Relevant bibliographies by topics / Cristina Peri Rossi (1941-)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Cristina Peri Rossi (1941-)'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Cristina Peri Rossi (1941-)"

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Mérida Jiménez, Rafael M. "Cristina Peri Rossi en “Triunfo”: género y sexualidad en la prensa de la transición española." Cuadernos de Investigación Filológica 41 (December 22, 2015): 129. http://dx.doi.org/10.18172/cif.2736.

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La obra periodística de Cristina Peri Rossi (Montevideo, 1941) ofrece un interesante contrapunto a su actividad literaria, dada su sorprendente variedad temática. Este artículo cataloga y analiza los artículos de la poeta y narradora en Triunfo, una de las revistas más importantes durante el tardofranquismo y la Transición en España, prestando atención preferente a aquellas cuestiones en torno al género y a la sexualidad que mejor pueden dialogar con la poesía que publicó durante la década de los 70 (por ejemplo, Diáspora, publicado en 1976) y con su pensamiento feminista.
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Pasetti, Pía. "El libro de mis primos de Cristina Peri Rossi: la fundación de un orden nuevo." Letras (Lima) 92, no. 135 (June 30, 2021): 58–65. http://dx.doi.org/10.30920/letras.92.135.5.

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El libro de mis primos (1969), novela de Cristina Peri Rossi (Montevideo, 1941), se construye alrededorde una familia regida por un sistema jerárquico, autoritario y violento que, hacia el final, es destruido por “los primos”, esto es, los niños de la familia. Ellos son quienes tiran abajo la casa de sus antepasados, en un sentido tanto literal como simbólico. A la caída del orden familiar le sigue la caída de un Estado represivo, por lo que ambos órdenes colapsan de modo simultáneo. De esta forma, al mismo tiempo son demolidas dos instituciones definidas por la opresión y el autoritarismo. En este artículo nos interesa explorar los cruces entre ambas esferas, familiar y política, y para ello, estableceremos un diálogo con la situación políticay social uruguaya —que será leída dentro del panorama revolucionario latinoamericano—, en el momento de publicación de la novela. Esto es, un momento de marcada agitación y efervescencia política, motivada, sobre todo, por el triunfo de la Revolución cubana, la emergencia de movimientos sociales locales y globales —condensados particularmente en 1968—, y la amenaza cercana de los golpes de Estado llevados a cabo en el Cono Sur, a lo largo de los años setenta.
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Cristina Peri Rossi. "Cristina Peri Rossi." Nuevo Texto Crítico 23, no. 45-46 (2010): 11–12. http://dx.doi.org/10.1353/ntc.2010.0065.

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San Román, Gustavo. "Entrevista a Cristina Peri Rossi." Revista Iberoamericana 58, no. 160 (December 10, 1992): 1041–48. http://dx.doi.org/10.5195/reviberoamer.1992.5090.

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Emmi, Stella. "Cosmoagonías de Cristina Peri Rossi." Revista Iberoamericana 58, no. 160 (December 10, 1992): 1196–99. http://dx.doi.org/10.5195/reviberoamer.1992.5106.

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Teles, Gabriela B. "Desastres Íntimos, de Cristina Peri Rossi." Cadernos de Literatura em Tradução, no. 21 (August 3, 2019): 26–41. http://dx.doi.org/10.11606/issn.2359-5388.v0i21p26-41.

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Gilmour, Nicola. "Una entrevista con Cristina Peri Rossi." Journal of Iberian and Latin American Research 6, no. 1 (July 2000): 117–36. http://dx.doi.org/10.1080/13260219.2000.10429582.

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Gnutzmann, Rita. "Solitario de amor de Cristina Peri Rossi." Revista Iberoamericana 56, no. 150 (March 1, 1990): 308–10. http://dx.doi.org/10.5195/reviberoamer.1990.4694.

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Rocca, P. Santiago. "Solitario de amor de Cristina Peri Rossi." Revista Iberoamericana 58, no. 160 (December 10, 1992): 1237–38. http://dx.doi.org/10.5195/reviberoamer.1992.5118.

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Ortiz de Zárate, Amalia. "DIÁLOGO CON EL EXILIO EN CRISTINA PERI ROSSI." Revista Internacional de Culturas y Literaturas, no. 1 (2005): 54–59. http://dx.doi.org/10.12795/ricl.2005.i01.06.

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La cartografía se expande ilimitadamente en las diásporas. Ya no hablamos de terceros espacios (Bhabha, 1994) poblados de fatídicos inmigrantes que se abandonan a la mejor suerte -la peor suerte- que encuentran en el camino. Hablamos de cuerpos poblados por terceros espacios que ejercitan la desterritorialización y la re-territorialización en su exilio. En su libro Díáspora (1976, 2001), así como en toda su escritura, Cristina Peri Rossi vive su exilio con los ojos en el sur. Siempre observando el sur de su palabra, adentrándose en el “doloroso asombro del viaje y su odisea.” (María Negroni, 2003: La maldad de escribir, IGITUR, Tarragona: 15) Aquel viaje impuesto por la autoridad. Viaje realizado en cueros, porque “qué objetos personales -como amuletos o fetiches- intentamos salvar de la diáspora, de la pérdida, de la incertidumbre,” (Cristina Peri Rossi, 2001: Julio Cortázar, el gran Cronopio. Omega, Barcelona: 26) qué intentamos rescatar del exilio.
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Dissertations / Theses on the topic "Cristina Peri Rossi (1941-)"

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Hermant, Aurélie. "L'écriture de l'érotisme dans l'œuvre narrative de Christina Peri Rossi." Toulouse 2, 2005. http://www.theses.fr/2005TOU20026.

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Notre étude de l'érotisme dans l'œuvre narrative de Cristina Peri Rossi suit une démarche critique qui commence par un essai de définition de la notion d'érotisme en général et dans l'écriture peri rossienne plus particulièrement. Ensuite, nous procédons à une lecture du corps féminin présent dans notre corpus pour, finalement, refléchir sur le corps du texte et sur l'écriture érotique en tant que transgression. Nous voulons démontrer le fonctionnement de l'érotisme dans l'œuvre narrative de Peri Rossi. Dans ses textes, se mêlent la violence et la retenue, l'éxubérance des sens et le manque de communication entre les êtres humains, la crudité des mots et les métaphores poétiques. Les différentes œuvres se concentrent sur la construction ou la déconstruction de l'identité face aux frontières et aux limites imposées au désir. L'écriture érotique de Peri Rossi est le fruit d'une transgression de certaines lois scripturales et de certains textes mythiques. Cette écrivaine adopte une philosophie de l'érotisme qui prône une liberté d'inspiration, d'expression et d'écriture allant parfois jusqu'à la rupture avec les normes. De plus, elle donne une intensité affective à ses œuvres et nous offre une perception intimiste capable de lever les vieilles barrières morales et ne craint pas d'affonter les critiques les plus réactionnaires. Il s'agit d'une écriture féministe qui démonte les rapports de genre, qui déconstruit le genre érotique et qui dénonce les valeurs traditionnelles et sexistes de la société patriarcale
The study of eroticism in the narrative works of Cristina Peri Rossi follows a critical process that first defines the notion of eroticism generally and more specifically in the peri rossian writing. Then, a reading of the woman body in the corpus will be made so as to consider both the body of the text itself and the erotic writing as a transgression. The objective is to show how eroticism works in the narrative works of Peri Rossi. The texts combine violence and restraint, an exhuberance of the senses and the lack of communication among human beings, the coarseness of words and the poetic metaphors. The works put an emphasis on the construction and discontruction of the identity that faces the boundaries limiting desire. Peri Rossi's erotic writing arises from the transgression of some of the writing rules and mythical texts. The writer adopts a philosophy of eroticism which advocates a freedom of inspiration, expression and writing, sometimes in a break with norms. Moreover, Peri Rossi adds an emotional intensity to her works and offers an intimist perception that can break the old moral rules and she's not afraid of facing the most reactionary critics. Her feminist writing deals with the relationships between men and women, analyses eroticism as a genre and denounces the traditional and sexist values of the patriarchal society
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Valdivia, Lizana Cristina. "La presencia del mito del andrógino en La nave de los locos de Cristina Peri Rossi." Tesis, Universidad de Chile, 2003. http://repositorio.uchile.cl/handle/2250/110076.

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La novela moderna del siglo XIX, pretendía "...acceder a la armonía natural en la constitución del ser humano y de la sociedad, en parangón con la misma naturaleza" ; buscaba la emancipación no sólo cultural, sino también de la propia identidad, a través de los ideales positivistas. Es decir, la novela moderna aspiraba a descubrir los aspectos sociales y materiales de la realidad del ser humano. De esta manera, la novela moderna se presenta como el despliegue de un espectáculo de humanidad; el hombre debía ser mostrado en todas sus dimensiones. Así, de la mano con la razón, cuenta con un narrador analítico, quien actúa sobre lo que narra como un sujeto pleno, que domina todas las dimensiones de la existencia.
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Regoczy, Lucia Graciela, and n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana." University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.

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This thesis offers a typology of Postmodern women�s discourse from a sociological perspective. By focusing on the reading of Gioconda Belli�s Sofia de los presagios, Isabel Allende�s Paula, and Anacristina Rossi�s La loca de Gandoca, it examines how each writer achieves, thanks to the process of dialogism and the carnivalesque, a critique of social and aesthetic values, associated with Eurocentric discourse. Thanks to these two processes, the values associated with the marginalized position of women in Latin America, are brought to the surface, offering a better understanding of the relation that exists between women�s literary production and the cultural environment. Chapter one offers an overview of the concepts associated with Posmodernism, and its relevance in the Latin American context. This chapter also outlines the key concepts associated with dialogism and the carnivalesque. Chapter two examines the use of the carnivalesque in two plays by Sor Juana Ines de la Cruz, Los empenos de una casa and Amor es mas laberinto as antecedents of subversive writing in Spanish American women�s writing. It discusses how Sor Juana through appropriation and inversion, transforms her texts into a critique of marginalized social groups. This chapter proposes that Sor Juana sets the model for the subversive nature of Spanish American women�s writing. Chapter three offers a reading of Cristina Peri Rossi�s El libro de mis primos as an example of radical feminist discourse produced in the 60�s, focusing on the use of parody and irony as means of transgressing patriarchal discourse. Chapter four examines Gioconda Belli�s Sofia de los presagios, and the incorporation of ancestral and modern myths, to accentuate women�s marginality and the conflicting and contradictory nature of Nicaraguan society. Chapter five focuses on a reading of Isabel Allende�s Paula in which the techniques of magical realism and the carnivalesque are brought together to criticize social and cultural practices that marginalize women. Chapter six examines Anacristina Rossi�s La loca de Gandoca. It focuses on the way Rossi makes use of popular music, romantic literature, poetry, and bureaucratic discourse, to denounce the exploitation and destruction of Costa Rica�s natural resources through ecotourism.
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González, Lori Kay. "Desde los ojos de un niño : análisis crítico de las obras de Cristina Peri Rossi /." View abstract, 2000. http://library.ctstateu.edu/ccsu%5Ftheses/1587.html.

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Thesis (M.A.)--Central Connecticut State University, 2000.
Thesis advisor: Lilián Uribe. " ... in partial fulfillment of the requirements for the degree of Master of Arts [in Modern Language]." Includes bibliographical references (leaves 113-114).
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Fonder-Solano, Leah Jean. "Sex, violence and politics: Eroticism in the work of Cristina Peri Rossi." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289489.

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Cristina Peri Rossi (Uruguay, 1941) highly privileges sexual and erotic themes in her writing. Although literary critics have tended to eschew this facet of the author's work in favor of her irreverent social critiques, this study proposes to show how the author's erotic representations act both directly and indirectly to articulate such arguments. In this regard, my objectives are twofold: First, I examine how Peri Rossi inscribes her erotic writing into a male-dominated tradition of erotic literature. To this end, I discuss her revision of canonical works which govern/reflect social norms of gender and sexuality, particularly traditional psychoanalytical theory and classic mythology. I then explore how the author's erotic representations relate to the various social concerns she addresses in her writing, specifically issues of sex/gender, sexuality and authoritarian government. Regarding sex/gender, I focus on Peri Rossi's deconstruction of the binary engendering system, resulting in the possibility of change in and/or ambiguity of both sex and sexuality; the author's literary transgressions of social gender roles are also considered. With respect to sexuality, I discuss how Peri Rossi challenges social norms of sexuality through representations of homosexuality, children's sexuality and incest. Finally, I address the author's allegorical indictment of military abuses though sexual and/or erotic depictions. In each of these cases, Peri Rossi transforms eroticism, a traditionally private matter, into a public vehicle capable of opposing and subverting social oppression.
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Galvao, Janaina Aguiar Mendes. "A ironia na obra de Cristina Peri Rossi :: ditadura, exílio e depois." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-6ZNEQV.

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Este texto propõe um estudo da ironia na obra da escritora Cristina Peri Rossi, analisando contos dos livros La tarde del dinosaurio (1976) e Una pasión prohibida (1986). Circunscritos no marco histórico da ditaduta e pós-ditadura na América Latina, buscamos examinar como se reflete a tensão gerada pela ironia na significação que este momento político exerce sobre os elementos que compõem seus contos e influenciam sua narração. Num primeiro momento, o confronto entre direita e esquerda se faz mais presente , e a ironia expressa a concomitância dos dois discursos na composição dos contos. Num segundo momento, os contos retratam a transição para uma ordem homogeneizante de redomocratização, e a ironia exacerba um vazio de um futuro que não avança e induz à interrrogação da própria consciência que, que na impossibilidade de fixar-se em um objetivo a conquistar, busca no passado uma re-significação irônica que culmina num vazio não preenchível - como uma ironia que não possui um senti do único e não pode ser significada em uma única perspectiva.
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Tanna, Natasha. "Queer genealogies in transnational Barcelona : Maria-Mercè Marçal, Cristina Peri Rossi, and Flavia Company." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/270354.

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This dissertation examines lesbian and queer desire in texts in Catalan and Spanish written in Barcelona, Montevideo, and Buenos Aires from the 1960s to the present. In the texts, desire includes but is not limited to the erotic; it encompasses issues of queer textuality, relationality, and literary transmission. I focus on the works of three authors who have spent the majority of their lives in Barcelona. However, the city appears almost incidentally in their works; the genealogies that the authors trace are transnational. The texts combine literal movement (through exile or diaspora) and a metaphorical sense of being “out of place” that prompts writers to take refuge in writing. I demonstrate that despite depicting affinities beyond the family and nation, the works reveal the persistence of familial and national ties, albeit in spectral or queer ways. Rather than tracing continuous lines of descent that emphasise origins, the works are principally concerned with futurity and fragmentation, as in Michel Foucault’s reading of genealogy. Chapter One on Maria-Mercè Marçal’s La passió segons Renée Vivien (1994) traces a literary genealogy from Sappho to Renée Vivien in fin de siècle Paris to Marçal. The novel represents a merging of literary desire and erotic desire; Marçal’s search for symbolic mothers turns out to be a search for symbolic lovers that is oriented towards the present and future. In Chapter Two, I posit that in Cristina Peri Rossi’s La nave de los locos (1984) “happiness” consists of being open to chance and unpredictability unlike in conventional “happy” scripts in which a valuable life is believed to consist of (heterosexual) marriage, children, and property ownership. In Part II I argue that through fragmentation, allegory, and ambiguity, Peri Rossi’s El libro de mis primos (1969) contests authoritarian discourse without itself becoming a site of hegemonic meaning. In inviting the reader’s collaboration, it ensures authorial legacy. Part I of Chapter Three is an analysis of the temporality of obsession in Flavia Company’s Querida Nélida (1988). I propose that obsession and melancholia may point to a utopian future rather than signalling an entrapment in the past. My study of Melalcor (2000) in Part II suggests that queer forms of relationality that are not centred on procreation and monogamy offer ethical models of sociality. Part III focusses on Company’s return to biological family in Volver antes que ir (2012) and Por mis muertos (2014). The resurgence in these texts of family members who have died signals that just as the queer haunts the family, the family haunts the queer.
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San, Roman Gustavo. "Three versions of the fantastic in Uruguayan literature : Horatio Quiroga, Felisberto Hernandez and Cristina Peri Rossi." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385509.

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Toro, Arlene. "La novela erótica latinoamericana contemporánea: Cristina Peri Rossi, José Donoso, Griselda Gambaro y Mario Vargas Llosa." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/214813.

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Spanish
Ph.D.
Esta investigación examina cuatro novelas latinoamericanas de las últimas dos décadas del siglo XX con el fin de demostrar la forma en que establecen evidencia textual y contextual que valida su inclusión bajo la categoría de textos literarios eróticos y su exclusión de los "infiernos" eróticos.
Temple University--Theses
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Vidal, Durán Manuel. "La inutilidad de las pasiones. Desidentificación del sujeto (pos)moderno en “Una pasión inútil” de Cristina Peri Rossi." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/110464.

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Books on the topic "Cristina Peri Rossi (1941-)"

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Confronting patriarchy: Psychoanalytic theory in the prose of Cristina Peri Rossi. New York: P. Lang, 2008.

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Domínguez, Carmen. La subversión del discurso autoritario en la narrativa de Cristina Peri Rossi. New Orleans: University Press of the South, 2000.

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Narváez, Carlos Raúl. La escritura plural e infinita: El libro de mis primos de Cristina Peri Rossi. Valencia: Albatros Ediciones, 1991.

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Rowinsky-Geurts, Mercedes. Imágen y discurso: Estudio de las imágenes en la obra de Cristina Peri Rossi. Montevideo, Uruguay: Ediciones Trilce, 1997.

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Quintana, Isabel Alicia. Figuras de la experiencia en el fin de siglo: Cristina Peri Rossi, Ricardo Piglia, Juan José Saer, Silviano Santiago. Rosario [Argentina]: Beatriz Viterbo Editora, 2001.

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Rómulo, Cosse, and Santa Cruz Lucía, eds. Cristina Peri Rossi, papeles críticos. Montevideo: Librería Linardi y Risso, 1995.

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Gómez de Tejada Fuentes, Manuel Jesús. Erotismo, transgresión y exilio: las voces de Cristina Peri Rossi. Editorial Universidad de Sevilla, 2017. http://dx.doi.org/10.12795/9788447221578.

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Rowinsky, M. Mercedes. Estudio de las imagenes en la obra de cristina Peri Rossi. 1995.

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Dejbord, Parizad Tamara. Cristina Peri Rossi: Escritora Del Exilio/Writer of Exile (Carne y Hueso). Editorial Galerna, 1998.

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Charles, Boland Roy, and Harvey Sally, eds. Rebelling in the garden: Critical perspectives on Isabel Allende, Cristina Peri Rossi, Luisa Valenzuela : a special number in honour of Sally Harvey. Auckland: Vox/AHS, 1996.

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Book chapters on the topic "Cristina Peri Rossi (1941-)"

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Pfeiffer, Erna. "Peri Rossi, Cristina." In Metzler Autorinnen Lexikon, 422–23. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_293.

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Wild, Gerhard. "Peri Rossi, Cristina." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13564-1.

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Hofmann, Michael. "Peri Rossi, Cristina: Iks, la nave de los locos." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13565-1.

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"Cristina Peri-Rossi." In Women's Writing in Latin America, edited by Sara Castro-Klarén, Sylvia Molloy, and Beatriz Sarlo, 99–100. Routledge, 2019. http://dx.doi.org/10.4324/9780429268090-14.

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"Cristina Peri-Rossi." In Women's Writing in Latin America, edited by Sara Castro-Klarén, Sylvia Molloy, and Beatriz Sarlo, 207–8. Routledge, 2019. http://dx.doi.org/10.4324/9780429268090-33.

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"Affect, Authority, and Inheritance in Cristina Peri Rossi." In Queer Genealogies in Transnational Barcelona, 65–120. Modern Humanities Research Association, 2019. http://dx.doi.org/10.2307/j.ctv16kkxbq.6.

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Graña, María Cecilia. "Barloventear y singlar: la poética compleja de Cristina Peri Rossi." In Poetas hispanoamericanas contemporáneas, 175–99. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110736274-010.

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"GÉNERO Y POSMODERNISMO: INTENCIÓN PARÓDICA EN EL AMOR ES UNA DROGA DURA DE CRISTINA PERI ROSSI." In Desde aceras opuestas, 209–22. Vervuert Verlagsgesellschaft, 2006. http://dx.doi.org/10.31819/9783964563736-013.

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"Existencias dislocadas: la temática del exilio en textos de Cristina Peri Rossi, Reina Roffé y Alicia Kozameh." In Aves de paso, 105–16. Vervuert Verlagsgesellschaft, 2005. http://dx.doi.org/10.31819/9783964563729-009.

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"El exilio y otras transgresiones en la narrativa de tres autoras latinoamericanas en Europa: Cristina Peri Rossi, Ana Vásquez Bronfman y Cristina Sisear." In Aves de paso, 131–40. Vervuert Verlagsgesellschaft, 2005. http://dx.doi.org/10.31819/9783964563729-011.

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Journal articles Dissertations / Theses
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