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Books on the topic 'Crime films – Great Britain – History and criticism'

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Author: Grafiati

Published: 25 July 2024

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1

Steve, Chibnall, and Murphy Robert 1947-, eds. British crime cinema. London: Routledge, 1999.

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2

Dixon, Wheeler W. The films of Freddie Francis. Metuchen, N.J: Scarecrow Press, 1991.

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3

Russell, Patrick, and James Piers Taylor. Shadows of progress: Documentary film in post-war Britain. London: BFI, 2010.

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4

Steve, Chibnall, and Petley Julian, eds. British horror cinema. London: Routledge, 2002.

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5

Pykett, Derek. British horror film locations. Jefferson, N.C: McFarland, 2008.

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6

Swann, Paul. The British documentary film movement, 1926-1946. Cambridge [England]: Cambridge University Press, 1989.

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7

Carney, Raymond. The films of Mike Leigh: Embracing the world. Cambridge, UK: Cambridge University Press, 2000.

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8

Hitchcock nonetheless: The master's touch in his least celebrated films. Jefferson, N.C: McFarland & Co., 2007.

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9

McKay, Sinclair. A thing of unspeakable horror: The history of Hammer films. London: Aurum, 2007.

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10

Laderman, David. Punk slash! musicals: Tracking slip-sync on film. Austin: University of Texas Press, 2010.

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11

Chibnall, Steve. The British "B" film. New York: Palgrave Macmillan on behalf of the British Film Institute, 2009.

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12

Harding, Colin. In the kingdom of shadows: A companion to early cinema. London: Cygnus Arts, 1996.

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13

David, Sutton. A chorus of raspberries: British film comedy, 1929-1939. Exeter, Devon: University of Exeter Press, 1999.

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14

Larson, Randall D. Music from the house of Hammer: Music in the Hammer horror films, 1950-1980. Lanham, Md: Scarecrow Press, 1996.

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15

Rawlings, Philip. Drunks, whores, and idle apprentices: Criminal biographies of the eighteenth century. London: Routledge, 1992.

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16

Chibnall, Steve. Quota quickies: The birth of the British 'B' film. London: BFI Publishing, 2007.

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17

Pollock, Bruce. If you like the Beatles: Here are over 200 bands, films, records and other oddities that you will love. Milwaukee, WI: Backbeat Books, 2011.

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18

Andrew, Maunder, and Moore Grace 1974-, eds. Victorian crime, madness and sensation. Aldershot, Hants, England: Ashgate, 2004.

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19

Moore, Grace, ed. Victorian crime, madness and sensation. Farnham, England: Ashgate, 2009.

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20

Michael, Williams, and Michael Hammond. British silent cinema and The Great War. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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21

Clark, Sandra. Women and crime in the street literature of early modern England. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003.

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22

Holgate, Mike. Agatha Christie's true crime inspirations: Stranger than fiction. Stroud: History Press, 2010.

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23

Anthony, Scott. The projection of Britain: A history of the GPO Film Unit. Houndmills, Basingstoke: Palgrave Macmillan, 2011.

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24

Monk, Claire. Heritage film audiences: Period films and contemporary audiences in the UK. Edinburgh: Edinburgh University Press, 2011.

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25

Reynaud, Daniel. Celluloid Anzacs: The Great War through Australian cinema. North Melbourne, Vic: Australian Scholarly Pub., 2007.

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26

Chibnall, Steve, and Robert Murphy. British Crime Cinema. Taylor & Francis Group, 2005.

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27

Chibnall, Steve, and Robert Murphy. British Crime Cinema. Taylor & Francis Group, 2005.

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28

Chibnall, Steve, and Robert Murphy. British Crime Cinema. Taylor & Francis Group, 2005.

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29

Chibnall, Steve, and Robert Murphy. British Crime Cinema. Taylor & Francis Group, 2005.

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30

British Crime Film Subverting The Social Order. Palgrave MacMillan, 2012.

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31

Crime Culture: Figuring Criminality in Fiction and Film. Bloomsbury Publishing Plc, 2011.

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32

Crime culture: Figuring criminality in fiction and film. London: Continuum, 2011.

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33

Pulham, Patricia, Eugene McNulty, and Bran Nicol. Crime Culture: Figuring Criminality in Fiction and Film. Bloomsbury Publishing Plc, 2012.

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34

Laitila, Johanna. Melodrama, Self and Nation in Post-War British Popular Film. Taylor & Francis Group, 2018.

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35

Laitila, Johanna. Melodrama, Self and Nation in Post-War British Popular Film. Taylor & Francis Group, 2018.

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36

Laitila, Johanna. Melodrama Self and Nation in Post-War British Popular Film. Taylor & Francis Group, 2020.

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37

Laitila, Johanna. Melodrama, Self and Nation in Post-War British Popular Film. Taylor & Francis Group, 2018.

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38

Hughes, Howard. Crime Wave: The Filmgoers' Guide to the Great Crime Movies. I. B. Tauris, 2006.

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39

Decharne, Max. Hardboiled Hollywood: The Origins of the Great Crime Films. No Exit Press, 2003.

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40

Decharne, Max. Hardboiled Hollywood: The Origins of the Great Crime Films. No Exit Press, 2005.

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41

Gerrard, Steven. The Carry On Films. Palgrave Macmillan, 2016.

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42

Moore, Grace, and Andrew Maunder. Victorian Crime, Madness and Sensation. Taylor & Francis Group, 2017.

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43

Moore, Grace, and Andrew Maunder. Victorian Crime, Madness and Sensation. Taylor & Francis Group, 2016.

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44

Moore, Grace, and Andrew Maunder. Victorian Crime, Madness and Sensation. Taylor & Francis Group, 2017.

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45

Smith, Gary A. Uneasy Dreams: The Golden Age of British Horror Films, 1956-1976. McFarland & Company, Inc., Publishers, 2006.

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46

McKay, Sinclair. Thing of Unspeakable Horror: The History of Hammer Films. Quarto Publishing Group UK, 2008.

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47

British historical cinema: The history, heritage, and costume film. London: Routledge, 2002.

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48

Hischak, Thomas S. 100 Greatest American and British Animated Films. Rowman & Littlefield Publishers, Incorporated, 2018.

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49

Hischak, Thomas S. 100 greatest American and British animated films. 2018.

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50

Walker, Johnny. Contemporary British Horror Cinema: Industry, Genre and Society. Edinburgh University Press, 2015.

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