Academic literature on the topic 'Creative Media Foundation'
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Journal articles on the topic "Creative Media Foundation"
1
Rowe, David, Greg Noble, Tony Bennett, and Michelle Kelly. "Transforming cultures? From Creative Nation to Creative Australia." Media International Australia 158, no. 1 (February 2016): 6–16. http://dx.doi.org/10.1177/1329878x16629544.
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This article introduces the Special Issue, ‘Transforming Cultures? From Creative Nation to Creative Australia’. Taking its historical reference point from the 1994 national cultural policy Creative Nation, it outlines the issue’s theoretical foundation in the field theory of Pierre Bourdieu, while also signalling field theory’s limitations in relation to transnationalism, ethnic heterogeneity and Indigeneity. This introduction addresses the specific conditions that require an approach that takes full account of the endogenous and exogenous factors influencing the constitution of culture in Australia from Creative Nation to its 2013 successor national cultural policy, Creative Australia, to the present day and beyond. Finally, the issue’s articles, which cover the broadcast media, sport, music, literature, heritage, and Indigenous art fields, are outlined, as are their contributions to advancing understanding of the key social and policy issues shaping the present conditions and future possibilities of Australian cultural fields in the process of transformation.
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Herlina, Herlina, and Budi Teguh Harianto. "Finding the Characteristics of Creative People in Developing Villages for the Foundation of Creative Industry." Ekuilibrium : Jurnal Ilmiah Bidang Ilmu Ekonomi 16, no. 1 (March 18, 2021): 64. http://dx.doi.org/10.24269/ekuilibrium.v16i1.3269.
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Every element of the community in the village should participate to optimize the potency that the village has. The village in Kuala Betara sub-district have marine resources, agriculture and plantation. Even with all of that benefit, if there is no support from creative human resources, it must be difficult for the village to create creative industry. Small and medium industry entrepreneurs have been utilizing the natural wealth of the village as the raw material of their production but they face obstacles in managing it due to their limited skills that are acquired self-taught and passed on from generation to generation, limited capital, unsophisticated production and packaging tools, limited market access due to limited production and the market is conventional only, including being not optimal in involving youth who are better in information technology. Meanwhile, the information about creative products can be easily obtained through internet. In addition, the youth also have not optimized the usage of internet as the media to collect creative ideas that will be useful in developing products of small and medium industry in the village. Besides, this industry can be a platform for youth to increase the quality through creativity. The method used in this research is survey with descriptive analysis. The result shows that the creativity of small and medium industry entrepreneurs and youth is in average level. Started from the main characteristics of creative people, possible characteristic of creative people, and side characteristic of creative people. . Even so, it is found that there are three entrepreneurs of small and medium industry and 42 youth who are belong to high level of creative people. These kind of people are the main and valuable assets to collaborate and becoming the foundation of creative industry in village.
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Maltseva, Olha. "Ways, Forms and Methods of Introducing Media Education in the Educational Process." Bulletin of Luhansk Taras Shevchenko National University, no. 7 (338) (2020): 58–67. http://dx.doi.org/10.12958/2227-2844-2020-7(338)-58-67.
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In April 2016, the Presidium of the National Academy of Pedagogical Sciences of Ukraine approved a new version of the Concept for the introduction of media education in Ukraine. The purpose of the Concept is to create a system of media education, which should become the foundation of humanitarian security, development and consolidation of civil society, combating external information aggression, comprehensively prepare children and youth for safe and effective interaction with the modern media system, form media literacy and media to their age, individual and other features. The article, based on the analysis of domestic and foreign scientific sources, systematizes theoretical and practical developments of domestic and foreign scientists on the most effective ways, forms and methods of media education. It is established that there are three common ways of introducing media education in the educational process: integrated (through traditional subjects); optional (creation of a network of circles, sections, clubs); special (creation of special courses and special courses). One of the forms of integration of media education is the introduction of media courses. Popular are the creation of television or cinematic mini-scripts, class lectures, role-playing games on the material of various media. It was found that the organization of media centers, media clubs, film clubs and photo laboratories can be considered innovative forms of media literacy. The classifications of media education methods by L. Zaznobina, M. Matviychuk, L. Masterman, S. Penzin, O. Fedorov are considered. It is established that one of the most effective methods of media education researchers consider interactive: trainings, moderations, program training, case method (analysis of practical situations), business and role-playing games, discussions, creative problem solving method, project method. The choice of such methods is due to the possibility of their integration into individual disciplines. They provide an opportunity to intensify the process of understanding, learning and creative application of knowledge and help increase the motivation and involvement of participants in the process of joint problem solving, creative search.
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Wardani, Erna. "The Piano: A Psychoanalytic Approach to Movie as A Media of Reflective Teaching." J-Lalite: Journal of English Studies 1, no. 1 (June 30, 2020): 68. http://dx.doi.org/10.20884/1.jes.2020.1.1.2759.
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Freud’s psychoanalytic approach has been one of the most controversial approaches to many fields of interest. Relating to education and educational psychology, this approach plays a significant role in modifying and enhancing one’s behavioral relationship among the educational elements like educators, parents, and students. Therefore, in many things, this approach has contributed a lot of inspiration in the development of education. In literary works, there seems to be a mutual fascination between psychoanalysis and literature whereas theory and approach, psychoanalysis explains literature and literature itself exploits psychoanalysis for creative purposes and works. Here, as a creative work, movie is considered literature because it can be interpreted and analyzed just like other written works of literature. As a learning instrument, movie evokes an affective domain that leads to changes in learning behavior and attitudes. Experiencing certain-themed movies can trigger particular reflective memories and reference toward events occurring on a daily basis and it can further strengthen the foundation for learning complex concepts like psychoanalysis.
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Le Sourd, Marie. "The Bandung Center for New Media Arts: Local Commitment and International Collaboration." Leonardo 39, no. 4 (August 2006): 315–18. http://dx.doi.org/10.1162/leon.2006.39.4.315.
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The article focuses on the Bandung Center for New Media Arts (BCNMA), an autonomous cultural space set up in 2001 by three Indonesian artists and architects. The BCNMA aims to encourage a dialogue with circles outside the art world and to offer greater dynamic possibilities for experimental forms of expressions. The Indonesian sociopolitical context after 1998 has had a great influence on the nature, development and methodologies used by this center. The case study of the Third Asia-Europe Art Camp, coorganized in 2005 by the BCNMA and the Asia-Europe Foundation, also highlights how international projects are developed by the BCNMA while taking into consideration the local cultural networks and creative environment.
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Ishchenko, E. N., and O. D. Masloboeva. "“Creativity as the National Environment: Media and Social Activity.” IV International Scientific Conference. Saint Petersburg, July 2–4, 2018." Russian Journal of Philosophical Sciences 62, no. 4 (July 6, 2019): 148–59. http://dx.doi.org/10.30727/0235-1188-2019-62-4-148-159.
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Conference summary. This summary discusses the main issues of the proceedings of the IV International Scientific Conference “Creativity as the National Environment: Media and Social Activity,” which was held from July 2 to July 4, 2018 in Saint Petersburg. The conference was organized by the Department of Philosophy of the Humanities Faculty of the Saint Petersburg State Economic University, the Russian Philosophical Society, the Society of Russian Philosophy at the Ukrainian Philosophical Foundation, and the Department of Philosophy of the Moscow State Institute of International Relations (MGIMO). Being united by interest in the research on social activity in the media space and the national environment of creativity, 63 scholars from Russia, Ukraine, Slovakia and Hungary took part in the conference. The summary considers the ideas discussed at two plenary sessions and at the following sections of the conference: “Metaphysical foundations of the creative process,” “Semantic element of artistic and aesthetic creativity,” “Creativity of a social subject in the field of media space.” The proceedings of the conference contain the results of research carried out in the field of the philosophy of creativity and related research areas, including social philosophy, sociology, cultural studies, political science, journalism, linguistics.
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Fox, Claire, and Nicole Martin. "Preserving Pixelvision." Feminist Media Histories 7, no. 1 (January 1, 2021): 40–60. http://dx.doi.org/10.1525/fmh.2021.7.1.40.
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From 1989 to 1998, the artist Sadie Benning created nine video artworks using a Fisher-Price PXL-2000 camera, which records to audiocassette. The resulting video format is known as Pixelvision. This essay, written by video archivists, reviews the history of these works through the lens of audiovisual media preservation, and emerges from research and a series of interviews with the artist and other stakeholders. It aims to create a foundation for a collection assessment of Benning’s early video works, and explores the feasibility of preserving them. With this in mind, the essay traces the creative and technical processes involved in the production, exhibition, conservation, and distribution of such precarious media works, and discusses the innovative, ephemeral, and ultimately vulnerable media created by the PXL-2000 camcorder. This is a study of the fleeting nature of media technology, personal and social histories, and the meaning contained in audiovisual works of art.
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Zhou, Yu. "Discussion on the Development Trend of Chinese National Vocal Music." Review of Educational Theory 2, no. 4 (December 4, 2019): 66. http://dx.doi.org/10.30564/ret.v2i4.1393.
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National vocal music carries the Chinese cultural spirit and Chinese national genes, and it has great influence among the broad masses of the people. The broad and profound Chinese spirit they display, with deep connotation and far-reaching significance is an important spiritual support for the survival and development of the contemporary nation. At present, the Chinese vocal music circle has effectively led the development trend of national vocal music by focusing on the inheritance and development of national vocal music, conducting academic research, singing exchanges, teaching innovation, media promotion, and field investigation, which has laid a good foundation for the creative development and innovative integration of national vocal music.
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Andriyanto, Andriyanto, and Dianarti Muhyani. "DESAIN MEDIA PROMOSI DAN KOMUNIKASI VISUAL PADA YAYASAN SMK ISLAM BAIDHAUL AHKAM KOTA TANGERANG." Journal CERITA 5, no. 2 (August 1, 2019): 223–32. http://dx.doi.org/10.33050/cerita.v5i2.509.
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Through media images, colors, and information texts become more clear and interesting. Especially in the field of publications, multimedia has become one of the supporting media in the delivery of effective, and more interesting information in its presentation. From time to time, people's needs for creative, efficient and effective designs are increasing. The development of the world of education is increasingly rapid, leading to the increasing number of facilities and advantages that must be promoted to compete with other schools, especially at the Baidhaul Ahkam Islamic Vocational School foundation. Current problems in the Baidhaul Ahkam Islamic Vocational School, in its promotional strategy, still use less informative designs for new prospective students, making them less interested in seeing Baidhaul Ahkam Islamic Vocational Schools. The research method used is observation, interview and literature study. Through a more attractive and up-to-date design design, it is expected that new students can find out updated information and are interested in attending Baidhaul Ahkam Islamic Vocational School and becoming more widely known to the wider audience.
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Dianov, Sergey, Yuliya Dianova, Lilia Basarieva, and Olga Poluyanova. "“Western Gates of the Urals”: geocultural branding of a small city." SHS Web of Conferences 116 (2021): 00030. http://dx.doi.org/10.1051/shsconf/202111600030.
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The article presents an analysis of the image resources of Vereshchagino -a small town in the Perm region, which should be used in the process of implementing the strategy of its geocultural branding. In popular scientific works and mass media, the city is called the “Western Gate of the Urals”, meaning that the Vereshchagino railway station is a key point, bypassing which, freight and passenger trains leave the Ural region. In 2023, Vereshchagino station will celebrate 125 years since the moment of its foundation. At the beginning of the XXI century, the dynamic development of the urban environment in Vereschagino was interrupted. The municipal authorities missed the opportunity to pursue a policy of territorial marketing branding, to actively promote the brand images of the town in the Ural geocultural space. Today, Vereshchagino has accumulated typical problems for a provincial town – demographic, communal, and socio-cultural ones. Urban communities express dissatisfaction with the visual and aesthetic appearance of the urban environment. According to the author’s point of view, the development and implementation of the Vereshchagino geocultural branding strategy is a progressive solution that allows creating creative industries in the city and ensuring sustainable socio-economic development. As a methodological basis, we used the conceptual ideas of the creative action of the British scientist Ch. Landry, as well as the postulates of the theory of geocultural branding of the city by the Russian researcher D. N. Zamyatin.
Dissertations / Theses on the topic "Creative Media Foundation"
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Suksai, Ousa, and n/a. "Media and Thai civil society: case studies of television production companies, Watchdog and iTV." University of Canberra. Communication, 2002. http://erl.canberra.edu.au./public/adt-AUC20050602.143439.
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The study concerns the inter-relationship between media reform and civil
society in Thailand between 1995-2000. It examines case studies of two selected
television organisations - the production company Watchdog and the broadcast
channel Independent Television (iTV) - and analyses their internal production
decision-making processes, their public affairs programs and their urban and rural
audiences.
Debates about civil society and media reform between 1995-2000 influenced
the government's media regulation policies to the extent that more attention was paid
to media freedom as intended by Articles 39, 40 and 41 in the 1997 Constitution.
Non-governmental Organisations (NGOs) took an important role in monitoring
government policies on media reform under the Constitution and issues about media
re-regulation and ownership were canvassed, although the drawn out National
Broadcasting Commission (NBC) selecting process delayed media reform. The
transparency of the selection process of the NBC has been widely debated among
NGOs, media scholars and media professionals. Most Thai public affairs programs in
the period were shown on iTV, Channel 9 and Channel 11 and were in the minority
compared with entertainment. Thai television stations normally screened
entertainment programs to make profits, while they usually would not allow producers
to air open debates critical of the government. Also, public affairs programs that were
screened often were given inappropriate airtimes.
Watchdog and iTV treated public affairs programs in different ways.
Watchdog, originating from an NCO, the Creative Media Foundation, emphasized
public participation in local community-oriented programs - such as Chirmsak
Pinthong's Lan Ban Lan Muang - which exemplified civic journalism on television.
In contrast, iTV was created in 1996 to meet the promise made in 1992 after Black
May that a non-state commercial channel would be introduced. It was organised by
journalists from the Nation Multimedia Company and focused on current national
news issues which seldom allowed public participation. Both organisations attempted
to maintain their professionalism despite political and business pressures. Chirmsak
and Watchdog were accused of bias favoring the Democrat Party and often
encountered program censorship. ITV staff, especially in the news department led by
Suthichai Yoon and Thepchai Yong, unsuccessful fought. Shin Corps 2000-2001
takeover of the station that had been brought on by the financial problems of iTV and
the Siam Commercial Bank after the economic crisis of 1997.
There were three main concepts of civil society in the period 1997-2000 -
Communitarianism, Self-sufficiency and Good Governance. These ideas were
advanced by reformers such as Dr. Prawase Wasi and Thirayut Boonme, and were
reinforced by His Majesty King Bhumibol's December 1997 Birthday Speech that
endorsed the ideal of national self-sufficiency. Thai civil society debates often were
involved with rural people, while the 8th National Development Plan and the Chuan
government's policy on decentralisation aimed to strengthen the rural sector as an
antidote to the 1997 crisis. However, the aims of civil society reformers were at times
too idealistic and were viewed with skepticism by some middle class urban critics.
The continuing influence of electoral corruption in rural areas also obstructed civil
society ideals, while decentralisation and community development still maintained a
top-down way of development and depended on government support.
These difficulties in implementing pro-civil society reforms in the political
process were paralleled by difficulties in developing public interest programs on Thai
television. Current affairs and investigative journalism programs, such as iTV Talk,
Tod Rahad and Krong Satanakarn, did not often open public discussion on the
programs. Rather, the regular format of panel discussions, consisting of elites and
some celebrities, tended to focus on national topics rather than local issues. The hosts
of many of these public affairs programs depended on their own celebrities status and
tended to invite well-known guests, whereas community-oriented programs such as
Lan Ban Lan Muang and Tid Ban Tang Muang promoted civic journalism and
deliberative democracy more effectively. The latter programs allowed the public to
participate in the programs as the main actors and even proposed their own agendas.
However, a limited study of three audience focus groups - an expert urban
group, a young middle class urban group, and a rural group - found considerable
scepticism about the possibility of developing public interest awareness via television
programs. The expert and young middle class groups criticised both the hosts and the
style of a selection of current affairs programs, which they thought were too serious
and also biased. Some also considered that current affairs programs were a platform
for the people in power rather than providing a space for the public. Therefore, they
rarely watched them. In contrast, the rural group who participated in Lan Ban Lan
Muang, believed that the program was useful for development communication. The
audience gained information about other communities and used the media as the
means to publicise their own community. However, they rarely watched it because
the airtime of the program was the same as a popular entertainment program on
Channel 3.
The researcher used qualitative research methods to collect data, including indepth
interviews, focus groups, participant observation, program recording and
document analysis. Theoretically, the study has attempted to combine the approaches
of western and Thai scholars. The main approach used to explain the relationship
between the media and civil society is media and public sphere theory, as introduced
by Habermas, and combined with the perspectives on media re-regulation of the Thai
scholar Ubonrat Siriyusak. In terms of analysing Watchdog and iTV, the researcher
used political economy perspectives to understand decision-making in both
organisations. In addition, an organisational culture approach was used to explore
conflicts of interest that arose in both organisations due to their different sub-cultures.
Civic journalism, framing theory and development communication theory were
further employed to examine the television programs and their roles in promoting the
public interest and development projects, while the audience groups were considered
in the context of participatory communication theory and reception theory.
Books on the topic "Creative Media Foundation"
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Burrough, Xtine. Digital foundations: Intro to media design with the Adobe Creative Suite. Berkeley, Calif: New Riders in association with AIGA Design Press, 2009.
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Michael, Mandiberg, ed. Digital foundations: Intro to media design with the Adobe Creative Suite. Berkeley, Calif: New Riders in association with AIGA Design Press, 2009.
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Burrough, Xtine. Digital foundations: Intro to media design with the Adobe Creative Suite. Berkeley, Calif: New Riders in association with AIGA Design Press, 2009.
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Boutin, Vicki. Creative foundations: 40 scrapbooking and mixed-media techniques to build your artistic toolbox. Cincinnati, Ohio: North Light Books, 2011.
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Boutin, Vicki. Creative foundations: 40 scrapbooking and mixed-media techniques to build your artistic toolbox. Cincinnati, Ohio: North Light Books, 2011.
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Fotieva, Irina, Tamara Semilet, Elena Lukashevich, and Vladimir Vitvinchuk. Russian journalism today: social mission and professional skills. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1044192.
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This monograph is the search for answers to the questions that confront contemporary Russian journalism social and cultural situation of modernity. The authors analyze the correlation of proper and existing in the implementation of the social mission of journalism, the journalism education system, the use of media technologies, the field of journalistic ethics, language and communicative practices of the public sphere, the social effects produced by the media.
As the main characteristics of the modern state of Russian journalism finds confrontation and the confrontation of philosophical positions and methodological studies; in the field of journalism education — the confrontation of the instrumental-pragmatic and humanitarian paradigms; in the creation of modern media — focus on creativity or technology; tolerance or ethics in media communication; definition of leadership in the formation of public opinion and the ignition of problem areas.
Attempts a comprehensive comprehension of the actual problems of modern Russian media: axiological foundations and the social role of journalism; the criteria of journalistic skills and professional ethics; perspectives of media education, language problems of modern communication and success factors of verbal interaction in the media.
Designed for teachers of University departments and faculties of journalism and other Humanities, students in related disciplines and all interested in data range of issues.
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Hartley, Mark. Edexcel Diploma : Creative and Media: Level 1 Foundation Diploma Student Book. Gardners Books, 2008.
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Beyes, Timon, Robin Holt, and Claus Pias, eds. The Oxford Handbook of Media, Technology, and Organization Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780198809913.001.0001.
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Humans are woven with technology; since their inception in myth, tools – things ready to hand for use – have been what defines us. Understood prosthetically, they are extensions of our physiological and sensory apparatus. Our most basic relationship with the world is thus a technological one. Rather than simply an array of instrumental equipment that enables the creation of end products, technology sets our skills, our understanding, and our action in relation to each other through the sense of productivity, and it is here that technology and organization are intertwined. This handbook will explore the largely unchartered territory of media, technology, and organization studies, and interrogate their foundational relations, their forms, and their consequences. The arrival of digital media technologies - the organizational powers that move people, data, and things – and their subsequent influence on the styles and forms of organizing highlights the need to survey the very technological materials and objects that enable and shape organization, and those that are enabled and shaped by organizational processes in return. To do so, each chapter focuses on a specific mediating, technological object, such as the Clock, High Heels, the Pen or the Smartphone, asking the question: How does this object or process organize? Rather than being a chapter ‘on’ an object in isolation, the chapters consider how we might think about their resonance in the way we have, and continue to, create organizational form.
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Vogan, Travis. Cable, NFL Media, and NFL Films’ Dinosaur Television. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038389.003.0007.
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This chapter examines how the development of cable television and NFL Media enhanced the production and circulation of NFL Films content. As NFL Films' programming set the stage for the development of twenty-four-hour sports channels like ESPN, it established a starting point from which the National Football League (NFL) formed its own network, the NFL Network. In 2004 NFL Films was designated part of NFL Media, a multiplatform subsidiary run by former ESPN president Steve Bornstein that now includes the NFL Network, NFL.com, and offshoots like the RedZone specialty seasonal cable channel and the NFL Mobile smartphone application. This chapter explores how NFL Films, which established a foundation for the development of cable sports television and the transformation of the NFL into a multiplatform media institution, has been constrained to adjust its practices to maintain a place within the contemporary sports media landscape and league it helped create. It also considers how the Internet created new opportunities for the NFL to build and circulate its image.
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Sasser, Jade S. On Infertile Ground. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479873432.001.0001.
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In Making Sexual Stewards, Jade S. Sasser explores how a small network of international development actors, including private donors, NGO program managers, scientists, and youth advocates is bringing population back to the center of public environmental debate. With an increasing focus on climate change coming to dominate news media and international development circles, population advocates have harnessed an opportunity to reframe population growth as an urgent source of climate crisis, and a unique opportunity to support women’s sexual and reproductive health and rights (SRHR) via funding international family planning policy. Making Sexual Stewards follows the network through a diverse range of sites—from Silicon Valley foundation headquarters to youth advocacy trainings, the halls of Congress and an international climate change conference—to investigate how the new population advocacy is constructed and circulated, while drawing on longstanding development narratives linking population growth to environmental scarcity and geopolitical instability. Sasser argues that this advocacy revolves around framing the sexual steward: a neoliberal development subject sitting at the nexus of discourses linking scientific knowledge production, creative donor advocacy, and youthful advocacy focused on global social justice.
Book chapters on the topic "Creative Media Foundation"
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Gaudioso, Victor. "Using VSM and Blend 4’s State Panel to Create a Silverlight Media Player." In Foundation Expression Blend 4 with Silverlight, 123–68. Berkeley, CA: Apress, 2010. http://dx.doi.org/10.1007/978-1-4302-2974-2_6.
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Phillips, Frances Neff. "A Foundation's 20-Year Experiment in Art and Civic Engagement." In Advances in Media, Entertainment, and the Arts, 544–66. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1727-6.ch025.
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In 1994, four family foundations in San Francisco launched a grantmaking program to support Bay Area artists by providing them with project grants for the creation of new work through collaborations with nonprofit organizations. Creative Work Fund grantees may collaborate with any kind of nonprofit organization and many choose to work in community settings. This chapter explores five projects awarded grants between 2008 and 2013. Each focused on a distinctive goal: increasing cohesion among a community of recent immigrants from Africa, exploring a city's recovery from the economic downturn and foreclosure crisis, promoting literacy and reading in a inner city school district, incorporating public art into the development of an historic waterfront, and achieving better health and mental health outcomes for women infected with HIV. Project research is based on grant proposals, reports, media coverage, and interviews with artists and their principle nonprofit partners.
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Aytekin, Mesut, and Damla Akar. "Cinema and Social Media." In Handbook of Research on Examining Cultural Policies Through Digital Communication, 1–30. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6998-5.ch001.
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The importance of promotion and marketing activities increases every day alongside the production process of the films in the cinema industry. The resourcefulness of the digital world has big advantages in conducting promotional activities for cinema. This chapter to evaluates social media, which is used in film promotions around the world. Also examined will be Facebook, which accounts. While deciding the variables, the year of 2016 was chosen because it had the most movies to come out and it was the year in which Facebook was the most used social platform. There is not many studies about the relationship between the Turkish cinema industry and social media in last ten-year span. While providing new and up-to-date information this chapter will create a foundation for different ideas to form on how social media can be used more effectively in the cinema industry.
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Phillips, Frances Neff. "A Foundation's 20-Year Experiment in Art and Civic Engagement." In Civic Engagement and Politics, 105–27. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7669-3.ch006.
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In 1994, four family foundations in San Francisco launched a grantmaking program to support Bay Area artists by providing them with project grants for the creation of new work through collaborations with nonprofit organizations. Creative Work Fund grantees may collaborate with any kind of nonprofit organization and many choose to work in community settings. This chapter explores five projects awarded grants between 2008 and 2013. Each focused on a distinctive goal: increasing cohesion among a community of recent immigrants from Africa, exploring a city's recovery from the economic downturn and foreclosure crisis, promoting literacy and reading in a inner city school district, incorporating public art into the development of an historic waterfront, and achieving better health and mental health outcomes for women infected with HIV. Project research is based on grant proposals, reports, media coverage, and interviews with artists and their principle nonprofit partners.
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Weitzl, Wolfgang. "Creating Consumer-Based Brand Equity With Social Media Content Marketing." In Handbook of Research on Entrepreneurship and Marketing for Global Reach in the Digital Economy, 419–41. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6307-5.ch018.
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Due to the growing importance of company-initiated online brand communities (OBCs) like Facebook brand fan pages, details about consumers' perceptions of these sites need to be linked to their effects on customer-based brand equity. This research builds on Keller and Lehmann's brand value chain as the theoretical foundation and adopts the theory to fit the social media context. This approach enables the simultaneous evaluation of the impact of consumer online content perceptions on both fan-page engagement and consumers' brand mindset. Specifically, this research investigates the consumer-based outcomes of perceptions of content's vividness and interactivity as well as the effects of perceived information and entertainment value of brand posts. In addition, this empirical study evaluates the consequences of positive brand fans' comments for consumer online engagement (e.g., liking), brand awareness, image, and attitude. Results show that consumer-oriented brand pages can stimulate positive offline brand engagement such as loyalty and recommendation.
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Weitzl, Wolfgang. "Creating Consumer-Based Brand Equity With Social Media Content Marketing." In Research Anthology on Strategies for Using Social Media as a Service and Tool in Business, 1233–55. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-9020-1.ch061.
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Due to the growing importance of company-initiated online brand communities (OBCs) like Facebook brand fan pages, details about consumers' perceptions of these sites need to be linked to their effects on customer-based brand equity. This research builds on Keller and Lehmann's brand value chain as the theoretical foundation and adopts the theory to fit the social media context. This approach enables the simultaneous evaluation of the impact of consumer online content perceptions on both fan-page engagement and consumers' brand mindset. Specifically, this research investigates the consumer-based outcomes of perceptions of content's vividness and interactivity as well as the effects of perceived information and entertainment value of brand posts. In addition, this empirical study evaluates the consequences of positive brand fans' comments for consumer online engagement (e.g., liking), brand awareness, image, and attitude. Results show that consumer-oriented brand pages can stimulate positive offline brand engagement such as loyalty and recommendation.
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Moss-Wellington, Wyatt. "Foundational Functions of Fiction." In Narrative Humanism, 45–55. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474454315.003.0003.
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Part II is pivotal and substantial, demonstrating the uses of humanist inquiry at the level of narrative theory. It reveals how the concerns of narrative humanism can be situated alongside concepts developed in contemporary media theory, cognitive film studies, literary Darwinism, anthropology, social psychology and philosophy. This chapter introduces the concept of social narratology: a catalogue of the various social functions that story provides throughout our lives, and the way a humanist might use this knowledge to both understand and to create stories of ethical substance.
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"Using the VSM and Blend 3’s States Panel to Create a silVerlight Media Player." In Foundation Expression Blend 3 with Silverlight, 109–46. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1951-4_6.
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Potapova, Irina, Sergey Mikhailovich Vasin, Leyla Ayvarovna Gamidullaeva, Tatiana Tolstykh, and Lubov Belyanina. "Drivers of Urban Development in Terms of Education Based on Digital Technologies." In Advances in Electronic Government, Digital Divide, and Regional Development, 48–70. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-5448-6.ch003.
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To speed up urban economic development there is a need in radical transformation in the technological fields as well as in the field of mechanisms that encourage the creation and implementation of new technologies. The proposed chapter approach can become a methodological foundation of development and self-development of educational institutions on the principles of continuing education using digital technologies. The chapter deals with the methodology of creating a unified information educational environment, providing the implementation of lifelong learning, the development and implementation of educational models, programs, and media performed with the use of digital technologies. The chapter aims to develop conceptual approach to strategic control of continuing education, innovative development of regulation of educational institutions and to propose practical recommendations based on digital technology.
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Malloy, Judy. "Arts Wire: The Nonprofit Arts Online." In Social Media Archeology and Poetics. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262034654.003.0023.
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Beginning in 1992, Arts Wire, a program of the New York Foundation for the Arts, was a social media platform and Internet presence provider, that provided access to news, information, and dialogue on the social, economic, philosophical, intellectual, and political conditions affecting the arts and artists. Initially led by Anne Focke and then by poet, Joe Matuzak, Arts Wire participants included individual artists, arts administrators, arts organizations and funders. This chapter focuses on Arts Wire's social media aspects, such as discussion and projects, including among others: AIDSwire, an online AIDS information resource; the online component of the Fourth National Black Writers Conference; the Native Arts Network Association; ProjectArtNet that brought children from immigrant neighborhoods online to create a community history; NewMusNet, a virtual place for experimental music; and Interactive, an online laboratory for interactive art. It also documents the history of the e-newsletter, Arts Wire Current (later NYFA Current).
Conference papers on the topic "Creative Media Foundation"
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Gurriarán Daza, Pedro. "Las técnicas constructivas en las murallas medievales de Almería." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11546.
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Building techniques in the medieval walls of AlmeríaAlmería was one of the most important cities in al-Andalus, a circumstance that was possible thanks to the strength of its port. Its foundation as an urban entity during the Caliphate of Córdoba originated a typical scheme of an Islamic city organized by a medina and a citadel, both walled. Subsequent city’s growths, due to the creation of two large suburbs commencing in the eleventh century, also received defensive works, creating a system of fortifications that was destined to defend the place during the rest of the Middle Ages. In this work we will analyse the construction techniques used in these military works, which cover a wide period from the beginning of the tenth century until the end of the fifteenth century. Although ashlar stone was used in the Caliphate fortification, in most of these constructions bricklayer techniques were used, more modest but very useful. In this way, the masonry and rammed earth technique were predominant, giving rise to innumerable constructive phases that in recent times are being studied with archaeological methodology, thus to know better their evolution and main characteristics.
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Mozzato, Alioscia. "Le Corbusier and the “Lection of the gondola”." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.794.
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Abstract: In light of the reflections developed by Le Corbusier through the “oeuvre plastique” and his intense relationship with the city of Venice, the gondola became the paradigm of an "artistic creation" which, while having to bow to the principles of "utility" linked to the tangible world of the "machinist era" on the one hand, on the other met the expressive requirements of "beauty" connected to the spiritual needs of modern man. The encounter with the gondola describes this "duality" which pervades all the works of Le Corbusier always in search of a synthesis between "measure" and "lyricism", representing a "plastic manifestation" that points to some theoretical principles and foundations of artistic "action", outlined through the concept of “Outil”, the expression and instrument of a necessary "harmony" between mankind and the world. Resumen: A la luz de las reflexiones desarrolladas por Le Corbusier a través de la “obra plástica” y su intensa relación con la ciudad de Venecia, la góndola se convirtió en el paradigma de una "creación artística" que, si bien tiene que someterse, por un lado, a los principios de "utilidad" vinculados al mundo tangible de la "era mecánica", por otro lado cumplía los requisitos característicos de "belleza" relacionados con las necesidades espirituales del hombre moderno. El encuentro con la góndola describe esta "dualidad" que impregna toda la obra de Le Corbusier, siempre en busca de una síntesis entre "medida" y "lirismo", lo que representa una "manifestación plástica" que apunta a algunos de los principios teóricos y fundamentos de la "acción" artística perfilados a través del concepto de “Outil”, la expresión e instrumento de una necesaria "armonía" entre la humanidad y el mundo. Keywords: Le Corbusier; Gondola; Venice; Plastique acoustique; Outil; Oeuvre plastique; L'angle droit. Palabras clave: Le Corbusier; Gondola; Venecia; Plástica acústica; Outil; Obra plástica; El ángulo recto. DOI: http://dx.doi.org/10.4995/LC2015.2015.794