Relevant bibliographies by topics / Creative Prose

Academic literature on the topic 'Creative Prose'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Creative Prose"

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Lee, James Kyung-Jin, Viet Nguyen, and Gina Apostol. "Creative Writing: Prose." Journal of Asian American Studies 19, no. 3 (2016): 428–29. http://dx.doi.org/10.1353/jaas.2016.0044.

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Davis, Rocio, Yoonmee Chang, and Ed Lin. "Creative Writing: Prose." Journal of Asian American Studies 20, no. 3 (2017): 465–66. http://dx.doi.org/10.1353/jaas.2017.0041.

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Cohen, Leslie G. "2005 creative writing contest winner—prose." Journal of General Internal Medicine 20, no. 7 (July 2005): 673–74. http://dx.doi.org/10.1007/s11606-005-0117-1.

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Korniienko, Oksana. "MODELING OF POSSIBLE WORLDS IN SIGIZMUND KRZHIZHANOVSKY’S PROSE." Polish Studies of Kyiv, no. 35 (2019): 186–92. http://dx.doi.org/10.17721/psk.2019.35.186-192.

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Modern researchers consider the oeuvre of Sigizmund Dominikovich Krzhizhanovsky, the Russian-speaking writer of Polish origin, to be a “literary phenomenon” and a “literary discovery” of the twentieth century. Publications, translations into many world languages and active scholar familiarization with the writer’s heritage begins in the end of XX – at the beginning of XXI centuries. The article examines the Sigizmund Krzhizhanovsky’s prose that presents the original artistic heterogeneous universe, where a “multidimensional world” becomes the structure creating model. In the Krzhizhanovsky’s prose a word-creative experiment plays an important role in the creation of many interconnected worlds. The number of writer’s occasional forms even does not undergo an approximate estimation. The second important factor of creating a model of “multidimensional world” is defamiliarization (by Victor Shklovsky) as a phenomenological and gnoseological principle and method. The writer’s artistic consciousness is based on the phenomenon of understanding, connected with the change of vision and understanding, which pulls objects or things out of usual contexts of recognition and re-describing them as a “new discovered” phenomena. Due to this the usual appears unusual, strange. Krzhizhanovsky creates conditional, metaphysical, phantasmagorical and paradoxical worlds. In these strange worlds boundaries of Real and Irreal are blurred, the fiction itself acquires a real image, and reality emerges fantastic. The “logic” of alogism and paradoxes often functions in these worlds. In the artistic language the writer uses the strategy of “morbid” nomination that creatively enriches speech resources and refreshes the literary thesaurus. In the Krzhizhanovsky’s artistic world dominant narrative and pictorial strategies are also based on the next methods: the reviving of things, phenomena and abstract notions, thoughts and words, etc.; materialisation and narrative implementation of metaphors; the use of grotesque. An important role is played by the saturated intertextuality and game modus at different levels: from language and speech to codification of culture. In such a way the author’s model of Philosophy of creativity and philosophy of culture as an endless polyphonic polylog, continuous creative process and boundless creative imagination is realized.
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Jasnow, Alexander. "Poetry and Prose - Experiencing the Creative Patient." Psychotherapy Patient 4, no. 1 (April 25, 1988): 123–30. http://dx.doi.org/10.1300/j358v04n01_13.

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Abdurakhmonov, Abiljon. "FEATURES OF THE USE OF COLOR IN PROSE." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 05 (May 30, 2021): 24–27. http://dx.doi.org/10.37547/philological-crjps-02-05-08.

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The article discusses the properties of color in prose. Unlike a lyric work, prose comments on the use of color when expressing creative ideas. In the prose context, the static and dynamic manifestations of colors are given. The dynamic manifestation of colors in context is evidenced by examples of the repetition of the same color and the emergence of the primary color through its counterparts. It is also shown that the ratio of color to words and paragraphs in the context determines its importance in the expression of an artistic idea.
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Barchan, Valentyna. "LITERARY LESSON OF VASYL STEFANYK IN YURII STANYNETS` CREATIVE WORKS STANYNTS." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 74–86. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-74-86.

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The aim. The suggested literary critic research traces the influence of Vasyl Stefanyk’s creative experience upon shaping worldview, aesthetical grounds of Yurii Stanynets (1906-1994), a prose writer from Zakarpattia. On the rich literary-fictional material, the task is set to analyse the writer’s works that came out in different periods of his creative life and to reveal the “lessons of the master of psychological prose” in the planes of Yurii Stanynets’s genres and styles, as well as problems and themes. The research methods are outlined through using comparative-typological, cultural-historical and biographical methods, as a result of which the extent of Vasyl Stefanyk’s impact on Yurii Stanynets’s prose works in the periods of 20s ‒ 40s and 50s ‒ 80s of the XXth century is elucidated. The research results witness that shaping the prose mastery of the word artist from Zakarpattia was under the direct influence of the best literary models of the Ukrainian national prose writing. The writer himselfhighlights the role and significance of Vasyl Stefanyk’s novellas in that, witnessed by his “Autobiography”. Hence, the article singles out those aspects of Yurii Stanynets’s fictional practice that are brightly marked with the imprint of the creative work of the Ukrainian literature classic. In particular, the correlation of worldview and aesthetical grounds of the word artist from Zakarpattia from Vasyl Stefanyk’s worldview-aesthetical guidesis elucidated,. Simultaneously, typologically comparable parallels define the impact of the latter on Yurii Stanynets’s long and short prose, the peculiarities of his fictional thinking, that is revealed in in his external and internal structures of stories, novellas and narratives, in the peculiarity of the style manner of the prose writer from Zakarpattia. The scientific novelty lies in the fact that for the first time in contemporary Ukrainian literaryscience the comparative-typological study of creative works by Vasyl Stefanyk and Yurii Stanynetsis conducted in the field ofaspectual levels of their fictional heritage, Vasyl Stefanyk’s notable influence upon the creative work of the prose writer from Zakarpattia is proved.
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Hladkoskok, Lesia, Iryna Muradkhanian, and Halyna Semen. "E. L. Doctorow’s Creative Method Evolution." Pitannâ lìteraturoznavstva, no. 106 (December 30, 2022): 51–63. http://dx.doi.org/10.31861/pytlit2022.106.051.

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Edgar Lawrence Doctorow (1931–2015) is the American prose writer, in the literary heritage of whom one finds 12 novels, 4 of which had screen versions, 3 volumes of short stories and 1 stage drama, an editor and a scientist. The writer provided more than once a self-commentary to his creative works, his interviews became the indispensable source of his works’ understanding. Doctorow consistently wrestled the traditional approach to literature. Many a researcher turned to his literary heritage. The examination of the Doctorow’s creative method evolution was carried out in two stages. First the main characteristic features of the literary works were singled out, later on by means of the comparative method the two main novels “Ragtime” and “Loon’s Lake” correlation from the point of view of the writer’s depiction evolution was carried out. The characteristic features of the novels are violated chronology, combining of reality with the invented, depicting the protagonists at the moment of the greatest changes, different arts genres fusion manifested in style, excessive fascination with the naturalistic details. The novel “Ragtime” is an objective, author’s narration, “Loon Lake” is the monologue of the I-form narrator. In “Ragtime” the prose writer combined the style of “new journalism” with “retro”. “Loon Lake” is an attempt to create the main image, render the inexhaustibility of the plenitude of life. In the novel “Ragtime” literature is melted with music, whereas in “Loon Lake” prose is melted with poetry of vers libre.
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Guseynov, Malik Alievich. "THE CREATIVE HERITAGE OF KAMAL ABUKOV: PROSE AND CRITICISM." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 27 (September 22, 2021): 30–33. http://dx.doi.org/10.31029/vestiyali27/4.

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The creative heritage of Kamal Abukov is characterized by versatility. In this article, the object of consideration is his artistic prose and criticism, their individual features are noted; in general, an attempt is made to determine the contribution of the writer to the national literature. In particular, the important role of the writer's creativity in the origin and approval of lyrical prose in Kumyk and all Dagestan literature is noted, the imagery and the artistry of his critical publications are emphasized.
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Mineralova, Irina G., and Petimat Sh Tsurueva. "Experiment in the prose of Boris Rakhmanin: forms of depiction, synthesis of genres." Vestnik of Kostroma State University 27, no. 2 (June 28, 2021): 143–49. http://dx.doi.org/10.34216/1998-0817-2021-27-2-143-149.

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The article examines the creative experience of Boris Rakhmanin as a prose writer who developed new forms of synthesis in Russian prose of the 1960s - 1980s. The distinctive techniques that he experimented with contributed to the lyricisation of prose. The originality in the author's definition of the genre indicated the author's special line of thought, Boris Rakhmanin's techniques originate in prose experiments at the turn of the 19th and 20th centuries (Andrei Bely, Evgeny Zamyatin, etc.) and dialogue with contemporaries (Eduardas Mieželaitis, Justinas Marcinkevičius). Analysis of the resource of synthesis methods used by Boris Rakhmanin in his prose allows us to point out their functionality in creating an image of the life and an image of the thought process of the writer's contemporaries. This analysis also gives an idea of the individual style of the writer.
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Dissertations / Theses on the topic "Creative Prose"

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Shieh, Wen-Shan. "Literature in masks : Katherine Mansfield, Eileen Chang and the possibilities of creative writing." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45906/.

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The thesis proposes that the figurative and extensive use of the ‘mask'—persona, masquerade, disguise, impersonation—provides a crucial literary device for the development and liberation of the expressive potential of Katherine Mansfield and Eileen Chang (1920-1995). Chapter 1, ‘Introduction', elucidates the relationship between mask and language with respect to the writings of Mansfield and Chang by revising John Keats's idea of ‘the chameleon poet', Robert Browning's conception of dramatic monologue, Oscar Wilde's insights into truth and masks, and Ezra Pound's adoptions of ‘personae' in his poetry. The affinities between Mansfield and Chang will be explored by looking at their critical writing as well as criticism on them, revealing their shared awareness of the masks of a person in daily life as well as in fiction and drama. Chapter 2, ‘Katherine Mansfield's Art of Changing Masks', explores how Mansfield's characters switch between three types of masks—speech and the non-verbal, gender, animality—to respond to changes in their situations. Particularly important for this exploration are Joan Rivi re's ‘Womanliness as Masquerade', Michael Goldman's theory of masks in acting, and Gilles Deleuze and Félix Guattari's concept of ‘becoming-animal'. Chapter 3, ‘Prosopopoeia: Katherine Mansfield's “special prose” ', considers Mansfield's attempt ‘to bring the dead to life again' in what she calls ‘special prose' as a ‘prosopopoeia', or in Cynthia Chase' phrase, ‘giving a face to a name'. In this chapter I will also trace how Mansfield's work was first translated into Chinese in 1923 by the Chinese poet, Zhimo Xu (1897-1931), which made her one of the most widely-read foreign writers in the Chinese-speaking world. More importantly, I suggest that Xu's use of quotations from Keats and other nineteenth-century poets in portraying Mansfield in his memoir calls our attention to her decisive and still insufficiently examined relationship to poetry. Chapter 4, ‘ “Hiding behind a foreign language”: Eileen Chang's Self-Translation and Masquerade', examines Chang's penchant for translating her fiction and essays from Chinese into English or vice versa. Taking a cue from Pound's view of translations as ‘elaborate masks' and Deleuze's idea of the writer being a ‘foreigner' in their own language, I examine some of the ways in which that the mask of a foreigner / foreign language enables Chang, a bilingual fiction writer and essayist, to gain the emotional and spatial distance from which to reflect on Chinese culture and her personal life. Being inspired by Mansfield and Chang's courage to get away from the notion of writing as self-expression and Dionysus' gift of crossing boundaries through the assistance of the mask, the creative component of the thesis, Chapter 5, consists of 4 short stories. I conclude the thesis with a poem entitled ‘Gifts (for Katherine Mansfield)' and a quick fiction called ‘The Functions of Theory', considering theory and literary terms as a variety of make-up that I apply to the face of my thesis. While critical chapters contain embedded fiction, the creative component demonstrates and tests how the interior space behind the mask allows me to liberate my creative energy. In these stories, I attempt to cross the boundaries between male and female, Chinese and non-Chinese, human and animal, creative and critical writing.
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Reynolds, Nicholas. "Sense and Creative Labor in Rainer Maria Rilke's Prose Works." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18350.

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Although Rainer Maria Rilke is one of the most widely-read poets in the world and there are mountains of secondary literature on his poetry, his prose works are not given nearly so much attention. The present study is a reading of several of those works, with particular attention given to the role that the senses and creative labor play there. I begin with his "Ur-geräusch" essay (1919), in which Rilke reveals a fascination with the phonograph and a certain jealousy of its abilities. The phonograph provides a model for creative labor, as well as clues about Rilke's thinking on the relationship between this process of creation and the senses. There is an original synesthetic moment when, as a child in his science classroom, Rilke sees the phonograph translating the vibrations received by the horn and carving them into the wax and in turn hears his and the voices of his classmates played back through that horn. This moment in which the senses are blurred together perplexes him and he is left to make sense of this experience for years afterward. With the Geschichten vom lieben Gott (1900), the question turns to the relationship between creative labor and creation as such. The primordiality that was revealed in the sound produced by the phonograph is the subconscious for Rilke, which is our connection to the divine. Although we have been severed from that divine source, we are able to produce it through certain circumstances, viz. through our intersubjective interactions, especially storytelling. We also cultivate it through labor, if we are able to do it: we are stuck in the "Seventh Day," unable to work for the most part, which is the particular plight of Malte Laurids Brigge (1910). He undergoes the necessary transformation to do labor, a certain deconstruction of the self, but is unable to complete the circuit by expressing this change through his works. Auguste Rodin (1903), Rilke's monograph on the sculptor, shows us the ideal artist: able to dig up the tremendous energies of the subconscious and to channel them into great works.
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Dyer, Emily L. "Sugar Nine: A Creative thesis." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1342.

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This collection of short stories explores the different ways women tolerate violence in exchange for some form of validation. The narratives focus on women and the reverberations of small moments which carry violent mass. While the violence occasionally includes physical elements, the collection is more concerned with the ways women accept emotional and psychological violence—specifically from men. Themes, motifs and symbols from the Clytie-Helios myth are threaded throughout the collection as well as a concern for space and touch, art and the creation of art, silence and voice. All of these elements involve control as the women characters in these stories struggle to resist their own objectification. A critical introduction which explains how form and language amplify story precedes the collection.
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Fennick, Ruth McLennan Fortune Ron. "The creative processes of prose-fiction writers what they suggest for teaching composition /." Normal, Ill. Illinois State University, 1991. http://wwwlib.umi.com/cr/ilstu/fullcit?p9203044.

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Thesis (D.A.)--Illinois State University,
Title from title page screen, viewed December 19, 2005. Dissertation Committee: Ronald Fortune (chair), Janice Neuleib, Ray Lewis White, Elizabeth McMahan, Russell Rutter. Includes bibliographical references (leaves 441-479) and abstract. Also available in print.
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Luibl, Chad. "Flame and Shadow: Selected Prose by Chad Luibl." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/628.

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The following is a collection of works of fiction set in Kazakhstan during World War II, modern-day Budapest, with one short story taking place in Richmond, Virginia. No characters in this collecting of fiction is meant to depict any real, live person, though some of the settings are real. These works were written between February, 2012, and April, 2014.
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Lane, Renee. "A Comparison of Oral & Written Verbal Expressions of Creative Thinking Using the Prose Quantification System." TopSCHOLAR®, 1986. https://digitalcommons.wku.edu/theses/2531.

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The purpose of this study was to compare oral and written expressions of creative thinking which took the form of prose, e.g. stories. The Prose Quantification System (PQS) was the instrument of comparison. The PQS is an instrument developed to predict teachers' ratings of the creative quality of written prose. The study investigated the following: (a) interjudge agreement and intrajudge stability for oral and written stories, (b) Teacher Ratings of Story Creativity (TRSC) of oral and written stories, (c) alternate mode (i.e., oral vs. written) equivalence and (d) criterion validity of the PQS. PQS story-starters (unfinished opening lines to a story) were administered to 87 fifth-grade students enrolled in four classes in two schools located in Nashville, Tennessee. Each student received two story-starters about the same content or object (i.e., box) but in different contexts (usual vs. unusual settings). Students were asked to complete one story orally and the other in written form. Thus, a total of 174 stories were collected. The stories were then (a) blindly rated by eight teachers according to the creativity level of the stories using a seven point Likert Scale and (b) scored by five judges who were selftrained in the use of the PQS using the PQS Scoring Manual (Redfield and Martray, 1984b). Interrater agreement and intrajudge stability were comouted using an average correlation coefficient and percent agreement, respectively. Both interrater agreement and intrajudge stability were computed separately for the oral and written language samples. Results indicated that the PQS for oral and written language samples, used by judges self-trained with the Scoring Manual, is reliable across judges and over specified periods of time. Eight 2 x 2 x 2 ANOVAs were used to determine whether PQS judges and teachers allowed storv-starter context (usual vs. unusual setting), order of requested response (oral first vs. written first) and mode (oral vs. written) to influence their scores and ratings. Results indicated a main effect for mode for TRSC and the following PQS scores: elaboration, originality, organization, and total score. TRSC of written stories were significantly higher than TRSC of oral stories; PQS elaboration, organization and total scores of oral stories were significantly higher than PQS elaboration, organization and total scores of written stories; PQS originality scores for written stories were significantly higher than PQS originality scores for oral stories. ANOVAs indicated the following significant interaction effects: (a) PQS ideational fluency scores of written stories in a usual setting were significantly higher than PQS ideational fluency scores for oral stories in an unusual setting; (b) PQS associational fluency scores for written stories in an unusual setting were significantly higher than PQS associational fluency scores for oral stories in a usual or unusual setting and for written stories in a usual setting; and (c) PQS originality scores were significantly higher for written stories in either a usual or unusual setting than PQS originality scores for oral stories in a usual setting. Therefore, the PQS judges viewed the oral stories to be more creative overall than the written stories while the teachers viewed the written stories to be more creative overall than the oral stories. Multiple regression analyses were used to investigate the relationship (a) between the PQS (subscale and total scores) and TRSC of oral stories and (b) between the PQS (subscale and total scores) and TRSC of written stories. These stepwise multiple regression ?rocedures indicated that PQS total scores of oral stories are the best predictors of oral TRSC and PQS total scores of written stories are the best predictors of written TRSC. Therefore, the PQS is an accurate predictor of TRSC of oral and written stories. Results of this study indicated that (a) the PQS is a reliable instrument when used as a measure of the creative quality of oral and/or written language samples by judges self-trained with the PQS Scoring Manual, (b) oral and written expressions of creative thinking differ, and (c) the PQS is an accurate predictor of TRSC of oral and/or written stories. It is suggested that future research include (a) reexamination of alternate mode equivalence of the PQS and (b) investigation of the reliability of TPSC.
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Matthews, R. E. "Researching emotion and traumatic memory through creative writing and psychotherapy." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/49687/.

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Alastair, Philip Lovett Alastair Philip. "Creative aspiration and public discourse : the prose, verse and graphic images of William James Linton (1812-1897)." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/3742/.

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This thesis sets out to show that William James Linton's writing as a coherent body of material is defined by his long-term preoccupation with authorship as a vocation. The argument concentrates on how this sense of vocation created the potential to combine personal creative aspiration as a form of self-fulfilment with the forms of public discourse attendant on his construction of models of culture which embraced and were adaptable to the emotional needs of the self in a society based on concepts of innate human equality. In recognising both Linton’s understanding of authorship in these terms, and the cultural significance of his work as a nexus of influences, the argument offers a balanced view of his development as a writer while dealing with the ramifications of his political and cultural affiliations on the form of his writing. This contribution to current interest in Victorian artisan-class culture is balanced by an equal emphasis on perceiving Linton's work, particularly his later writing, as valuable in its own terms. Organized into an Introduction and six chapters, the thesis begins with a discussion of the rarely utilised primary sources from which the argument has developed, and an evaluation of the rapidly growing body of critical studies on Linton’s work. Chapter One deals with the biographical and cultural context of Linton’s creative aspiration and public discourse as features of his political philosophy and as themes within his writing. The subsequent five chapters are a chronological survey of Linton's writing. Chapters Two to Four are particularly concerned with Linton's view of the role of individual creativity in political reform. Chapters Five and Six examine how he found an increasingly personal motivation for his writing while maintaining a search for an authorial voice through which to express his ideas of culture.
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Robinson, Nigel John. "The Apothecary's Tales : a game of language in a language of games." Thesis, University of Bedfordshire, 2009. http://hdl.handle.net/10547/296770.

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The thesis shows how the novel The Apothecary's Tales manipulates narrative frames to create a 'simulachron', an unreliable virtual world, which problematises the reader's conceptions of the past. The novel transgresses the generic rules of 'historical fiction' to create a quality of 'historicity' located in the affect of alterity. This is argued to be a somatic response to peril deferred. The novel seeks to evoke alterity by defamiliarising linguistic norms. It does this principally through the use of 'diachronic polysemia' (lexical 'false friends') and intertexts to syncopate the reader continually between the disparate sensibilities of the 1ih and 21 st centuries. These sensibilities are simulated in the novel by the imbedment of sociolects and 'hypomemes', the tacit thoughtways supposed peculiar to a given milieu. To self-authenticate its fictions, the novel employs the 'parafictive' devices of a testamentary found artifact, an unreliable narrator and editor, plausible sociologuemes (social conventions) and ideologuemes (ideologies that inform behaviour), along with a density of period minutiae putatively grounded in the record. Any truth effects achieved are then ludically subverted by a process of critique in which structural units of the novel systematically parody the other. The novel is patterned in the structure of a nested diptych, of expositions contra posed in a mutual commentary, which extends from the defining templates of plot and episode to the micro levels of morphemes in polysemic wordplay. The tropes of nested framing and repetition of form and syntagm are defined in the thesis, respectively, as encubi/atio and 'emblematic resonance'. It is argued that these tropes, encoded in a fictive discourse that defies closure, provide a simulation of hermetic form that -when mapped upon the aleatory life world -can be productive of aesthetic affect. The agonistic elements of plot and incident in the novel are figured within the tapas of theatre, foregrounded by the duplicitous self-fashioning of the characters, and by the continual metaleptic shifts or 'frame syncopation' of narrative viewpoint, both intra and extra-diegetic. Frame syncopation is used advisedly to dilemmatise significations at both the structural and syntagmatic levels. The thesis contends that such contrived collisions of narrative interpretation may be the dynamic of affectivity in all aesthetic discourse.
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Lobsinger, Megan M. "The Last Chance Texaco." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1282763631.

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Books on the topic "Creative Prose"

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Creative writing in prose. Nairobi: University of Nairobi Press, 2009.

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Macgoye, Marjorie Oludhe. Creative writing in prose. Nairobi: University of Nairobi Press, 2009.

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Macgoye, Marjorie Oludhe. Creative writing in prose. Nairobi: University of Nairobi Press, 2009.

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Macgoye, Marjorie Oludhe. Creative writing in prose. Nairobi: University of Nairobi Press, 2009.

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Todd, Richard. Good prose: The art of nonfiction. New York: Random House, 2013.

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Lockerby, Patrick A. Creative writing: An anthology of prose and poetry. London: The author, 1991.

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The best creative nonfiction. New York: W.W. Norton & Co., 2009.

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The novel sentence: Creative writing hints from the prose. St. Louis, Mo: Goodspeed Publications, 1991.

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O'Kane, Rory Patrick. 'Short' short stories, genre analysis and creative prose writing. [S.l: The Author], 2001.

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editor, Lewis Clare, and west Penny editor, eds. What is creative nonfiction? Chicago, Illinois: Heinemann Raintree, 2015.

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Book chapters on the topic "Creative Prose"

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Clark, Fiona. "Responding to prose." In A Practical Guide to Creative Writing in Schools, 136–51. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003097105-7.

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Reynolds, Nicholas Carroll. "Auguste Rodin and the Culmination of Creative Labor." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 213–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_7.

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Reynolds, Nicholas Carroll. "Rilke’s “Primal Sound”: An Impasse of the Senses." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 21–49. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_2.

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Reynolds, Nicholas Carroll. "Stories of the Dear Lord, First Part: The Separation of Hand from Spirit." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 51–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_3.

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Reynolds, Nicholas Carroll. "Learning to See: The Notebooks of Malte Laurids Brigge, First Part." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 149–77. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_5.

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Reynolds, Nicholas Carroll. "Transformation: Malte Laurids Brigge, Second Part." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 179–212. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_6.

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Reynolds, Nicholas Carroll. "Introduction." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 1–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_1.

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Reynolds, Nicholas Carroll. "Stories of the Dear Lord, Second Part: The Conditions for the Possibility of Sense." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 99–147. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_4.

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Meyntjens, Gert-Jan. "Creative Writing Crosses the Atlantic: An Attempt at Creating a Minor French Literature." In New Directions in Book History, 309–24. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_13.

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AbstractThis chapter analyzes literary advice culture from a transnational-comparative perspective. It sheds light on the reception of the American poetics of creative writing in contemporary France by examining the specific case of Outils du roman: Avec Malt Olbren sur les pistes et exercices du creative writing à l’américaine (2016, Tools of the Novel. Exploring American Creative Writing with Malt Olbren) by the experimental prose-writer François Bon. This text represents a broader dynamic in which French authors of literary advice resort to a repertoire of American writing techniques in an attempt to revive French literature. To conceptualize this process of transfer, I use Deleuze and Guattari’s concept of “minor literature.” This notion conveys how literary advice in France must constantly position itself vis-à-vis its American counterpart, but also how it appropriates and transforms this same body of ideas and techniques. More generally, this chapter makes a case for an increased consideration of supranational transfers in the domain of literary advice when studying processes of local literary change.
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Grim, William E. "The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical Form." In The Orchestration of the Arts — A Creative Symbiosis of Existential Powers, 65–73. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3411-0_5.

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Conference papers on the topic "Creative Prose"

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Cusnir, Josefina. "Interpretative ethnological model “decalogue and harmonizing hermeneutic maxims of obligatoriness: an aspect of upbringing”: on the example of the memoir prose of a native of Chisinau." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.31.

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The interpretive ethnological model “The Decalogue and Harmonizing Hermeneutic Maxims of Obligatoriness: An Aspect of Upbringing” is developed within the framework of a noetic interdisciplinary system of our four concepts (concept of humanization of myth; concept of megamodern; concept of ethicizing mythological consciousness; concept of aesthetic meaning). This system is based on the works by many outstanding scholars, including the achievements of interpretive (hermeneutic) anthropology by C. Geertz, the ideas of J.J. Wunenburger, K. Hubner, V. Frankl, E. Fromm, N. Berdyaev, J. Ortega y Gasset, K. Jaspers, etc. In the interpretative model, the eight “implicit principles of upbringing (world perception, behavior) according to the Decalogue” revealed by us are applied: these principles are based on the concept of man and the Universe represented in the Ten Commandments. This model allows examining distinct hermeneutic maxims as a sort of ethnocultural specificity of shaping the epoch of “new humanism for the 21st century” (UNESCO). A Family Portrait in the Midst of Chisinau Landscape, memoir prose by Susanna Cușnir, is examined according to this model. One of the revealed hermeneutic maxims reads: “The Universe is such that man can follow his creative impulses at any age”.
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Rahmani Mirshekarlou, Babak, Irem Dikmen, and M. Talat Birgonul. "An investigation of the most waste-prone materials and waste causes in prefabricated steel structure building projects." In Creative Construction Conference 2018. Budapest University of Technology and Economics, 2018. http://dx.doi.org/10.3311/ccc2018-103.

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Rivza, Baiba, Karlis Markus, and Maiga Kruzmetra. "Creativity of the population as a key to regional sustainability and entrepreneurship development." In 22nd International Scientific Conference. “Economic Science for Rural Development 2021”. Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2021. http://dx.doi.org/10.22616/esrd.2021.55.038.

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Every capable, creative person must be able to create and prove his ideas in every region of Latvia. Development of creativity of the population will increase human capital, which determines the quality of life of the country's population in general, but mainly in the regions. Promoting the development of human capital requires cooperation between the population and educational institutions, the implementation of which presupposes the digitalization of information exchange, the introduction of information platforms, the sharing of knowledge and the recognition of ideas. By developing the creativity of the population, it is possible to promote the advantages of each region, which in Zemgale would be associated mainly with the development of bioeconomy and eco-products and services. One of the tools to promote creativity would be the creation of regional university business incubators, which would encourage the involvement of creative people in the creation of eco-products and services.
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Şəmsi qızı Məmmədova, Xumar. "Nakhchivan literary atmosphere and literary translation." In OF THE V INTERNATIONAL SCIENTIFIC RESEARCH CONFERENCE. https://aem.az/, 2021. http://dx.doi.org/10.36719/2663-4619/2021/02/03.

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The presented article discusses the issues of Nakhchivan literary environment and literary translation. It is noted that translation is a creation in itself, and the activities of representatives of the Nakhchivan literary environment in this area are exemplary. In general, during the independence period, some experience was gained in the literary environment of Nakhchivan, translations from German, English and French by our poets and writers Hamid Arzulu, Shirmammad Gulubeyli, Shamil Zaman who is famous as poet, prose-writer and translator were delivered to readers in the form of books and works were published in the press. The examples presented in the article once again prove the perfection of the writers' translation activities, their translations from German, English and French provide the Azerbaijani reader with full information about the society, people and their life of these peoples. Key words: Nakhchivan, literary atmosphere, literary translation, prose, poetry
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Hoorn, Johan F. "Computer-vision Classification-algorithms Are Inherently Creative When Error-prone." In VRCAI '22: The 18th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3574131.3574444.

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Leshchyshyn, Maryna, Antonina Babych, Victoria Kernesh, and Polina Bilous. "Use of Creative Methods and Untypical Materials in the Design of Fashion Industry Products." In The 9th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2022. http://dx.doi.org/10.24264/icams-2022.v.3.

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The article is to highlight and substantiate the results of scientific practical research, to prove in a theoretical and practical way the possibility of using upcycling technologies and non-typical used materials for the manufacture of modern designer functional and decorative and decorative (interior) products for the production of products of this segment, increasing the demand for products of Ukrainian designers. Innovative types of materials, manufacturing technologies and decoration of products of the fashion industry have been studied and analyzed. The question of the possibility of using used non-typical materials in the creation of modern collections of products of the fashion industry has been investigated. It was determined that the fashion industry in Ukraine is developing and being updated. This creative experiment made it possible to create an innovative niche for the designer’s vision of the world of fashion and aesthetics, which leads to creative experiments, the introduction of innovative materials and technology into the process of manufacturing products. Such creative experiments are necessary to emphasize the peculiarity and individuality of the designer, as well as to reflect his innovation and style. A sketch project of eco-style products has been developed. A collection of interior products for decorating rooms made of paper vines has been produced. A collection of women’s clothing decorated with accessories and shoes in an eco-style was developed and produced from used non-typical materials for this segment of products.
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Cai, Manke. "Research on the Pros and Cons of the Mouse Model of Alzheimer’s Disease." In 2022 International Conference on Creative Industry and Knowledge Economy (CIKE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/aebmr.k.220404.056.

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Lindsay, Brooks. "Creating "the Wikipedia of pros and cons"." In the 5th International Symposium. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1641309.1641358.

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Khripunova, Elena V. "Antroponims In Creating A Linguistic World Picture In The Rissian Prose." In II International Scientific and Practical Conference "Individual and Society in the Modern Geopolitical Environment" Conference. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.12.04.46.

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Romanovska, Alina. "AUTOBIOGRAPHICITY AS A MECHANISM OF LITERARY CREATION: ANTONS AUSTRINS� PROSE FICTION." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.053.

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Reports on the topic "Creative Prose"

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Журба, С. С. Інтертекстуальні перегуки та збіжності у прозі М. Хвильового та Ф. Кафки. Акцент, 2007. http://dx.doi.org/10.31812/123456789/6037.

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The purpose o f the article is to research the intertextual literary accordance in the prose o f the Ukrainian and the Austrian artists. The main attention is paid to the problems o f sense o f human existence, reasons o f reincarnation and the way in their literary works. Interlace o f descriptions, episodes open the opportunity to show the accordance, parallels in the literary works o f the writers. Intertextual connections o f M.Khvylovyj’s and F.KaJka's prose extend the content field o f literary works, make the artistic world-image more distinct, and enter the context of modern paradigm o f artistic creation.
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Green, John Bruce. Scanning probe microscopies for the creation and characterization of interfacial architectures: Studies of alkyl thiolate monolayers at gold. Office of Scientific and Technical Information (OSTI), January 1997. http://dx.doi.org/10.2172/453774.

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Asenath-Smith, Emily, Emily Jeng, Emma Ambrogi, Garrett Hoch, and Jason Olivier. Investigations into the ice crystallization and freezing properties of the antifreeze protein ApAFP752. Engineer Research and Development Center (U.S.), September 2022. http://dx.doi.org/10.21079/11681/45620.

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Antifreeze proteins (AFPs) allow biological organisms, including insects, fish, and plants, to survive in freezing temperatures. While in solution, AFPs impart cryoprotection by creating a thermal hysteresis (TH), imparting ice recrystallization inhibition (IRI), and providing dynamic ice shaping (DIS). To leverage these ice-modulating effects of AFPs in other scenarios, a range of icing assays were performed with AFPs to investigate how AFPs interact with ice formation when tethered to a surface. In this work, we studied ApAFP752, an AFP from the beetle Anatolica polita, and first investigated whether removing the fusion protein attached during protein expression would result in a difference in freezing behavior. We performed optical microscopy to examine ice-crystal shape, micro-structure, and the recrystallization behavior of frozen droplets of AFP solutions. We developed a surface chemistry approach to tether these proteins to glass surfaces and conducted droplet-freezing experiments to probe the interactions of these proteins with ice formed on those surfaces. In solution, ApAFP752 did not show any DIS or TH, but it did show IRI capabilities. In surface studies, the freezing of AFP droplets on clean glass surfaces showed no dependence on concentration, and the results from freezing water droplets on AFP-decorated surfaces were inconclusive.
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Daudelin, Francois, Lina Taing, Lucy Chen, Claudia Abreu Lopes, Adeniyi Francis Fagbamigbe, and Hamid Mehmood. Mapping WASH-related disease risk: A review of risk concepts and methods. United Nations University Institute for Water, Environment and Health, December 2021. http://dx.doi.org/10.53328/uxuo4751.

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The report provides a review of how risk is conceived of, modelled, and mapped in studies of infectious water, sanitation, and hygiene (WASH) related diseases. It focuses on spatial epidemiology of cholera, malaria and dengue to offer recommendations for the field of WASH-related disease risk mapping. The report notes a lack of consensus on the definition of disease risk in the literature, which limits the interpretability of the resulting analyses and could affect the quality of the design and direction of public health interventions. In addition, existing risk frameworks that consider disease incidence separately from community vulnerability have conceptual overlap in their components and conflate the probability and severity of disease risk into a single component. The report identifies four methods used to develop risk maps, i) observational, ii) index-based, iii) associative modelling and iv) mechanistic modelling. Observational methods are limited by a lack of historical data sets and their assumption that historical outcomes are representative of current and future risks. The more general index-based methods offer a highly flexible approach based on observed and modelled risks and can be used for partially qualitative or difficult-to-measure indicators, such as socioeconomic vulnerability. For multidimensional risk measures, indices representing different dimensions can be aggregated to form a composite index or be considered jointly without aggregation. The latter approach can distinguish between different types of disease risk such as outbreaks of high frequency/low intensity and low frequency/high intensity. Associative models, including machine learning and artificial intelligence (AI), are commonly used to measure current risk, future risk (short-term for early warning systems) or risk in areas with low data availability, but concerns about bias, privacy, trust, and accountability in algorithms can limit their application. In addition, they typically do not account for gender and demographic variables that allow risk analyses for different vulnerable groups. As an alternative, mechanistic models can be used for similar purposes as well as to create spatial measures of disease transmission efficiency or to model risk outcomes from hypothetical scenarios. Mechanistic models, however, are limited by their inability to capture locally specific transmission dynamics. The report recommends that future WASH-related disease risk mapping research: - Conceptualise risk as a function of the probability and severity of a disease risk event. Probability and severity can be disaggregated into sub-components. For outbreak-prone diseases, probability can be represented by a likelihood component while severity can be disaggregated into transmission and sensitivity sub-components, where sensitivity represents factors affecting health and socioeconomic outcomes of infection. -Employ jointly considered unaggregated indices to map multidimensional risk. Individual indices representing multiple dimensions of risk should be developed using a range of methods to take advantage of their relative strengths. -Develop and apply collaborative approaches with public health officials, development organizations and relevant stakeholders to identify appropriate interventions and priority levels for different types of risk, while ensuring the needs and values of users are met in an ethical and socially responsible manner. -Enhance identification of vulnerable populations by further disaggregating risk estimates and accounting for demographic and behavioural variables and using novel data sources such as big data and citizen science. This review is the first to focus solely on WASH-related disease risk mapping and modelling. The recommendations can be used as a guide for developing spatial epidemiology models in tandem with public health officials and to help detect and develop tailored responses to WASH-related disease outbreaks that meet the needs of vulnerable populations. The report’s main target audience is modellers, public health authorities and partners responsible for co-designing and implementing multi-sectoral health interventions, with a particular emphasis on facilitating the integration of health and WASH services delivery contributing to Sustainable Development Goals (SDG) 3 (good health and well-being) and 6 (clean water and sanitation).
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Wideman, Jr., Robert F., Nicholas B. Anthony, Avigdor Cahaner, Alan Shlosberg, Michel Bellaiche, and William B. Roush. Integrated Approach to Evaluating Inherited Predictors of Resistance to Pulmonary Hypertension Syndrome (Ascites) in Fast Growing Broiler Chickens. United States Department of Agriculture, December 2000. http://dx.doi.org/10.32747/2000.7575287.bard.

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Background PHS (pulmonary hypertension syndrome, ascites syndrome) is a serious cause of loss in the broiler industry, and is a prime example of an undesirable side effect of successful genetic development that may be deleteriously manifested by factors in the environment of growing broilers. Basically, continuous and pinpointed selection for rapid growth in broilers has led to higher oxygen demand and consequently to more frequent manifestation of an inherent potential cardiopulmonary incapability to sufficiently oxygenate the arterial blood. The multifaceted causes and modifiers of PHS make research into finding solutions to the syndrome a complex and multi threaded challenge. This research used several directions to better understand the development of PHS and to probe possible means of achieving a goal of monitoring and increasing resistance to the syndrome. Research Objectives (1) To evaluate the growth dynamics of individuals within breeding stocks and their correlation with individual susceptibility or resistance to PHS; (2) To compile data on diagnostic indices found in this work to be predictive for PHS, during exposure to experimental protocols known to trigger PHS; (3) To conduct detailed physiological evaluations of cardiopulmonary function in broilers; (4) To compile data on growth dynamics and other diagnostic indices in existing lines selected for susceptibility or resistance to PHS; (5) To integrate growth dynamics and other diagnostic data within appropriate statistical procedures to provide geneticists with predictive indices that characterize resistance or susceptibility to PHS. Revisions In the first year, the US team acquired the costly Peckode weigh platform / individual bird I.D. system that was to provide the continuous (several times each day), automated weighing of birds, for a comprehensive monitoring of growth dynamics. However, data generated were found to be inaccurate and irreproducible, so making its use implausible. Henceforth, weighing was manual, this highly labor intensive work precluding some of the original objectives of using such a strategy of growth dynamics in selection procedures involving thousands of birds. Major conclusions, solutions, achievements 1. Healthy broilers were found to have greater oscillations in growth velocity and acceleration than PHS susceptible birds. This proved the scientific validity of our original hypothesis that such differences occur. 2. Growth rate in the first week is higher in PHS-susceptible than in PHS-resistant chicks. Artificial neural network accurately distinguished differences between the two groups based on growth patterns in this period. 3. In the US, the unilateral pulmonary occlusion technique was used in collaboration with a major broiler breeding company to create a commercial broiler line that is highly resistant to PHS induced by fast growth and low ambient temperatures. 4. In Israel, lines were obtained by genetic selection on PHS mortality after cold exposure in a dam-line population comprising of 85 sire families. The wide range of PHS incidence per family (0-50%), high heritability (about 0.6), and the results in cold challenged progeny, suggested a highly effective and relatively easy means for selection for PHS resistance 5. The best minimally-invasive diagnostic indices for prediction of PHS resistance were found to be oximetry, hematocrit values, heart rate and electrocardiographic (ECG) lead II waves. Some differences in results were found between the US and Israeli teams, probably reflecting genetic differences in the broiler strains used in the two countries. For instance the US team found the S wave amplitude to predict PHS susceptibility well, whereas the Israeli team found the P wave amplitude to be a better valid predictor. 6. Comprehensive physiological studies further increased knowledge on the development of PHS cardiopulmonary characteristics of pre-ascitic birds, pulmonary arterial wedge pressures, hypotension/kidney response, pulmonary hemodynamic responses to vasoactive mediators were all examined in depth. Implications, scientific and agricultural Substantial progress has been made in understanding the genetic and environmental factors involved in PHS, and their interaction. The two teams each successfully developed different selection programs, by surgical means and by divergent selection under cold challenge. Monitoring of the progress and success of the programs was done be using the in-depth estimations that this research engendered on the reliability and value of non-invasive predictive parameters. These findings helped corroborate the validity of practical means to improve PHT resistance by research-based programs of selection.
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Co-creating with Customers: More Pros than Cons? IEDP Ideas for Leaders, March 2014. http://dx.doi.org/10.13007/344.

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