Dissertations / Theses on the topic 'Crible visuel'
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Bunwaree, Heemee Devi. "Implementation of a genetic screen for the identification of resistances to beet virus yellows." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAJ042.
Full textSince the ban on neonicotinoids in the European Union, sugar beet production has been severely threatened by virus yellows (VY) epidemics. VY are caused by a complex of several aphid-transmitted viruses, among which the poleroviruses beet mild yellowing virus (BMYV) and beet chlorosis virus (BChV) are highly represented. In order to improve the screening of sugar beet varieties resistant or tolerant to viral yellows, we produced a recombinant virus, allowing easy and rapid visual discrimination between infected and healthy plants, without the need of additional equipment. It is a clone of BMYV capable of inducing the silencing of an endogenous gene via the phenomenon of virus induced gene silencing (VIGS), with infection manifesting as accelerated vein clearing of leaves, starting as early as ten days after agroinoculation. Molecular analyses revealed that the recombinant virus displays the same infectivity as the wild-type virus and that the insert is stable within the viral progeny, till at least five months post-infiltration. Our results also indicated that the percentage of VIGS-symptomatic plants is representative of the infection rate for each evaluated line. The use of this tool allowed us to visually identify one BMYV resistant and three partial resistant lines from forty-two sugar beet lines. Such lines represent interesting potential candidates for breeding programs. Thus, this work validates the use of a polerovirus as a VIGS vector, adapted to sugar beet, allowing large-scale, robust visual screenings for the identification of resistance genes or for functional studies
Artwick, Claudette Guzan. "Local television crime news visuals and concern about crime : exploring the cultivation process through recall and meaning of visual images /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/6192.
Full textBaugé, Isabelle. "Pantomime, littérature et arts visuels : crise de la représentation, 1820-1880." Paris 3, 1995. http://www.theses.fr/1995PA030121.
Full textFrom 1820 to 1846, deburau is very well-known as a mime in the funambules theater and he defines the rules of his art, the "white pantomime". During that time the most famous authors of the mid 19th century interrogate themselves on the relations between language and visual arts. Pierrot, deburau's hero, is the center of a reflexion about the mimesis. The possibilities given by an silent art have been despised during a long time and become fashionable with champfleury, nodier, gautier, flaubert, who start to write some stories for deburau's pantomimes. A "pantomimic writing" begins to emerge with its own rules and some of its caracteristics (the italian characters of commedia dell'arte and the comic scenic plays) begin to appear in the novels, poems and theater plays, until 1880. Pantomime, in its relations with written language, photography, dance, sculpture and cartoon, is a way to study the new complementarity between language and visual arts
Carvalho, João Paulo Toledo de. "A polifonia visual do hip-hop paulistano : cartografia de escutas sobre os MC's Criolo e Emicida." Universidade Estadual de Londrina. Centro de Educação, Comunicação e Artes. Programa de Pós-Graduação em Comunicação, 2017. http://www.bibliotecadigital.uel.br/document/?code=vtls000213171.
Full textThis dissertation presents reflections on two of the main MC's of nowadays Sao Paulo's hip-hop: Criolo and Emicida. Chapters were thought as maps, in the same sense as cartographic research points to this notion. Based on the comprehension of the rhizome concept, we throw ourselves into the ideia of listening the visual polyphony, a concept that became more precise along the analysis of some works from the mentioned artists. These analysis penetrate and reveal multiple layers of signification, inscribed either in the visual as in the sound elaboration of the works. Mikhail Bakthin, Paul Zumthor, Gilles Deleuze and Felix Guattari, are the main interlocutors that substantiate our mappings.
MARTIN, FRERE SOPHIE. "Les epilepsies visuelles de l'enfant." Paris 6, 1992. http://www.theses.fr/1992PA062187.
Full textMartins, Mariana Vieira. "A eficácia da identidade visual do Novo Banco na perceção e associações semânticas à marca." Master's thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/16013.
Full textA presente dissertação, no âmbito do mestrado de Línguas e Relações Empresariais, tem como objetivo aferir a perceção do público relativamente à identidade visual do Novo Banco, de modo a compreender se esta atuou eficazmente enquanto instrumento de comunicação no pós crise da instituição. Esta eficácia prende-se com a capacidade da identidade visual influenciar positivamente uma marca, promovendo o seu reconhecimento e visibilidade, bem como a diferenciação e o posicionamento positivo na mente do público. O processo de desmantelamento do Banco Espírito Santo, e posterior surgimento do Novo Banco, encontra-se associado a uma forte carga emocional. Por isso, com a intenção de avaliar com maior exactidão o impacto desta carga emocional inerente ao Novo Banco, foram estudadas, também, associações semânticas à marca, reveladoras do significado afetivo do público relativamente à organização. Para o cumprimento objetivo, foram delineadas bases contextuais e teóricas, que levaram à aplicação de um questionário que visou a obtenção de dados relativos, precisamente, à perceção do público geral. Os resultados sugerem que a identidade visual não foi uma resposta suficientemente eficaz dado que determinados componentes que a constituem não oferecem uma interpretação clara do que significam, originando baixos níveis de concordância. Contudo, os resultados mostram, ainda, que grande parte desta ineficácia deriva das consequências da crise no Banco Espírito Santo, ainda muito presentes na mente do público.
This thesis, for completion of the Masters in Languages and Business Relations, aims to measure the perception of the public as to the visual identity of Novo Banco, in order to understand if it worked effectively as a communication tool in the post crisis of the institution. This effectiveness is related to the ability of the visual identity to positively influence a brand, promoting its recognition and visibility, as well as differentiation and positive positioning in the public’s mind. The dismantling of Banco Espírito Santo, and subsequent emergence of Novo Banco, is associated with a strong emotional charge. So, in order to assess the impact of this emotional charge more accurately, semantic associations with the brand have also been studied, which reveals the affective meaning the organization generates in the public. For the fulfillment of its purpose, contextual and theoretical backgrounds have been outlined, which led to the construction and application of a questionnaire that aimed at obtain data, precisely, on the perception of the general public. The results suggest that the visual identity wasn’t a good enough response, in terms of efficiency, since certain components don’t offer a clear interpretation of meaning, yielding lower levels of compliance. However, the results also show that much of this inefficiency stems from the crisis consequences in Banco Espírito Santo, still very present in the public’s mind.
Scheuneman, Scott Isabel. ""Deadly Women": Examining (Audio)Visual (Re)Presentations of Violent Women and Girls in Infotainment Media." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/33453.
Full textOgden, Mitchell. "Communications and Methodologies in Crime Geography: Contemporary Approaches to Disseminating Criminal Incidence and Research." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3652.
Full textNATALI, LORENZO. "Verso una green criminology. Il criminologo di fronte allo scenario ambientale." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2010. http://hdl.handle.net/10281/8552.
Full textMoss, Eloise. "Cracking cribs : representations of burglars and burglary in London, 1860-1939." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:aa6bf0cb-a792-483f-b79b-7fbe864e3582.
Full textMurray, Teisha. "“Comin From Where I’m From:” Exploring Inner-City Youth’s Perception of Their Neighborhood." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305644738.
Full textPiper, Paige M. "Deathly Landscapes: The Changing Topography of Contemporary French Policier in Visual and Narrative Media." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469133497.
Full textLindmark, Anette, and Anna Zetterlund. "True-crimeserier - att skapa spänning i sökandet eftersanningen. : En analys på funktionen av berättarkomponenter och struktur i Netflixdokumentärserie The Keepers (2017)." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27064.
Full textHana, Ricardo de Oliveira Abu. "Análise de cenários de crimes através de modelos 3D / Ricardo de Oliveira Abu Hana ; orientadora, Cinthia Obladen de Almendra Freitas." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2007. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1411.
Full textBibliografia: f. 60-63
O presente trabalho de pesquisa propõe uma abordagem de representação e análise de cenários de crimes através de modelos tridimensionais. Esta metodologia tem a finalidade de auxiliar o entendimento do judiciário em relação aos laudos periciais relativos
This research project presents a method for crime scenes representation and analysis through tridimensional models. This method intend to provide a better understanding about the findings to the judiciary staff. In this methodology crime scene is rebuilt
Visser, Christoffel Dawid. "Prescribing patterns of benzodiazepines : a comparative study between two provinces in South Africa / C.D. Visser." Thesis, North-West University, 2010. http://hdl.handle.net/10394/4925.
Full textThesis (M.Pharm (Pharmacy Practice))--North-West University, Potchefstroom Campus, 2011.
Gomes, Débora Bueno. "Estudo antropológico sobre a formação de redes de solidariedade em situação de crise e trauma em contextos urbanos : experiência etnográfica em Itajaí (SC) em face da tragédia de 2008." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/54073.
Full textThis research belongs to the debating field of Urban and Visual Anthropology. I studied the configuration of solidarity networks of emergency formed as alternatives to face the situation of crisis originated in the 2008 flood (Vale de Itajaí, SC). The flood disposed those who lived it to develop new networks of interaction and sociability, which may be defined as relations of reciprocity and solidarity. The construction of these solidarity networks having an emergency character is based theoretically on Larissa Lomnintz‟s perspective, who highlighted its centrality studying popular communities. This character is constituted upon a system of reciprocity in which horizontal ties, as a surviving strategy, are predominating. The ethnography of the duration guides us to think personal and collective trajectories, which forms the temporalities of the city, the times of crisis and the continuity of the victimized population.
Gallois, Caroline. "D'une "place au soleil" à l'impossible ailleurs : problématiques du lieu dans l'œuvre visuelle et textuelle de William Orpen (1878-1931)." Electronic Thesis or Diss., Artois, 2020. http://www.theses.fr/2020ARTO0008.
Full textConducted chronologically, this thesis examines questions of place and space in the pictorial and textual work of the Irish-born artist William Orpen (1878-1931).This research is based on the results of different types of approach (art history, literary criticism, philosophy, psychology, sociology). Its aim is to shed light on the question of origin, which for Orpen is synonymous with separations, fractures and ruptures of all kinds. It also demonstrates that ideas of place and space are not foreign to those of in-betweenness: in-between two centuries and two countries (England and Ireland) during a period of deep change, Orpen was, in his literary and artistic practice, halfway between tradition and modernity, between unity and fragmentation, between centre and periphery. The tension between these different poles inevitably resulted in a crisis for the society portrait painter he was at first, and then for the official war painter he became in France in 1917—a crisis which required him to make choices, to leave his “place in the sun” and to head for an uncertain elsewhere. This crisis, characteristic of the modern period, concerned visual and textual representation, but was also human, political, social, moral and religious.I propose to show that Orpen never stopped exploring the condition of modern man, considering the multiple manifestations of order and disorder, the conflicts of space and emptiness, the reconciliation of permanence and metamorphosis, the struggle between light and shadow, the relationship between the real and the imaginary, the multiform interplay of polarities
Chwiejda, Ewelina. "L’Europe face au défi de l’hospitalité : la représentation de la « crise migratoire » dans l’art européen entre 2007 et 2017." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0128.
Full textIn the 2000s, Europe has experienced a massive influx of migrants and refugees from Africa and the Middle East. In 2015, considered the deadliest year, it is estimated that more than 1.2 million people entered the Schengen Area and 3,770 died before reaching the gates of Europe. The media echoed this situation by conveying images that became emblematic of the so-called "migration crisis" and contributed to reviving the long tradition of visual representation of the stranger in European culture. Artists responded to these images, which were sometimes controversial and generated emotions. This research aims to analyse the complex and often ambiguous relationship that the media and artistic images have with the contemporary migration phenomenon and its subjects. More specifically, it focuses on the representation of refugees and the "migration crisis" in European art between 2007 and 2017. During this decade, tensions between the media and artists crystallize and one can observe a significant intensification and diversification of modes of engagement within the field of human rights-oriented art. Situated at the intersection of art history, visual studies and the sociology of migration, this thesis identifies the types of images and iconographic references exploited during this period by the media and artists in order to demonstrate how they influence each other and shape the attitudes of Europeans towards the "migration crisis" and the reception of refugees. The main aim of this research is to map the dominant tendencies in both fields. Particular attention is given to the activity of artists commonly defined as socially engaged or militant, who adopt a wide range of aesthetic strategies, from provocation to listening, passing through mediation between newcomers and citizens. It is thus a question of examining how contemporary art and the media define and represent European hospitality, and the methods employed by artists to transform art into a space of hospitality and dialogue capable of influencing today's societies. This thesis addresses key issues related to the experience of exile and the reception of migrants, such as the border as a place of identity negotiation, the spectrality of the refugee, open hostility versus unconditional hospitality, or the importance of language and testimony in the process of integration of the refugee into his or her host society. Each of these aspects of the European migratory reality is presented through a few works of art and examined with analytical tools coming notably from visual studies (Jill Bennett, Nicholas Mirzoeff, Ariella Azoulay). The reflection on the analytical potential of migratory aesthetics (the term proposed by Mieke Bal) forms the backdrop to this work. It concludes with some proposals concerning the role and importance of a possible migratory turn in art history. This thesis also draws on elements of Jacques Derrida's philosophy which are considered particularly relevant to the reflection on the ethical dimension of the representation of refugees. Finally, this research intends to contribute to the development of an interdisciplinary approach in the study of contemporary art that focuses on important social issues and seeks to participate actively in public debate
Kjellman, Wall Maria. "Death becomes her. Journalistic portrayals of murdered women and their bodies as subject, object and abject in Swedish high profile murder cases." Thesis, Stockholms universitet, Institutionen för mediestudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-169719.
Full textLouis, Eunice. "The Prison System and the Media: How “Orange Is The New Black” Engages with the Prison as a Normalizing Agent." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1916.
Full textEdmundson, Joshua R. "THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/399.
Full textLi, Jie-Yu, and 李婕瑜. "Visual Analytics on Alcohol Expenditure and Crime Rate." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/rd5w48.
Full text國立中央大學
企業管理學系
105
根據經濟部統計,2014年我國酒類總供給量超過7億公升,其中無論是國產或進口酒類,消費量皆高達7成以上。根據財政部電子發票整合服務平台統計,2015年B2C電子發票開立張數已達到48.2億張,各縣市開立發票累計金額更高達約兩兆零五十五億元,其中酒類消費總金額佔其中的171.4億元。有鑑於酒類飲品取得容易,來自於環境、文化、氣氛、同儕與可支配所得等因素,使得酒精的攝取與消費力逐年提升,雖帶來經濟上可觀的收益,但過多的酒精攝取仍會造成生活中的影響,小則自身健康,大則帶來社會問題或犯罪行為產生。過去未有研究使用電子發票來做酒類消費與犯罪率之分析,主要多以市場調查或問卷資料來進行相關之研究,所以此次藉由財政部財政中心提供的電子發票資料與政府公開平台資料,取得酒類消費與犯罪統計資料進行資料視覺化分析。根據本研究發現,除了離島地區因興建觀光酒廠而消費金額眾多,台灣北部區域每人平均酒類消費總金額皆高於南部地區,南北差異可以見得;從熱圖分析觀看各縣市犯罪率,北部地區與南部地區在搶奪與汽車竊盜犯罪率上則無明顯南北差異,其餘犯罪類型中,北部地區之犯罪率皆較高於南部地區。從圓視圖分析觀看台灣各區域分布縣市犯罪類型之犯罪率多寡,發現毒品犯罪率為各縣市之冠,搶奪、強盜與強制性交犯罪率則為較低。最後,資料視覺化探勘發現住宅竊盜、機車竊盜與毒品犯罪率與酒類消費有直接的關聯性,因此並不是所有的犯罪類型皆與酒類消費有直接相關。利用資料視覺化分析電子發票可使巨量的資料快速地進行歸納統整,並且提供決策者以最直覺的方式,使用圖像直接了解資訊所傳遞的內容,冀望本研究可以提供政府制定酒類相關政策參考。
Palmeiro, João Maria Mateus. "MevaL: A Visual Machine Learning Model Evaluation Tool for Financial Crime Detection." Master's thesis, 2021. http://hdl.handle.net/10362/119698.
Full textA Ciência de Dados e a Aprendizagem Automática [277] são duas valiosas aliadas no combate à criminalidade económico-financeira, o domínio em que a Feedzai procura potenciar a sua proposta de valor em prol da sua missão: tornar o sistema bancário e o comércio seguros. Além disso, os dados estão no centro das duas áreas e deste domínio.Assim, a estruturação visual dos mesmos fornece uma maneira eficaz de os entender e transmitir informação.O desenvolvimento de uma solução para cada projeto e caso de uso requer um estágiocuidadoso e eficaz de Avaliação de Modelos de Aprendizagem Automática, pois esteestágio coincide com a principal fonte de retorno (feedback) antes da implementaçãoda solução. As ferramentas de Avaliação de Modelos disponíveis na Feedzai podem seraprimoradas, aceleradas, suportadas visualmente e diversificadas para permitir que oscientistas de dados impulsionem o seu trabalho diário e a qualidade destes modelos.Neste trabalho, proponho a recolha e compilação de informação interna e externa, em termos de fluxo de trabalho e Avaliação de Modelos, numa proposta hierarquicamente segmentada por objetivos e tarefas bem definidas, a instanciação desta proposta num pacote Python e a validação iterativa deste pacote em colaboração com os cientistas de dados da Feedzai. Posto isto, a primeira contribuição deste trabalho é o MevaL, um pacote Python para Avaliação de Modelos com suporte visual, integrado no ambiente de Ciência de Dados da Feedzai. Na verdade, o MevaL já está a ser utilizado como um pacote de visualização em dois projetos internos de preparação de relatórios automáticos para alguns dos principais clientes da Feedzai.Além do MevaL, a segunda contribuição deste trabalho é a Topologia de Avaliação de Modelos desenvolvida para garantir uma comunicação clara e o design enquadrado das diferentes funcionalidades.
Pacheco, Miguel Ângelo Ferreira Craveiro. "A “crise da piedade”." Master's thesis, 2014. http://hdl.handle.net/10400.6/6417.
Full text“…those who think they deserve to be pitied (and to be pitied on certain grounds) are unworthy to attain it and worthy not to attain it, it is impossible for pity to be felt." – Aristóteles (2007, p. 144 In this new millennium it is agreed that the publics perception of any organization will mold its future. In a transparency culture where every business needs to know how to inform its stakeholders in order to stay alive, communication is vital for economic development. This project of study/investigation proposes to look for a new perspective on which institutional communication of non-governmental organizations (NGOs) can be developed. Currently the communication created by these organizations is mainly guided by the notion that it needs to inspire in its audience an array of ideas that will push them to follow the organizations message under penalty of experiencing negative feelings like guilt, fear, etc. This communication process creates in the individual in particular and in society in general a phenomenon defined by Luc Boltanksi (2004) as a “crisis of pity”, in which the individual starts to consider that he can do little or nothing to help those in suffering, and eventually develops a desensitization towards advertisements that aim to produce feelings like pity or empathy. So, it is fundamental to understand which mechanisms create this situation in human psyche and discover ones that can be used to solve it.
Rodwell, C. "In The Frame: A visual exploration of the Low Art framework and High/Low dialectics of contemporary literary crime fiction through painting and multi-media assemblage." Thesis, 2013. https://eprints.utas.edu.au/17128/1/front-Rodwel-thesis-_2013.pdf.
Full textRocha, Cristina Maria da Conceição. "Metáforas multimodais de economia em textos e imagens em contexto de tradução." Master's thesis, 2016. http://hdl.handle.net/10451/28059.
Full textThe present dissertation deals with the semantic analysis of multimodal metaphoric elaborations images portraying the economic crisis situation in the blogosphere and in economic websites in the light of the cognitive approach. Hence, under the lens of this paradigm it is argued that conceptual meaning is undissociable from life experiences of the financial crisis and its consequences at a global scale. From the cognitive perspective, metaphoric images depicting the economic crisis were analysed by several authors, arriving at the conclusion that their source domains were WAR, ILLNESS and NATURAL CATASTROPHE. In a more recent study, multimodal metaphors in editorial cartoons representing the economic crisis by Bounegru/Forceville (2011) three main source domains of metaphorical mappings stood out, namely CATASTROPHE/(NATURAL) DISASTER; ILLNESS/DEATH and BEGGING. The focus of the present dissertation lies upon the deconstruction of multimodal metaphors displayed in economic crisis cartoons, which arguably operate as translation tools in a globalized world. Two dominant multimodal metaphors have emerged ECONOMIC CRISIS IS NATURAL CATASTROPHE and ECONOMIC CRISES IS FALLING DOWN, from which this dramatic situation can be cross-culturally understood.
Poulsen, Jacob Nymark. "Core, Clear, and COVID : a case study of Danfoss´ Core & Clear strategy and its implications for the company´s performance during the COVID-19 pandemic." Master's thesis, 2020. http://hdl.handle.net/10400.14/35788.
Full textA literatura sobre capacidades dinâmicas está atrasada em casos de estudo que permitam suportar uma posição teórica. Consequentemente, esta tese fornece um contributo baseado no caso de estudo sobre a Danfoss e a sua estratégia Core & Clear, que foi implementada pós crise financeira global. A pesquisa examina, primeiramente, se a Danfoss melhorou a sua performance financeira em 2020 (crise COVID) comparativamente a 2009 (crise global financeira), antes da estratégia Core & Clear ter sido implementada em 2010. Tenho também em consideração os anos precedentes a cada crise, fazendo a minha análise entre 2000 e 2020. Aqui, encontro que a estratégia Core & Clear alcançou melhorias em todas as variáveis relativas a eficiência e rentabilidade, enquanto o crescimento de receitas foi afetado. Seguidamente, analiso o impacto da Core & Clear nas capacidades dinâmicas da Danfoss. Baseado em entrevistas semiestruturadas, concluo que a Danfoss melhorou todas as suas capacidades dinâmicas, segundo a definição de Barreto (2010). Por último, triangulei estas conclusões com especialistas independentes, que defendem que a Core & Clear teria melhorado a capacidade da empresa em lidar com a crise COVID. A implicação da pesquisa é, primeiramente, o sustento das ligações entre capacidades dinâmicas e eficiência e rentabilidade. De seguida, encontro evidências de que as capacidades dinâmicas são importantes para a indústria e ambiente da Danfoss, contribuindo para uma resolução destas disputas académicas. Por fim, uma pesquisa exaustiva iria enriquecer a literatura ao substanciar estas conclusões através de outros métodos, como longitude, projetos de pesquisa comparáveis e estudos observacionais.
Tarasov, Kirill. "Searching for novel gene functions in yeast : identification of thousands of novel molecular interactions by protein-fragment complementation assay followed by automated gene function prediction and high-throughput lipidomics." Thèse, 2014. http://hdl.handle.net/1866/11824.
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