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1

Dornheim, Curt H. von. Creative consciousness: The unwritten commandment. Tucson, AZ: AZTEX Corp., 1997.

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2

Nurul, Islam. 9th edge: Creative writings from Bangladesh. Dhaka: 9th Edge Team, 2012.

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3

Thinking like a writer: A handy guide guaranteed to inspire you! New York: Random House, 1994.

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4

Schindler-Rainman, Eva. The creative volunteer community: A collection of writings. Vancouver, B.C: Vancouver Volunteer Centre, 1987.

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5

1955-, Rodríguez Andrés, and Leal Luis 1907-, eds. Literatura Chicana: Creative and critical writings through 1984. Oakland, Calif: Floricanto Press, 1985.

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6

Braggett, E. J. Talented, gifted, creative Australian writings: An annotated bibliography. [Canberra]: Commonwealth Schools Commission, 1986.

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7

Writing because we love to: Homeschoolers at work. Portsmouth, NH: Boynton/Cook, 1992.

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8

Cohen, Adir. Milim nogʻot: Ketivah yetsiratit. Tel-Aviv: Reshafim, 1985.

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9

Stepping stones: An anthology of creative writings by seniors. [Oakland, Calif.]: [Downtown Oakland and West Oakland Senior Center Writing Classes], 2009.

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10

Yun, Sam-hyŏn. Sae saenghwal parŭn kŭl. Sŏul Tʻŭkpyŏlsi: Adong Munyesa, 1988.

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11

Gregory, Cynde. Childmade: Awakening children to creative writing. New York: Station Hill Press, 1990.

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12

Bocquenet, Louis. L' enfant cru et les recours à l'écriture. [Brittany, France]: CRDP des Côtes d'Armor, 1994.

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13

Mini sagas: Creative capers : Fiction from Scotland. Peterborough: YoungWriters, 2010.

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14

The straight line: Writings on poetry and poets. Ann Arbor: University of Michigan Press, 2000.

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15

Blondin, Betsy Baxter. Migraine expressions: A creative journey through life with migraine. Carlsbad, CA: Word Metro Press, 2008.

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16

The creative writings of Basavaraj Naikar, Rajendra Chenni, and Mallikarjun Patil. New Delhi: Authorspress, 2012.

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17

1847-1916, Troward T., ed. Theory of creative thought: Based on the writings of Thomas Troward. [S.l.]: L.A. Fowler, 1995.

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18

Pattakos, Alex, Roger S. Frantz, and Joanne Badeaux. Intuition at work: Pathways to unlimited possibilities, featuring writings. Edited by Badeaux Joanne, Frantz Roger S, and Pattakos Alex. San Francisco, CA: Sterling & Stone, New Leaders Press, 1996.

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19

Gorlani, Luisa. Adolescenza e poesia: Esplorazione dell'universo giovanile attraverso una raccolta di poesie scritte da adolescenti. Roma: Magi, 2003.

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20

Du Bois, W. E. B. Creative writings by W.E.B. Du Bois: A pageant, poems, short stories, and playlets. White Plains, N.Y: Kraus-Thomson Organization, 1985.

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21

Barretto, João C. Literatura Chicana: A bibliography of creative and critical Mexican American writings through 1996. 2nd ed. San Francisco, Calif: City College of San Francisco, Rosenberg Library, 1998.

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22

Calica, Lovella. Warrior writers: Move, shoot, and communicate : a collection of creative writing. 2nd ed. Burlington, Vt: IVAW, 2007.

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23

True notebooks. New York: Knopf, 2003.

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24

True notebooks: A writer's year at juvenile hall. New York: Vintage Books, 2004.

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25

Salzman, Mark. True notebooks: A writer's year at juvenile hall. New York: Alfred A. Knopf, 2003.

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26

Salzman, Mark. True notebooks. New York: Vintage Books, 2004.

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27

Chen, Caifu. Zui xin xiao xue sheng ke tang zuo wen qi bu: San nian ji. Hangzhou: Zhejiang shao nian er tong chu ban she, 2002.

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28

Kāntayah̨ krāntayaśca =: Flashes and insights : creative-critical writings on the Indian aesthetic and spiritual values. Tirupati: V.A. Sarma, 2002.

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29

Farrell, Scott. "We are not amused, Sir Guillaume!": The collected writings of Sir Guillaume de la Belgique. San Diego, Calif: Shining Armor Enterprises, 2001.

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30

Pical, Michel. La moindre des choses. [Saint-Etienne]: Université de Saint-Etienne, Centre interdisciplinaire d'études et de recherches sur l'expression contemporaine, 1987.

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31

Even-Ṭov-Yiśreʾeli, Ilanah. Tenu li le-daber: Ketivah yetsiratit ʻim noʻar yotse Etyopiyah. T.A. [z.o. Tel Aviv]: Tag, 1997.

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32

missing], [name. Lake effect: An anthology of work by the creative writing students at Queen's University. Kingston, ON: Artful Codger Press, 2003.

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33

Creating writers: A creative writing manual for schools. London: RoutledgeFalmer, 2001.

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34

Rand, Phyllis. Creative writing. 2nd ed. Pensacola, Fla: A Beka Book Publications, 1993.

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35

Sarah, McNamara, ed. Miscellany of creative writings. [Parteen, Ireland]: S. McNamara, 1997.

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36

Steele, Cassie Premo. Moon Days: Creative Writings About Menstruation. Summerhouse Press, 1999.

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37

Figments: A collection of creative writings. Singapore: Produced by the Language & Communication Dept., Singapore Polytechnic, 1991.

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38

1967-, Steele Cassie Premo, ed. Moon days: Creative writings about menstruation. Columbia, SC: Summerhouse Press, 1999.

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39

Steele, Cassie Premo. Moon Days: Creative Writings About Menstruation. Summerhouse Press, 1999.

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40

Geok, Leong Liew, ed. More than half the sky: Creative writings. Singapore: Times Books International, 1998.

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41

Reflections: Creative Writings from the African-american Aesthetic. Maurice W Glenn, 2007.

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42

1934-, Wang Meng, Bai Hua 1930-, Qin Mu, and "Hua xi" bian ji bu., eds. Wen xue chuang zuo bi tan. Chongqing: Chongqing chu ban she, 1985.

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43

Martindale, Jeff S. Random Thoughts: A Collection of Creative and Other Writings. Writers Club Press, 2002.

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44

Cabell, Franklin "FreeMan." Moon Rocks: The Creative Writings of Big Bo$$ Rhino. Franklin D. Cabell, 2018.

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45

Martindale, Jeff S. Random Thoughts: A Collection of Creative and Other Writings. Writers Club Press, 2002.

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46

Nicholls, Simon, Michael Pushkin, and Vladimir Ashkenazy. The Writings of Skryabin. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863661.003.0002.

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An introduction by Boris de Schloezer gives the genesis of the final text in the section, the Preliminary Action, and explains its relation to Skryabin’s projected life-work, the Mystery. Section I: an effusion of Orthodox religious feeling from teenage years. Sections II-VII: Around 1900, an expression of rejection of God in the face of disillusion is followed by the text of the choral finale of the First Symphony, declaring faith in the power of art. An unfinished opera libretto, symbolic in narrative, expressing belief in Art’s power to seduce and persuade. Three notebooks develop a world view in which the world is the result of the self’s creative activity. The creation of art and of the universe are identical. There is a higher self, identical with divinity. Forgetfulness of individuality leads to freedom and universal consciousness. Section VIII: The literary poem written during the composition of the symphonic Poem of Ecstasy summarises the scenario developed in the notebooks. Life starts with the desire to create, delight in creative play meets opposition, the creative goal is achieved and disappointment sets in. The process is repeated until it is realized that the struggle is itself joyful and self-affirmation is achieved. Section IX: The text of the Preliminary Action is symbolic in structure. Primal Male and Female Principles emerge; the Female is identified with Death. Life arises from the union of energies. Struggle and bloodshed follow. The conclusion is an impulse towards unification, the synthesis of experience and dematerialisation. Both the complete first draft and the incomplete revision are included.
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47

Gregory, Cynde. Childmade: Awakening Children to Creative Writing. Station Hill Press, 1989.

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48

Gregory, Cynde. Childmade: Awakening Children to Creative Writing. Station Hill Press, 1989.

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49

Author, Dummy, and Irina Bokova. Voices of the Future: Stories from Around the World. Bloomsbury Publishing Plc, 2018.

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50

We are writers, too!: An anthology of the creative writing of children. Carmel, CA: Creative With Words Publications, 1990.

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