latin America have stated that this investment helps to growth on productivity (Blonigen & Wang, 2005) and thus, might help developing countries to begin their road to development. Therefore, scholars have devoted great efforts to understanding the determinants of FDI to Latin America and a brief overview will be provided in this study.This paper will present a detailed account of FDI flows to the region, a clear definition of corruption and how it is manifested in Latin America. After these definitions, suggestions are provided to deal with the problem of corruption in the region.
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