Relevant bibliographies by topics / Critical Stylistics

Academic literature on the topic 'Critical Stylistics'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Critical Stylistics.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Critical Stylistics"

1

Fadhil Kadhum Al-Janabi, Suadad, and Nawar Hussein Rdhaiwi Al-Marsumi. "Doing Stylistic Versus Critical Stylistic: An Analysis of If by Rudyard Kipling." Arab World English Journal 12, no. 1 (March 15, 2021): 239–52. http://dx.doi.org/10.24093/awej/vol12no1.17.

Full text
Abstract:
This paper displays the ideological positioning as found in Rudyard Kipling’s poem If. It is a poem published in 1910. It presents the embedded ideologies and shows how the poet used the available linguistic resources to achieve his goal. The models of analysis adopted are Critical Stylistics as proposed by Lesley Jeffries (2010) and Stylistic Analysis as submitted by McIntyre (2010). The paper aims at identifying the poet’s beliefs to show that success is the outcome of self-control and a real sense of the values of things. It is a try to discover how the poet used various linguistic choices to build a message telling us how to deal with life confidently and identify a line of ideological positioning through Critical Stylistic strategies. The paper presents a theoretical background of the term stylistics and critical stylistics, explaining the adopted models; Analyzing the poem stylistically with a focus on critical stylistic regarding two tools: Representing and Negating for their dominant use in the poem and their effectiveness in interpreting the hidden ideologies. Stylistic devices are used because they steer the text to enable the writer to reach the intended goal. In conclusion, the paper displays that the poet uses the stylistic tools in a brilliant way that leads All, not only his son, to follow and consider it a moral lesson of life.
APA, Harvard, Vancouver, ISO, and other styles
2

Xiang, Yunhua. "Critical stylistics, by Lesley Jeffries." Critical Discourse Studies 8, no. 3 (June 2011): 221–23. http://dx.doi.org/10.1080/17405904.2011.586233.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mills, Sara. "Critical stylistics, by Lesley Jeffries." Critical Discourse Studies 8, no. 3 (May 25, 2011): 225–26. http://dx.doi.org/10.1080/17405904.2011.586236.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dr. Aisha Farid, Madiha Saeed, and Dr. Muhammad Sabboor Hussain. "An Exploration of Muhammadu Bukhari’s Socio-Political Cognition through Stylistic Analysis." sjesr 4, no. 2 (May 1, 2021): 100–108. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(100-108).

Full text
Abstract:
Political discourse is a recent but increasingly exciting field of study. The political discourse offers much scope for interdisciplinary research. This current study is a stylistic analysis of the Inaugural speech delivered by Nigerian President Muhammadu Bukhari in Abuja on 29th May 2015. The current study aims to signify the role of Stylistics in CDA to unleash socio-political cognition in speeches. This qualitative research owing to its interdisciplinary nature draws on stylistics and critical discourse analysis as well. Teun A. Van Dijk's socio-cognitive approach is used to analyze the mental models underlying linguistic structures made explicit through stylistic analysis. The stylistic analysis is conducted on lexical and grammatical levels, but cohesion and speech acts have also been highlighted in the findings and discussion part. The study explores how stylistic devices are used to create a rhetorical effect and how this effect qualifies for being persuasive. The stylistic analysis reconnoiters the linguistic patterns, and CDA leads to the ideologies that shape these patterns. This study strengthens the belief that both stylistics and critical discourse analysis have great scope and power in revealing discursive practices of hegemony and persuasion.
APA, Harvard, Vancouver, ISO, and other styles
5

Mustafa, Hero Abdulrahman, and Idrees Abdulla Mustafa. "Style and Stylistics." Journal of University of Raparin 8, no. 4 (December 28, 2021): 191–211. http://dx.doi.org/10.26750/vol(8).no(4).paper9.

Full text
Abstract:
Style and stylistics are two critical terms, that they exceed Kurdish modern criticism in the spread of researching modern critical literature of people and modern Kurdish literature. Style is a wide range of using language, stylistics is a researchable science and it is the detail of the styles. Modern linguistics that (Bale) invented, paves the way for the emergence of this modern science for studying style, how modern linguistics studies (speech) and likewise stylistics studies styles of speech. This research sheds light on these two terms.
APA, Harvard, Vancouver, ISO, and other styles
6

Hermeston, Rod. "Towards a critical stylistics of disability." Journal of Language and Discrimination 1, no. 1 (September 11, 2017): 34–60. http://dx.doi.org/10.1558/jld.34022.

Full text
Abstract:
This article sets out the initial terrain for a critical stylistics of disability exposing the linguistic structures that encode often harmful ideologies surrounding disabled people. Disabled people are represented in literature and the media in general as ‘other’, and as curiosities to be described and explained. They are represented stereotypically as pitiable, evil, burdensome, as ‘Super Cripples’ or super humans, or as self-pitying. Such depictions can be internalised by and harmful to disabled people. Analysis will need to acknowledge that disabled people are frequently foregrounded as socially deviant in representations. Areas for analysis will include the author status as disabled or non-disabled, narrative mode, and the use of disability as metaphor. However, major areas for study will be description in noun phrases, transitivity analysis and the language of appraisal and evaluation. These can be scrutinised to expose the manner in which ideologies and stereotypes of disability are encoded.
APA, Harvard, Vancouver, ISO, and other styles
7

Gialabouki, Lena. "Critical Stylistics: The Power of English." Journal of Pragmatics 43, no. 1 (January 2011): 425–27. http://dx.doi.org/10.1016/j.pragma.2010.07.023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Morini, Massimiliano. "Towards a musical stylistics: Movement in Kate Bush’s ‘Running Up That Hill’." Language and Literature: International Journal of Stylistics 22, no. 4 (November 2013): 283–97. http://dx.doi.org/10.1177/0963947013491486.

Full text
Abstract:
A very recent trend in stylistics proposes the extension of its field of enquiry to accommodate various forms of multimodal art. Reflecting as it does the growing semiotic complexity of contemporary aesthetics, ‘multimodal stylistics’ is a welcome development. So far, however, its proponents have concentrated on genres in which texts are complemented by, or realized through, the visual medium – films, stage plays, television series and illustrated books. In this article, a multimodal stylistic analysis is attempted on a genre which has attracted little critical attention in linguistics – modern pop-rock music. A 1985 song by singer-songwriter Kate Bush, ‘Running Up That Hill’, is studied linguistically and musically. Employing a blend of stylistic and musicological techniques, and some of the insights provided by newborn multimodal stylistics, the author explores the complex ways in which meaning is created in a pop-rock song.
APA, Harvard, Vancouver, ISO, and other styles
9

Hussein, Abbas Lutfi, and Raad Mohammed Hussein. "Speaking Loudly: Critical Stylistic Analysis of Selected Soliloquies in Hamlet." International Journal of Linguistics, Literature and Translation 4, no. 6 (June 30, 2021): 183–95. http://dx.doi.org/10.32996/ijllt.2021.4.6.21.

Full text
Abstract:
Critical Stylistics is concerned with the study of ideology in literary and political texts. It draws on certain criteria from the stylistic analysis. Thus, this paper attempts to apply Jeffries’ (2010) model of critical stylistics to soliloquies of Shakespearean Hamlet. It specifically aims at analyzing the two soliloquies made by the character Hamlet using only three textual-conceptual functions of the model: Representing Actions/ Events/ States; Exemplifying and Enumerating; and Hypothesizing. These functions are adopted here because they somehow represent what the character is saying loudly. The data is analyzed qualitatively to show how the tools are used and then quantitatively to show how many times these same tools are used. This paper concludes that Shakespeare’s language is ideologically loaded and there are discrepancies in the frequency and function of these tools. Besides, the frequency of these tools proves how the ideology is enforced through the language of the text.
APA, Harvard, Vancouver, ISO, and other styles
10

Simpson, Paul, and Geoff Hall. "7. DISCOURSE ANALYSIS AND STYLISTICS." Annual Review of Applied Linguistics 22 (March 2002): 136–49. http://dx.doi.org/10.1017/s0267190502000077.

Full text
Abstract:
This review focuses on contemporary work in discourse stylistics, defined here as that designated branch of stylistics which draws specifically on the techniques and methods of discourse analysis. The review acknowledges a key assumption in modern discourse stylistic research, namely that the distinction between ‘literary’ and ‘nonliterary’ discourse, if tenable at all, is drawn not on a purely linguistic basis but in terms of multiple intersections among texts, readers, institutions, and sociocultural contexts. In spanning studies of both literary and nonliterary discourse, therefore, the coverage of the present review is intended to reflect this axiom. It also attempts to foreground the diversity of method and approach in contemporary discourse stylistics. Given that the techniques of discourse analysis are themselves many and various, the survey seeks to cover stylistic work that offers productive applications of the many available models in pragmatics, conversation analysis, cognitive linguistics, speech act theory, and discourse psychology. Finally, in covering a selection of important monographs, articles, and book chapters, the review seeks both to highlight some of the critical, cultural, and ideological frameworks currently employed by discourse stylisticians and to demarcate, in more general terms, the current state-of-play in this research tradition.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Critical Stylistics"

1

Weber, Jean Jacques. "Critical analysis of fiction : essays in discourse stylistics /." Amsterdam ; Atlanta (Ga.) : Rodopi, 1992. http://catalogue.bnf.fr/ark:/12148/cb356957750.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chihota, Clement. "Towards Marxist stylistics: incorporating elements of critical discourse analysis into Althusserian Marxist criticism in the interpretation of selected Zimbabwean fiction." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13117.

Full text
Abstract:
Includes bibliographical references.
The thesis - which locates itself at the interface between linguistic and literary studies - explores the possibility of developing a ‘Marxist- stylistic’ method of text interpretation, which primarily proceeds from Althusserian Marxist Criticism, but which also incorporates salient elements of Critical Discourse Analysis. In construction of the method, the thesis first investigates the need for Althusserian Marxist criticism to be mediated, and more specifically, the areas in which this mediation is required. The thesis then crosses over to the field of Critical Discourse Analysis where it identifies relevant theoretical and methodological resources that are capable of mediating the ‘gaps’ identified in Althusserian Marxist criticism. The construction of the Marxist stylistic method is then effected through the transfer of germane theoretical and methodological resources from Critical Discourse Analysis to Althusserian Marxist criticism. The distinctive properties of the emergent Marxist-stylistic method are delineated before the method is practically applied to the interpretation of at least four fictional texts – all written and set in Zimbabwe. The key outcome of the thesis is that a distinctive method of text interpretation, which meaningfully separates itself from Althusserian Marxist criticism, on the one hand, and Critical Discourse Analysis, on the other, emerges. The thesis concludes with a reflection on the application of the method and makes some suggestions for further research and development in the area herein labelled as ‘Marxist stylistics.’
APA, Harvard, Vancouver, ISO, and other styles
3

Hebert, Joy A. Ms. "A Critical Study of Sue Monk Kidd's The Secret Life of Bees." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/117.

Full text
Abstract:
Sue Monk Kidd’s The Secret Life of Bees (2002) tells the story of a motherless fourteen-year-old Lily Owens, raised by a cruel father, who desperately searches for clues to unlock her mother’s past. Kidd’s bildungsroman reveals the incredible power of black women, particularly a group of beekeeping sisters and a black Mary, to create a safe haven where Lily can examine her fragmented life and develop psychologically, finally becoming a self-actualized young lady. Lily’s matriarchal world of influence both compares and contrasts with the patriarchal world represented in Mark Twain’s Adventures of Huckleberry Finn, exposing the matriarchy’s aptly structured ways of providing a more healing environment than is Huck Finn’s. Kidd’s novel also showcases the stylistic strategies of first person narrative point of view, language, dialect, and the motif of place in order to contextualize the social awareness and psychological development Lily gains through her journey.
APA, Harvard, Vancouver, ISO, and other styles
4

Foster, John E. "A critical, social and stylistic study of Australian children's comics /." Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Foster, M. W. "The vocal music of Thomas Morley : A critical and stylistic study." Thesis, University of Southampton, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373429.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Ibrahim, Mahmood. "The construction of the speaker and fictional world in 'The Small Mirrors' : critical stylistic analysis." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34586/.

Full text
Abstract:
This thesis conducts a Critical Stylistic Analysis of Sherko Bekas’ The Small Mirrors, with the help of metaphor analysis. Five textual conceptual functions (Jeffries, 2010): Naming and Describing; Equating and Contrasting; Representing Processes/Events/States of being; Assuming and Implying and Prioritizing are used to analyse the poems. I also analyse the connotations of metaphor. These functions and metaphor analysis show how the texts construct the speaker and the fictional world in Bekas’ The Small Mirrors and the ideologies behind such constructions. The ranges of ideation – ideology in Bekas’ poetry identified by these tools are: 1. Suffering and survival are inexorable 2. Martyrdom is positive 3. Valuing one’s nation and identity is positive 4. The speaker and the people lack control over the situation My thesis aims to create a version of the Critical Stylistic model that helps me to show the depiction of the speaker and the fictional world in The Small Mirrors. I argue that Critical Stylistics is applicable to the Kurdish poetry, but it needs modifications and that the tools might work in hierarchical ranks meaning that some tools are given primary focus over others because of the difference between English and Kurdish. I use Jeffries’ (2010) Critical Stylistics and add any required modification for the textual conceptual functions to get a complete model for the analysis of The Small Mirrors. The model can show how the speaker and the fictional world are constructed which I aim to reveal. The textual conceptual functions construct a coherent perspective of the reality of the fictional world in Bekas’ poetry. The linguistic images of the fictional world of Bekas’ poetry are repetitions that become part of the naturalised ideologies of the writer.
APA, Harvard, Vancouver, ISO, and other styles
7

Harrison, Thomas R. "Van Halen : changes in their stylistic development and a critical examination of audience reception, 1978-1986." Thesis, University of Salford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420470.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Abeed, Manal. "News representation in times of conflict : a corpus-based critical stylistic analysis of the Libyan Revolution." Thesis, University of Huddersfield, 2017. http://eprints.hud.ac.uk/id/eprint/34536/.

Full text
Abstract:
Despite the diversity of research on the Libyan Revolution across a spectrum of academic fields, very little work has focused on the representation of this event in media discourse. More specifically, no studies have approached this topic from a critical linguistic perspective using a large corpus, focusing on the qualitative analysis of the corpus findings. The overall aim of this thesis is therefore to investigate linguistically how the Libyan Revolution of 2011 is constructed within a corpus of British broadsheet newspapers. The focus of this study was to explore linguistic evidence to substantiate the claim that British newspapers are biased in their coverage in favour of anti-Gaddafi forces. The investigation of textual bias was guided and assisted by tools and methods from corpus linguistics. In particular, the keyword linguistic tool in WordSmith (Scott, 2004) was utilised as an entry point to the data to provide potential foci for further analysis. The findings of the corpus analysis revealed that keywords referring to the participants involved in the conflict during the Libyan Revolution and action-related words are the dominant lexical items in the coverage of this event in British newspapers. These corpus findings are further studied in context using the concord function in WordSmith, and then interpreted using the tools offered by Critical Stylistics (Jeffries, 2010). The occurrence of different nominal choices referring to the key participants in the Libyan conflict in the keyword list also led me to focus on investigating how those participants have been named and referred to linguistically. The analysis reveals linguistic evidence and discursive strategies showing a biased representation of the Libyan Revolution in the British newspapers in favour of anti-Gaddafi forces. This study has shown that the UK broadsheet newspapers represented a negative stereotypical image of Gaddafi’s side, while simultaneously presenting a neutral and at times even a positive portrayal of the opposition side. Specifically, the choices of linguistic structures result in the legitimation of Gaddafi’s opponents and, conversely, the delegitimisation and suppression of Gaddafi and his government. Finally, it was also observed that the language of British newspapers was highly ideological in representing this event despite British news outlets endorsing the values of democracy, freedom and universal rights. It is important to also recognize that the wider social context influences the processes of production and interpretation of news discourse and helps to explain the reasons behind giving Gaddafi and his government the worst negative image. Considering the socio-political contexts and the close examination of the relation between Libya and Britain reveals that Gaddafi’s negative representation could be seen as a reflection of the excesses of his dictatorship over his own people during his years in power as well as a reflection of his accumulated stock of past wrongdoings and tense relations between him and Britain. Therefore, this representation could be taken as a fact, given Gaddafi’s historical background. However, the analysis reveals that there was unequal treatment of the two sides in the conflict. There was a complete lack of any mitigation on the description of Gaddafi’s side, whereas the rebel side are treated in an apologetic manner. The British newspapers are biased in covering up the violent actions that were committed by the opposition and their violation of human rights. It was obvious that British newspapers act as a dominant source of hegemony by deciding what and how to report. The analysis reveals that the British newspapers tried to support their government in their leading role in the military intervention in Libya. This confirms that news reporting is not free from the subjective interpretation of events, rather it constructs them in a way that reflects their ideological and political viewpoints. Overall, the positive representation of the opposition could be seen as a problematic, as the political consequence of overthrowing Gaddafi results in plaguing Libya in chaos and violence with internal wars run by rebels who were described as good during the revolution.
APA, Harvard, Vancouver, ISO, and other styles
9

Coffey, Laura. ""Innocent until proven filthy" : a corpus-based critical stylistic analysis of representations of men in women's magazines." Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/19274/.

Full text
Abstract:
This thesis reports on a Critical Stylistic analysis of representations of men in a corpus of women’s magazines, with the aid of corpus linguistic methods. Focusing on four ‘textualconceptual’ (Jeffries, forthcoming) functions of text; Naming and Describing, Equating and Contrasting, Representing Processes/Events/States, and Assuming and Implying, it shows how the texts construct ideologies of masculinity that constitute the magazines’ performances of masculinity for a female audience. I identify five central ideologies of masculinity, and gender more broadly, that occur across all four of the tools: • Men are either ‘good’ or ‘bad’ • Men are driven by their carnal instincts • Men are naturally aggressive • Men and women are essentially different • Heterosexuality is normative These unifying themes are shown to be consistent with the forms of masculinity associated with the New Lad figure, linked to representations of masculinity in the ‘lads’ mags’ of the men’s magazine market. Alongside these unifying themes, I also show how different kinds of masculine identity are emphasised depending on the kind of text they appear in, and in which genre of women’s magazine they feature. These differing representations are interpreted in terms of the flexibility of gender performance. This thesis argues that Butler’s theory of performativity can be applied to texts such as women’s magazines in two ways: women’s magazines form part of the “rigid, regulatory frame” (Butler, 1990: 33) which determines what constitutes acceptable performances of gender for society, and that they are also in themselves performances of gender. They are also “a set of repeated acts [...] that congeal over time to produce the appearance of substance of a natural sort of being” (Butler, 1990: 33). The linguistic images of men inscribed in the pages of women’s magazines are repetitions that have become part of the naturalized, accepted performances of masculinity. The ideologies of masculinity discussed here are potentially harmful from a feminist perspective, because if men are consistently shown to be aggressive or sexually driven, women may come to expect men to behave in this way.
APA, Harvard, Vancouver, ISO, and other styles
10

Pack, Crista Anne. "Ancient West Mexican Sculpture: A Formal and Stylistic Analysis of Eleven Figures in the Virginia Museum of Fine Arts." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1338.

Full text
Abstract:
The Virginia Museum of Fine Arts (VMFA) has in its collection eleven ancient West Mexican ceramic sculptures. Given that the VMFA's West Mexican Ceramic figure collection has not been included in any extensive study, this thesis serves to provide a critical analysis of these figures through a formal and stylistic approach. These analyses are preceded by a brief history of the West Mexican cultures and highlight the artistic similarities and differences between each region. The primary regions under discussion are Colima, Nayarit, and Jalisco which correspond to modern geopolitical boundaries. Primary sources for these discussions are the figures themselves, while various published catalogues serve as comparative sources. Where applicable, iconographical theories are introduced and discussed in conjunction with the formal and stylistic analysis.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Critical Stylistics"

1

Jeffries, Lesley. Critical Stylistics. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jeffries, Lesley. Critical stylistics: The power of English. New York: Palgrave Macmillan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Critical stylistics: The power of English. Basingstoke [England]: Palgrave Macmillan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Moore, Thomas Edward. The Sis quintets per a instruments d'arc i orgue Clave Obligat by Antonio Soler: A stylistic analysis with critical commentary. Ann Arbor: UMI, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

On the poetics of the Utendi: A critical edition of the nineteenth-century Swahili poem "Utendi wa Haudaji" together with a stylistic analysis. Zürich: Lit, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Burke, Michael. Stylistics: Critical Concepts in Linguistics. Taylor & Francis Group, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Burke, Michael. Stylistics: Critical Concepts in Linguistics. Taylor & Francis Group, 2017.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Creative Writing And Stylistics Creative And Critical Approaches. Palgrave Macmillan, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Critical Analysis of Fiction: Essays in Discourse Stylistics (Costerus New Series). Editions Rodopi, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kennedy, Victor Robert, ed. Words, Music, and Propaganda: Book of Abstracts. University of Maribor Press, 2022. http://dx.doi.org/10.18690/um.ff.9.2022.

Full text
Abstract:
The fifth Words and Music conference, organized by the English Department of the Faculty of Arts and the Music Department of the Faculty of Education at the University of Maribor, explores the relation between words, music and propaganda, and the place of that relation in history and in modern contemporary culture. The conference includes presentations from the fields of musicology, history, anthropology, sociology, psychoanalytic theory, Marxism, feminist theory, and translation studies, and from different critical perspectives, such as literary and linguistic analysis, Gender Studies, ethnomusicology, critical musicology, stylistics, and popular music studies, applied to genres including folk and protest music, American and European jazz, popular and classical music, rock, and rap.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Critical Stylistics"

1

Leech, Geoffrey N. "Stylistics." In Critical Theory, 39. Amsterdam: John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/ct.3.04lee.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tabbert, Ulrike. "Critical Stylistics." In Language and Crime, 27–42. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-45351-8_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Jeffries, Lesley. "Introduction." In Critical Stylistics, 1–3. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jeffries, Lesley. "Hypothesizing." In Critical Stylistics, 114–29. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jeffries, Lesley. "Presenting Others’ Speech and Thoughts." In Critical Stylistics, 130–45. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jeffries, Lesley. "Representing Time, Space and Society." In Critical Stylistics, 146–58. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jeffries, Lesley. "The Background to Critical Stylistics." In Critical Stylistics, 4–16. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jeffries, Lesley. "Naming and Describing." In Critical Stylistics, 17–36. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Jeffries, Lesley. "Representing Actions/Events/States." In Critical Stylistics, 37–50. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jeffries, Lesley. "Equating and Contrasting." In Critical Stylistics, 51–65. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-04516-4_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Critical Stylistics"

1

Siregar, Fenty Lidya, Henni, and Silvanni Comara. "The Representation of Gender in Garner’s Politically Correct Bedtime Stories: A Critical Stylistic Analysis." In International Conference on Emerging Issues in Humanity Studies and Social Sciences. SCITEPRESS - Science and Technology Publications, 2021. http://dx.doi.org/10.5220/0010742900003112.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

إبراهيم أحمد العزّي, يونس. "Halabja in Poetic Memory: The Crime and the Case." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/55.

Full text
Abstract:
"Abstract The Halabja case, and the genocide to which the people of this city were subjected, represented an international crime with all the dimensions and connotations of the word, and thus left a wound in the memory of the human conscience, the effects of which were reflected in various forms politically, socially, and culturally. The Halabja crime constituted intellectual and literary foundations for many Iraqi and Arab poets and writers, and it became an artistic theme for many poems and literary works in the contemporary creative achievement. Among these writers was the Iraqi poet (Ahmed al-Hamd al-Mandalawi), whose poem (Execution of a City in My Country) is regarded as an artistic painting that recorded the details of this tragedy, and depicted its bloody events, in a high literary style, and a language far from complex, embodied the poetry of sadness and the memory of pain. This is what makes it a rich sample in technical and objective terms, and worthy of research and study. The stylistic approach was adopted as a method of reading and a mechanism for analysis, to reveal the aesthetics of this poem, and the mechanisms of its artistic formation, according to a critical and analytical vision, highlighting the poetics of the text and the poeticity of the creator on the one hand, the depth of tragedy and the connotations of sadness and sorrow On the other hand, the text. The study methodology necessitated dividing the research into an introduction and three sections. The introduction formed a methodological threshold - including (Halabja - the poem - and the poet), which collectively represents the external / theoretical framework of the research. As for the research sections, it was devoted to the study of the three levels of the poem - according to the mechanisms of the stylistic approach - which are respectively: the structural level, the phonemic level, and the semantic level, which the poet was able through his employment of the elements of formation and artistic construction to highlight these stylistic levels and their poetics that tempt the researcher to approach the text and critically debate it what reveals its aesthetic beauty secrets."
APA, Harvard, Vancouver, ISO, and other styles
3

Bella, G., and V. K. Krastev. "On the RANS Modeling of Turbulent Airflow Over a Simplified Car Model." In ASME-JSME-KSME 2011 Joint Fluids Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/ajk2011-23006.

Full text
Abstract:
The need for reliable CFD simulation tools is a key factor for today’s automotive industry, especially for what concerns aerodynamic design driven by critical factors such as the engine cooling system optimization and the reduction of drag forces, both limited by continuously changing stylistic constraints. The Ahmed body [1] is a simplified car model nowadays largely accepted as a test-case prototype of a modern passenger car because in its aerodynamic behavior is possible to recognize many of the typical features of a light duty vehicle. Several previous works have pointed out that the flow region which presents the major contribution to the overall aerodynamic drag, and which presents severe problems to numerical predictions and experimental studies as well, is the wake flow behind the vehicle model. In particular, a more exact simulation of the wake and separation process seems to be essential for the accuracy of drag predictions. In this paper a numerical investigation of flow around the Ahmed body, performed with the open-source CFD toolbox OpenFOAM®, is presented. Two different slant rear angle configurations have been considered and several RANS turbulence models, as well as different wall treatments, have been implemented on a hybrid unstructured computational grid. Pressure drag predictions and other flow features, especially in terms of flow structures and velocity field in the wake region, have been critically compared with the experimental data available in the literature and with some prior RANS-based numerical studies.
APA, Harvard, Vancouver, ISO, and other styles
4

M. Conti, G., and R. Gaddi. "Design through the layers: Smart textiles for contemporary design solutions and sustainable consumption processes." In Intelligent Human Systems Integration (IHSI 2022) Integrating People and Intelligent Systems. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe100952.

Full text
Abstract:
"As individual consumers, one of the most responsible actions we can take to protect the planet is to extend the life of the things we already use."Taking under advisement the indication of Rose Marcario, CEO of Patagonia, the Salewa Metro System project aims to analyse and understand which aesthetic, functional and technical characteristics must be integrated in a garment to ensure maximum longevity, counteracting the trend towards massive consumption of contemporary society. Today the textile and fashion industry is the least sustainable and most polluting among the entire industrial system, both considering the production side where "every phase of its production chain threatens our planet" (Shen, 2014), and that of consumption, which hardly adopts or induces habits that contribute to the cause of a more equitable fashion system. Starting from a stylistic and product analysis of the so-called "vintage" sector, the aesthetic and functional characteristics that allow a garment to remain desirable, regardless of the fashion cycles, have been defined. Quality, functionality, style and sustainability are critical factors both from an environmental and also a commercial point of view, if we consider the ever-increasing sensitivity of the market to issues related to the protection of the planet. In the hyper-connected contemporary society, the ever-increasing search for technologies and materials related to well-being and health, in contrast with an extremely tiring urban environment, have been analysed together with the latest growing fashion trends as “athleisure”, where the demand for stylistic freedom, comfort and sporting performance is central. The Salewa Metro System project is a collection of urban and sporty, convertible and multifunctional outerwear composed of three layers of fabric that can be coupled according to the conditions of the external environment. The technical analysis of the layering system, that is the technical garments with which mountaineers are equipped, has generated the guidelines for the development of a collection that starts from pure technical performance, smoothing out the most extreme accents (useful only in situations of extreme meteorological hostility) to then propose itself to an urban and low mountain market. The use of smart materials and nano textile technologies has made it possible to create a layered system of garments with different functions that can always guarantee the best conditions in which to make the human body work. Used correctly, a good sequence of layers provides protection from environmental atmospheric agents and pollutants, perfect skin transpiration as well as the conservation and dissipation of body heat. The project was carried out in collaboration with the Salewa sportswear company, and the garments are designed to remain intact as long as possible, prepared for care, repairs and replacement of parts. They remain aesthetically attractive in the long term thanks to the classic stylistic choices that can be modified according to the occasion. They are always upgradeable in performance: the individual textile components are always replaceable. They tolerate aging well, have a long-life cycle and hit the market objectives together with increasingly design inputs for a more sustainable fashion process.
APA, Harvard, Vancouver, ISO, and other styles
5

Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.

Full text
Abstract:
The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Classical theory believes in the natural meaning, which influenced by form's geometry, Pragmatic theory believes in the common meaning, which stems from the use of form within different contexts and according to social custom. The research attempts to explore the aspects of interpretation adopted by two critics, in order to determine the theory adopted by them, so the designer will be aware to the nature and type of meaning comprehended by viewers. The results showed the adoption of common and inclusive meanings, also showed the variation in the role of architectural Expressions in confirming or multiplying the meaning, influenced by contexts and signal types. The conclusion emphasized the importance of historical references, stylistic trend, and spatial contexts in form interpretation.
APA, Harvard, Vancouver, ISO, and other styles
6

Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

Full text
Abstract:
The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Critical Stylistics"

1

Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

Full text
Abstract:
The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion. Media text implies the presence of the author as a creator of meanings. In addition, media texts have universal features: word, sound, visuality (stills, photos, videos). They are traditionally divided into radio, TV, newspaper and Internet texts. The concepts of multimedia and hypertext are related to online texts. Web combinations, especially in political journalism, have intensified the interactive branching of nonlinear texts that cannot be published in traditional media. The Internet as a medium has created the conditions for the exchange of ideas in the most emotional way. Hence Gonzo’s interest in journalism, which expresses impressions of certain events in words and epithets, regardless of their stylistic affiliation. There are many such examples on social media in connection with the events surrounding the Wagnerians, the Poroshenko case, Russia’s new aggression against Ukraine, and others. Thus, the study of new features of media text in the context of modern political narratives and emotional markers is important in media research. The article focuses review of etymology, origin and features of using lexemes “cмисл (meaning)” and “сенс (sense)” in linguistic practice of Ukrainians results in the development of meanings and functional stylistic coloring in the usage of these units. Lexemes “cмисл (meaning)” and “сенс (sense)” are used as synonyms, but there are specific fields of meanings where they cannot be interchanged: lexeme “сенс (sense)” should be used when it comes to reasonable grounds for something, lexeme “cмисл (meaning)” should be used when it comes to notion, concept, understanding. Modern political texts are most prominent in genres such as interviews with politicians, political commentaries, analytical articles by media experts and journalists, political reviews, political portraits, political talk shows, and conversations about recent events, accompanied by effective emotional narratives. Etymologically, the concept of “narrative” is associated with the Latin adjective “gnarus” – expert. Speakers, philosophers, and literary critics considered narrative an “example of the human mind.” In modern media texts it is not only “story”, “explanation”, “message techniques”, “chronological reproduction of events”, but first of all the semantic load and what subjective meanings the author voices; it is a process of logical presentation of arguments (narration). The highly professional narrator uses narration as a “method of organizing discourse” around facts and impressions, impresses with his political erudition, extraordinary intelligence and creativity. Some of the above theses are reflected in the following illustrations from the Ukrainian media: “Culture outside politics” – a pro-Russian narrative…” (MP Gabibullayeva); “The next will be Russia – in the post-Soviet space is the Arab Spring…” (journalist Vitaly Portnikov); “In Russia, only the collapse of Ukraine will be perceived as success” (Pavel Klimkin); “Our army is fighting, hiding from the leadership” (Yuri Butusov).
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Critical Stylistics' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography