Dissertations / Theses on the topic 'Crises – History – 21st century'
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1
Levi, Rachel M. "A Digital Crisis? Art History and Its Reproductions in the 20th and 21st Century." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/689.
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This thesis analyzes the emergence, presence, and use of digital reproductions in the scholarship of art history and how these reproductions impact individual encounters with art. It will address matters related to the authenticity of reproductions, the development of modern technologies, and the rise of new media, reflecting on issues related to integrating technology into the discipline and proposing how to deal with the digital reproductions in the study of art history.
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Nyambi, Oliver. "Nation in crisis : alternative literary representations of Zimbabwe Post-2000." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85652.
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Thesis (PhD)-- Stellenbosch University, 2013.ENGLISH ABSTRACT: The last decade in Zimbabwe was characterised by an unprecedented economic and political crisis. As the crisis threatened to destabilise the political status quo, it prompted in governmental circles the perceived 'need‘ for political containment. The ensuing attempts to regulate the expressive sphere, censor alternative historiographies of the crisis and promote monolithic and self-serving perceptions of the crisis presented a real danger of the distortion of information about the situation. Representing the crisis therefore occupies a contested and discursive space in debates about the Zimbabwean crisis. It is important to explore the nature of cultural interventions in the urgent process of re-inscribing the crisis and extending what is known about Zimbabwe‘s so-called 'lost decade‘. The study analyses literary responses to state-imposed restrictions on information about the state of Zimbabwean society during the post-2000 economic and political crisis which reached the public sphere, with particular reference to creative literature by Zimbabwean authors published during the period 2000 to 2010. The primary concern of this thesis is to examine the efficacy of post-2000 Zimbabwean literature as constituting a significant archive of the present and also as sites for the articulation of dissenting views – alternative perspectives assessing, questioning and challenging the state‘s grand narrative of the crisis. Like most African literatures, Zimbabwean literature relates (directly and indirectly) to definite historical forces and processes underpinning the social, cultural and political production of space. The study mainly invokes Maria Pia Lara‘s theory about the ―moral texture‖ and disclosive nature of narratives by marginalised groups in order to explore the various ways through which such narratives revise hegemonically distorted representations of themselves and construct more inclusive discourses about the crisis. A key finding in this study is that through particular modes of representation, most of the literary works put a spotlight on some of the major talking points in the political and socio-economic debate about the post-2000 Zimbabwean crisis, while at the same time extending the contours of the debate beyond what is agreeable to the powerful. This potential in literary works to deconstruct and transform dominant elitist narratives of the crisis and offering instead, alternative and more representative narratives of the excluded groups‘ experiences, is made possible by their affective appeal. This affective dimension stems from the intimate and experiential nature of the narratives of these affected groups. However, another important finding in this study has been the advent of a distinct canon of hegemonic texts which covertly (and sometimes overtly) legitimate the state narrative of the crisis. The thesis ends with a suggestion that future scholarly enquiries look set to focus more closely on the contribution of creative literature to discourses on democratisation in contemporary Zimbabwe.
AFRIKAANSE OPSOMMING: Die afgelope dekade in Zimbabwe is gekenmerk deur ‗n ongekende ekonomiese en politiese krisis. Terwyl die krisis gedreig het om die politieke status quo omver te werp, het dit die ‗noodsaak‘ van politieke insluiting aangedui. Die daaropvolgende pogings om die ruimte vir openbaarmaking te reguleer, alternatiewe optekenings van gebeure te sensureer en ook om monolitiese, self-bevredigende waarnemings van die krisis te bevorder, het 'n wesenlike gevaar van distorsie van inligting i.v.m. die krisis meegebring. Voorstellings van die krisis vind sigself dus in 'n gekontesteerde en diskursiewe ruimte in debatte aangaande die Zimbabwiese krisis. Dit is gevolglik belangrik om die aard van kulturele intervensies in die dringende proses om die krisis te hervertolk te ondersoek asook om kennis van Zimbabwe se sogenaamde 'verlore dekade‘ uit te brei. Die studie analiseer literêre reaksies op staats-geïniseerde inkortings van inligting aangaande die sosiale toestand in Zimbabwe gedurende die post-2000 ekonomiese en politiese krisis wat sulke informasie uit die openbare sfeer weerhou het, met spesifieke verwysing na skeppende literatuur deur Zimbabwiese skrywers wat tussen 2000 en 2010 gepubliseer is. Die belangrikste doelwit van hierdie tesis is om die doeltreffendheid van post-2000 Zimbabwiese letterkunde as konstituering van 'n alternatiewe Zimbabwiese 'argief van die huidige‘ en ook as ruimte vir die artikulering van teenstemme – alternatiewe perspektiewe wat die staat se 'groot narratief‘ aangaande die krisis bevraagteken – te ondersoek. Soos met die meeste ander Afrika-letterkundes is daar in hierdie literatuur 'n verband (direk en/of indirek) met herkenbare historiese kragte en prosesse wat die sosiale, kulturele en politiese ruimtes tot stand bring. Die studie maak in die ondersoek veral gebruik van Maria Pia Lara se teorie aangaande die 'morele tekstuur‘ en openbaringsvermoë van narratiewe aangaande gemarginaliseerde groepe ten einde die verskillende maniere waarop sulke narratiewe hegemoniese distorsies in 'offisiële‘ voorstellings van hulself 'oorskryf‘ om meer inklusiewe diskoerse van die krisis daar te stel, na te vors. 'n Kernbevinding van die studie is dat, d.m.v. van spesifieke tipe voorstellings, die meeste van die letterkundige werke wat hier ondersoek word, 'n soeklig plaas op verskeie van die belangrikste kwessies in die politieke en sosio-ekonomiese debatte oor die Zimbabwiese krisis, terwyl dit terselfdertyd die kontoere van die debat uitbrei verby die grense van wat vir die maghebbers gemaklik is. Die potensieel van letterkundige werke om oorheersende, elitistiese narratiewe oor die krisis te dekonstrueer en te omvorm, word moontlik gemaak deur hul affektiewe potensiaal. Hierdie affektiewe dimensie word ontketen deur die intieme en ervaringsgewortelde geaardheid van die narratiewe van die geaffekteerde groepe. Nietemin is 'n ander belangrike bevinding van hierdie studie dat daar 'n onderskeibare kanon van hegemoniese tekste bestaan wat op verskuilde (en soms ook openlike) maniere die staatsnarratief anngaande die krisis legitimeer. Die tesis sluit af met die voorstel dat toekomstige vakkundige studies meer spesifiek sou kon fokus op die bydrae van kreatiewe skryfwerk tot die demokratisering van kontemporêre Zimbabwe.
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Angelopoulou, Maria. "Cosmopolitanism in Europe-in-crisis : the cases of the EU, Greece and Turkey." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/10375.
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Adopting a critical cosmopolitan outlook the thesis identifies a constructive engagement with the European project at a time when the crisis of the Euro-zone is still threatening the very existence of the European Union. The purpose of the study is to determine whether cosmopolitanism is feasible in Europe. I argue that the EU can be conceived as a catalyst of cosmopolitanism without being cosmopolitan per se due its so far limited internal and external contexts of cosmopolitanism. In the case of the EU's limited inner cosmopolitanism, I seek cosmopolitan alternatives for the EU to overcome the crisis on the basis of an institutional and civil society analysis within the conceptual framework of cosmopolitan democracy. Instead of adopting the terminology of governance either for or by the people, my cosmopolitan approach focuses on governance with the people. The case of Greece is of utmost importance for my research as it reveals the causes and gravity of the crisis. It also broadens the empirical basis of cosmopolitan studies by embodying both the dynamics and challenges posed to cosmopolitanism which are exemplified in the paradoxes provoked; on the one hand there is aggravation of (fascist) nationalism and domination of economics on politics perhaps leading to Greece's de- Europeanisation; on the other hand the dynamics of a paradigm shift towards a post-crisis cosmopolitanism are revealed. That kind of cosmopolitanism needs to take under consideration the role of contestation and to redefine its position in the era of global capitalism for the confrontation of the crisis. In the case of the EU's limited external cosmopolitanism, my analysis of Turkey's possible impact on the EU and the reverse aims to demonstrate that Turkey's integration can contribute to the formation of a cosmopolitan, post-Western EU and post-national Turkey. What is of crucial importance for both cosmopolitan and Europeanisation studies is that the endogenous process of change within Turkey which is interlocking with the external dynamics of the EU may potentially lead to a distinctive ‘hybrid' type of cosmopolitanisation neither merely European nor simply Asian. The conclusions drawn from this multiple case study suggest that the current crisis may open new meanings for cosmopolitanism in Europe.
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Andreas, Repeta, and Palm Carl. "Capital flows during times of crises : A study of 21st century economic crises and their impact on FDI-flows." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-434216.
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Foreign direct investment has been sharply affected by the global SARS-CoV-19 pandemic, as quarantine measures have decimated global trade, aviation and domestic economies through lockdowns which have wreaked havoc on markets. Macroeconomic indicators including GDP growth rates, unemployment, business confidence, consumer confidence, retail sales and inflation have all been negatively affected due to the simultaneous supply & demand shock caused by the pandemic. Economic crises are a regularly occurring feature, with a degree of cyclicality determining their emergence. The uniqueness of crises, in their appearance and dissipation, stems from a large variance in relevant macroeconomic, fundamental and societal factors giving rise to the crisis in the first place, with the uniqueness being bound and pertinent to a selected period of time in history under which they occurred. In this thesis we explored the impact of the two most significant economic crises of the 21st century, the Great Recession and the ongoing SARS-CoV-19 pandemic and their impact on capital flows, specifically on FDI-flows in two developed markets and two emerging markets. Our findings suggest that FDI-flows display a high synchronicity with stages of economic cycles, and tend to decrease during economic recessions and increase during economic expansions.
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Musty, Emma. "A short history of lines." Thesis, Aberystwyth University, 2016. http://hdl.handle.net/2160/c4aa2292-b43a-4d1f-bb59-b3cea766cb02.
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Willman, Kate Elizabeth. "New Italian epic : history, journalism and the 21st century 'novel'." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/77618/.
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This study examines the recent literary phenomenon known as the New Italian Epic, a label coined by Wu Ming 1 in a document called the Memorandum in 2008. Wu Ming 1 used the label New Italian Epic to describe a corpus of Italian texts, mainly published after the year 2000, that are an unusual mix of genres, styles and media, and that have a renewed sense of political and ethical commitment. After describing the phenomenon and outlining the main theoretical underpinnings to my analysis of it, I examine the Memorandum in detail, in order to individuate the ideas that will resurface throughout the study, related to postmodernism, new technologies, history and memory studies, epic, realism, and the role of literature in society. This is followed by a periodisation, which traces developments in recent history and literature that influenced the New Italian Epic phenomenon, including the Cannibal and migrant writers of the nineties, the violent events at the G8 protest in Genoa in 2001, and the political and cultural climate in Italy in the new millennium. I go on to analyse three key themes that particularly stand out in the New Italian Epic texts – the recurring theme of the death of the father, the use of the historical novel form, and texts that seem to be journalistic, but sometimes change or distort reality – each of which is accompanied by close reading of two or three novels from the New Italian Epic corpus, and compared to other previous or contemporary cultural developments in Italy and abroad. I conclude by considering the interactions between literature and film in the twenty-first century, and suggest that the ‘unidentified narrative objects’ we have seen throughout the study seem to be a particular product of our times.
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Casey, Ciarán Michael. "The failure of dissent : public opposition to Irish economic policy, 2000-2006." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e1c69c29-cc6a-4550-941d-465a4ee1d2b3.
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The Irish crash that began in 2008 has been described as one of the most dramatic economic reversals ever experienced by an industrialised country. There is a strong consensus about the economic roots of the crisis: the country experienced a classic asset bubble. Much more difficult to explain however, is how a mature democracy sleep-walked into a crisis that had so much precedent and in retrospect seems to have been so apparent. The policy decisions made in the boom period must shoulder much of the blame, but they were not created in a vacuum. This thesis systematically examines the discourse on the Irish economy from a broad range of commentators in the years prior to the crash, including international and domestic organisations, academics, the newspapers, and politicians. It demonstrates that key mainstream analysts anticipated how the property boom would end on the basis of estimated fundamental house prices and demand levels. This implicitly assumed that these fundamentals would remain strong as the boom abated, and ignored the potential for a market panic. By contrast, the most prescient analysts relied heavily on international precedent, and recognised that property price falls would be closely correlated with the increase observed during the boom. A key dimension of the discourse was therefore how the lessons of financial history were applied or disregarded. The Irish crash that began in 2008 has been described as one of the most dramatic economic reversals ever experienced by an industrialised country. There is a strong consensus about the economic roots of the crisis: the country experienced a classic asset bubble. Much more difficult to explain however, is how a mature democracy sleep-walked into a crisis that had so much precedent and in retrospect seems to have been so apparent. The policy decisions made in the boom period must shoulder much of the blame, but they were not created in a vacuum. This thesis systematically examines the discourse on the Irish economy from a broad range of commentators in the years prior to the crash, including international and domestic organisations, academics, the newspapers, and politicians. It demonstrates that key mainstream analysts anticipated how the property boom would end on the basis of estimated fundamental house prices and demand levels. This implicitly assumed that these fundamentals would remain strong as the boom abated, and ignored the potential for a market panic. By contrast, the most prescient analysts relied heavily on international precedent, and recognised that property price falls would be closely correlated with the increase observed during the boom. A key dimension of the discourse was therefore how the lessons of financial history were applied or disregarded.
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Trisel, Joel B. "Small-scale Opera: History and Continuing Relevance in the 21st Century." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428438349.
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Porter, Anthony G. "China's modus operandi for the 21st Century." Quantico, VA : Marine Corps Command and Staff College, 2005. http://handle.dtic.mil/100.2/ADA491923.
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Thesis (Master of Military Studies)-Marine Corps Command and Staff College, 2005.Title from title page of PDF document (viewed on: Jan 6, 2010). "CSC 2005" "Subject Area Topical Issues" Includes bibliographical references.
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Crompton, Lee. "Preparing for future combat environments : optimising physical conditioning for the 21st century soldier." Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/25369/.
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Preparing for the operational environment is a fundamental principle of military doctrine. This thesis looks at current and historical military practice and aims to determine future training initiatives to help better prepare the soldier for conflict conditions. Whilst the future of military conflict will always be determined by politics, the potential reaction time can be very short, so we must be in a position of continuous training for operations, with optimum ramp up opportunities for readiness. During operations in Afghanistan the campaign Formation Operational Readiness Mechanism (FORM) Fitness Doctrine (CFFD) provided guidance for the physical preparation of all ranks, tailored to the specific requirements for Operation HERRICK. Building on the success of CFFD, we must re-analyse our physical preparation for operations philosophies to align them with the requirements of contingency. Whilst the exact physical requirements for future operations are inherently unknown, it is essential that we derive appropriate physical training (PT) philosophies and methodologies to efficiently and effectively promote physical fitness and injury resilience.
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Encinas-Valenzuela, Jesus Ernesto. "Mexican foreign policy and UN peacekeeping operation s in the 21st century." Thesis, Monterey, California. Naval Postgraduate School, 2006. http://hdl.handle.net/10945/2502.
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On December 1, 2000 a new administration took over the presidency of MeÌ xico. This event was especially anticipated because the new president, Vicente Fox, was coming from a different party than the PRI, the old official party. The arrival of President Fox brought important changes in the way of governing; with the moral obligation to be different, since the beginning of his administration one of the main goals was incline to pursue a more dynamic participation by Mexico in the political issues of the world. This was to be accomplished by taking up several measures that included enhancing economic trade with the United States and other nations, world summits in Mexico, improvement of human rights and others. Among those plans one attracted special attention when Mexico asked for a seat as a non-permanent member in the UN Security Council for the period 2002-2003 the third time in Mexican history. There were divided opinions on the subject because Mexico would be directly involved in UN decisions concerning internal situations of other countries, something that goes against the foreign policy principles of MeÌ xico. Eventually this discussion opened doors for other topics; one of them was the possibility of Mexico participating actively in peacekeeping operations by sending troops overseas; this initiated a biter debate in the political sphere. This study analyzes Mexican Foreign Policy and the historical perspective of the foreign principles stated in the Mexican Constitution[alpha]s article 89, followed by a discussion of their influence and interpretation in the politicalmilitary environment before and during the administration of President Fox. The study includes the analysis includes the new social and political scenario that MeÌ xico is facing in order to determine the odds and obstacles when dealing with military participation overseas. As MeÌ xico takes its place in the community of nations, the country[alpha]s leadership needs to search for possible options and test whether the new Mexican political apparatus has the flexibility to address current threats and requirements for international security. An analysis on the capabilities of the Mexican Armed Forces is also necessary in order to determine their capacity to execute multinational operations. Finally bring out the real benefits and/or risks from getting Mexico involved in these kinds of operations are identified.
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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.
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Rodgers, Michael E. "NATO from shadow to substance--the formative years--insights for the 21st century." Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FRodgers.pdf.
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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, June 2007.Thesis Advisor(s): Donald Abenheim. "June 2007." Includes bibliographical references (p. 51-58). Also available in print.
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Ortega, Selena. "Chavez Ravine and Boyle Heights| 20th and 21st Century Displacement of Mexican Communities." Thesis, California State University, Los Angeles, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10245743.
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This study examines and analyzes displacement, under the guise of redevelopment, in urban Mexican communities in Los Angeles-- Chávez Ravine (1944-1959) and Boyle Heights (2000-2015). This investigation also chronicles and interprets the urban renewal process as a systematic attack on the Mexican working- class and disenfranchisement of their communities. This analysis presents qualitative evidence to show the individual impacts associated with involuntary displacement. Furthermore these cases of displacement blocked the economic mobility of displaced residents of Chávez Ravine and Boyle Heights and the impact extends beyond those directly displaced. Beyond gentrification, a review of these cases, within approximately seven decades of displacement patterns, reveal the broader politics of contesting Mexican social and economic status in Los Angeles. Redevelopment maintains an economic and social order that intergenerationally disadvantages Mexican populations.
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Wong, King-tung, and 黃競東. "Reinventing the real: transfigurations of cinematic kung fu in the 21st century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47849885.
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Kung fu is a cinematic genre investing on the discourse of the “real”.
From Kwan Tak Hing, Bruce Lee, Jacky Chan, Jet Li to Donnie Yen, cinematic
representations of kung fu are inextricably intertwined with realism – real
techniques, real fighting and real body.
This paper is a theoretical reflection of “real kung fu” as a cultural
imaginary and its transfiguration since the 1950s. The discussion will focus on
recent developments of the genre in two major industries – digitalization of kung
fu in Hollywood and recent return of kung fu masters in Hong Kong through coproduction.
Through a parallel analysis of kung fu productions in a global context,
this project outlines and predicts possible reinventions of the genre in the first
decade of the 21st century.
On the one hand, the notion of “real kung fu” is reinvented by digital
technology. By applying Jean Baudrillard’s idea of “simulacra and simulation” to
the context of kung fu cinema, Leon Hunt’s tripartite scheme of authenticity and
Edward Said’s Orientalist discourse are (de/re)constructed in an age of digital
production. Through a scrutiny of The Matrix (1999) and Kung Fu Panda (2008),
I will demonstrate that the convergence of digital cinema and digital gaming
creates a new spectatorship that redefines kung fu with an alternative
understanding of body, time and space.
On the other hand, the Ip Man trilogy (2008-2010) and Legend of the Fist:
The Return of Chen Zhen (2010) show that there is a possible return of kung fu
masters in local martial arts co-productions. Instead of a nostalgic return to the
established genre in the 1970s, these realist kung fu films reinvent the genre by
synthesizing different paradigms of realist styles and renegotiating the longstanding
difficult relationship between nationalism and modernity.published_or_final_version
Comparative Literature
Master
Master of Philosophy
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France, Angela. "Hide : a 21st century woman's response to the first person in poetry." Thesis, University of Gloucestershire, 2015. http://eprints.glos.ac.uk/3871/.
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This thesis, titled ‘Hide: A 21st century woman’s response to the first person in poetry’ is a creative and critical examination of the challenges and benefits of the first-person approach in poetry. It is in two parts, consisting of a collection of sixty poems and a critical investigation into the research leading to, and engendered by, the poems. Hide is a place from which to observe, hide is skin, hide is deliberate concealment; all of these meanings can be seen to reflect some of the concerns examined in both the creative and critical parts of the thesis. ‘Hide’s’ layers of meaning directly engage with what 'I' we choose to conceal and what 'I' we choose to show, as well as residing on the boundaries between privacy and exposure. The poems spring from investigations of my central concerns of autobiography, family history, the workings of memory, and ancestral knowledge in the form of ‘cunning’. The poems are an active investigation into the challenges and benefits of the ‘I’; the approaches and techniques for using it as well as the reasons for, and strategies involved in, avoiding the ‘I’. The critical part of the thesis is an auto-ethnographic study of the poems in the collection, together with examination of the difficulties faced by women writing in the first-person. The research includes thematic analysis of published reviews, and examination of the critical landscape within which women are writing.
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Engzell, Christofer. "Islamic banks in the United Kingdom : Growth in the 21st century." Thesis, Uppsala universitet, Ekonomisk-historiska institutionen, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-88134.
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Lin, Syaru Shirley, and 林夏如. "National identity, economic interest and Taiwan's cross-strait economic policy 1994-2009." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B43761896.
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Gutkowski, Stacey Elizabeth. "Religious violence, secularism and the British security imaginary, 2001-2009." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608941.
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Lee, Jason Eng Hun. "'All is not Well in the world' : critical cosmopolitanism in twenty-first century fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197089.
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This thesis considers how contemporary American and British novels at the turn of the century attempt to conceptualize global human, political, economic and ecological risks through different levels of global connectedness. Taking a theoretical approach, the thesis offers up the notion of critical cosmopolitanism as a form of literary critique that might help to connect the field of literature to current sociological debates about globalization and cosmopolitanism. Critical cosmopolitanism is summarized here as follows: a predisposition towards cosmopolitan ideals but also a self-reflexive awareness of its perceived ideological and narrative shortcomings; a desire to conceive of a planetary self-conscious by maneuvering across and between spatial containers like the nation-state; an attempt to map disjunctive flows of global capital onto various narrative ‘worlds’; a type of narrative reflexivity that is transferred onto the reader.
The thesis comprises of two parts. Part 1 considers how the war on terror discourse problematizes novelists’ attempts to imagine planetary connectedness, and their struggles to imbue their readers with a self-reflexivity as an act of critical cosmopolitanism. Chapter 1 discusses the representational challenges that 9/11 presents to the novelist in terms of historicity, and outlines some of the prevailing metanarratives/counternarratives that are projected by them. Chapter 2 considers how alterity is used to critique or negotiate representations of the terrorist persona in novels by Don DeLillo, John Updike and Mohsin Hamid. Pointing to flaws in their narrative forms, these novelists enable their reader to transcend certain ideological boundaries which are denied to their own protagonists. Chapter 3 considers the interrelationship between terror and the spectacle in novels by Don DeLillo, Jonathan Safran Foer and Ian McEwan, looking at how 9/11’s images are able to project itself across the world but still reduce viewers’ capacity for imagining global connectedness.
Part 2 explores how novelists use a range of postmodern strategies to represent the various connections/dislocations made possible by global capital and how it problematize perceptions of human relationships across the world. Global capital is presented as a fluid dynamic that enables greater connectivity across the globe, but it also poses difficulties in one’s ability to realize a genuine cosmopolitanism against the all-incorporating power of the market. Chapter 4 deals with a variety of attempts in novels by William Gibson and Don DeLillo to cognitively map the relations of capital and consumer culture, and to make these complex global systems more intelligible to the reader. Chapter 5 discusses novels by David Mitchell and Rana Dasgupta that experiment with heterotopic, multi-layered narrative platforms to represent interconnecting but geographically separate ‘worlds’, and their ability to project cosmopolitan ideals across these textual horizons of space and time.published_or_final_version
English
Doctoral
Doctor of Philosophy
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Samphansakul, Attaphorn. "Child Soldiers and Intrastate Armed Conflicts: An Analysis of the Recruitments of Child Soldiers in Civil Wars Between 2001 and 2003." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9038/.
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This thesis examines why some governments and rebel organizations but not others recruit children to be child soldiers. The theory posits that if a country fights in a civil war of long duration, armed groups are more likely to recruit children as soldiers. I find that the probability of child soldier recruitment increases when a country experiences following conditions: a longer duration of civil war, a large proportion of battle deaths, a large number of refugees, a high infant mortality rate, and the presence of alluvial diamonds. An increase in education expenditures and civil liberties would decrease the probability of child soldier recruitments.
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Hackenbracht, Julie Elizabeth. "Small Screen China: An Exploration of Contemporary Social Issues as Depicted in Chinese TV Dramas." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10307.
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viii, 116 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.As Mainland China transitions from a planned socialist economy to one more market-focused, its economic successes have garnered attention worldwide. However, this astounding economic growth brought with it a number of negative side effects, including corruption and a resurgence ofprostitution. Gender relations have also undergone major shifts from state mandated gender equality in the Mao era to a call for the refeminization ofwomen in the Reform era. How is the Chinese population navigating this transition? In this thesis, I utilize existing melodrama theory and relevant sociological studies to explore how three Chinese TV dramas-I'm Not a Hero (2004), Close to You, Make Me Warm (2006), and Give Me a Cigarette (2006), later renamed Evening Rain--expose and explore some of these existing social problems, providing a platform for their viewers to reflect on and explore these issues on their own.
Committee in Charge: Tze-Ian Sang, Chair; Alison Groppe; Eileen Otis
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Mills, Michael F. "Witness to the American apocalypse? : a study of 21st century 'doomsday' prepping." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/60441/.
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This thesis addresses the phenomenon of 21st century "doomsday" prepping. Prepping is a primarily American phenomenon centred on storing food, water, and weapons for the purpose of surviving future crisis or social collapse. Growing rapidly post-2007/8, it is the successor to the right-wing American survivalist movement that flourished (and then disappeared) in the late-20th century. This thesis engages with a lack of scholarly knowledge on prepping, which has resulted in this phenomenon being understood through media-driven stereotypes and theories of older survivalist activity. Such understandings suggest that prepping is apocalyptic, millenarian, politically-extreme, and a product of the United States' fringe right-wing militia culture. Drawing on research that involved 200 online surveys responses, ethnography and interviews with 39 American preppers, and attendance at three prominent prepping conventions, the thesis challenges such dominant ideas. It shows prepping to be a distinct, more moderate wave of American survivalist activity. The thesis establishes that preppers typically do not prepare for an "apocalypse", nor do they think in millenarian terms. Preppers instead use their preparations as precautionary protection against temporary social collapse and job loss. The thesis also reveals that prepping is not as politically-extreme as is often speculated. Rather than militia ideology, prepping intermingles with waves of right-wing "Tea Party" discontent, as well as widespread frustration at the dysfunctional and post-political state of American democracy. Additionally this work reveals that, as far as preppers retreat from political and community life, their withdrawal is symptomatic of wider currents of American individualist values, and processes of civic decline. It is thus argued that prepping must be understood as a product of "mainstream" American society. It is concluded that prepping should be principally explained as a product of: late modern capitalism's effects on democracy, secure employment, and collective sympathies; contemporary media's impact on disaster-related fears; and the American Right's promotion of political anxiety and individualistic thinking.
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Hicks, Terence, Abul Pitre, and Kelly Jackson Charles. "An Instructional Companion Guide for the 21st Century Educational Leader in the Classroom and Beyond." Digital Commons @ East Tennessee State University, 2011. http://a.co/8oAf6Yw.
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"Grassroots schools" and training centers in the Prospect district of Prince Edward County, Virginia, 1959-1964 -- We will move : the Kennedy administration and restoring public education to Prince Edward County, Virginia -- Farmville, 1963 : the long hot summer -- Black resilience vs. white resistance in Prince Edward County -- Northerners in a Jim Crow world : Queens College summer experience -- A lecture from the children of the "lost-generation" of students from Prince Edward County, Virginia -- Reflections of African American parents, teachers, and students in Prince Edward County, Virginia, 1959-1964.https://dc.etsu.edu/etsu_books/1029/thumbnail.jpg
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Malcolm-Buchanan, Vincent Alan. "Fragmentation and Restoration: Generational Legacies of 21st Century Māori." The University of Waikato, 2009. http://hdl.handle.net/10289/2797.
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The content of this thesis is premised on a reflexive examination of some historical juxtapositions culminating in critical aspects of being Māori in the twenty first century and how such aspects have informed contemporary indigenous identity. That is, the continuing acknowledgement and exponential public recognition of critical concepts which inextricably link indigenous and civic identity. The theoretical sources for this research are, in the main, derived from anthropological and religious studies, particularly on the significance of mythologies and oral histories, as well as from the oral theorising of elders in Aotearoa New Zealand. A very significant contribution from one such elder, a senior Māori woman academic, has been included in the form of the transcript of an interview. She herself had collected the views of a number of elders on myth, creating a rare and valuable resource. In the interview she married her reflections on these with her own experiences and her cogent analyses. From the outset, it was necessary to be discerning so as to ensure the thesis workload was manageable and realistic. For this reason the selected critical aspects that have been used to frame this research are (1) a developing Western validation (that is, acknowledgement and respect) of Māori, Māori culture and their mythology; (2) oral history (genealogy) and traditions that have remained constant despite the influences of modernity; and (3) notions of fluidity, negotiation and pragmatism regarding kinship legacies and cultural heritage. The thesis is comprised of six chapters starting from a subjective narrative leading through increasingly objective discourses that culminate in a conclusion which supports a belief that modern Māori require a balancing of critical aspects of cultural heritage, with a broad understanding of the world of the 'other', in order to realise and develop their contemporary indigenous identity. Ultimately, indigenous ideologies, practices and knowledge recorded and examined in the world of academia today, become potential resources for tomorrow. The intention of this research is to aggregate and discuss intrinsic aspects of the Māori past as well as developing aspects of the present, in order to better understand the significance of the future, and to add to the growing corpus of indigenous worldviews.
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Kanade, Nikhil. "Tracing Islamic Extremist Ideologies: The Historical Journey of Jihad from the Late Antique Period to the 21st Century." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1389.
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Popular interpretations and academic scholarship tends to emphasize the relationship between jihad, military action, and communal violence. These reinforce a sense that violence is inherent to Islam. Investigations into the contexts where jihad has been deployed highlight how its use is often a call for unity believed to be necessary for political goals. Therefore, in order to deconstruct this belief, this thesis tackles instead the relationship between textual interpretations and historical actions, and how these varied across specific moments in time. The case studies examined range from the initial evolution of a theory of jihad in the late antique world, to the Crusades in the 11th and 12th centuries, to early modern dynamics of the Ottomans and Safavids, and finally to modern state-making projects in the Arabian Peninsula These examples seek to create a comprehensive picture of the intricacies rooted in jihad and the narrative that can be associated with a religion that is most often misunderstood. The effort to shed some light on the multiple facets of jihad is hinged upon how these case studies differ from one another, thus forcing the reader to question how they previously understood the modern day phenomenon of jihad. While the conversation will reiterate various themes and concepts as discussed in previous scholarship, it should push the boundaries on how jihad has been framed as a modern day extremist ideology.
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Widmaier, Wesley William. "A constructivist theory of international monetary relations monetary understandings, state interests in cooperation, and the construction of crises (1929-2001) /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3036613.
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Graham, Felicia Christine. "Extracting the Truth| How Coexisting with the Black Gold Reshapes Lives and Livelihoods in 21st Century Colombia." Thesis, University of California, Santa Barbara, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1603377.
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There have been many pitfalls resultant from our current civilization’s dependence on oil and gas, though none has been more ignored than the impacts of hydrocarbon production on our fellow human beings. This thesis has three primary aims: (1) to make clear the theoretical frameworks that have led these human impacts to be ignored, including Resource Curse Theory, and to propose Political Ecology as a new framework for understanding the challenges that resource extraction levies on individuals and communities; (2) to detail, document, and highlight the widespread, complex, and generative impacts that resource extraction itself produces in order to begin seeking real solutions; and (3) to bring to the fore the struggles of the Colombian people in relation to hydrocarbon production and resource extraction. As shall be seen, Colombia is a unique though entirely ignored case study of rapidly expanding hydrocarbon production. While thought to be a ‘success’ in the eyes of many, this thesis shows the true nature of oil and gas production by focusing in on the deep structural changes that the southern community of Puerto Gaitan has endured since the arrival of Canadian oil company Pacific Rubiales, and explaining how these deeper problems are reproduced in other extractive areas across Latin America and the world.
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Cho, Ho Seong. "Persecution and martyrdom in the history of Korean church and its implications for the 21st century mission." Theological Research Exchange Network (TREN) Access this title online, 2002. http://www.tren.com/search.cfm?p062-0185.
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Schaper, Benjamin. "Poetik und Politik der Lesbarkeit in der deutschen literatur." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8e1e8c05-c0f9-4dda-ad9b-b208ded2432b.
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In 1990, German literary critics agreed that the end of the Cold War should mark the end of politically committed post-war literature. The political caesura prompted a debate about the future of German literature during which the concept of 'readability' evolved as a contested issue. It was championed in particular by the author Matthias Politycki and the publishers Uwe Wittstock and Martin Hielscher. Ever since, 'readability' has remained a benchmark for authors and critics alike in the battle for value and success. The thesis will establish a theoretical basis for 'readability' that draws on narratology, the Aristotelian concept of 'mimesis', classical rhetoric, and the poetics of contemporary authors who explicitly engage with 'readability'. Discussion will centre on the novel since this genre has been the focus of debate ever since the novel gained prominence with the rise of the reading middle classes in the eighteenth century. An analysis of the historical role of 'readability' will demonstrate that the debate as it manifested itself around 1990 developed out of a specifically German tradition, in which authors and critics alike viewed it as potentially in conflict with true art. In 1990, German literary critics agreed that the end of the Cold War should mark the end of politically committed post-war literature. The political caesura prompted a debate about the future of German literature during which the concept of 'readability' evolved as a contested issue. It was championed in particular by the author Matthias Politycki and the publishers Uwe Wittstock and Martin Hielscher. Ever since, 'readability' has remained a benchmark for authors and critics alike in the battle for value and success. The thesis will establish a theoretical basis for 'readability' that draws on narratology, the Aristotelian concept of 'mimesis', classical rhetoric, and the poetics of contemporary authors who explicitly engage with 'readability'. Discussion will centre on the novel since this genre has been the focus of debate ever since the novel gained prominence with the rise of the reading middle classes in the eighteenth century. An analysis of the historical role of 'readability' will demonstrate that the debate as it manifested itself around 1990 developed out of a specifically German tradition, in which authors and critics alike viewed it as potentially in conflict with true art. The thesis will demonstrate that 'readability' is key to understanding the debates about German literature in an era of globalisation when readers are more attracted to works by foreign authors than to works by German ones. It will examine how writers such as Helmut Krausser, Daniel Kehlmann, and Thomas Glavinic have exploited the opportunities of the changed parameters by writing and promoting 'readable' books. It will further explore to what extent 'readability' has opened up new avenues even for authors like Felicitas Hoppe and Ulrike Draesner, who distrust the quest for 'readability'. The thesis will conclude with a reflection on the prospects for 'readability' in the current literary landscape in Germany.
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Ruffing, Jason L. "A Century of Overproduction in American Agriculture." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700066/.
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American agriculture in the twentieth century underwent immense transformations. The triumphs in agriculture are emblematic of post-war American progress and expansion but do not accurately depict the evolution of American agriculture throughout an entire century of agricultural depression and economic failure. Some characteristics of this evolution are unprecedented efficiency in terms of output per capita, rapid industrialization and mechanization, the gradual slip of agriculture's portion of GNP, and an exodus of millions of farmers from agriculture leading to fewer and larger farms. The purpose of this thesis is to provide an environmental history and political ecology of overproduction, which has lead to constant surpluses, federal price and subsidy intervention, and environmental concerns about sustainability and food safety. This project explores the political economy of output maximization during these years, roughly from WWI through the present, studying various environmental, economic, and social effects of overproduction and output maximization. The complex eco system of modern agriculture is heavily impacted by the political and economic systems in which it is intrinsically embedded, obfuscating hopes of food and agricultural reforms on many different levels. Overproduction and surplus are central to modern agriculture and to the food that has fueled American bodies for decades. Studying overproduction, or operating at rapidly expanding levels of output maximization, will provide a unique lens through which to look at the profound impact that the previous century of technological advance and farm legislation has had on agriculture in America.
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Smith, Shannon Tucker. "Megatrends in Higher Education." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9028/.
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Utilizing the theory of John Naisbitt's 1982 Megatrends, this study identifies eight trends for the future of higher education using content analysis of generalized print media reports for three bell-wether states. For the period of 2001-2005, generalized reporting for three newspapers, the Los Angeles Times from Los Angeles, CA, the Miami Herald from Miami, FL, and the Denver Post from Denver, CO, included over four thousand articles and covered 21 primary topics and over 200 secondary topics. Eight trends emerge from the content analysis. Trend 1, from the ivory tower to the public domain, identifies increasingly critical public scrutiny of higher education standards and curricula. Fight or flight, Trend 2, reveals more consistent no-tolerance policies for student behavior. Trend 3, scholar to celebrity, reveals an increasingly public role for university presidents. Academic freedom to academic flexibility, Trend 4, identifies a tightening of academic freedom policies for university staff and faculty. Trend 5, pay now, learn later, focuses on increased popularity of pre-paid and tax free plans for saving college tuition. Fraternity party to fraternity accountability, Trend 6, identifies increased scrutiny of Greek organizations and Greek life within the university environment. Trend 7, tenure to temporary, reflects the growing trend of hiring more part-time faculty rather than hiring faculty for tenure track positions or full-time instructor jobs. Lastly, campus to cyberspace, Trend 8, identifies the continued success of online instruction at the university level.
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Gill, Josephine Ceri. "Race, genetics and British fiction since the Human Genome Project." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610822.
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Pryde-Jarman, D. "Curating the artist-run space : exploring strategies for a critical curatorial practice." Thesis, Coventry University, 2013. http://curve.coventry.ac.uk/open/items/ec4c19c4-55de-475d-a95f-0a310c037ced/1.
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The once distinct roles of artist and curator have blurred dramatically in recent decades owing to a blending process in both directions, which has led to a turn towards the concept of the curator as producer and author, and the development of the hybridised figure of the ‘artist-curator’. Within my practice-based curatorial research at Meter Room and Grey Area, the 'artist-run space', as both form and content of space, is used as a critical framework for artist-curatorship. Artist-run spaces play a significant role in the cultural ecology of the UK, and this project explores the power relations involved in the production, distribution, and consumption of work within the field, in terms of both a cause and effect of a contested relationship with institutions and commercial galleries. Artist-run spaces are initiated for a number of reasons, but this project specifically focuses upon those spaces that identify with terms such as ‘independent’, 'alternative', ‘not-for-profit’, ‘DIY’, ‘self-organised’, and ‘critically engaged’. Using strategies for the development of a critical practice, such as Chantal Mouffe’s theories on ‘counter-hegemony’ and ‘agonistic space’ (2007), and Gerald Raunig's concept of 'instituent practice' (2009), this project explores how curatorial practices within artist-curator-run spaces might offer different ways of working, and be used to contest hegemonic structures within the field. I explore the role of critique within curatorial practice, specifically in relation to the struggle for autonomy, the production of subjectivity, and strategies for negating or resisting cooption by the New Institutions of post-Fordist neoliberalism. Three curatorial strategies were developed from experimental projects at both spaces, and then explored at Meter Room over a 2-year period. These strategies sought to occupy institutional structures in new ways: through the re-functioning of 'void' space, blending studio and gallery functions within a Curatorial Studio, developing a paracuratorial practice referred to as Caretaking, and re-approaching the concept of a collection-based institution through processes of layering works and their vestiges within an Artist-run Collection. The practice-based research culminated in a 5-month durational project in collaboration with five other artist-run spaces based in the West Midlands region, which explored a strategy for the creation of a new speculative artist-run institution as a dialogical process of instituting values through a critical curatorial practice.
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Duce, Cristy Lee. "In love and war : the politics of romance in four 21st-century Pakistani novels." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, 2011, 2011. http://hdl.handle.net/10133/3127.
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Writers of fiction have long since relied on love, romance, and desire to drive the
plots of their work, yet some postcolonial authors use romance and interpersonal
relationships to illustrate the larger political and social forces that affect their relatively
marginalized experiences in a global context. To illustrate this literary strategy, I have
chosen to discuss four novels written in the twenty-first century by Pakistani authors: Tbe
Reluctant Fundamentalist by Mohsin Hamid, Trespassing by Uzma Aslam Khan, The
Wasted Vigil by Nadeem Aslam, and Burnt Shadows by Kamila Shamsie. With the
geographical origin of these writers as a common starting place from which to compare
and contrast their perspectives on global politics, their understandings of gender, and
their perceptions of how the public and the private constitute and intersect each other, I
will use postcolonial theory to dissect the treatment of romance in their respective novels.v, 85 leaves ; 29 cm
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Handa, Atsuko. "Bridging Sōseki and Murakami : the modernity of Japan through modernist and postmodern prose." Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5230.
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Zaharchenko, Tanya. "Where the currents meet : frontiers of memory in the post-Soviet fiction of East Ukraine." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708117.
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Turner, Robert Charles Grey. "Counterfeit culture : truth and authenticity in the American prose epic since 1960." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709455.
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Lyssa, Alison. "Performing Australia's black and white history acts of danger in four Australian plays of the early 21st century /." Thesis, Electronic version, 2006. http://hdl.handle.net/1959.14/714.
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Thesis (MA)--Macquarie University (Division of Humanities, Department of English), 2006.Submitted in fulfilment of the requirements for the degree of Masters in English in the Division of Humanities, Dept. of English, 2006. Bibliography: p. 199-210.
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VIDAL, Guillem. "The political consequences of the Great Recession in Southern Europe crisis and representation in Spain." Doctoral thesis, European University Institute, 2019. http://hdl.handle.net/1814/63265.
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Defence date: 13 June 2019Examining Board: Prof. Hanspeter Kriesi, European University Institute (Supervisor); Prof. Elias Dinas, European University Institute; Prof. Eva Anduiza, Universitat Autònoma de Barcelona; Prof. Kenneth M. Roberts, Duke University
The Great Recession constituted a breaking point in several aspects of the cultural, economic and political life of southern European countries (i.e. Greece, Italy, Portugal and Spain). This dissertation aims to shed light on the political consequences of the economic crisis in this region —with a specific focus on Spain as a paradigmatic case— by analysing different aspects of the political transformations that took place during the period of crisis. The underlying argument is that, albeit some relevant differences, the four countries experienced a common pattern: the incapacity of national politics to offer differentiated recipes to the deteriorating economic situation triggered a widespread crisis of representation that introduced new issues in the political agenda and drove the political transformations in these countries. The combination of a political and economic crisis at the national and European levels opened new political spaces that new parties capitalised by appealing to the need for democratic renewal and opposition to austerity politics. Furthermore, as illustrated by the Spanish case, and in particular the Catalan experience, the political crisis had far-reaching consequences beyond economic grievances, leading to the activation of different types of conflicts. Overall, the findings suggest that the transformations in the structure of political conflict in southern Europe in the aftermath of the Great Recession are not the by-product of a growing cultural divide —as is the case in several other continental and north-European countries—, but instead respond to the loss of credibility in the political system. Methodologically, the dissertation relies on an original dataset of media content as well as on several sources of survey data to test the empirical validity of the claims.
Chapter 2 'From Boom to Bust : A Comparative Analysis of Greece and Spain under Austerity' of the PhD thesis draws upon an earlier version published as chapter 'From boom to bust : a comparative analysis of Greece and Spain under austerity' (2018) in the book Living under austerity : Greek society in crisis.
Chapter 3 'Old versus new politics: The political spaces in Southern Europe in times of crisis' of the PhD thesis draws upon an earlier version published as an article 'Old versus new politics : the political spaces in Southern Europe in times of crises' (2018) in the journal 'Party politics'
Chapter 4 'Out with the Old: Restructuring Spanish Politics' of the PhD thesis draws upon an earlier version published as an article 'Challenging business as usual? : the rise of new parties in Spain in times of crisis' (2017) in the journal 'West European politics'
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Willi, Victor Jonathan Amadeus. "The fourth ordeal : a history of the Society of the Muslim Brothers in Egypt, 1973-2013." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:b54c3cfe-14af-4bf7-8e73-fc27e6ab4ce7.
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This thesis is an internal organisational history of the Society of the Muslim Brothers in Egypt between 1973 and 2013. Based on memoires of Brotherhood leaders, as well as oral history interviews conducted in 2012 and 2013 with different rank-and-file members and dissidents, the thesis situates the life trajectories and personal experiences of these individuals within a larger national and international context. The purpose is to provide a historical account that is able to explain the reasons for the Brotherhood's cataclysmic failure of the summer of 2013. In accounting for the fall, my key argument centres on the internal rivalry between two political factions representing different "schools of thought", or visions, about the kind of organisation the Brotherhood was supposed to be. Representatives of the respective coalitions competed against each other over hegemony and organisational resources, basing their claims on contrasting intellectual traditions, political cultures and organisational values that had co-existed, sometimes uncomfortably, within the ranks of the Society since the times of Hasan al-Banna. The adherents of the "Qutbist" school of thought put forward the idea of a closed, pyramid-shaped and exclusive organisation, while those closer to 'Omar al-Tilmisani's model aspired to a reformed Society that was open to outsiders, and where internal progression was based on meritocracy, transparency and some form of democracy. I argue that it is through the holistic analysis of the complex dynamics between internal organisational politics, the use of ideology, and the personal experiences of key organisational members, that we are best able to grasp the Brotherhood's failed experience in governance in 2013.
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Brewer, Angela. "Beyond Rocking the Vote: An Analysis of Rhetoric Designed to Motivate Young Voters." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5209/.
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Attempts to solve the continued problem of low youth voter turnout in the U.S. have included get out the vote drives, voter registration campaigns, and public service announcements targeting 18- to 25-year-old voters. Pay Attention and Vote added to this effort to motivate young voters in its 2006 campaign. This thesis analyzes the rhetorical strategies employed by the Pay Attention and Vote campaign advertisements, measures their effectiveness, and adds to the limited body of knowledge describing the attitudes and behaviors of young nonvoters. This thesis applies a mixed method approach, utilizing both rhetorical criticism and quantitative method. The results of both analyses are integrated into a discussion which critiques current strategies of addressing the youth voter turnout problem and offers suggestions for future research on the topic.
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Rydzewska, Joanna. "East meets West meets Auteur : transnational encounters with imagined identities in British and Polish cinema." Thesis, Swansea University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678569.
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Ma, Chun-laam, and 馬鎮嵐. "Characterization of detective figure as a site of negotiation of modernism and postmodernism in the 21st century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47055376.
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Marquis, Danika Ewen. "Ties that bind: a critical discourse analysis of the coverage of the Millennium Development Goals in the Mail and Guardian." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1015462.
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This study analysed the representation of the Millennium Development Goals (MDGs) in the Mail and Guardian from 2000 to 2007. It drew on perspectives from cultural studies, the constructionist approach to representation and the sociology of news production. Through the use of the quantitative and qualitative research methods, content analysis and critical discourse analysis, this study established first, that few significant changes have occurred within the newspaper's coverage of the MDGs during this period, and second, that the people most affected by the MDGs and affiliated programmes are seriously under-represented and that the manner of representation marginalises and subordinates them.
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McKinney, Stephen John. "Catholic schools in Scotland mapping the contemporary debate and their continued existence in the 21st century /." Thesis, Connect to e-thesis, 2008. http://theses.gla.ac.uk/193/.
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Thesis (Ph.D.) - University of Glasgow, 2008.Ph.D. thesis submitted to the Faculty of Education, Department of Religious Education and the Department of Educational Studies, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Wilson, Rachelle. "Historical Memory and Ethics in Spanish Narrative." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062813/.
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This study traces the current status of Spanish ethics as seen through the optics of historical memory. Starting from the Spanish Civil War in 1936, the thesis relates contemporary themes to their proposed origin throughout three additional distinctive eras of the 20th and 21st century in Spain: 1982-1996 (Socialist Spain), 1997-2010 (Post-modern Spain), and 2011-present (current Spain). Spanish narratives ranging from Los Abel by Matute, La magnitud de la tragedia by Monzó, "Fidelidad" of Ha dejado de llover by Barba and Las fosas de Franco by Silva are contextualized through their ethical architecture, in accordance with their socio-political context, and relationship to past historical traumas. This work proposes that the themes of anticlericalism, the pursuit of social equality, anti bureaucracy, and political distrust are trends culminating from Kohlberg's third level of morality. The thesis aims to be an exposition and legitimization of different ethical schemas that might otherwise be polarized as wrong and inferior by others.
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Masters, Benjamin Scott. "The ethics of excess : style and morality in British fiction since the 1960s." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.
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Tuffin, Zoe. "Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1285.
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Shakespeare has been performed on Australian stages for over two hundred years, yet despite this fact, in Australia we still treat Shakespeare as a revered idol. It seems that, as a nation of second-class convicts, consciously or not, we regard Shakespeare as a product of our aristocratic founders. However deeply buried the belief may be, we still think that the British perform Shakespeare ‘the right way’. As a result, when staging his plays today, our productions suffer from a cultural cringe.
This research sought to combat these inhibiting ideologies and endeavoured to find a way in which Australians might claim ownership over Shakespeare in contemporary productions of his plays. The methodology used to undertake this investigation was practice-led research, with the central practice being theatre directing. The questions the research posed were: can Australian directors in the 21st century navigate and reshape Shakespeare's works in productions that give actors and audiences ownership over Shakespeare? And, what role can irreverence play in this quest for ownership? In order to answer these questions, a strong reference point was required, to understand what Shakespeare, with no strings attached to tradition and scholarly reverence, looked and felt like. Taiwan became an ideal reference point, as the country is a site for unrestrained and strongly localised performances of the Shakespearean tradition. The company at the forefront of such Taiwanese productions is Contemporary Legend Theatre (CLT). Wu Hsing-kuo, the Artistic Director of CLT, creates jingju (Beijing opera) adaptations of Shakespeare’s plays, the most renowned of which is his solo King Lear, titled Li Er zaici.
The intention of the practice-led research was to use the ideas gathered from an interview with Wu and through watching a performance of Li Er zaici, to form an approach to directing Shakespeare in Australia today, which was free from the restrictions commonly encountered by Australians. The practical project involved trialling this approach in a series of workshops and rehearsals with eight actors over eight weeks, which ultimately resulted in a performance of an adaptation of Romeo and Juliet.
Wu’s approach generated a sense of ownership over Shakespeare amongst the actors and widened their dominant, narrow concept of Shakespeare performances in Australia to incorporate a wealth of new possibilities. Yet, from this practical experiment, the strength and depth of the inhibiting ideologies surrounding Shakespeare in Australia was made apparent, as even when consciously seeking to remove them, they formed unconscious impediments. Despite the initial intention, a sense of veneration towards Shakespeare’s text entered the rehearsal process for Romeo and Juliet. This practice-led research revealed that as Australians we have an almost inescapable attachment to Shakespeare’s text, which ultimately begs the contrary question: in order to stage an irreverent and owned production of Shakespeare in Australia, how much of Shakespeare and his traditions must we abandon?
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Geeraert, Friedel. "Dietary Changes in Sweden and Belgium During the Late 20th and Early 21st Century and Their Implications for Sustainability." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-160436.
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This dissertation focuses on the changing food consumption patterns in Sweden and Belgium during the latter half of the 20th century and the beginning of the 21st century and the implications as seen from a sustainability point of view, both from a qualitative and quantitative perspective. It is shown that changes in agriculture, food processing, distribution and consumption during the period under assessment were considerable and had a clear impact on the food consumption pattern in both countries. Statistical data on the consumption of different food groups such as meat, milk and dairy products, fish, fruits, vegetables, cereal, potatoes, sugar, margarine and chocolate were compared. Overall, an increase in the consumption of meat, cheese, yoghurt, cream, fruits and vegetables was observed in both countries, while the consumption of milk, butter and potatoes decreased. For the sustainability assessment three parameters were chosen: land requirement, greenhouse gas emissions and energy use. The assessment was based on quantitative data about food consumption in 1960 and 2004. It was shown that the Swedish and Belgian diets in 2004 required more resources and emitted more greenhouse gas emissions than in 1960. The Belgian diet had higher values for all parameters than the Swedish, except when considering the values for the emissions of greenhouse gases in 1960 when the Swedish diet had higher values.