Journal articles on the topic 'Criticism and interpretationmurdoch, iris'

In her book Iris Murdoch, Gender and Philosophy, Sabina Lovibond argues that Iris Murdoch's philosophical and literary work is covertly dedicated to an ideology of female subordination. The most central and interesting aspect of her multifaceted argument concerns Murdoch's focus on the individual person's moral self‐scrutiny and transformation of consciousness. Lovibond suggests that this focus is antithetical to the kind of communal and structural criticism of society that has been essential for the advance of feminism. She further reads Murdoch's dismissal of “structuralism” as proof of Murdoch's alleged conservatism and neglect of feminist concerns. In this article I will argue that this line of argument—though not completely off‐base concerning the awkwardness of Murdoch's relation to feminism—(1) gives a misleading picture of Murdoch's philosophical and ideological position, and (2) establishes a problematic (though not unusual) antagonism between moral self‐scrutiny and social criticism, which a closer look at Murdoch's work can help us overcome.

Through the analysis of one erroneous piece of art criticism, an essay by Goethe that re-imagines a lost ancient sculpture, I demonstrate the difficulty that the discipline of art history has with conceptualizing the experience of art making and how one ought to respond to it. I re-examine the relationship between art making and art appreciation informed by ideas such as the Aristotelian view of Poiesis, Iris Murdoch’s praise of art in an unreligious age, and Giorgio Agamben’s call for the unity between poetry and philosophy. I also argue that much of modern art criticism has forgotten Arts’ earlier conceptual vocation, and propose methods of appreciating art that are in themselves artistic.

My project is to assess recent objections directed at Jürgen Habermas by Nancy Fraser, Iris Young and Seyla Benhabib. This dispute is significant because it concerns the value of the Enlightenment style, detached criticism promoted by Habermas as compared to new proposals about dissent from a stance connected to social movements. I argue that these feminist criticisms of Habermas's critical theory are compelling and that they require substantial changes in Habermas's thinking.

Abstract: Aesthetic judgment does not require defense, because moral judgment saturates our language and our experience. In the first part of this essay, I look at the writings of Iris Murdoch, Stanley Cavell, and G. E. M. Anscombe to show how judgments shape our most intimate dealings with the world. In the second part, I examine a strong instance of practical criticism: the writings of Clement Greenberg on Impressionism and Henri Matisse. Greenberg’s Kantian attempt to separate aesthetic judgment from moral judgment breaks down in practice, a testimony to the depth of his engagement with art and the ubiquity of moral judgment.

The main objective of this article is to reconstruct Iris Murdoch's criticism of the moral self as it was developed by liberalism, romanticism, existentialism and linguistic empiricism that interpreted the moral person as entangled either in a world of essences (Kant's view) or in a world of mere existence in which the interplay of both necessity and freedom is at stake. Thus what is missing from all these theories is a sufficient development of what it is to have a regard for others through aesthetic perception, which is the most important aspect of the moral self. At the difference of these conceptions Murdoch offers an alternative view, both to liberal ethics in the Kantian tradition and to contemporary ethics, as she argues that to have regard for others demands responsiveness which can also be explained in terms of aesthetic sensibility. Murdoch's ethics rests on an analogy between aesthetic sensibility and moral sensibility based upon the model of the artist's unconditional love for his characters, which she interprets as being a matter of seeing and loving others. The author's thesis is that love is the crucial point of Murdoch's conception of the moral self where the moral and aesthetical sensibility, as well cognition, intersect each other, because seeing others incorporates emotions of respect and compassion that characterize love and such seeing is cognitive love.

The perception of the women's inferiority in society has created significant issues in the form of oppression of women. Furthermore, literary works portrayed these issues to raise awareness because it has an important role as one of the means to address the issue of oppression against women. Shobha Rao's novel Girls Burn Brighter is a feminist literary work that highlights the oppression of women. This study aims to examine the oppression of main female characters as revealed in the novel through literary devices. This study used a sociological approach since the novel raise the social phenomena of female oppression which is examined through the perspective of feminist literary criticism. The researcher applies Iris Young's theory of oppression to explore the forms of oppression and Kimberly Crenshaw's theory of intersectionality to look out the factors of oppression experienced by main female characters. The results of this study found that the main female characters, namely Poornima and Savitha, experience oppression in the form of marginalization, exploitation, powerlessness, cultural imperialism, and violence. Their experiences of oppression manifest in the form of marginalization of job opportunity, sexual and labor exploitation, powerlessness to speak up, cultural imperialism of the dowry system, and physical and sexual violence. These forms of oppression are influenced by intersecting factors such as gender, social class, political power, skin color, and dominant culture. Keywords: oppression, intersectionality, feminist literary criticism

The past few decades have seen a turn to the empirical in applied ethics. This article makes two contributions to debates on this turn: one with regard to methodology and the other with regard to scope. First, it considers empirical bioethics, which arose out of a protest against abstract theorizing in moral philosophy and a call for more sensitivity to lived experience. Though by now an established field, methodological discussions are still centred around the question of how empirical research can inform normative analysis. This article proposes an answer to this question that is based on Iris Murdoch’s criticism of the fact/value distinction and Cora Diamond’s concept of reflective empiricism. Second, the discussion takes as a point of departure a study on genome-edited farmed salmon that uses qualitative research interviews and focus groups. Although there are several animal ethics studies based in empirical data, there are few works on the methodological challenges raised by empirical ethics in this area. The article contributes to these discussions by arguing that reflective empiricism can constitute a methodological approach to animal ethics.

Abstract This paper examines feminist arguments in radical democracy and Japanese responses to them. Although feminist insights are significant intellectual sources of radical democracy, recent political theorists have tended to exclusively consider radical democracy as agonistic pluralism. The radical democratic thinker Chantal Mouffe, who is very popular among Japanese political theorists and philosophers, criticizes the “essentialist” tendency of two feminist political theorists, namely Carole Pateman and Iris Marion Young. First this paper examines Mouffe’s critique of the two theorists. Second, it evaluates the relevance of Mouffe’s criticism of Pateman and Young by reconsidering their ideas on democracy and citizenship. Third, it engages the works of a few Japanese political theorists who respond to the issue of essentialism and points out the problems involved in the introduction of radical democracy in Japan and in Japanese feminist political theory. Finally, this paper concludes that we are still in the early stages of introducing and absorbing foreign feminist political theories into Japan as opposed to developing original Japanese feminist political theory to share with the world.

The aims of the study were to find out the types of oppression experienced by Bride and Sweetness and know the Struggles of Bride and Sweetnees in the God Help the Child. The researcher used the oppression theory by Iris Marion Young to determine the types of oppression experienced by Bride and Sweetness. The research applies African–American literary criticism to analyze woman oppression in Toni Morrison’s God Help the Child. This study used a qualitative descriptive method by looking at Bride and Sweetness struggle againts oppression. This study only focuses on the novel God Help the Child as the object of analysis, and as the subject of analysis focus on the main characters, Bride and Sweetness. The result mentions that there are five types of oppression experienced by Bride and Sweetness in different conditions. The types are exploitation, marginalization, powerlessness, cultural imperialism and violence. Another result is about Bride and Sweetness’s struggle to fight against their oppression. As they experience their own oppression, they have different effort. Bride finally overcomes her trauma and accepts her past, whereas, until the end, people don’t know Sweetness’s blackness since she never revealed it.

Abstract Hannah Arendt has developed a theory of the importance of judgment of taste for political manners, founded on the Kantian aesthetic theory. Nowadays this theory is considered a current theoretical reference for establishing a political way to reconcile the demands of the radicalization of deliberative democracy with the need for political inclusion (Iris Marion Young, Seyla Benhabib). Albena Azmanova in her The Scandal of Reason: A Critical Theory of Political Judgment proposes an inclusive political rhetoric. The political theory founded on judgment is based on Kant’s philosophy; it was developed by Arendt and has greatly influenced the current debate, as an alternative theory in which the moral basis of law can be more sensitive to human contexts; a universalist theory more adequate for dealing with the tragic dimension of human life. The theory of political judgment uses the concepts of reflective judgment and ‘enlarged thought’ as its main concepts. As a starting point, a theory like this considers the singular judgments of justice that each person makes. The background, therefore, is not a rational foundation of principles, but the capacity of rational beings to make judgments. This post-metaphysical theory of law, based on a theory of judgment, is a critique of legal positivism, but presents itself as an alternative to the idealistic theory of law. But this theoretical project has received some criticism related to the adequacy of Arendt’s rereading of Kantian philosophy and her attempt to approximate Kant’s reflective judgment to the Aristotelian concept of phronêsis. Some critics, such as Bryan Garsten, believe that Kant’s rhetoric of public reason diminished and displaced the prudential faculty of judgment that Arendt is to be interested in reviving. Arendt’s attempt to find a theory of judgment in Kant’s aesthetic theory is not successful, in Garsten’s view. Our purpose is to show that a critical theory of judicial judgment is not only possible, but necessary; Arendt’s theory of judgment offers an important contribution to a critical theory of judicial judgment, particularly one devoted to the construction of a legal theory that prioritizes a politics of social inclusion. This theory proposes a critical approach to the project of the procedural conception of democracy, since it can mask social exclusion. An adequate understanding of judicial argumentation cannot forget that it happens in a rhetorical context: it is not only important what a discourse says, but how it says it. The radicalization of deliberative democracy supposes a revision of the ways judicial deliberation is thought: not by reference to universal or at least general principles, but taking into consideration what is ‘critically relevant’, with a view to remedying social injustice (following Azmanova).

At first glance, a review of Iris Ralph’s Packing Death in Australian Literature (2020) does not fit neatly into an issue themed ‘Strange/Letters’, for, as Ralph’s acknowledgements page indicates, this book grew out of the inaugural 2005 conference of ASLEC-ANZ (then known as ASLE-ANZ). However, Ralph’s analysis, which ‘addresses plants and animals in Australia and its literature’ (1), is very much about strangeness if we consider that, until fairly recently, the contemplation of the nonhuman was an unfamiliar approach to Australian literary criticism.

This paper analyzes the role of phenomenology in Iris Marion Young´s model of critical theory through a discussion of the different strategies she mobilizes in articulating the notions of identity and social collectivities in Justice and the Politics of Difference (1990) and Inclusion and Democracy (2000). By reconstructing the debate Young had with Nancy Fraser during the 1990s, we seek to demonstrate that, although Fraser mischaracterizes Justice and Politics of Difference as representative of the “cultural turn” in social theory, her criticisms can illuminate some of the tensions and shortcomings of the text. Moreover, we argue that the emphasis in a structural-analytical strategy of argumentation, characteristic of Young´s later work, can be traced back to the contentions formulated by Fraser. Nonetheless, it is sustained in a final step that Young never completely abdicated the phenomenological approach as a tool for social criticism. Although the argument of Inclusion and Democracy is developed primarily in a structural way, Young repeatedly mobilizes the experiences of social suffering and the demands for justice voiced by social movements as the basis of her large scale democratic proposals.

To what extent, and in what ways, is it possible for works of fiction to influence their readers’ ethical development? In this essay, I explore different answers to this descriptive question in philosophy and literary studies. I dub a view shared by Iris Murdoch and Martha Nussbaum as the attention account: that great works of fiction can influence their reader’s ethical development by compelling them to cultivate ethically charged attention. I then evaluate Joshua Landy’s criticism of this account and his alternative, which I dub the clarification account: that works of fiction can influence their reader’s ethical development by helping them clarify their core ethical commitments. I argue that neither the attention account nor the invitation account describes the one and only way in which works of fiction can influence their readers’ ethical development. I then ask a normative question: what ways in which works of fiction can influence our ethical development should we embrace? Drawing on Kendall Walton’s make-believe model of fictional experience, I develop an account of a third way in which works of fiction can influence their readers’ ethical development, which I call the invitation account: works of fiction can influence their readers’ ethical development by inviting them to unseat and positively revise their ethical commitments. I make the case for the invitation account by using it to analyze two contemporary novels, Rachel Cusk’s Outline and Marilynne Robinson’s Gilead. I argue that the process described by the invitation account—that is, the way of invitation—is one we should embrace.

The depiction of alcohol is the focus of a growing number of content analyses in the field of social media research. Typically, the occurrence and nature of alcohol representations are coded to measure the prevalence, normalization, or even glorification of alcohol and its consumption on different social media platforms (Moreno et al., 2016; Westgate & Holliday, 2016) and smartphone apps (Ghassemlou et al., 2020). But social media platforms and smartphone apps also play a role in the prevention of alcohol abuse when they disseminate messages about alcohol risks and foster harm reduction, abstinence, and sobriety (Davey, 2021; Döring & Holz, 2021; Tamersoy et al., 2015; Westgate & Holliday, 2016). Field of application/theoretical foundation: Social Cognitive Theory (SCT; Bandura 1986, 2009) as the dominant media effects theory in communication science, is applicable and widely applied to social media representations of alcohol: According to SCT, positive media portayals of alcohol and attractive role models consuming alcohol can influence the audience’s relation to alcohol. That’s why positive alcohol portayals in the media are considered a public health threat as they can foster increased and risky alcohol consumption among media users in general and young people in particular. The negative health impact predicted by SCT depends on different aspects of alcohol portrayals on social media that have been traditionally coded in manual content analyses (Beullens & Schepers, 2013; Mayrhofer & Naderer, 2019; Moreno et al., 2010) and most recently by studies relying on computational methods for content analysis (e.g. Ricard & Hassanpour, 2021). Core aspects of alcohol representations on social media are: a) the type of communicator / creator of alcohol-related social media content, b) the overall valence of the alcohol portrayal, c) the people consuming alcohol, d) the alcohol consumption behaviors, e) the social contexts of alcohol consumption, f) the types and brands of consumed alcohol, g) the consequences of alcohol consumption, and h) alcohol-related consumer protection messages in alcohol marketing (Moreno et al., 2016; Westgate & Holliday, 2016). For example, a normalizing portrayal shows alcohol consumption as a regular and normal behavior of diverse people in different contexts, while a glorifying portrayal shows alcohol consumption as a behavior that is strongly related to positive effects such as having fun, enjoying social community, feeling sexy, happy, and carefree (Griffiths & Casswell, 2011). While criticism of glorifying alcohol portrayals in entertainment media (e.g., music videos; Cranwell et al., 2015), television (e.g., Barker et al., 2021), and advertising (e.g., Curtis et al., 2018; Stautz et al., 2016) has a long tradition, the concern about alcohol representations on social media is relatively new and entails the phenomenon of alcohol brands and social media influencers marketing alcohol (Critchlow & Moodie, 2022; Turnwald et al., 2022) as well as ordinary social media users providing alcohol-related self-presentations (e.g., showing themselves partying and drinking; Boyle et al., 2016). Such alcohol-related self-presentations might elicit even stronger identification and imitation effects among social media audiences compared to regular advertising (Griffiths & Casswell, 2011). Because of its psychological and health impact, alcohol-related social media content – and alcohol marketing in particular – is also an issue of legal regulation. The World Health Organization states that “Europe is the heaviest-drinking region in the world” and strongly advocates for bans or at least stricter regulations of alcohol marketing both offline and online (WHO, 2020, p. 1). At the same time, the WHO points to the problem of clearly differentiating between alcohol marketing and other types of alcohol representations on social media. Apart from normalizing and glorifying alcohol portayals, there are also anti-alcohol posts and comments on social media. They usually point to the health risks of alcohol consumption and the dangers of alcohol addiction and, hence, try to foster harm reduction, abstincence and sobriety. While such negative alcohol portayals populate different social media platforms, an in-depth investigation of the spread, scope and content of anti-alcohol messages on social media is largely missing (Davey, 2021; Döring & Holz, 2021; Tamersoy et al., 2015). References/combination with other methods of data collection: Manual and computational content analyses of alcohol representations on social media platforms can be complemented by qualitative interview and quantitative survey data addressing alcohol-related beliefs and behaviors collected from social media users who a) create and publish alcohol-related social media content and/or b) are exposed to or actively search for and follow alcohol-related social media content (e.g., Ricard & Hassanpour, 2021; Strowger & Braitman, 2022). Furthermore, experimental studies are helpful to directly measure how different alcohol-related social media posts and comments are perceived and evaluated by recipients and if and how they can affect their alcohol-related thoughts, feelings, and behaviors (Noel, 2021). Such social media experiments can build on respective mass media experiments (e.g., Mayrhofer & Naderer, 2019). Insights from content analyses help to select or create appropriate stimuli for such experiments. Last but not least, to evaluate the effectiveness of alcohol marketing regulations, social media content analyses conducted within a longitudinal or trend study design (including measurements before and after new regulations came into effect) should be preferred over cross-sectional studies (e.g., Chapoton et al., 2020). Example Studies for Manual Content Analyses: Coding Material Measure Operationalization (excerpt) Reliability Source a) Creators of alcohol-related social media content Extensive explorations on Facebook, Instagram and TikTok Creators of alcohol-related social media content on Facebook, Instagram and TikTok Polytomous variable “Type of content creator” (1: alcohol industry; 2: media organization/media professional; 3: health organization/health professional; 4: social media influencer; 5: ordinary social media user; 6: other) Not available Döring & Tröger (2018) Döring & Holz (2021) b) Valence of alcohol-related social media content N = 3 015 Facebook comments N = 100 TikTok videos Valence of alcohol-related social media content (posts or comments) Binary variable “Valence of alcohol-related social media content” (1: positive/pro-alcohol sentiment; 2: negative/anti-alcohol sentiment) Cohen’s Kappa average of .72 for all alcohol-related variables in codebook* Döring & Holz (2021) *Russell et al. (2021) c) People consuming alcohol N = 160 Facebook profiles (profile pictures, personal photos, and text) Portrayal of people consuming alcohol on Facebook profiles Binary variable “Number of persons on picture” (1: alone; 2: with others) Cohen’s Kappa > .90 Beullens & Schepers (2013) d) Alcohol consumption behaviors N = 160 Facebook profiles (profile pictures, personal photos, and text) Type of depicted alcohol use/consumption Polytomous variable “Type of depicted alcohol use/consumption” (1: explicit use such as depiction of person drinking alcohol; 2: implicit use such as depiction of alcohol bottle on table; 3: alcohol logo only) Cohen’s Kappa = .89 Beullens & Schepers (2013) N = 100 TikTok videos Multiple alcoholic drinks consumed per person Binary variable “Multiple alcoholic drinks consumed per person” as opposed to having only one drink or no drink per person (1: present; 2: not present) Cohen’s Kappa average of .72 for all alcohol-related variables in codebook Russell et al. (2021) N = 100 TikTok videos Alcohol intoxication Binary variable “Alcohol intoxication” (1: present; 2: not present) Cohen’s Kappa average of .72 for all alcohol-related variables in codebook Russell et al. (2021) N = 4 800 alcohol-related Tweets Alcohol mentioned in combination with other substance use Binary variable “Alcohol mentioned in combination with tobacco, marijuana, or other drugs” (1: yes; 2: no) Cohen’s Kappa median of .73 for all pro-drinking variables in codebook Cavazos-Rehg et al. (2015) e) Social contexts of alcohol consumption N = 192 Facebook and Instagram profiles (profile pictures, personal photos, and text) Portrayal of social evaluative contexts of alcohol consumption on Facebook and Instagram profiles Polytomous variable “Social evaluative context” (1: negative context such as someone looking disapprovingly at a drunk person; 2: neutral context such as no explicit judgment or emotion is shown; 3: positive context such as people laughing and toasting with alcoholic drinks) Cohen’s Kappa ranging from .68 to .91 for all variables in codebook Hendriks et al. (2018), based on previous work by Beullens & Schepers (2013) N = 51 episodes with a total of N = 1 895 scenes of the American adolescent drama series “The OC” Portrayal of situational contexts of alcohol consumption in scenes of a TV series Polytomous variable “Setting of alcohol consumption” (1: at home; 2: at adult / youth party; 3: in a bar; 4: at work; 5: at other public place) Polytomous variable “Reason of alcohol consumption” (1: celebrating/partying; 2: habit; 3: stress relief; 4: social facilitation) Cohen’s Kappa for setting of alcohol consumption .90 Cohen’s Kappa for reason of alcohol consumption .71 Van den Bulck et al. (2008) f) Types and brands of consumed alcohol N = 17 800 posts of Instagram influencers and related comments Portrayal of different alcohol types and alcohol brands in Instagram posts Polytomous variable “Alcohol type” (1: wine; 2: beer; 3: cocktails; 4: spirits; 5: non-alcoholic drinks/0% alcohol) Binary variable “Alcohol brand visibility” (1: present if full brand name, recognizable logo, or brand name in header or tag are visible; 2: non-present) String variable “Alcohol brand name” (open text coding) Krippendorff’s Alpha ranging from .69 to 1.00 for all variables in codebook Hendriks et al. (2019) g) Consequences of alcohol consumption N = 400 randomly selected public MySpace profiles Portayal of consequences of alcohol consumption on MySpace profiles Five individually coded binary variables for different consequences associated with alcohol use (1: present; 2: not present): a) “Positive emotional consequence highlighting positive mood, feeling or emotion associated with alcohol use” b) “Negative emotional consequence highlighting negative mood, feeling or emotion associated with alcohol use” c) “Positive social consequences highlighting perceived social gain associated with alcohol use” d) “Negative social consequences highlighting perceived poor social outcomes associated with alcohol use” e) “Negative physical consequences describing adverse physical consequences or outcomes associated with alcohol use” Cohen’s Kappa ranging from 0.76 to 0.82 for alcohol references and alcohol use Moreno et al. (2010) h) Alcohol-related consumer protection messages in alcohol marketing N = 554 Tweets collected from 13 Twitter accounts of alcohol companies in Ireland Alcohol-related consumer protection messages in alcohol marketing (covers both mandatory and voluntary messages depending on national legislation) Four individually coded binary variables for different alcohol-related consumer protection messages in alcohol marketing (1: present; 2: not present): a) “Warning about the risks/danger of alcohol consumption” b) “Warning about the risks/danger of alcohol consumption when pregnant” c) “Warning about the link between alcohol consumption and fatal cancers” d) “Link/reference to website with public health information about alcohol” Not available Critchlow & Moodie (2022) The presented measures were developed for specific social media platforms, but are so generic that they can be used across different social media platforms and even across mass media channels such as TV, cinema, and advertisement. 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