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Journal articles on the topic 'Creative Prose'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Lee, James Kyung-Jin, Viet Nguyen, and Gina Apostol. "Creative Writing: Prose." Journal of Asian American Studies 19, no. 3 (2016): 428–29. http://dx.doi.org/10.1353/jaas.2016.0044.

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2

Davis, Rocio, Yoonmee Chang, and Ed Lin. "Creative Writing: Prose." Journal of Asian American Studies 20, no. 3 (2017): 465–66. http://dx.doi.org/10.1353/jaas.2017.0041.

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3

Cohen, Leslie G. "2005 creative writing contest winner—prose." Journal of General Internal Medicine 20, no. 7 (July 2005): 673–74. http://dx.doi.org/10.1007/s11606-005-0117-1.

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4

Korniienko, Oksana. "MODELING OF POSSIBLE WORLDS IN SIGIZMUND KRZHIZHANOVSKY’S PROSE." Polish Studies of Kyiv, no. 35 (2019): 186–92. http://dx.doi.org/10.17721/psk.2019.35.186-192.

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Modern researchers consider the oeuvre of Sigizmund Dominikovich Krzhizhanovsky, the Russian-speaking writer of Polish origin, to be a “literary phenomenon” and a “literary discovery” of the twentieth century. Publications, translations into many world languages and active scholar familiarization with the writer’s heritage begins in the end of XX – at the beginning of XXI centuries. The article examines the Sigizmund Krzhizhanovsky’s prose that presents the original artistic heterogeneous universe, where a “multidimensional world” becomes the structure creating model. In the Krzhizhanovsky’s prose a word-creative experiment plays an important role in the creation of many interconnected worlds. The number of writer’s occasional forms even does not undergo an approximate estimation. The second important factor of creating a model of “multidimensional world” is defamiliarization (by Victor Shklovsky) as a phenomenological and gnoseological principle and method. The writer’s artistic consciousness is based on the phenomenon of understanding, connected with the change of vision and understanding, which pulls objects or things out of usual contexts of recognition and re-describing them as a “new discovered” phenomena. Due to this the usual appears unusual, strange. Krzhizhanovsky creates conditional, metaphysical, phantasmagorical and paradoxical worlds. In these strange worlds boundaries of Real and Irreal are blurred, the fiction itself acquires a real image, and reality emerges fantastic. The “logic” of alogism and paradoxes often functions in these worlds. In the artistic language the writer uses the strategy of “morbid” nomination that creatively enriches speech resources and refreshes the literary thesaurus. In the Krzhizhanovsky’s artistic world dominant narrative and pictorial strategies are also based on the next methods: the reviving of things, phenomena and abstract notions, thoughts and words, etc.; materialisation and narrative implementation of metaphors; the use of grotesque. An important role is played by the saturated intertextuality and game modus at different levels: from language and speech to codification of culture. In such a way the author’s model of Philosophy of creativity and philosophy of culture as an endless polyphonic polylog, continuous creative process and boundless creative imagination is realized.
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5

Jasnow, Alexander. "Poetry and Prose - Experiencing the Creative Patient." Psychotherapy Patient 4, no. 1 (April 25, 1988): 123–30. http://dx.doi.org/10.1300/j358v04n01_13.

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6

Abdurakhmonov, Abiljon. "FEATURES OF THE USE OF COLOR IN PROSE." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 05 (May 30, 2021): 24–27. http://dx.doi.org/10.37547/philological-crjps-02-05-08.

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The article discusses the properties of color in prose. Unlike a lyric work, prose comments on the use of color when expressing creative ideas. In the prose context, the static and dynamic manifestations of colors are given. The dynamic manifestation of colors in context is evidenced by examples of the repetition of the same color and the emergence of the primary color through its counterparts. It is also shown that the ratio of color to words and paragraphs in the context determines its importance in the expression of an artistic idea.
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7

Barchan, Valentyna. "LITERARY LESSON OF VASYL STEFANYK IN YURII STANYNETS` CREATIVE WORKS STANYNTS." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 74–86. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-74-86.

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The aim. The suggested literary critic research traces the influence of Vasyl Stefanyk’s creative experience upon shaping worldview, aesthetical grounds of Yurii Stanynets (1906-1994), a prose writer from Zakarpattia. On the rich literary-fictional material, the task is set to analyse the writer’s works that came out in different periods of his creative life and to reveal the “lessons of the master of psychological prose” in the planes of Yurii Stanynets’s genres and styles, as well as problems and themes. The research methods are outlined through using comparative-typological, cultural-historical and biographical methods, as a result of which the extent of Vasyl Stefanyk’s impact on Yurii Stanynets’s prose works in the periods of 20s ‒ 40s and 50s ‒ 80s of the XXth century is elucidated. The research results witness that shaping the prose mastery of the word artist from Zakarpattia was under the direct influence of the best literary models of the Ukrainian national prose writing. The writer himselfhighlights the role and significance of Vasyl Stefanyk’s novellas in that, witnessed by his “Autobiography”. Hence, the article singles out those aspects of Yurii Stanynets’s fictional practice that are brightly marked with the imprint of the creative work of the Ukrainian literature classic. In particular, the correlation of worldview and aesthetical grounds of the word artist from Zakarpattia from Vasyl Stefanyk’s worldview-aesthetical guidesis elucidated,. Simultaneously, typologically comparable parallels define the impact of the latter on Yurii Stanynets’s long and short prose, the peculiarities of his fictional thinking, that is revealed in in his external and internal structures of stories, novellas and narratives, in the peculiarity of the style manner of the prose writer from Zakarpattia. The scientific novelty lies in the fact that for the first time in contemporary Ukrainian literaryscience the comparative-typological study of creative works by Vasyl Stefanyk and Yurii Stanynetsis conducted in the field ofaspectual levels of their fictional heritage, Vasyl Stefanyk’s notable influence upon the creative work of the prose writer from Zakarpattia is proved.
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8

Hladkoskok, Lesia, Iryna Muradkhanian, and Halyna Semen. "E. L. Doctorow’s Creative Method Evolution." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 51–63. http://dx.doi.org/10.31861/pytlit2022.106.051.

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Edgar Lawrence Doctorow (1931–2015) is the American prose writer, in the literary heritage of whom one finds 12 novels, 4 of which had screen versions, 3 volumes of short stories and 1 stage drama, an editor and a scientist. The writer provided more than once a self-commentary to his creative works, his interviews became the indispensable source of his works’ understanding. Doctorow consistently wrestled the traditional approach to literature. Many a researcher turned to his literary heritage. The examination of the Doctorow’s creative method evolution was carried out in two stages. First the main characteristic features of the literary works were singled out, later on by means of the comparative method the two main novels “Ragtime” and “Loon’s Lake” correlation from the point of view of the writer’s depiction evolution was carried out. The characteristic features of the novels are violated chronology, combining of reality with the invented, depicting the protagonists at the moment of the greatest changes, different arts genres fusion manifested in style, excessive fascination with the naturalistic details. The novel “Ragtime” is an objective, author’s narration, “Loon Lake” is the monologue of the I-form narrator. In “Ragtime” the prose writer combined the style of “new journalism” with “retro”. “Loon Lake” is an attempt to create the main image, render the inexhaustibility of the plenitude of life. In the novel “Ragtime” literature is melted with music, whereas in “Loon Lake” prose is melted with poetry of vers libre.
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9

Guseynov, Malik Alievich. "THE CREATIVE HERITAGE OF KAMAL ABUKOV: PROSE AND CRITICISM." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 27 (September 22, 2021): 30–33. http://dx.doi.org/10.31029/vestiyali27/4.

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The creative heritage of Kamal Abukov is characterized by versatility. In this article, the object of consideration is his artistic prose and criticism, their individual features are noted; in general, an attempt is made to determine the contribution of the writer to the national literature. In particular, the important role of the writer's creativity in the origin and approval of lyrical prose in Kumyk and all Dagestan literature is noted, the imagery and the artistry of his critical publications are emphasized.
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10

Mineralova, Irina G., and Petimat Sh Tsurueva. "Experiment in the prose of Boris Rakhmanin: forms of depiction, synthesis of genres." Vestnik of Kostroma State University 27, no. 2 (June 28, 2021): 143–49. http://dx.doi.org/10.34216/1998-0817-2021-27-2-143-149.

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The article examines the creative experience of Boris Rakhmanin as a prose writer who developed new forms of synthesis in Russian prose of the 1960s - 1980s. The distinctive techniques that he experimented with contributed to the lyricisation of prose. The originality in the author's definition of the genre indicated the author's special line of thought, Boris Rakhmanin's techniques originate in prose experiments at the turn of the 19th and 20th centuries (Andrei Bely, Evgeny Zamyatin, etc.) and dialogue with contemporaries (Eduardas Mieželaitis, Justinas Marcinkevičius). Analysis of the resource of synthesis methods used by Boris Rakhmanin in his prose allows us to point out their functionality in creating an image of the life and an image of the thought process of the writer's contemporaries. This analysis also gives an idea of the individual style of the writer.
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11

Redfield, Doris L., John L. Holt, and Carl R. Martray. "The Prose Quantification System for Evaluating the Creative Quality of Prose: a Construct Validation Study." Journal of Psychoeducational Assessment 5, no. 1 (March 1987): 67–75. http://dx.doi.org/10.1177/073428298700500108.

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12

Zaidler, N. V. "“AND WE WERE, ARE AND WILL ALWAYS BE” (MYKOLA NEVYDAILO’S PROPHETIC “PRYNOSYNY”)." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 171–74. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-171-174.

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The creative work of Mykola Nevydailo, a prose writer from Dnipropetrovs’k, is researched. The peculiarities of his fictional thinking are revealed, the writer’s prose is introduced into the contemporary Ukrainian literary process.
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13

Semyan, Tatyana F., Elena V. Kanishcheva, and Ekaterina V. Fedorova. "A poetic beginning in the Russian prose of the turn of the 19th-20th centuries." Sibirskiy filologicheskiy zhurnal, no. 3 (2021): 73–86. http://dx.doi.org/10.17223/18137083/76/6.

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The paper describes the process of expansion of the poetic beginning to the prose of writers whose works represent the key trends of the epoch of the end of the 19th - beginning of the 20th centuries, showing the interest in syncretic phenomena, expressed particularly in the verse and prose interaction. The analysis of the creative work of V. Korolenko, A. Bely, M. Tsvetaeva made it possible to present the peculiarities of Russian prose of the 19th - 20th centuries manifested in the combination of poetic and prose elements within the boundaries of one text. A consistent consideration is given to the phenomena arising from the active interaction of prose and verse, such as metered prose, verse, the non-classical visual appearance of prose, the rhythm of prose, and the prosimetry. The analysis of the works of writers with different aesthetic attitudes and key positions revealed a common vector of artistic search associated with the interaction of verse and prose. Vladimir Korolenko’s prose featured elements of verse as an ornamental beginning, emphasizing the melodiousness, musicality of the writer’s prose, folklore basis of his subjects, proximity to the romantic settings. Andrei Bely’s work proved to be a breakthrough, a bright literary experiment, in which the fusion of poetic and prose narrative reached its absoluteness. Marina Tsvetaeva’s prose combined essay and lyrical elements, creating new genre samples.
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14

Khatena, Nellie. "Art and Creative Imagination." Gifted Education International 10, no. 3 (September 1995): 131–36. http://dx.doi.org/10.1177/026142949501000308.

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The author is a self-made artist. Moving forward from the intense frustration which she encountered as a student of art she let her own imagery be her instructor. Her imagery guided her to art forms. Being the spouse of a creative researcher is a very risky state of affairs! Mrs Khatena then tried her process of drawing from imagery rather than drawing serving as a constraint on imagery on her husband. She has since used it as Creative Liberation for college students. Mrs Khatena shows the similarities between writing prose and drawing. She sees Nature as the alphabet of art. Her paper shows the unlimited growth and fulfillment which can come from letting drawing and painting happen.
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15

Horodniuk, Nataliia. "Palimpsests of culture, or the creativity concept as self-creation in Valeriy Shevchuk's prose." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 17–22. http://dx.doi.org/10.34079/2226-3055-2019-12-21-17-22.

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The article explores the creativity concept as self-creation in the context of the baroque idea of the artist-demiurge in prose by Valeriy Shevchuk. The writer’s creativity is seen as a postmodern palimpsest the various cultural fragments is «shining through»: numerous quotations, allusions, associations, «fragments» of other texts, concepts, signs, meanings and codes. The theme of creativity and formation of cultural in Valeriy Shevchuk's prose becomes the main subject of writer's musings. At that, this topic is not limited to the depiction of the psychology of the creator, but achieves the ontology and axiology of creativity generally, that is the philosophy of creative act as self-creative. And it is realized by the ways of the culture itself: endless borrowings and repeats, quotations and self-citations, allusions and reminiscences, doubling of the code, and using the structure of «text in text». So Shevchuk's prose appears as a «text of culture», a palimpsest. The author is a master of creating the illusion of cultural esotericism in his own texts. His work is a text iceberg, and it reads differently at different levels. An array of cultural allusions, signs, meanings, and associations never opens fully and thus gives the impression of secret writing, cryptotext of culture. Baroque, its ontology and axiology, aesthetics and poetics are the keys for reading for Shevchuk's texts. A number of Baroque concepts are through ones in the prose of the artist. It deduces that postmodernism of writer has the neo-Baroque essence. In particular, it is confirmed by the concept of creativity as self-creation and the idea of the artist-demiurge. Shevchuk explores a person's existence in culture, his or her existence in culture, the philosophy of creation and the psychology of perception of cultural values. His character is a «creative man» who emerges first of all as a subject of culture. According to Shevchuk, the only possible being is an existence in culture. The being outside of culture is impossible (in Shevchuk's model of world), because only through it the human life becomes meaningful. The origins of image of a «creative person» by Shevchuk arise out of the Baroque idea of the artist-demiurge, which is a well-founded alternative to the postmodern slogan «death of the author». The main motif that is manifested in most of Shevchuk's works is a semantic couple – a hero and a text. The last one must either be created or reproduced to self-define and achieve inner integrity, to comprehend own life and to fill it with meaning, to realize own complicity in cultural formation and in the sphere of the spiritual values, that is, to eternity. And the eternity is the higher purpose of man, which is an opposition to nothingness. This motif is analyzed in the novels «On a Humble Field», «The House on the Mountain», «The Path in the Grass», «Three Leaves behind the Window», «The Eye of the Chasm», and the tales «The Begginning of Horror», «To the Dragon's Jaws».
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16

Arnold, Richard, Kevin Roberts, K. Louise Schmidt, Leslie Marrion, Sheila McMaster, Chris Bullock, Dan Lukiv, Laura Fee, and Kate Braid. "Creative Supplement: The Cancer Patient Experience—New Poetry and Prose." Canadian Bulletin of Medical History 20, no. 2 (October 2003): 437–47. http://dx.doi.org/10.3138/cbmh.20.2.437.

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17

Кошевая, Мария Станиславовна. "PHONOSEMANTIC ELEMENTS IN CHEKHOV’S LATER SHORT STORIES." Вестник Тверского государственного университета. Серия: Филология, no. 1(68) (April 9, 2021): 233–42. http://dx.doi.org/10.26456/vtfilol/2021.1.233.

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В статье рассматриваются возможности применения результатов исследований в области фоносемантики при анализе прозы, в частности, рассказов А.П. Чехова. Показано, что реализация фоносемантических ресурсов языка в художественной речи оказывает воздействие на лексическую семантику как основу содержательности прозы. The article outlines the perspectives of the phonosemantics’ potential for the analysis of creative prose, of Chekhov’s short stories, in particular. It is shown that the realization of the phonosemantics’ mechanisms in creative prose influences the lexical semantics forming the basis of the prose’s content.
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18

Sobolev, Alexander L. "New Materials about Arthur Khominsky (His Letters to Mikhail P. Alexeev)." Literary Fact, no. 23 (2022): 164–81. http://dx.doi.org/10.22455/2541-8297-2022-23-164-181.

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Arthur Sigismundovich Khominsky (1888 — after 1917) was a Kyiv poet and prose writer, the author of five poetry collections and a prose book “The Comfort of Jenkini” (1914). He called himself the founder of the “Alexander Blok Society” in Kyiv, sometimes being more radical in his own creative experiments than Russian symbolism Maitre. Together with Mikhail P. Aleхeev and the poet Maxim F. Rylsky they organized the literary group “Kyiv Anthropophages”, which existed in 1914–1915. The article and comment are attached to the publication of Arthur Khominsky’s creative heritage from the archive of Aleхeev who became an Academician later. Hitherto unknown Khominsky's letters to Aleхeev as well as his poetic and prose texts not only help to complete his image as an extraordinary author but contain interesting facts about literary life of the 1910s.
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19

Mamurova, Mehrinoz, and Khushnuda Samigova. "Methods of teaching prose translation." Общество и инновации 2, no. 6/S (July 15, 2021): 106–9. http://dx.doi.org/10.47689/2181-1415-vol2-iss6/s-pp106-109.

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Translation is one of the most important forms of interethnic communication. But its creative nature, its art of reproduction, does not change. The scope and development of translation depends on the level of enlightenment of each nation and, in turn, has an effective impact on the social thinking of the nation.Translation is not only a bridge of friendship in the history of mankind, but also a broad path to culture and enlightenment. Translation is a difficult but interesting art. What a pleasure it is to translate a work of art created in a language that is foreign to us into our own language, to create an artistic idea. This article describes methods of translation of prose, and translation theory.
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20

Golubkov, Mikhail M. "In memory of Yuri Bondarev: on the question about writer’s creative reputation." Professor’s Journal. Series: Russian and Literature: studying and teaching 4 (November 26, 2020): 2–8. http://dx.doi.org/10.18572/2687-0339-2020-4-2-8.

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The article examines the evolution of the creative reputation of Yuri V. Bondarev, a frontline writer, one of the “lieutenant prose” founders, the creator of deep philosophical novels about history and modernity. The factors influencing the writer’s reputation, such as biography, literary texts (aesthetic merits and ideological fullness), relations with the authorities, creative and everyday behaviour, the evolution of creative and ideological views are analysed. A brief analysis of the writer’s creative path is offered.
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Nosenko, Tamara. "Corneliu Irod – Ukrainian Writer from Romania (Creative Work Overview)." Слово і Час, no. 10 (October 16, 2019): 90–100. http://dx.doi.org/10.33608/0236-1477.2019.10.90-100.

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The essay surveys the works written by C. Irod, one of the leading contemporary Ukrainian writers of Romania. The main attention is paid to his trilogy of novels “The Feast” and stories that vary in thematic features and stylistics, some of them belonging to a particular type of short prose works – allegoric pieces called “blunder stories”. Considering main themes and ideas of C. Irod’s works and focusing on peculiarities of their literary interpretation, the researcher intends to represent the originality of the writer’s prose heritage, to determine his role in developing the genre of the modern novel and renovating flash fiction in Ukrainian literature of Romania. To achieve this aim, the researcher adds a comparative aspect and refers to the major development patterns of the world novel of the 1960s–1980s, in particular, focusing on such a remarkable feature as ‘new epics’. The themes and issues of the works by C. Irod have been compared to those in the works by Romanian writers, in particular D. R. Popescu. It is noted that C. Irode’s stories have the inherent connection with the flash fiction of the Ukrainian masters – H. Tiutiunnyk and Ye. Hutsalo. The essay follows correspondences in themes and literary technique that relate the Romanian writer to the mentioned Ukrainian authors. The essay also informs about C. Irod’s achievements in the Цeld of literary translation. In particular, he worked over translation of T. Shevchenko’s “Diary”, as well as the book “Taras Shevchenko’s life” by P. Zaitsev. The researcher also gives some details concerning C. Irod’s translations of the tales “When the animals could talk” and “Mykyta the Fox” by I. Franko, the stories written by H. Tiutiunnyk and some pieces in poetry and prose by junior Ukrainian authors.
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Ilyasova, Anara Zhangeldyevna. "CREATIVE RECEPTIONS OF F. M. DOSTOEVSKY ART WORKS IN CONTEMPORARY PROSE." Ural Philological Herald. Series Draft: Young Science, no. 3 (2020): 133–48. http://dx.doi.org/10.26170/ufv20-03-11.

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23

Rizaeva, Kristina Vladimirovna. "Specificity of Small Prose Genres in M. N. Albov’s Creative Work." Philological Sciences. Issues of Theory and Practice, no. 1 (January 2020): 40–44. http://dx.doi.org/10.30853/filnauki.2020.1.8.

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Bozorova Po’lotjonovna, Nasiba. "Lyric Hero Spiritual World And Creative Worldwide." Psychology and Education Journal 58, no. 1 (January 1, 2021): 2431–35. http://dx.doi.org/10.17762/pae.v58i1.1118.

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The article emphasizes that in the study of the creative personality and worldview in art, his beliefs, confession of heart, life position, activity, attitude to the artistic word - all should be taken into account and studied on this basis. It is also possible to solve this problem by studying the poetics of the hero created by the creator. In prose, the image and interpretation of the protagonist plays a key role in the assessment of the author's personality, and in poetry the scientific interpretation of Alisher Navoi's lyrical hero.
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Bryzgalova, Maria D. "The New Prose of Tatyana Tolstaya." Tyumen State University Herald. Humanities Research. Humanitates 5, no. 4 (2019): 87–97. http://dx.doi.org/10.21684/2411-197x-2019-5-4-87-97.

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This article studies the characteristics of Tatyana Tolstaya’s prose of the 2010s, that was compiled with her essays and previous works into a tetralogy: “The Imperceptible Worlds” (2014), “The Girl in Blossom” (2015), “The Invisible Maiden” (2015), “The Century Made of Felt” (2015). This study aims to identify the creative strategies used by the writer, as well as to trace how Tolstaya describes her particular topics in different genres. Hopefully, this will fill in the lacuna in the contemporary Russian literature studies, as Tolstaya’s works have received little academic attention despite their popularity among contemporary readers. To achieve this goal, the author of this article has applied structural-semantic and textological methods. The main feature of Tolstaya’s “new prose” is the transition from the third person narrative to the first. These changes are closely related to Tatyana Tolstaya’s creative roles, such as a teacher, a journalist, a TV-presenter, and a blogger. The role of an author is the main role as it affects the rest. The topics and motifs, present in Tolstaya’s previous fiction and non-fiction works though quite indirectly and detached, come to the fore in 2010s. The main themes include time, memory, and folk mentality. New novels and short stories can also be characterized by the motive of many worlds: the real world is surrounded by other worlds — the “aetherial” ones. Tolstaya’s “new prose” is undoubtedly intertextual, which is necessary for her style. It combines documentary and artistry, autobiographical features and a certain measure of detachment, which allow seeing an autobiographical heroine in the text.
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Ledneva, Daria M. "THE COMPLEX OF HEADINGS AND FINALS IN MARINA PALEI GENRE SEARCHES." Culture and Text, no. 50 (2022): 107–25. http://dx.doi.org/10.37386/2305-4077-2022-3-107-125.

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Marina Palei quickly and distinctly entered Russian literature as a prose-narrator of the traditional type, but over time she began to work artistically vividly in various genre forms. The article analyzes the complex of headings and finals (CHF) of her prose works, and creative modifications of CHF in her screen and film prose «Long distance, ili slavianskii aktsent», «Letnii kinoteatr: Kinorasskazy» and in poetry books «Kontrol’nyipotselui v golovu», «Ingermanlandiia»,«Tiuremnyi perestuk», «Inok» as a process and result of her writer’s evolution.
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Sloistova, Maria S. "TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE." Вестник Пермского университета. Российская и зарубежная филология 12, no. 2 (2020): 110–19. http://dx.doi.org/10.17072/2073-6681-2020-2-110-119.

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The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.
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Лосева, Наталия Вениаминовна. "Y.V. KRASAVIN AND LITERARY PROCESS. SECOND HALF OF THE XX CENTURY (on the relationships of Yuri Krasavin with Fedor Abramov)." Вестник Тверского государственного университета. Серия: Филология, no. 3(66) (November 6, 2020): 242–49. http://dx.doi.org/10.26456/vtfilol/2020.3.242.

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Значимость литературного наследия Юрия Красавина обусловлена как творческой индивидуальностью писателя, так и его литературными связями с крупнейшими художниками слова своего времени. Прослеживаются генетические и типологические связи с прозаиками второй половины ХХ века. Важное значение для становления и творческого развития Юрия Красавина сыграл известный русский прозаик Ф.А. Абрамов. The significance of the literary heritage of Yuri Krasavin is based on both the creative personality of the writer and his literary connections with the greatest writers of his time. Genetic and typological connections with prose writers of the second half of the twentieth century are traced. Of great importance for the formation and creative development of Yuri Krasavin was a famous Russian prose writer F.A. Abramov.
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Owens, Jacqueline K. "Capturing Nursing History With Creative Writing: Two Exemplars." Creative Nursing 27, no. 2 (May 1, 2021): 142–46. http://dx.doi.org/10.1891/crnr-d-20-00022.

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Florence Nightingale formally documented much of the early history of the nursing profession, a goal that remains important today to guide our practice. Many nurse scholars have published detailed accounts of historical research. Story-based narratives can be especially effective to describe the contributions of individual nurses in a way that resonates with nurses and lay readers. Two nurses, Terri Arthur and Jeanne Bryner, have successfully disseminated stories of nurses through creative writing. This article describes their journeys to capture nursing history using historical narrative, poetry, and reflective prose.
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Samoilenko, H. "The Originality of the Artistic Style of Hanna Barvinok’s Small Prose." Literature and Culture of Polissya 106, no. 20f (December 12, 2022): 7–31. http://dx.doi.org/10.31654/2520-6966-2022-20f-106-7-31.

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The paper deals with the creative work of Hanna Barvinok (Oleksandra Bilozerska-Kulish), whose literature career began in 1850s and who laid alongside with Marko Vovchok the foundations of Ukrainian female prose. Readers mostly became familiar with her works because of Panteleimon Kulish, who contributed to the publication of her works in his own editions, but never edited them. The author distinguishes the main stages of the creative work of the writer, which are marked by her living on the Motronivka farm until her return to the farm and the period of Hanna Barvinok’s living there together with P. Kulish. At the introductory part, the information about the main publications of Hanna Barvinok’s stories and their assessment by the criticism of the 19th and the beginning of the 20th century (including such figures of by Ukrainian literature as Omelyan Ohonovskyi, Borys Hrynchenko, Ivan Franko, Oleksandr Hrushevskyi, Mykola Voronyi and others) is provided. And yet the author of the article, taking into consideration the estimation of Hanna Barvinok’s stories by these people, goes further and focuses on the artistic specificity of Hanna Barvinok, peculiarities of her language, her mastership in revealing the fate of different women, and the uniqueness of her creative work among other authors who wrote about peasant women in the 19th c.
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Proskurina, Elena N., and Alisa B. Borisova. "А. PLATONOV’S POEMS IN PROSE AS A SPACE FOR A CREATIVE EXPERIMENT." Vestnik Tomskogo gosudarstvennogo universiteta, no. 422 (September 1, 2017): 26–31. http://dx.doi.org/10.17223/15617793/422/4.

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Caldwell, Anne. "Reawakening wonder: how cartography can act as creative research for prose poetry." New Writing 15, no. 4 (May 24, 2018): 400–415. http://dx.doi.org/10.1080/14790726.2018.1436182.

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Makarova, Svetlana A. "CREATIVE SEARCHINGS AND ARTISTIC STRATEGIES OF M. GORKY: BETWEEN VERSE AND PROSE." Verhnevolzhski Philological Bulletin 21, no. 2 (2020): 49–55. http://dx.doi.org/10.20323/2499-9679-2020-2-21-49-55.

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Skulacheva, Tatyana, and Alexander Kostyuk. "Functions and Linguistic Peculiarities of Verse." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (August 2020): 155–68. http://dx.doi.org/10.15688/jvolsu2.2020.3.14.

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The article focuses on linguistic differences between verse and prose. The researchers analyzed the peculiarities of verse building which do not depend on the language, time of creation, versification system, literature or individual author's style, and can be easily identified in verse up to the cases verging with prose. The study is exemplified by Russian and French verse and prose of the 17 th – 20 th centuries; the phonetic analysis is performed on recorded declamations of Russian verse of the 19 th – 20 th centuries, using "Praat" program. Syntactic, intonational and semantic features of verse are described. In considered verse, as compared to prose written by the same author, parataxis occurrence is noted to increase; its intonation is more level and monotonous. Words with different information loading were also studied. It was proved, that in prose more informationally loaded words most often occupy position at the end of a phrase under phrase stress, while in verse they are distributed with no preference to particular position. Special attention is paid to intonation, in particular, tonal range contraction, that was described applying the method of tonal frame construction building. All the revealed peculiarities of verse are noted to cause difficulties in prompt text comprehension. Hypothesis on the correlation of obtained linguistic data with the mechanisms of creative thinking promotion is also suggested.
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Sergo, Yu N. "THE MOTIVES OF TRAVEL AND ESCAPE IN THE PROSE OF MODERN WOMEN-WRITERS (O. TOKARCHUK, L. ULITSKAYA, L. PETRUSHEVSKAYA)." Bulletin of Udmurt University. Series History and Philology 30, no. 5 (October 27, 2020): 892–97. http://dx.doi.org/10.35634/2412-9534-2020-30-5-892-897.

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The article analyzes the motives of travel and escape, which are pretty common in modern women prose and appears closely related to each other. The connection between travel and self-knowledge is also obvious. In female prose, it is presented through the motive of physicality. In the works of modern writers, these motives work differently: in the texts of the Polish writer Olga Tokarchuk, travel and escape function as motives that define the world and the human body in their mirror image, which creates the illusion of the absence of borders between the external and internal worlds. In the work of Lyudmila Ulitskaya, such a function is endowed with only a flight motive, which manifests itself in the image of the inner world of heroes. The autobiographical work of Lyudmila Petrushevskaya demonstrates a strategy in which travel and escape are associated with the idea of creative search and creative independence. The analysis of the sustainable motives of female prose allows us to conclude that the writers have their special view on the problem of self-knowledge.
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Veeramuthu, Saravanan P., and Malini Ganapathy. "An Innovative Teaching Tool: Manga for KOMSAS’ Prose Comprehension." International Journal of English Language and Literature Studies 11, no. 1 (December 16, 2021): 1–15. http://dx.doi.org/10.18488/5019.v11i1.4390.

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Studying literature encourages thinking both critically and creatively. It helps to understand and interpret life through the lens of prose, poems, essays, and novels. The KOMSAS genre of literary materials require good pedagogical practices to ensure academic success of a student. The pivotal focus of this study is to assess the advantages of using ‘Manga’ as a creative tool to teach KOMSAS or traditional Malay literary prose and to determine its effectiveness on students’ performance. The aim of the study was also to explore the impact of using ‘Manga’ to enhance creativity among students in the classroom where traditional prose comprehension is taught. A quasi-experimental design was chosen as methodology and a study was conducted with high school students of Form Four. The research instrument involved a statistical achievement test. Findings from this research indicated that there were positive changes in the performance of students who used this Manga module. Teaching methods which could stimulate students’ interest in learning were helpful for students. Additionally, this study also found that students’ perception towards the teaching methods used by the teachers influenced their performance The main finding also highlighted students’ increased creativity when ‘Manga’ was used as a pedagogical tool. Teachers and collaborators can use this study as a point of reference when promoting ‘Manga’ as a creative device to teach Malay traditional prose in today’s classroom.
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Nabytovych, Ihor. "BIBLE TOPICS IN THE HISTORICAL PROSE OF UKRAINIAN EMIGRATION." Polish Studies of Kyiv, no. 35 (2019): 231–42. http://dx.doi.org/10.17721/psk.2019.35.231-242.

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In the article there are summarized innovative approaches to artistic mastering of Bible topics in creative work of Ukrainian emigration writers of 1920th – 1970th: Natalena Koroleva, Leonid Mosendz and V. Domontovych (Victor Petrov). Ukrainian tradition of mastering Bible topics was interrupted by Russian occupation; it finds its bright artistic embodiment in artistic historical prose of Ukrainian emigration. This artistic experience enriches Ukrainian writing by mastering of Bible topics and motives via Bible stylizations, renaissance or creation of newly created new genre formations, contaminations of religious and historiosophical problems, searches of new narrative strategies of artistic mastering of the Holy Scripture. The article traces the way biblical stylizations become a style-forming means in the Ukrainian prose of the XX century. Historical novels Quid est Veritas?(What is the Truth?) by Natalena Koroleva and The Last Prophet by Leonid Mosendz are the basic works of fiction wherein they, playing forming roles, become an important element in poetic language and style. The way L. Mosendz uses bible stylizations in his novel The Last Prophet results in a special art amplification. The author conditionally expands his text’s sense by dint of bible stylizations and his allusive returning to the semiotic-semantic significance of the “base-text”. As the latter is the Bible (or, rather, the Old Testament), generating the said allusive amplifications, Mosendz’ novel, thus, sounds in several creative aspects. One of them is “filling up” the gaps in evangelical texts about John the Baptist’s life. Such “fillings up” occur both through the author’s fiction and his artistic reconstruction based on historical sources. The transformed and adsorbed through bible stylizations elements of neoclassicism and neo-romanticism create in the stylistic palette of novel Quid est Veritas? that unique stylistic aura, which represents Natalena Koroleva’s experimentalist attempts both in the genre field (her attempt to create a Ukrainian historical epopee representing the epoch historically very remote from the artist) and in the stylistic domain. One more specific feature of Koroleva’s novel – its epic character – is also created by help of bible stylizations. The allocation of the said stylistic macrostructures enables to present the general exhibitions of each of the author’s basic idiostyle elements.
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Kontje, Todd. "Of Mutts and Mann: The Mischling Theme in Herr und Hund." Seminar: A Journal of Germanic Studies 58, no. 2 (May 1, 2022): 149–66. http://dx.doi.org/10.3138/seminar.58.2.2.

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This article focuses on Thomas Mann’s autobiographical essay about his dog in the light of his early fiction and wartime journalism. Herr und Hund represents not only an idyllic retreat from troubled times but also an ongoing engagement with themes central to Mann’s creative prose and cultural politics, including distinctions between human reason and animal passions, alleged racial differences among humans, and relations between nature and civilization. Issues currently cordoned off into the discrete categories of animal, environmental, and critical race studies inform one another in Mann’s multi-faceted essay. Herr und Hund marks both an end to the reflections that preoccupied Mann during the war and their continuation by other means, revisiting themes that inspire his earliest prose and will continue to inform his political thought and creative practice for years to come.
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STEPHENS, SONYA. "Creative Confinement and Narratives of Violence: Charles Baudelaire, Shumona Sinha and Assommons les pauvres!" Australian Journal of French Studies 58, no. 1 (April 1, 2021): 63–75. http://dx.doi.org/10.3828/ajfs.2021.06.

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This article examines the relationship between Baudelaire’s prose poem, “Assommons les pauvres!” (Le Spleen de Paris, 1869) and Shumona Sinha’s 2011 novel of the same title. Focusing on questions of reading and intertextuality, from Baudelaire’s reference to Proudhon to Sinha’s engagement with the prose poem and Le Spleen de Paris more broadly, it explores forms of confinement and creativity, the connections between narrative and freedom and the ways in which lyrical subjectivity and literary form reflect the social challenges of each period. In expressing socio-cultural and linguistic alienation, these texts centre the textual in an exploration of the marginal, thereby demonstrating that the connection between them goes beyond a critical act of violence and the presumed equality or dignity it confers, to represent a shared interrogation of universalism, multiculturalism, and authorial and political power.
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Guo, Zhen. "Sanmao's Literary Creation Style." International Journal of Languages, Literature and Linguistics 8, no. 4 (December 2022): 274–83. http://dx.doi.org/10.18178/ijlll.2022.8.4.362.

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Sanmao was formerly known as Chen Ping, a contemporary Taiwanese female writer and traveler. Sanmao is one of the few contemporary prose writers. Although many scholars believe that her works have some novel elements, a kind of work is accepted by readers with what kind of style, it has a substantial impact on what kind of style, so Sanmao is placed into the ranks of prose writers. For Sanmao, writing constitutes her unique life form. Sanmao's literary creation style has a very high literary research value, which is closely related to her innate personality, as well as her understanding of life itself and her unique literary interpretation skills. To be precise, Sanmao does not have the serious creative mission of a pure literary writer, nor will it deliberately pursue the social effectiveness of her works. For her, innovation is neither the great cause of the country, nor the masterpiece of the past dynasties. This article explores Sanmao's literary creation style through the three writing characteristics of writing freely, “depending on benevolence, swim in art” and integration of “Inovel” creation skills.
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Chen, Quanze, Chenyang Lei, Wei Xu, Ellie Pavlick, and Chris Callison-Burch. "Poetry of the Crowd: A Human Computation Algorithm to Convert Prose into Rhyming Verse." Proceedings of the AAAI Conference on Human Computation and Crowdsourcing 2 (September 5, 2014): 10–11. http://dx.doi.org/10.1609/hcomp.v2i1.13189.

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Poetry composition is a very complex task that requires a poet to satisfy multiple constraints concurrently. We believe that the task can be augmented by combining the creative abilities of humans with computational algorithms that efficiently constrain and permute available choices. We present a hybrid method for generating poetry from prose that combines crowdsourcing with natural language processing (NLP) machinery. We test the ability of crowd workers to accomplish the technically challenging and creative task of composing poems.
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Stoletova, Anna S. "The transformation of the socialist worldview of the village prose writers and the ideological basis of acutely social works about the Russian North peasant lifestyle." Vestnik of Kostroma State University, no. 4 (2019): 135–39. http://dx.doi.org/10.34216/1998-0817-2019-25-4-135-139.

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We highlight the contribution of Vologda writers Alexander Yashin and Vasily Belov to the development of village prose – the phenomenon of fiction of the 20th century. The prose writers were at the origins of the formation of themes, style, ideology of creative work of the Northern authors realm, became the ancestors of the transition from socialist to critical realism. Special attention is paid to the issues of transformation of consciousness and alteration of the problematic of the writers' narration, in the aggregate leading to the publication of sensational works about the village. The processes of the literary reputation of the writers are displayed, while the points of popularity are determined – for instance the story "Vologda Wedding" and the novel "Business as Usual" of an unusual fate. Portraying a suffering village, the authors experienced a difficult time of forced silence, their figures and creative work were discussed during ideological discussions. The conclusion that having witnessed the stage of crisis phenomena in the evolution of the collective-state farm village, the breaking of the traditional peasant way of life, Alexander Yashin and Vasily Belov were among the first among the village prose writers to express a public protest.
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Sergeev, Aleksandr. "From the History of Scandinavian Literatures." Stephanos Peer reviewed multilanguage scientific journal 50, no. 6 (November 30, 2021): 44–49. http://dx.doi.org/10.24249/2309-9917-2021-50-6-44-49.

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The paper examines the anthology of Danish and Norwegian classic works of the 19th–20th centuries in different genres – from essays to novels – as well as creative work of living prose-writers and playwrights, little known to the Russian reader, in the translations by one of the most famous Russian translators from the Nordic languages Anatoly Chekansky. His introductory article, in which he acquits readers his assessment of the works presented in the book, highlights the history of their creation and tells about his life experience and translation activities, is also considered.
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Emike, Acheoah John, and Zainab Abdulkarim. "The Effectiveness of Classroom Exercises in the Teaching and Learning of Creative Writing in Tertiary Institutions." English Language Teaching and Linguistics Studies 4, no. 3 (July 17, 2022): p1. http://dx.doi.org/10.22158/eltls.v4n3p1.

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This study investigates the effectiveness of classroom exercises in the teaching and learning of Creative Writing in tertiary institutions. The exercises presented in this study are restricted to the three basic genres of literature: drama, prose and poetry. In contemporary scholarship, Creative Writing is part of the curriculum of tertiary education. Creative Writing programmes continue to develop in different parts of the world, with emphasis on workshops which promote the acquisition of the craft through different pedagogical approaches. The thrust of such approaches is that creative writing courses can be significantly assessed to measure individualistic progress of the learners. Creative Writing exercises test and evaluate discrete skills in the course. Hinging on the Non-traditional Academic Approach which posits that evaluation is crucial in the teaching and learning of Creative Writing, this study concludes that classroom exercises are potent instruments for teaching and learning Creative Writing in tertiary institutions.
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Miernecka, Martyna. "“A Production Center”: A Model of Creative Work in Tadeusz Konwicki’s Early Prose." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 9 (December 30, 2020): 269–85. http://dx.doi.org/10.18778/2299-7458.09.14.

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The aim of this article is to outline the issues related to the specificity of the image of the writer and his role in society created in Tadeusz Konwicki’s early works. This stage in the writer’s life opens with the first short story that Konwicki published, namely “Kapral Koziołek i ja” from 1947, after which the initial model of his writing is subject to gradual erosion and ends between 1954 and 1955 with the novel titled Z oblężonego miasta. Investigating the motif of the creative work house on the basis of Z oblężonego miasta is a pretext for reflection on the category of the writer’s work. The article traces the motifs of the professional category of the writer, through analysing the constructions on which Konwicki’s narratives are based. At the same time, due to the analysis of social discourse in which the author participated, the article outlines the social functions he performed at a given time.
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Zusman, V., and A. Milova. "«WRITING PERSON» VS «CREATIVE PERSON» IN A.P. CHEKHOV’S PROSE WORKS OF 1880-1888." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 83–97. http://dx.doi.org/10.31249/chel/2020.03.06.

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The article discusses a number of prose works by Chekhov, created between 1880 and 1888, with the focus on “persons who write” and “persons who create” as important characters there, in association with nature as the center of Chekhov’s literary universe. If a “writing person” arises in his works to be dissolved in narration and storytelling, his “creative persons” instead seem to be formed there by some indefinable secret power spread in the nature.
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Galatenko, Yuliya. "The Background and Formation of the European “Creative Feminism” (Modern Italian Women’s Prose)." Vestnik of Northern (Arctic) Federal University. Series "Humanitarian and Social Sciences", no. 2 (April 10, 2017): 99–106. http://dx.doi.org/10.17238/issn2227-6564.2017.2.99.

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Feng, Shengli, and Ash Henson. "Parallel Prose and Spatiotemporal Freedom: A Case for Creative Syntax in “Wucheng fu”." Journal of Chinese Literature and Culture 2, no. 2 (November 2015): 444–80. http://dx.doi.org/10.1215/23290048-3324176.

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Nethercott, Frances. "Elements of Henri Bergson's Creative Evolution in the Critical Prose of Osip Mandel'štam." Russian Literature 30, no. 4 (November 1991): 455–66. http://dx.doi.org/10.1016/0304-3479(91)90081-b.

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Offen, Julia L. "Introduction to Special Section A Salute to Creative Ethnographic Prose (in dark times)." Anthropology and Humanism 45, no. 1 (June 2020): 86–87. http://dx.doi.org/10.1111/anhu.12275.

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