Dissertations / Theses on the topic 'Creative voice'
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Ferrell, Rosemary Kaye. "Voice in Screenwriting: Discovering/Recovering an Australian Voice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/2004.
Full textHancox, Donna Maree. "Two voices : the marginalised body as a voice & Imperfect Offerings a novel." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/31849/1/Donna_Hancox_Thesis.pdf.
Full textFisk, Brent Allen. "History Has the Voice of a Bird-Filled Tree." TopSCHOLAR®, 2013. http://digitalcommons.wku.edu/theses/1291.
Full textWilliams, Evan. "The Leaving Symphony| Musicality and Voice in the Poetry of Trauma, Addiction, and Redemption." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10785346.
Full textThe Leaving Symphony: Musicality and Voice in the Poetry of Trauma, Addiction, and Redemption represents two years of my critical and creative writing while attending the California State University, Long Beach M.F.A. in Creative Writing program. Evident in the poems of this manuscript, my major themes include trauma, addiction, and personal redemption, all through the intimate lens of my family and myself. Crucial to my writing is the evolution of those struggles, seen in the organization of the poems in this thesis. The methodological essay at the beginning of this project details my process and influences, followed by a full-length collection of poetry. My poetry is highly musical thanks to the inspiration of both my musician father and several writers, such as Sylvia Plath and Dean Young; my work also possesses a distinctive voice that took me decades to find, especially as a poet. This thesis documents that growth and eventual catharsis in writing.
Epple, Dorothea Marie. "The creative inner voice a study of the Intensive Journal (TM) /." Click here for text online. The Institute of Clinical Social Work Dissertations website, 2002. http://www.icsw.edu/_dissertations/epple_2003.pdf.
Full textA dissertation submitted to the faculty of the Institute of Clinical Social Work in partial fulfillment for the degree of Doctor of Philosophy.
Scott, Natalie. "Screams underwater : submerging the authorial voice : a polyphonic approach to retelling the known narrative in Berth ; Voices of the Titanic : a poetry collection by Natalie Scott." Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/6582/.
Full textDyer, Emily L. "Sugar Nine: A Creative thesis." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1342.
Full textCouzins, Richard. "Inside out : the under-theorised object and material voice in fine art practice." Thesis, University of Brighton, 2014. https://research.brighton.ac.uk/en/studentTheses/43e6e0bf-6b83-4b78-a232-0dbbed6c3c41.
Full textWilliams, Denise Rochelle. "The vagaries of voice in the composing process." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/445.
Full textBlankenship, Angella Sorokina Getsi Lucia Cordell. "Voice beyond self a theory and pedagogy of polyphonic expression in writing /." Normal, Ill. Illinois State University, 1998. http://wwwlib.umi.com/cr/ilstu/fullcit?p9924342.
Full textTitle from title page screen, viewed July 12, 2006. Dissertation Committee: Lucia C. Getsi (chair), James Elledge, William Woodson. Includes bibliographical references (leaves 196-200) and abstract. Also available in print.
Harris, Adenike A. "Restorative Notions: Regaining My Voice, Regaining My Father: A Creative Womanist Approach to Healing from Sexual Abuse." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/wsi_theses/23.
Full textHeldring, Anna Elisabeth. "Balancing child and adult voice in fictional and non-fiction memoir (critical component) ; The ambassador's wife (creative component)." Thesis, Bath Spa University, 2010. http://researchspace.bathspa.ac.uk/1486/.
Full textBlackbird, Katherine. "The Zeroes Taught Us Phosphorus: Trauma, Silence, and the Recovery of Voice through the practice of creative writing." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1277754144.
Full textOcampo, Maritza. "On Bike Riding and Writing." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/213.
Full textShajahan, Naomi Sharin. "Tibetan Buddhism and Feminism in an In-between Space: A Creative-Critical Autoethnography in a Non-Western Woman’s Voice." Thesis, Shajahan Naomi, Sharin (2017) Tibetan Buddhism and Feminism in an In-between Space: A Creative-Critical Autoethnography in a Non-Western Woman’s Voice. PhD thesis, Murdoch University, 2017. https://researchrepository.murdoch.edu.au/id/eprint/40739/.
Full textAguilar, Gina Maria Monge. "Princípios para o treinamento vocal do ator: vozes que chamam, perguntam e dialogam." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27155/tde-05072009-235136/.
Full textThis research aims to formulate, describe and understand the general principles for the actors vocal training. In order to reach such goals, I started up from my own experiences not only in Costa Rica but also in Brazil nowadays; from the contact I had with Roy Harts work, through Richard Armstrong and through the research done with seven Brazilian voice specialists and researchers. After a bibliographic review on the theme, several interviews have been done, as well as attendance to drama performances performed by them. Finally, the achieving of a training-creation process completed the tools to postulate such principles. They converge into two fundamental points; first, voice is energy; second, it can be transformed through creativetraining in theater poetry.
Donati, Jane. "An investigation into the effects of modelling and co-construction upon year 2 pupils’ creative development of their own writing voice." Thesis, Open University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439377.
Full textRussell, Josephine Ann. "'A memorable voice' : intertextual approaches to reading diversionary strategies, and the construction of a creative persona in the work of Stevie Smith." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428706.
Full textRutter, John. "The only voice : a creative and critical exploration of the modern short story in context, and the emergence of the author as an essential force." Thesis, Edge Hill University, 2017. http://repository.edgehill.ac.uk/9963/.
Full textVasconcelos, Gisele Soares de. "Ator-contador: a voz que canta, fala e conta nos espetáculos do Grupo Xama Teatro." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-22092016-143149/.
Full textThis research paper analyzes the creative processes of both text and body writings of the rhapsody Minha Mãe Preta (My Black Mother), and the presentations A Carroça é Nossa (The Cartwheel is Ours), A Besta Fera (The Stupid Beast), and As Três Fiandeiras (The Three Spinners). The Xama Teatro Group, established in the city of São Luís, in the State of Maranhão, develops its presentations having the art of narrating as its starting point. In its artistic productions, the character of the actor-storyteller stands out: he is the one that sings, tells stories and talks, switching from the persona to the narrator, from the first to the third person. The actor-storyteller builds up his steps as from the path of rapsodos and griots, from the epic subject, from the brincantes (players), and from the anonym narrators. With his foot planted in memory, tradition and orality, he speaks of himself and also speaks of others, combining both real and fictional stories. In order to manifest the character of the actor-storyteller, some settings are necessary. Among them: the use of a voice that evokes missing elements; the neutral thought that produces the spacing between speech and action; the notion of the observer being the public listener; the use of a direct speech to the public; the authorial creation of works with oral vocation texts; the writing of a hybrid dramaturgy that mixes the epic, lyric and dramatic modes; the insertion of the playwright-storyteller in the creation process, in a conjugated way with actors-storytellers.
Toth, A. M. "A contemporary voice for the female protagonist : an exploration of the collaborative creative process : the development and synthesis of vocal techniques in the realisation of premiere music performances." Thesis, University of Salford, 2016. http://usir.salford.ac.uk/37855/.
Full textMcBride-Harris, Jenna Lynn. "Interdisciplinary Transfer and Cultivation: How Vocal, Writing, and Visual Arts Can Inform Horn Practice and Performance." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492701963548168.
Full textFox, Amberly. "Carved." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/1006.
Full textWurth-Grise, Rosemarie. "Voices I Have Heard." TopSCHOLAR®, 2007. http://digitalcommons.wku.edu/theses/389.
Full textKing, Kate. "Creating Voice in School Nurses through Increasing Self-efficacy." Otterbein University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=otbn1596205414668537.
Full textGarvey, Brian Vincent. "Creating space for seldom heard voices." Thesis, City University London, 2014. http://openaccess.city.ac.uk/6451/.
Full textMilfull, Mostyn Timothy. "Writing about risky relatives and what might have been : the craft of historiographic metafiction." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/51203/1/Tim_Milfull_Vol.1_Exegesis.pdf.
Full textRabie-Boshoff, Annelien. "Seeing God’s voice in creation : a visio-spatial interpretation of Genesis 1." Thesis, University of Pretoria, 2016. http://hdl.handle.net/2263/61551.
Full textThesis (PhD)--University of Pretoria, 2016.
Dogmatics and Christian Ethics
PhD
Unrestricted
Wehner, Mary B. "Women experiencing ministerial burnout becoming a "new creation" through finding one's voice /." Theological Research Exchange Network (TREN), 1992. http://www.tren.com.
Full textIncludes bibliographical references (leaves 160-169).
Kight, William D., and Robert E. Pfister. "APPLICATION OF EMERGING COMMUNICATION TECHNOLOGIES TO THE CREATION OF A "VIRTUAL RANGE"." International Foundation for Telemetering, 1993. http://hdl.handle.net/10150/608860.
Full textThis paper addresses the creation of a large virtual-range environment whereby multiple, geographically dispersed, test ranges may operate in concert to support test operations. The most significant benefit of the virtual range environment is the time-sharing of costly processing resources. Other benefits include improved reliability and responsiveness of inter-range data transfer. This paper will focus on existing and near-term technology that may be applied to create a virtual-range and will address the technological and economic advantages and disadvantages of TDM vs. ATM approaches.
Rosett, Isabelle George. "Voices of Ancient Women: Stories and Essays on Persephone and Medusa." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1008.
Full textStarcovic, Philip J. "Using voice over internet protocol to create true end-to-end security." Thesis, Monterey, California. Naval Postgraduate School, 2011. http://hdl.handle.net/10945/5540.
Full textIn 2010, there were approximately 260,000 classified messages released to the general public via the website Wikileaks. The classified information was gathered by a "trusted" military member who had the right level of clearance to view the documents in question, but did not have a need-to-know. This easily illustrates the flaw in trusted enclaves and computing bases that secure the data lower than Layer 7 of the OSI Reference Model. Once a spy, hacker, or "trusted" member is inside the enclave, they have access to any and all information they wish to see. The goal of this thesis is to convey the need for security solutions that are developed at layer 7 of the OSI Reference Model. VOIP/SIP clients that use TLS and SRTP in conjunction with PKI will show that there are already solutions that exist at Layer 7. Additionally, clients that take advantage of ZRTP will provide the best examples of protecting data instead of just an infrastructure. Because only small amounts of source code will see unprotected data, thorough analysis of this code is achievable mitigating security vulnerabilities within the code.
McGrath, Fiona. "The new women writers : creating feminist literary voices and identities." Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706465.
Full textGONCALVES, LUCIANA AFFONSO. "A CRY NAMED DESIRE: THE VOICE IN THE POLYPHONIC CREATION OF MARIO DE ANDRADE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9067@1.
Full textCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Esta tese é um desdobramento e aprofundamento da investigação sobre a voz como objeto da pulsão, tema do meu livro A voz na psicanálise- Um sopro de vida. O presente trabalho constata que a psicanálise, a literatura e a arte trágica são instrumentos de interpretação das mesmas questões fundamentais da condição humana e busca depreender que os conceitos de voz, tragédia, polifonia, carnavalização e transfiguração podem ser articulados, principalmente a partir das obras de Freud, Nietzsche e Bakhtin. O resultado constitui uma reflexão sobre o desejo e a criação literária na Modernidade a partir do dialogismo de vários autores. Enquanto produção artística polifônica Amar, verbo intransitivo, obra de Mário de Andrade, foi o instrumento de leitura das contraditórias inscrições do desejo na subjetividade moderna.
This dissertation is an unfolding and deepening of the investigation on the voice as an object of drive, theme of my book The Voice in Psychoanalysis: A Breath of Life. The present paper proposes that psychoanalysis, literature and the tragic art are instruments of interpretation of the human condition, and tries to infer that the concepts of voice, tragedy, polyphony, carnivalisation, and transfiguration can be articulated, especially from the writings of Freud, Nietzsche, and Bákhtin. The outcome represents a reflection on desire and the literary creation of modern times from the art of dialogism of several authors. As a literary polyphonic production, Love, Intransitive Verb, by Mario de Andrade, was the instrument of reading of the contradictory inscriptions of desire in modern subjectivity.
Kartalidis, Nikolaos. "Speech recognition in construction equipment : Creating a voice assistant for an autonomous wheel loader." Thesis, Uppsala universitet, Institutionen för informatik och media, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-356208.
Full textDetta examensarbete ämnar utforska möjliga tillämpningar av taligenkänning i byggutrustning samt självstyrande fordon. Framsteg i självstyrande fordonsteknologi visar att fordon som hjullastare kommer kunna utföra uppgifter själv, utan operatörer, inom kort framtid. I nuläget krävs ännu människor för att interagera med maskinen. Men nya framsteg i röststyrning visar att röstbaserade gränssnitt kan tillämpas. Forskningsfrågan i detta arbete är: Till vilken utsträckning kan röststyrning ersätta handmanövrerade instrument i ett intelligent självstyrt fordon? En etnografisk forskning ägde rum för att identifiera de krav som ett sådant gränssnitt skulle behöva uppfylla. En designprocess ägde rum för att utveckla en prototyp för ett sådant system. Prototypen utvärderades genom tester och påvisade positiva egenskaper. Den visade sig vara både lätt att lära samt enkel vid användning. Teknologin i taligenkänning påvisade dock brister genom dålig prestanda samt låg användarnöjdhet.
Epp, Connie Marleen. "Creating space for dialogue, hearing the voices of sexually exploited youth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ49203.pdf.
Full textVanterpool, Irad Jr. "The Process Of Developing My Voice As A Playwright: Based On The Creation Of An Original Play." Miami University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=miami1123220323.
Full textEspedal, Ingvill. "Meetings between night and day : Creating a collaborative music performance for children aged 0–3 years." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1902.
Full textBilaga: 1 DVD. The artistic practice and performances are documented on a DVD called Professional Integration Project NAIP, Meetings between night and day.
Mohabier, Icydor Aldale. "Empowering senior females by utilizing each female person's voice to create desired lifestyle options." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-11302006-214055/.
Full textTitle from title screen. Layli Phillips, committee chair; Elizabeth Beck, Heying Zhan, committee members. Electronic text (91 p.) : digital, PDF file. Description based on contents viewed July 20, 2007. Includes bibliographical references (p. 53-61).
Razawa, D. M. "Cinematizing genocide : exploring cinematic form and its relationship to the hidden voices of the Kurdish genocide of 1988." Thesis, University of Salford, 2015. http://usir.salford.ac.uk/35931/.
Full textKaga, Midori Tijen. "Can Refugees Speak? Challenging Power and Creating Space in the Humanitarian System for Refugee Agency and Voice." Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/42113.
Full textCarpenter, Vicki Marie. "Beyond responsiveness to community: Democratic voice and the creation of an>education alternative (New Zealand)." Thesis, University of Auckland, 2000. http://wwwlib.umi.com/dissertations/fullcit/9979146.
Full textSubscription resource available via Digital Dissertations only.
Elliott, Burns Raylee Ann. "Voices of experience : opportunities to influence creatively the designing of school libraries." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/48974/1/Raylee_Elliott_Burns_Thesis.pdf.
Full textBruce-Benjamin, Samantha Claire. "Beating of wings : a novel ; Throwing 'other' voices : the paratextual ventriloquism of Esther Inglis (1571-1624)." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33215.
Full textVanterpool, Irad. "The process of developing my voice as a playwright based on the creation of an original play /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1123220323.
Full textTitle from first page of PDF document. Document formatted into pages; contains [1], iii, 114 p. Includes bibliographical references (p. 110-114).
Evans, Lise Kat. ""Ensembles and Communities: the Creation of Hidden Voices" Outreach & Engagement Working Portfolio." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392215866.
Full textBober, Nicholas Bradburn. "This Creature, Bride of Christ." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28395/.
Full textNguyen, Cong Duc. "Creation and distribution of real-time content a case study in provisioning immersive voice communications to networked games /." Access electronically, 2006. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20070110.164837/index.html.
Full textBackhans, Gustav, and Douglas Driving. "Voice assistants and railway passengers : A user-centered exploration of value creation opportunities in a railway service context." Thesis, Linköpings universitet, Institutionen för datavetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-166386.
Full textTiman, Jesper. "Creating Natural Variation in Game Dialogue." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74142.
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