Journal articles on the topic 'Creative embroidery'
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1
Callahan, Ashley. "Mariska Karasz’s Creative Embroidery." Journal of Modern Craft 8, no. 2 (May 4, 2015): 115–24. http://dx.doi.org/10.1080/17496772.2015.1054698.
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Rahmidani, Rose. "Potency of Creative Industry Embroidery and Weaving in West Sumatera in Developing the Common Economy." Jurnal Inovasi Pendidikan Ekonomi (JIPE) 10, no. 1 (May 5, 2020): 08. http://dx.doi.org/10.24036/011083620.
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The aims of this research are: 1) to describe the portrait of embroidery and weaving business in absorbing workforce in West Sumatera, 2) Exploring and formulating problems as well as mapping the needs assessment of embroidery/embroidery creative industry and Minangkabau weave. Population in this research is the entire business unit of embroidery and weaving industry in West Sumatera spread in Padang Pariaman, Agam, Tanah Datar, Sawahlunto, Padang, Payakumbuh, Bukittinggi and Pariaman, the sample is 93 business units spread in 8 regencies and cities above. This study uses a qualitative method. Data collection using survey methods, with qualitative descriptive analysis techniques. The results of this research are; 1) Embroidery and weaving business in West Sumatera are able to absorb 2.297 workforce, 2) Problems faced by embroidery and weaving business in West Sumatra can be formulated as follows: 1) Bookkeeping/finance aspect and management, 2) Production aspect, and 3) Marketing aspect
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Zhou, Yuechao, Min Li, and Yu Chen. "Extraction and diversified application of embroidery insole fabric elements in Hongan, Eastern Hubei." E3S Web of Conferences 237 (2021): 04030. http://dx.doi.org/10.1051/e3sconf/202123704030.
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By the concept of redesign, the embroidery insole fabric elements of Hongan in Eastern Hubei Province is extracted and applied, and the application research of diversified creative products is carried out. On the premise of inheritance and innovation, the regional characteristics and cultural connotation of Hongan embroidered insole in Eastern Hubei Province are analysed. By understanding the connotation of the elements of Hongan embroidered insole fabric, the composition characteristics of common embroidered insole fabric is grasped, and the traditional fabric themes of Hongan embroidered insole is analysed and arranged; Extract the typical pattern fabric elements that can resonate with modern life, and extract, organize and redesign them; then through integration and reconstruction, carry out diversified application design of creative products. The fabric elements of Hongan embroidered insole are redesigned and applied in fashion, home textile products, clothing, interior decoration, etc. By redesigning, this paper analyses and arranges extracts and redesigns, integrates and reconstructs the elements of embroidered insole fabric in Hongan, Eastern Hubei Province, and studies the application of diversified creative product redesign. This modern process method and diversified application mode is not only the dynamic inheritance of traditional regional culture, but also the innovation and development of folk culture in Eastern Hubei Province. The inheritance and development of art traditional culture has important practical significance.
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Li, Min, and Xiaoyan Zhang. "Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation." Journal of Arts and Humanities 6, no. 10 (October 23, 2017): 07. http://dx.doi.org/10.18533/journal.v6i10.1274.
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Tradition and modernity are the eternal topics of art, especially in the age of information.Efficient mechanical production methods to improve the traditional jewelry production process, which achieved the demand for mass production of jewelry.However, with the development of society and the progress of science and technology, many traditional arts and crafts are lost.From the traditional culture, this paper analyzes the work of embroidery jewelry by studying the traditional Chinese embroidery culture and technique, summarizes the traditional embroidery technology and modern jewelry design techniques combined approach to guide the creative practice.On the basis of studying the theoretical method of combining traditional embroidery technology with modern jewelry, this paper focuses on the application of traditional embroidery techniques in jewelry creation, inspire the potential of traditional craft, to provide reference for modern jewelry design rich Chinese characteristics and attract the attention of Chinese jewelry industry and inherit the traditional arts.
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Lee, Yi-Chin, and Daniel Cardoso Llach. "Hybrid Embroidery: Exploring Interactive Fabrication in Handcrafts." Leonardo 53, no. 4 (July 2020): 429–33. http://dx.doi.org/10.1162/leon_a_01931.
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This paper presents Hybrid Embroidery, a framework for interactive fabrication that leverages computational methods to broaden the possibilities of the craft of embroidery. Combining embroidery techniques, generative design methods, computer vision and a computerized embroidery machine, we show how this framework elicits a variety of innovative fabrication experiences that emphasize open-ended exploration, improvisation and play. The paper documents this framework, a series of sample results, challenges and next steps. It further outlines some of its implications for supporting creative exploration through real-time and direct manipulation of materials and close human-machine interaction.
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Setiyawati, Widya, and Renny Oktafia. "Analisis Pengembangan Usaha Kecil, Dan Menengah Pada Kesejahteraan Masyarakat Kampung Bordir Kecamatan Beji (Ditinjau Dari Maqashid Syariah)." Jurnal Ilmiah Ekonomi Islam 7, no. 1 (January 30, 2021): 1. http://dx.doi.org/10.29040/jiei.v7i1.1740.
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Kampung Embroidery, Beji Subdistrict, Pasuruan Regency is one of the districts of East Java that thinks about the welfare of the community through creative efforts and Pasuruan is also known to be many creative women who are active in earning a living. In a situation of limited job opportunities, it turns out that in the area of Embroidery Village, there are many Home Industry border craftsmen.. MSMEs have an important role in the economy and business development in Indonesia. This research method uses descriptive qualitative research methods and interactive data analysis. The results show that through economic growth a country is able to change its economic conditions for the better in accordance with maqashid sharia and can improve the welfare of the community.
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Sulaeman, Maman, and Hasan Fahmi Kusnandar. "Integrated Marketing Communication Model in Shaping Brand Equity and Business Performance in the Creative Industries of Embroidery Sector." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 3, no. 4 (December 1, 2020): 3798–805. http://dx.doi.org/10.33258/birci.v3i4.1444.
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At this time, competition in the business world is getting tighter, no exception with the embroidery industry. In order to survive in the middle of the competition, they must have the right marketing communication strategy. Marketing communication plays a very important role for marketers. Without communication, consumers and society as a whole will not know the existence of products in the market. This research aims to analyze the integrated marketing communication model in shaping brand equity and business performance in the embroidery industry in Tasikmalaya Regency. The research method used is descriptive causality, by creating a description or description systematically, factually and accurately about the fact or nature of the object and interpreting the relationship between the phenomena investigated. The population of this research is the owner of the embroidery industry in Tasikmalaya of 949 people, sampling in this study is using accidental sampling method obtained 150 people. The results showed that partially and simultaneously direct marketing, personal selling, sales promotion, public relations and advertising on purchasing decisions and impact on business performance. Market attractiveness in addition to influencing purchasing decisions is also very potential to increase market share and growth of a company's business performance.
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Marlina, Lina, Maman Sulaeman, and A. Mundzir. "CONTRIBUTION OF VALUE ADDED HUMAN CAPITAL TO EMPLOYEE PRODUCTIVITY IN CRAFT CREATIVE INDUSTRY OF TASIKMALAYA." ECONOMICS & ACCOUNTING JOURNAL 1, no. 2 (June 22, 2018): 116. http://dx.doi.org/10.32493/eaj.v1i2.y2018.p116-128.
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The creative industry is the focus of government to boost economic growth in recent decades. Creative industry is the utilization of talent, ideas, and creativity in generating creativity and creative power of individuals. Craft creative industry (kriya) sub-sector as a typical product of Tasikmalaya become focus of the researcher. The population of workers in the creative industries is dominated by high school graduates. It's interesting to measure the added value and productivity. This study aims to measure the contribution and influence of value added human capital (VAHU) on emplyee productivity (EP). VAHU is one component of the value added inlellectual coefficient (VAIC) Method developed by Pulic. The study focuses on VAHU because the research sphere is related to the workforce. The results of the study are expected to help creative industry entrepreneurs and decision makers to make policies related to a competent labor supplyprogram. This research uses quantitative descriptive analysis with primary and secondary data. Documentation is taken from company reports recorded in the industry and trade offices in Tasikmalaya for the last six years. Random sampling includes the creative industries of embroidery craft, footwear, furniture, batik, and mendong (wicker). The results showed that the footwear craft industry reached the highest VAHU and the lowest mendong industry. The highest EP is seen in the embroidery industry and the lowest furniture industry. While compliance between variables in this study showed that VAHU no significant effect on EP.
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Susiani, Riris, and Ernawati Ernawati. "STRATEGI PRODUK BORDIR DI KAPALO KOTO, KOTO TANGAH SIMALANGGANG, KOTA PAYAKUMBUH (Studi Kasus di Usaha Bordir Limpapeh”s Kebaya)." Gorga : Jurnal Seni Rupa 8, no. 1 (July 2, 2019): 111. http://dx.doi.org/10.24114/gr.v8i1.12877.
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AbstrakMasalah dalam penelitian ini yaitu pentingnya strategi produk dalam menjalankan sebuah usaha agar mampu bertahan dan bersaing dengan perusahaan lain yang sejenis dalam kondisi persaingan yang ketat dan perkembangan zaman yang sangat cepat. Strategi produk sangat diperlukan dalam mememenuhi tuntutan konsumen seperti meningkatkan kualitas, menciptakan merek, pelayanan serta jaminan terhadap produk yang ditawarkan agar usaha mampu berkembang. Limpapeh”s Kebaya adalah usaha yang sedang berkembang dan telah mampu memasarkan produk bordirnya hingga menembus pasar ekspor. Penelitian ini bertujuan untuk mendeskripsikan strategi produk bordir di Limpapeh”s Kebaya, Kapalo Koto, Koto Tangah Simalanggang, Kota Payakumbuh. Metode penelitian menggunakan metode deskriftif kualitatif, jenis data berupa data primer dan sekunder. Teknik pengumpulan data melalui observasi, wawancara dan dokumentasi. Teknik analisis data dilakukan dengan teknik analisa model interaktif yang berkaitan dengan pokok permasalahan yaitu dengan model reduksi data, penyajian data dan pengambilan kesimpulan. Hasil penelitian yaitu strategi produk yang dilakukan di Limpapeh”s Kebaya adalah dimulai dari menciptakan produk bordir yang berkualitas, desain motif bordir yang up to date dan kreatif, menyediakan ukuran yang special, memberi merek pada produk bordir, memberi kemasan yang menarik (paperbag) dan serbaguna, pelayanan yang cepat, tepat dan ramah serta pemberian jaminan terhadap produk border.Kata Kunci: strategi produk, pelayanan, bordir. AbstractThe problem in this study is the importance of product strategy in running a business in order to be able to survive and compete with other similar companies in conditions of intense competition and very rapid development of the times. Product strategy is very necessary in fulfilling consumer demands such as improving quality, creating brands, services and guarantees for products offered so that businesses are able to grow. Limpapeh's Kebaya is a growing business and has been able to market its embroidery products to penetrate the export market. This study aims to describe the strategy of embroidery products in Limpapeh's Kebaya, Kapalo Koto, Koto Tangah Simalanggang, Payakumbuh City. The research method uses qualitative descriptive method, the type of data in the form of primary and secondary data. The technique of collecting data through observation, interviews and documentation. Data analysis techniques are carried out with interactive model analysis techniques that are related to the subject matter, namely with a model of data reduction, data presentation and conclusion. The results of the research, namely the product strategy carried out at Limpapeh's Kebaya, are started from creating quality embroidery products, up-to-date and creative embroidery motifs, providing special sizes, giving brands to embroidery products, giving attractive packaging (paperbag) and versatile, fast, precise and friendly service and guarantee of embroidery products. Keywords: product, service, embroidery strategy.
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Wood, Susan. "Women’s work or creative work? Embroidery in New South Wales high schools." History of Education 38, no. 6 (November 2009): 779–89. http://dx.doi.org/10.1080/00467600903325267.
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Zahara, Hafni. "KAPASITAS PEREMPUAN DALAM PENGEMBANGAN USAHA EKONOMI KREATIF KERAJINAN BORDIR ACEH DI KABUPATEN ACEH UTARA." Agrifo : Jurnal Agribisnis Universitas Malikussaleh 3, no. 1 (June 21, 2018): 30. http://dx.doi.org/10.29103/ag.v3i1.673.
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This research aims (1) to describe the personal characteristics of women entrepreneurs of Aceh embroidery craft, (2) to measure the capacity of women in developing creative economy business of Aceh embroidery craft in North Aceh regency. Research location determination was done by purposive in North Aceh District. Primary data were collected through structured interviews with respondents using questioners. The research method used in this research is descriptive qualitative, using sample as much as 52 people, data processing with non parametric statistic with scale of measurement using likert scale. The results descirbes that women entrepreneurs of Aceh embroidery have a relatively productive age, the average formal education of high school equivalent, the frequency of training is low, the business experience is in the medium category, the number of children under five, and the frequency of exhibition is also in the low category once a year. Women's capacity level in generally are in the high category, due to they are able to manage their business well. The level of capacity in sequence is the capacity of women in carrying out business functions and marketing, capacity in adapting to the market and capacity in solving capital problems.
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Anderson, Elizabeth. "H.D.’s Tapestry: Embroidery, William Morris and The Sword Went Out to Sea." Modernist Cultures 12, no. 2 (July 2017): 226–48. http://dx.doi.org/10.3366/mod.2017.0169.
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This article focuses on the role of embroidery in H.D.’s life and work in the 1940s. Bringing the tropes of tapestry, writing, and spiritualism together gave H.D. a means to explore possibilities for both personal and social healing following the trauma of the war years and to express her hopes for a world without war. Moreover, H.D. used tapestry as a metaphor that allowed her to explore her affiliation to nineteenth-century poets, particularly William Morris, while also enabling the development of her modernist style to a more extreme dynamic of rupture and connection. The article situates H.D.’s embroidery in the context of wider discourses on women's amateur textile craft and Morris's work in textiles and literature, before considering H.D.’s use of tapestry as a creative practice and metaphor in her late novel The Sword Went Out to Sea.
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Dwyer, Claire, Katy Beinart, and Nazneen Ahmed. "My Life is but a weaving: embroidering geographies of faith and place." cultural geographies 26, no. 1 (August 22, 2018): 133–40. http://dx.doi.org/10.1177/1474474018792703.
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This article reflects on creative arts practice as a means to research the interrelationships of creativity and faith through discussion of a textile-based arts project undertaken with women of diverse religious backgrounds in West London. Building on research on the significance of vernacular religious textiles in community space and in domestic religious practice, the arts project developed a collective embroidery installation exploring the theme of prayer and its intersections with embodied practices of creativity and biographical narratives of faith, migration and home.
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Busygina, Svetlana Aleksandrovna, and Margarita Sergeevna Shirokovskikh. "OLD RUSSIAN PICTORIAL EMBROIDERY TRADITION IN CREATIVE WORK OF REPRESENTATIVES OF PETERSBURG SCHOOL OF PAINTING." Manuscript, no. 3 (March 2018): 110–15. http://dx.doi.org/10.30853/manuscript.2018-3.21.
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杨, 颐. "The New Fashion of Creative Fabric—The Design and Development of the Combination Fabric of Printing and Embroidery." Art Research Letters 04, no. 02 (2015): 7–15. http://dx.doi.org/10.12677/arl.2015.42002.
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Balakay, Anna. "Active Processes of Word Formation in the Speech of Modern Vloggers (Based on Russian-Language Embroidery Vlogs on YouTube)." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 4 (September 21, 2021): 22–30. http://dx.doi.org/10.37482/2687-1505-v114.
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Blogging is an integral part of modern Internet communication. It allows us to push the boundaries of time and space, making it possible for people around the world to interact online: find like-minded individuals, learn, communicate, get up-to-date information, etc. The most popular video format of such interaction today is video blogging. Video bloggers (vloggers) often find themselves in the position of a leader: their lifestyle and speech characteristics become a model for the channel’s subscribers; people listen to vloggers and try to copy them. Since each social role corresponds to a certain type of speech behaviour and a set of language tools, it can be assumed that the speech of vloggers also has some specific features. This paper is an integral part of a multidimensional study of the speech of modern vloggers from the embroidery community on YouTube and considers the active processes of word formation in their speech. The material included Russian-language YouTube videos dedicated to embroidery posted from 2016 to 2020. The research showed that the appearance of derived words in the colloquial speech of embroiderers is not accidental. Words are derived quite often and borrowed by vloggers from each other. They perform various functions, the main being nominative and emotionalevaluative. The creative component of embroiderers’ activity is reflected in their speech: the process of forming new words is characterized by imagery, metaphoricalness, and abundance of diminutives with positive connotations.
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Susanti, Santi, Wahyu Gunawan, and Sukaesih Sukaesih. "PENGEMBANGAN PEMASARAN BORDIR DAN KELOM GEULIS TASIKMALAYA MELALUI MEDIA SOSIAL." Kumawula: Jurnal Pengabdian Kepada Masyarakat 2, no. 3 (January 2, 2020): 248. http://dx.doi.org/10.24198/kumawula.v2i3.25256.
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Pengabdian Pada Masyarakat (PPM) ini berjudul “Pelatihan Pengembangan Pemasaran Bordir dan Kelom geulis Tasikmalaya”. Kegiatan ini merupakan terintegrasi dengan Riset Fundamental Unpad (RFU) lanjutan tahun 2019. Pemilihan judul PPM kali ini dilatarbelakangi oleh meluasnya pangsa pasar bagi para pelaku ekonomi kreatif seiring berkembangnya penggunaan media sosial dari semula sebagai media komunikasi menjadi media pemasaran produk barang dan jasa. Ini merupakan peluang bagi pelaku usaha bordir dan kelom geulis di Kota Tasikmalaya untuk meluaskan pemasarannya ke skala nasional hingga internasional. Bahkan, bukan tidak mungkin, melebarkan pasarnya hingga skala ekspor. Adanya kegiatan PPM ini diharapkan dapat menumbuhkan semangat pelaku usaha bordir maupun kelom geulis di Kota Tasikmalaya untuk mengoptimalkan penggunaan media sosial sebagai media pemasaran dalam memperluas pasar dan meningkatkan omset yang diperoleh. Kegiatan PPM ini diselenggarakan pada 30 Juli 2019 di Rumah Kreatif BRI di Jalan Siliwangi 51, Kota Tasikmalaya, dengan peserta pelaku usaha bordir dan kelom geulis di Kota Tasikmalaya. Kegiatan ini menghadirkan pembicara dari Kamar Dagang dan Industri (Kadin) Kota Tasikmalaya dan Dosen STMIK DCI, Kota Tasikmalaya. Hasil evaluasi terhadap para peserta pelatihan menunjukkan adanya manfaat yang diperoleh peserta dari materi yang disampaikan narasumber, baik yang berkaitan langsung maupun tidak berkaitan langsung dengan media sosial. Walaupun setelah mengikuti pelatihan tersebut, peserta belum mempraktikkan materi yang diberikan, setidaknya pelatihan membuka wawasan peserta mengenai metode pemasaran yang bisa dilakukan selain pemasaran offline yang biasa dilakukan. Para peserta berharap, ke depannya, pelatihan lebih banyak menghadirkan para praktisi, agar materi pelatihan bisa diarahkan pada materi praktis, lebih kekinian, dan waktunya diperpanjang. The title of our Community Service (PPM) activity is "Training on Marketing Development of Embroidery and Kelom geulis Tasikmalaya". This activity is integrated with Riset Fundamental Unpad (RFU) in 2019. The title is motivated by the expanding market share for a creative economic entrepreneur in line with the development of social media usage as a media marketing products and services. This is an opportunity for embroidery and kelom geulis entrepreneurs IN Tasikmalaya City to expand their marketing to a national and international scale. The existence of PPM activities is expected to foster the enthusiasm of embroidery and kelom geulis entrepreneurs in Tasikmalaya City to optimize the use of social media as a marketing medium in expanding markets and increasing turnover obtained. The PPM activity was held on July 30, 2019, at BRI's Creative House on Jalan Siliwangi 51, Tasikmalaya City. The participants are embroidery and kelom geulis entrepreneurs in Tasikmalaya City. We present the speakers from Tasikmalaya City Chamber of Commerce and Industry (Kadin) and STMIK DCI Lecturer, Tasikmalaya City. We use the lecture method and sharing experiences in marketing products through online media to motivate and strengthen SMEs in the City of Tasikmalaya to use available social media to expand the product marketing. The results showed that the presentation material brings benefits for the participants, the benefits are directly or indirectly are related to social media. Even after participating in the training, the participants did not practice the material provided, at least the training opened the participants' insights into marketing methods that could be carried out other than the usual offline marketing. The participants hoped, in the future, the training would bring more practitioners, so that the training materials could be directed to practical, more contemporary, and extended time.
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Spinu, Constantin. "Identity convergence in the tapestry and painting of Ecaterina Ajder." Akademos, no. 2(61) (September 2021): 154–60. http://dx.doi.org/10.52673/18570461.21.2-61.16.
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Ecaterina Ajder, representative of the early `80s of plastic artists from the Republic of Moldova, constantly opts for endowing the work of art with innovative stylistic values. Plastic tradition and modernity originally connect in her creation, contributing to the generation of current messages through image. Preferring to materialize her thematic and plastic predilections in the genre of artistic tapestry and easel painting, Ecaterina Ajder has drawn and consolidated over the decades her unmistakable stylistic facet, in which the insurmountable landmarks of folk art have found a favorable artistic fulfillment and integration into relevant contemporary creative trends. In the artistic tapestry, the painter significantly capitalized both the aesthetic expressions obtained from the classic weaving, and from combining it with various techniques such as felt and embroidery. When referring to the easel painting she highlighted the traditional aspects of structural-constructive constitution of the image field and, at the same time, the impressive artistic expressions, obtained after practicing mixed techniques, giving priority to the collage methodology. In the artist’s creation, both the conceptualization and aesthetic interpretation of the theme, as well as the way of operating with plastic means imminently contribute to the demarcation and supplementing of the semantic area of the work with high value expressions.
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Novikova, Marina, and Philipp Novikov. "Creative Linguistic Potential of Media Language: the Word as a Multifunctional Weaving Tool." Theoretical and Practical Issues of Journalism 8, no. 2 (May 24, 2019): 315–29. http://dx.doi.org/10.17150/2308-6203.2019.8(2).315-329.
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In the age of information society the word which is often unique in its use individual and valuable on its own, reflects the phenomena of the dynamic world when it gets into the focus of journalists’ attention. It actively influences the modern people, their linguistic behavior, their systems of values and the linguistic mind. The creative character of linguistic activity of journalists is manifested in creation of new methods and instruments and the transformation of the old ones. The science of methodology which examines various aspects of media development, types, character, forms, and the impact on the society, is closely related to medialinguistics. The modern state of theoretical and empirical research of the media sphere demonstrates the relevance of linguists’ participation in the language of media in various paradigms of the academic knowledge. The article is dedicated to the creative use of words in the media space. The word is the tool leading to transformation (embroidery hoop), the material of creative alteration (linen) and the result of the active development of the language, it (fabric) is actively used to various ends, in the close interaction of emotive and manipulative functions determined by informational specifics of linguistic creativity of journalists. The research is focused on studying the powerful potential of the multidimensional aspect of the Russian language as a dynamic tool of communication capable of conveying various meanings in the dynamic world that is constantly changing. Stating that the development of the corpus linguistics reflects the rise of the interest in social and pragmatic functions of speech, including the media speech, the authors analyse the pragmatic value and the multidimensional aspect of the modem media which relies on the interdependency of its expressiveness and informative value. The authors come to the conclusion that the verbal images reflect the creative values of a journalist, their moral, political and aesthetic assessment of the world and form an integral comprehension of the information space.
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Juchnevičienė, Žaneta, Milda Jucienė, Vaida Dobilaitė, Virginija Sacevičienė, and Svetlana Radavičienė. "Analysis on the Conformity between the Closed-Circuit Embroidery Elements of Different Widths and the Digitally Designed Elements." Autex Research Journal 19, no. 3 (September 1, 2019): 250–56. http://dx.doi.org/10.1515/aut-2018-0047.
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Abstract The embroidery process is one of the means of joining textile materials into a system, which is widely applied in the creation of products of special destinations. The development of the functionality of embroidery systems is indissoluble from high-quality requirements for the accuracy of the form of the element. In the embroidery process, the system of textile materials experiences various dynamic loads, multiple stretching, and crushing; therefore, the geometrical parameters of the embroidery element change. The objective of this paper was to analyze the widths of the different square-form closed-circuit embroidery elements and also to perform their analysis with the purpose to evaluate the embroidery accuracy of the embroidered elements. Test samples were prepared in the form of square-form closed-circuit embroidery elements of five different contour widths: 6 mm, 10 mm, 14 mm, 18 mm, and 22 mm. During the investigation, it has been determined that in most cases the contour widths of the five closed-circuit square-form embroidery elements were obtained, smaller than the size of the digitally designed element.
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Kozlovska, Iryna, Oksana Bilyk, and Yuriy Kozlovsky. "Pedagogical Support of Gifted Students from Carpathian Mountain Areas by Means of Folk Art Crafts." Journal of Vasyl Stefanyk Precarpathian National University 1, no. 2-3 (December 22, 2014): 132–35. http://dx.doi.org/10.15330/jpnu.1.2-3.132-135.
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This paper, presented at the Conference Plenary the possibilities of pedagogical supportof gifted students from vocational schools, living in the mountainous areas of the Carpathians.Education of talented and gifted students requires pedagogical support. The specific conditions, inwhich Carpathian students live, require the development of pedagogical support of their abilities.New approaches to teaching science, which led to the selection of topics of this article aredescribed. Gifted personalities differ from their peers by same criterias. The social aspect of theproblem remains in the shadow: not to be ashamed of your talent and not to compare it withcliches. And goals of educators and psychologists have to be slightly different as is common.Widespread Carpathian crafts include: embroidery, artistic textiles producing, carpet manufacture,carving, pottery, metalworking, fabric painting, knitting, lace, artistic weaving, artistic working ofleather, stones, bones and horns. Nowadays, some detachment of mountainous regions hassignificantly reduced due to new means of communication, including the Internet. The possibilitiesof colleges in mountainous regions still cannot reach the level of the colleges in capital. InCarpathian and Prykrpattya regions there is a number of vocational schools of art direction.During the execution of creative work in class industrial training necessary for students to complywith the rules of relationships form and decoration in various ways: decorative motif obeys thefunctional form, enriching it artistic and creative solutions, utilitarian function obeys the decorativemotif Products, the form of the product can be extremely decorative, artistic and creative productsolutions focused on practical value and decorative value of the product. Pedagogical support ofgifted students from art colleges in the Carpathian region has extremely wide range ofopportunities. The problem of finding and nurturing talents is important for everyone who maytake a little thought about the prospect of human development. The practicability of folk art crafts,as a means of developing skills and creativity of students, use is substantiated.
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Budiman, Arif, PG Wisnu Wijaya, Muhammad Hajid An Nur, Maria Veronika Halawa, and Susi Susyanti. "REVISUALISASI AKSARA KAGANGA SEBAGAI IDENTITAS LAMPUNG." Jurnal Bahasa Rupa 2, no. 2 (April 21, 2019): 118–25. http://dx.doi.org/10.31598/bahasarupa.v2i2.344.
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The research and design of the Kaganga Script Revisualization as Lampung Identity or Had Lampung is an attempt to provide aesthetic value to the conventional letter system. The aesthetic aspects that were given derived from Lampung cultural traditions, icons, and other visual idioms, such as ornaments on tapis cloth, carvings, traditional clothing accessories, and the stylization of Lampung's unique flora and fauna. The research method of the Kaganga script re-visualization is using Creative Thinking Process approach of Bryan Lawson, who applies steps in solving visual communication problems through several stages; (1) initial understanding (2) preparation (3) incubation (4) information (5) verification. Data analysis is done by considering several aesthetics factors; legibility, readability and unity. From several design or prototype alternatives that have been tested, the new Kaganga script using the Jungian (ship) motif was selected. This design uses Lampung traditional idioms to stylize the original script, which are the stylization of the Jung / Ship motif and the motif of Gold Thread Embroidery. Furthermore, this design can be continued on to the public testing and introduce it to Lampung public after it has been digitized.
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Ladeira, Ilda, Nicola J. Bidwell, and Xolile Sigaji. "DIGITAL STORYTELLING DESIGN LEARNING FROM NON-DIGITAL NARRATIVES: TWO CASE STUDIES IN SOUTH AFRICA." Oral History Journal of South Africa 2, no. 1 (September 22, 2016): 41–55. http://dx.doi.org/10.25159/2309-5792/1582.
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Digital tools for User Generated Content (UGC) aim to enable people to interact with media in conversational and creative ways that are independent of technology producers or media organisations. In this article we describe two case studies in South Africa that show that UGC is not simply something tied to technology or the internet but emerges in non-digital storytelling. At the District Six Museum in Cape Town, District Six ex-residents are central collaborators in the narratives presented. Ex-residents tell stories in the museum and can write onto inscriptive exhibits, such as a floor map showing where they used to live, and visitors can write messages on ‘memory clothes’, which are later preserved through hand embroidery. Such explicit infrastructures to access and protect cultural records are less available to rural inhabitants of the former Transkei. To address this gap local traditional leaders and villagers collaborated with a National Archives Outreach Programme by co-generating a workshop that linked various local priorities, such as representation to government, land rights and ecotourism to natural and cultural heritage. Both studies start to reveal opportunities to design technologies that increase participation in recording and sharing personal and cultural stories. They also show the need to respect values embedded in place-based oral customs, such as the importance of enabling transparency and supporting alternative views on historical events.
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Qasmiyeh, Yousif M. "Introduction." Migration and Society 3, no. 1 (June 1, 2020): 254–55. http://dx.doi.org/10.3167/arms.2020.030122.
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Since its inception in 2018, the aim of the “Creative Encounters” section of Migration and Society has been to off er alternative ways of engaging with “voice” or, more pertinently, as I have argued elsewhere, “to embroider the voice with its own needle” (Qasmiyeh 2019). This dialectic is proposed to problematize the notion of the voice as it is often perceived and mobilized: a medium offered to those in need of (their) voices rather than as a prior state of being that is initiated by and therefore intrinsically belongs to the individual herself. In this vein, “to embroider the voice with its own needle” is to see the voice within its owner, as a given and not to be given, through tracing the thread as it touches the needle eye to go through it and in so doing ushering in the embroidering that will come. Indeed, embroidering the voice is writing the intimate, the lived, and the leftovers in life into newer times as imagined by the writer herself; it is writing without a helping hand from anyone but rather through continuously returning to the embroidered (and what is being embroidered) and its tools, notwithstanding how incomplete and fragmentary they are.
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Siti Aisyah, Rr Herini, and Dewi Amartani. "PEMBERDAYAAN KELOMPOK WANITA PENGRAJIN SULAM DI KEC. TANGGULANGIN KAB. SIDOARJO." Jurnal Layanan Masyarakat (Journal of Public Services) 2, no. 1 (June 10, 2020): 1. http://dx.doi.org/10.20473/jlm.v2i1.2018.1-5.
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This program is motivated by the existence of UMKM Groups whose members are women who are members of the recitation group. The Mitra Group is currently running a bag craft business that is experiencing saturation with its products so that it has difficulty running its business. Changes in consumer tastes and market saturation of the products they make require the group of partners to be more creative in developing their products so that they can still be attracted by consumers both in and abroad. The aim of this program is to develop MSME businesses that produce according to consumer tastes, but have some limitations, among others, related to Skill limitations, Business and Marketing Management. To implement the program, a training method was used for all partner members totaling 20 people. Training includes making embroidery-based products, entrepreneurship training and mentoring both production, marketing and finance until partners succeed in developing their businesses. To market the product, a number of efforts were made, including among others in the Regency UMKM group. Sidoarjo so that he can take part in various exhibitions held by the Government and BUMN. Besides that, marketing is also done through social media, considering that what is produced is a creative item that is very necessary for promotion through social media. The conclusion of this program is that this program has been able to provide solutions to partner groups to develop their business through embroidery-based products. Another conclusion is this program is very suitable to be developed in a group of partners whose members are women craftsmen and recitation groups so that they have a very solid and solid social religious and economic bond and have the motivation and ability to progress together very high, this is capital big to be able to advance in facing various diffi culties in running their business so that this program can work well.AbstrakProgram ini dilatarbelakangi adanya Kelompok UMKM yang anggotanya adalah perempuan yang tergabung dalam kelompok pengajian. Kelompok Mitra saat ini menjalankan bidang usaha kerajinan tas yang sedang mengalami kejenuhan terhadap produknya sehingga mengalami kesulitan untuk menjalankan usahanya. Perubahan selera konsumen dan jenuh nya pasar terhadap produk yang dibuatnya menuntut kelompok mitra untuk lebih kreatif dalam mengembangkan produknya agar tetap dapat diminati konsumen baik dalam maupun konsumen luar negeri. Tujuan program ini adalah untuk mengembangkan usaha UMKM yang memproduksi sesuai dengan selera konsumen akan tetapi mempunyai beberapa keterbatasan antara lain terkait keterbatasan Skill, Manajemen Bisnis dan Pemasaran. Untuk melaksanakan program tersebut maka digunakan metode Pelatihan kepada semua anggota mitra yang berjumlah 20 orang. Pelatihan meliputi pembuatan produk yang berbasis sulam, pelatihan kewirausahaan dan pendampingan baik produksi, pemasaran maupun keuangan hingga mitra berhasil dalam mengembangkan usahanya. Untuk memasarkan produk maka dilakukan beberapa upaya antara lain tergabung dalam kelompok UMKM Kab. Sidoarjo sehingga dapat mengikuti berbagai pameran yang diselenggarakan Pemerintah maupun BUMN. Selain itu pemasaran juga dilakukan melalui media sosial mengingat yang diproduksi adalah barang kreatif yang sangat diperlukan adanya promosi melalui media sosial. Kesimpulan Program ini adalah bahwa program ini telah mampu memberikan solusi pada kelompok mitra untuk mengembangkan usahanya melalui produk yang berbasis sulam. Kesimpulan lain adalah program ini sangat cocok dikembangkan pada kelompok mitra yang anggotanya adalah wanita pengrajin sekaligus kelompok pengajian sehingga mempunyai ikatan social keagamaan dan ekonomi yang sangat solid dan solider serta mempunyai motivasi dan kemampuan untuk maju secara bersama-sama yang sangat tinggi, ini merupakan modal yang besar untuk dapat lebih maju dalam menghadapi berbagai kesulitan dalam menjalankan usahanya sehingga program ini dapat berhasil dengan baik.
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Kostenko, Larysa. "UPDATING THE EXPERIENCE OF THE ORGANIZATION OF OUT-OF-SCHOOL EDUCATION IN UKRAINE (1952–1991) AND ITS IMPLEMENTATION IN MODERN CONDITIONS." Academic Notes Series Pedagogical Science 1, no. 192 (March 2021): 84–88. http://dx.doi.org/10.36550/2415-7988-2021-1-192-84-88.
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The publication actualizes the experience of organizing out-of-school education in Ukraine in the Soviet period (1952–1991) and indicates the ways of its use in modern conditions. The author singles out progressive ideas of the experience in the organization of out-of-school education in Ukraine in the period under study, which deserve consideration in the context of their implementation in out-of-school education in modern conditions: development of regulatory framework (it is stressed that now we observe inconsistency between regulatory and legislative framework concerning budgetary financing of out-of-school educational institutions and payment of teachers, scientific staff, specialists of other qualifications working there); creation of an extensive infrastructure of out-of-school educational institutions (it is proposed to pay attention to the resumption of carpentry, turning, wickerwork for boys; cooking, embroidery, knitting, tailoring for girls when forming a network of out-of-school educational institutions); state financial support; establishing relations of out-of-school educational institutions with state, private and public organizations (it is noted that now every leader and teaching staff faces the problem of determining the mechanism of establishing partnership interaction of out-of-school educational institutions with public authorities, local governments, public organization ); forming leisure culture in students (it is emphasized that further development requires a network of various out-of-school institutions that create the necessary conditions for comprehensive harmonious development of teenagers, develop new forms and methods of out-of-school activities in the field of leisure, as well as ways of involving teenagers in various leisure activities both at school and in out-of-school clubs and creative centers); regulation and improvement of the system of professional training, retraining and advanced training of specialists in the system of out-of-school education; physical infrastructure support of out-of-school educational institutions (it is noted that physical infrastructure support should include all the necessary equipment, facilities and inventory for various forms of organization of out-of-school education (group, club, section, etc.).
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Grygiel, Agnieszka. "Wielkie Nić / The Big Thread. Case Study." Creativity. Theories – Research - Applications 4, no. 1 (June 27, 2017): 159–67. http://dx.doi.org/10.1515/ctra-2017-0008.
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Abstract The aim of this case study is to describe the social project "Wielkie nić / The Big Thread" - the creation of embroidered messages - which has many features in common with children’s play. Just like play, it needs space, time and rules, but at the same time, also a lot of freedom. And neither need spectators. Moreover, the project - like a form of symbolic play, where children use abstract things to represent reality - has a metaphorical significance. The threads, used for common embroidery, truly connect people. They realize how much they have in common and how they need each other. This can give a sense of unity and community and even change their consciousness.
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Bedrii, Christina. "Patriotic upbringing of younger students in class work." Scientific Visnyk V.O. Sukhomlynskyi Mykolaiv National University. Pedagogical Sciences 66, no. 3 (2019): 14–19. http://dx.doi.org/10.33310/2518-7813-2019-66-3-14-19.
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The article analyzes the implementation of patriotic education in the content of elementary school lesson work. It has been established that the upbringing of patriotism is one of the priority aspects of the national upbringing system and involves the formation of patriotic feelings, love for its people, a deep understanding of civic duty, and a willingness to defend the national interests of the Motherland. Examples of tasks and exercises in elementary education disciplines designed to educate children by patriots are considered. As, in the Concept of national patriotic education of children and youth it is stated that important patriotic qualities in children of primary school age appear through the prism of educational subjects of elementary school, in particular mother tongue, literary reading (through texts), mathematics (through the condition of mathematical problem) natural sciences (familiarization with traditions, respectful attitude to nature), work training (familiarization with traditional folk crafts, production of vignettes of different regions of Ukraine, decoration with different embroidery techniques ), musical art (comprehending the intonational peculiarities of music of the Ukrainian people), visual arts (forming a culture of feelings). An important place is given to the educational subject "I in the world", aimed at socializing the personality of the younger student, his patriotic and civic education. A program of Ukrainian patriotic upbringing of children and student youth, which outlines the content and basic tendencies of patriotic upbringing of the person, demonstrates that “at an early school age, it is important to shape a child's ability to recognize himself or herself as a member of a family, family, and child group; as a student, city or village resident; nurture her love for her home, school, street, her country, her nature, her native word, life, traditions [1,33]. Modern scholars distinguish the following structural components of a sense of patriotism: spiritual and moral experience and love for their native land; humanistic universal and national values; moral and aesthetic ideals of personality; creative and transformative activity for the benefit of the Motherland.
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Muslam, Muslam, Fatkuroji Fatkuroji, and Muntoli'ah Muntoli'ah. "Pemberdayaan Pemuda Karang Taruna Melalui Program Remaja Pintar Berbasis Agama Desa Wisata Kandri Kota Semarang." Dimas: Jurnal Pemikiran Agama untuk Pemberdayaan 16, no. 1 (July 18, 2016): 145. http://dx.doi.org/10.21580/dms.2016.161.896.
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<p class="Default">This accompanying outreach youth "Gerak Maju" in the tourist village Kandri Gunungpati Semarang city in plays an active role in taking the role of and participation in activities in the village tour kandri potentialities and promote tourism as one of the tourist icon in the city of Semarang in addition to tourist village Mijen and Nongkosawit. Public service aims to help resolve the problems experienced by Youth of Gerak Maju, in relation to some business skills and the development of the field of the internet as a promotional event or marketing tourism village.</p><p class="Default">The problems experienced by youth were prepared in a group organization to fill the business activities and promote tourism but will not yet have expertise in creative businesses and information technology so that its activities have not been able to program along with the villages that have been elevated to the Government program of the city of Semarang.</p><p>Solutions offered in the program of this devotion is to provide Entrepreneurship Training In Graphic Design, Syar'iah, usinh Weblog, techniques for embroidery ribbons, and marketing through the internet with emphasis on the promotion of the tourist potentialities that have been developed. Benchmark the success of this activity is the formation of a group/individual creative effort that Syar'iah as well as the availability of a set of media for promotion through the internet as well as the ability of the youth in the market. Benchmark the success of this activity is the formation of a group/individual creative effort that Syar'iah as well as the availability of a set of media for promotion through the internet as well as the ability of the youth in the market potential of the flagship through the internet. And also offers in depth Training in the form of approach to Entrepreneurship In Syar'iah, skilled In Entrepreneurship Syar'iah, graphic design, using Graphic Design create a Weblog, and manage Weblog website globally.</p><p> </p><p class="Default">Pengabdian masyarakat ini mendampingi pemuda karang taruna “Gerak Maju” di desa wisata Kandri Gunungpati Kota Semarang dalam berperan aktif dalam mengambil peran dan partisipasi dalam kegiatan di desa wisata kandri serta mempromosikan potensi-potensi desa Wisata tersebut sebagai salah satu icon wisata di kota Semarang selain desa wisata Mijen dan Nongkosawit. Pengabdian masyarakat ini bertujuan untuk membantu menyelesaikan permasalahan yang dialami Pemuda Karang Taruna Gerak Maju, dalam kaitannya dengan beberapa ketrampilan usaha dan pengembangan bidang internet sebagai ajang promosi atau pemasaran desa wisata.</p><p class="Default">Permasalahan yang dialami adalah pemuda karang taruna telah siap secara kelompok organisasi untuk mengisi kegiatan usaha dan mempromosikan desa wisata akan tetapi belum memiliki keahlian dalam usaha kreatif dan teknologi informasi sehingga kegiatannya belum mampu seiring dengan program desa wisata tersebut yang telah diangkat menjadi program pemmerintah kota Semarang.</p><p>Solusi yang ditawarkan dalam program pengabdian ini adalah Memberikan pelatihan Berwirausaha Secara Syar’iah, Desai Grafis, membuar Weblog, Teknik Sulam Pita, dan pemasaran melalui internet dengan menekankan pada promosi potensi-potensi wisata yang telah dikembangkan. Tolak ukur keberhasilan kegiatan ini adalah terbentuknya kelompok/individu usaha kreatif yang Syar’iah serta tersedianya seperangkat media untuk promosi melalui internet serta kemampuan para pemuda dalam memasarkan potensi unggulan melalui internet. Dan juga menawarkan pendekatan berupa Pelatihan secara mendalam untuk Berwirausaha Secara Syar’iah, terampil mem Berwirausaha Secara Syar’iah, Desain Grafis, membuar Weblog buat Desai Grafis, membuar Weblog serta mengelola website secara global.</p>
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Melnyk, Liudmyla, Olena Kyzymchuk, and Liudmyla Zubkova. "Ukrainian Folk Ornaments in Modern Knitting." TEKSTILEC 64, no. 2 (March 27, 2021): 84–95. http://dx.doi.org/10.14502/tekstilec2021.64.84-95.
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National arts and crafts are not only the skills of an individual nation but an ethnic phenomenon that has unique features and serves as a source of information on national history and culture. Decorative and applied art in Ukraine combines the traditions and techniques of manufacturing and decoration, which have been developed and passed down from generation to generation. It has a clear national identity and numerous regional differ¬ences in ornamental motifs, compositions and favourite colours. Therefore, the Ukrainian folk art has a significant potential and is a source of ideas in creating modern clothing as well as interior items. Embroidery as a way of creating ornamental motifs on a textile material using various techniques is a common process for decorating clothes and interiors for the Ukrainians. Today, ornamental compositions of embroidered folk textiles could be transmitted into modern clothes using various technologies. However, the use of a knitting machine allows creating a pattern during the item production. The ornament transformation into a pattern for knitting can be carried out with graphic software by creating a grid with a cell size similar to the loop size of a knitted structure for corresponding interlooping. A number of clothing and interior items with ethnic motifs was created using the capabilities of flat knitting machines within the masters programme “Knitting Technology and Design” at the Textile Technology and Design Department of the Kyiv National University of Technologies and Design.
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Zulifatul Zuhriyah, Mohammad Dullah, Zaenullah, and Rachma Y. "Handmade Bordir Sebagai Produk Unggulan Di Kota Probolinggo." Community Development Journal 4, no. 2 (December 13, 2020): 145–55. http://dx.doi.org/10.33086/cdj.v4i2.1769.
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AbstractEmbroidered craft in Indonesia is believed to be carried by many traders from China and India who carry out lots of buying and selling transactions in Indonesia, that's when these traders began to introduce embroidery crafts and their techniques. One of the leading industrial sectors is handmade products in the form of embroidery craft where initially in Probolinggo there was a center for embroidery industry but after the monetary crisis occurred in Indonesia since 1998 many craftsmen could not survive due to the high raw materials and the lack of buyers and the inability of craftsmen to reach other markets, leaving only a few that still exist today. This Community Service Activity Partner is Rizza Bordir. To achieve this goal, theCommunity Service activities are carried out using the Participatory Rural Appraisal Model (PRA), Community Development Model, through Persuasive and Educational Approaches. The results of this activity concluded that: Solving financial problems experienced by partners is to make software software, 2) Creation of new markets through online media in the form of Websites, Youtube, and Social Media is done by re-uploading files and images on IG, Facebook, Update Youtube Appearance and Start looking for Subsribe by promoting it through WA groups and Facebook, and Giving Hastage #RizzabordirProbolinggo so that the media will start to know Rizza Embroidery and can be read by Google.com and 3) That the help of tools in the form of Machines and E-commerce is expected to be maximized by Partners to be able to develop their business and increase turnover.Keywords: Rizza Embroidery, Handmade, E-Commerce
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Blyzniuk, M., and N. Vakulenko. "ACHIEVEMENTS OF THE ALL-UKRAINIAN CENTER OF EMBROIDERY AND CARPET WEAVING IN RESHETYLIVKA: HISTORICAL MILESTONES AND PROSPECTS." Ukrainian professional education, no. 8 (November 25, 2020): 36–44. http://dx.doi.org/10.33989/2519-8254.2020.8.239446.
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The article describes the origins and prospects of the All-Ukrainian Center for Embroidery and Carpet Making in Reshetylivka, Poltava region. Its creation contributes to the implementation of state policy in the field of culture and provides the basis for the revival and preservation of embroidery and carpet weaving traditions as the oldest artistic craft. There is a problem of public awareness of the elements of intangible cultural heritage. The reason is the lack of information sources, communication technologies, and educational activities on relevant topics, as well as insufficient motivation to study these issues.
It is emphasized that at the present stage of development of society in the world cultural space, there are significant changes associated with the comprehensive process of globalization, under the pressure of which languages disappear, traditions are forgotten and lost, weakened local cultures are on the verge of extinction. Traditional branches of Ukrainian culture contribute to the preservation of national identity, are a consolidating factor in the development of the nation, as well as an essential component of economic development.
It is emphasized that due to the efforts of talented people, who make up the cultural center of Reshetylivka, the technology of «white-on-white embroidery» in 2017 was included in the National Register of Intangible Cultural Heritage of Ukraine, and «traditions of plant carpet weaving» of Reshetylivka was also included in the National Register of Intangible Cultural Heritage of Ukraine in 2018. On October 3, 2018, in accordance with the Resolution of the Cabinet of Ministers of Ukraine № 987, the state non-profit institution «All-Ukrainian Center of Embroidery and Carpet Making» was established in Reshetylivka on the basis of a former factory; this center of embroidery and carpet weaving is a cultural, educational, artistic, and research institution of culture, which belongs to the sphere of management of the Ministry of Culture of Ukraine.
In the future, it is planned to study the history of famous Ukrainian families, dynasties, individual masters of embroidery, carpet weaving, weaving, publishing periodicals, scientific works on folk arts and crafts of embroidery and carpet heritage; participation in the training of scientific staff, in particular, craft researchers, museum specialists, culturologists, technology teachers; production of products and souvenirs decorated with artistic and national embroidery (clothing, interior, and ceremonial fabrics, hats, table and bedding accessories), manufacturing of carpets and artistic weaving products.
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Rakhmatova, Nilufar Mustaqimovna. "THE ROLE OF EMBROIDERY AND HOME WORK IN THE DEVELOPMENT OF ENTREPRENEURSHIP IN UZBEKISTAN." CURRENT RESEARCH JOURNAL OF HISTORY 02, no. 05 (May 31, 2021): 93–97. http://dx.doi.org/10.37547/history-crjh-02-05-21.
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This article discusses the creation of favorable economic and social conditions for the revival of forgotten traditional handicrafts in Uzbekistan in recent years and the future development of its surviving varieties. In the Soviet era, domestic labor was initially opposed for political and ideological reasons, but later, under the notion of “self-employment,” domestic production was not strongly opposed, but not enough attention was paid to its development.
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Xuan, Zhou, and Zhang Jianmin. "Extraction of Miao Embroidery Culture Factors Based on Perception Analysis." E3S Web of Conferences 179 (2020): 02086. http://dx.doi.org/10.1051/e3sconf/202017902086.
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Through the way of creating model, this paper deeply explores and analyses the extraction of Miao embroidery cultural factors, endows traditional embroidery with new vitality, further enriches the cultural connotation of products, inherits the fine Miao embroidery culture and endows it with new vitality, promotes it to be further developed on the basis of adapting to the development environment of the new era, and better meets the diversification and individualization of various users. Firstly, this paper collects data from various channels, collects appropriate morphological samples according to relevant standards or requirements after integrating them scientifically and reasonably, chooses the method of semantic difference which is widely used at present, and compiles a five-point psychological scale which is reliable, reasonable, standardized and effective. At the same time, it discusses it comprehensively and deeply through the classical analytic hierarchy process. Various factors affecting the vocabulary of stylistic features and their importance are ranked to determine the most significant and prominent cultural factors. The main purpose of this paper is to combine the two different fields of culture and design rationally, so as to promote the further enrichment of product culture on the basis of inheriting and developing traditional culture.
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Wargula, Carolyn. "Embodied Objects: Chūjōhime’s Hair Embroideries and the Transformation of the Female Body in Premodern Japan." Religions 12, no. 9 (September 15, 2021): 773. http://dx.doi.org/10.3390/rel12090773.
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The female body in medieval Japanese Buddhist texts was characterized as unenlightened and inherently polluted. While previous scholarship has shown that female devotees did not simply accept and internalize this exclusionary ideology, we do not fully understand the many creative ways in which women sidestepped the constraints of this discourse. One such method Japanese women used to expand their presence and exhibit their agency was through the creation of hair-embroidered Buddhist images. Women bundled together and stitched their hair into the most sacred parts of the image—the deity’s hair or robes and Sanskrit seed-syllables—as a means to accrue merit for themselves or for a loved one. This paper focuses on a set of embroidered Japanese Buddhist images said to incorporate the hair of Chūjōhime (753?CE–781?CE), a legendary aristocratic woman credited with attaining rebirth in Amida’s Pure Land. Chūjōhime’s hair embroideries served to show that women’s bodies could be transformed into miraculous materiality through corporeal devotional practices and served as evidence that women were capable of achieving enlightenment. This paper emphasizes materiality over iconography and practice over doctrine to explore new insights into Buddhist gendered ritual practices and draws together critical themes of materiality and agency in ways that resonate across cultures and time periods.
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Ma, Chen, and Zhengxing Sun. "StitchGeneration: Modeling and creation of random-needle embroidery based on Markov chain model." Multimedia Tools and Applications 78, no. 23 (August 8, 2019): 34065–94. http://dx.doi.org/10.1007/s11042-019-08053-7.
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Harjani, Centaury. "Visualisasi Karya Patchwork Sebagai Usaha Penyadaran Menjaga Kelestarian Lingkungan." PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 2, no. 1 (January 1, 2016): 52. http://dx.doi.org/10.24821/productum.v2i1.1726.
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The work of art has a lot of variety, concepts, themes, until the destination in the making art. The sameness in every work of art that each work must have had the mark or the symbolism that will be showed through the work. This paper contains the elaboration of a work textile craft "Dryness" based on material, technique and visual aspects ofform in order to preserving the environmental awareness. "Dryness" is the work of art that use residue material which isnot commonly used in a work of textile craft, it is to influencing the behavior of people generaly. Creating the works using patchwork and embroidery as a whole is intended to describe the environmental conditions of drought. This works not only have meaning to raise awareness of natural conditions in the environment, but also condering people about how it impacts the environment and how it impacts to everyone who witnessed it. The expectation from this article is inspire the creation of art to have insight environmental awareness not only in terms of a visual aspect but also from the material aspect.Keywords: Visualization, Environmental Awareness, Patchwork.
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White, Tanya. "Embroidered portraiture and the intentional creation of human visibility and value." Craft Research 7, no. 2 (September 1, 2016): 247–61. http://dx.doi.org/10.1386/crre.7.2.247_1.
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Douny, Laurence. "Silk-embroidered garments as transformative processes: layering, inscribing and displaying Hausa material identities." Journal of Material Culture 16, no. 4 (December 2011): 401–15. http://dx.doi.org/10.1177/1359183511424197.
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This article explores some aspects of Hausa wild silk embroidered gowns known as riga, interpreting these famous and prestigious attires in the light of techniques and transformative processes. The author thus highlights implicit forms of knowledge underlying material practices about, first, the wearing and layering of highly decorated gowns and, second, the process of creating silk-embroidered motifs (on the outside gown) and inked patterns (on the inside gown) that stand as the objectification and expression of charismatic power through self-display. The author proposes that Hausa wild silk-embroidered gowns constitute a material identity of power in that they materialize individual as well as group social status, prestige, fame and wealth. The empirical materials derive from ongoing fieldwork in northern Nigeria on the production and use of wild silk, a particular substance/material to which mystic properties are attributed and which plays an important role in the empowerment of riga.
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Negi, Monika, Anita Rani, and Anupriya Singh. "NEW HORIZON FOR AIPAN (FOLK ART OF UTTARAKHAND) MOTIFS THROUGH APPLIQUÉ." International Journal of Research -GRANTHAALAYAH 3, no. 9 (September 30, 2015): 36–48. http://dx.doi.org/10.29121/granthaalayah.v3.i9.2015.2944.
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The Indian folk arts with printing and embroidery play important role in creating new designs. Escalating demands of consumers requires modification in the fashion industry with respect to design, colour, style and technique.So an attempt was made to develop a design pool using folk art of Uttarakhand (aipan) for applique work. This also provides the opportunity to use the adapted traditional motifs on textiles and to preserve the beautiful traditional folk art. Aipan motifs were adapted for center design, border design, and buti design. Total thirty motifs / designs were developed keeping in mind their suitability for articles like bags, pencil purse and mobile holder. All the developed designs were subjected to visual evaluation for selection of two best designs in each category by the panel of thirty judges to find out the suitability of the developed designs for appliqué work. Thus total six motifs were selected for preparation of the five arrangements for each article. Four final selected arrangements with appliqué work were prepared using different embroidery stitches (slip hemming, couching, buttonhole and chain stitch). Plain red poplin and left-out fabrics were used to prepare articles. Finally articles were prepared by using selected arrangements and these prepared articles were highly appreciated by the consumers.
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Dhameria, Vita, Imam Ghozali, Abas Hidayat, and Vincent Didiek Wiet Aryanto. "Networking capability, entrepreneurial marketing, competitive advantage, and marketing performance." Uncertain Supply Chain Management 9, no. 4 (2021): 941–48. http://dx.doi.org/10.5267/j.uscm.2021.7.007.
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Business success is closely related to the marketing process. A good defined marketing strategy conducted to increase a sales business and marketing. The elements that must be developed are networking capability, entrepreneurial marketing, competitive advantage, and marketing performance. The sustainability of Indonesian businesses, especially small and medium enterprises (SMEs), is a challenge for entrepreneurs. SMEs are an important factor that affects the increase of national economic growth. This research investigated variables such as networking capability, entrepreneurial marketing, competitive advantage, marketing performance of embroidery SMEs in Tasikmalaya City West Java Indonesia. The technique sampling used in this research was purposive sampling. Samples gained were 120 SMEs. In analyzing the data, researchers employed Structural Equation Model (SEM) method from software AMOS. Entrepreneurial marketing activities are closely related to creating competitive advantage through innovation in the creation of better products, processes, and strategies to satisfy customer needs and desires. Hypothetical testing results showed that network capability and entrepreneurial marketing are important factors that significantly influence competitive advantage of SMEs. Networking capability, entrepreneurial marketing, and competitive advantage are important factors that significantly influence marketing performance of SMEs. Therefore, networking capability, entrepreneurial marketing, competitive advantage, and marketing performance must be developed for sustainable the successfulness of SMEs.
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Kosinkova-Stoeva, Angelina. "DESIGN AND MODELING OF LADIES' CLOTHING WITH A STUDY OF THE DECORATIVE FEATURES OF THE BULGARIAN FOLK COSTUME FROM THE PIRIN REGION." International Conference on Technics, Technologies and Education, no. 1 (2018): 76–82. http://dx.doi.org/10.15547/10.15547/ictte.2018.02.003.
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For many centuries the Bulgarian costumes have been one of the main objects of Bulgarian artistic creativity. High artistic embroidery, types of fabrics, patterns, shapes are a source for revealing the ethnic unity and diversity of traditional Bulgarian culture. The great wealth of decorative elements of the folk costume in the Pirin region, distinguished by its inimitable variety and color, are the basis for the creation of designs and designs for modern ladies' garments. The aim of the present work is to trace and explore the historical development of the traditional folk costume in the Pirinan region and to design modern women's clothing using the decorative elements of the authentic costumes.
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Rykhlitska, O. D., and O. I. Kosyk. "ORNAMENTAL MOTIVES OF MODERN DESIGN PRACTICES." UKRAINIAN CULTURAL STUDIES, no. 1 (8) (2021): 59–65. http://dx.doi.org/10.17721/ucs.2021.1(8).13.
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The article analyzes modern design practices based on symbolic and ornamental motives of folk art and their modern actualization in ethno-artistic areas, reflecting the relationship of traditional aspects with innovative, symbolic translation of cultural experience in time and space, creating symbolic value images, enhancing emotional environment and creating new narratives. Symbols, as the basis of the existence of the people, reflect the ethno- national aspects of culture, is an opportunity to find yourself at the level of relationship with your people, your nation, traditions. The appeal to archetypes is a special methodological perspective in which the meaning of the future is created due to the transformation of the past into a symbol. What is relevant in modern Ukrainian realities is that the whole cultural paradigm is being reconsidered and new ways of national identification are being sought. Embroidery is marked by a special color and incredible ornamentation, complex performance technique, which is reflected in the symbols of sociocultural practices, immersing in the depths of traditional norms and values that encourage to feel, assimilate, preserve and transmit. In modern domestic discourse, design practices are thought of as aimed at transforming the cultural environment into the integrity of cultural and natural components. They serve as a basis for forming an idea of the world and building harmonious relationships with the world. And the use of symbols-amulets and a certain emotional color is a special process of self-identification and the foundation for the revival of national culture and spiritual values, seeing their own place in the global cultural and artistic space. Therefore, the use of ornamental symbols in design practice is the basis for the revival of national culture and spiritual values and the formation of a new promising direction of Ukrainian design. Among the spiritual heritage of Ukraine with its color and incredible ornamentation, complex technique is embroidery, which is reflected in the symbols-codes of modern socio-cultural practices
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Мельник, Л. М., А. С. Конотоп, and О. П. Кизимчук. "ЗАСТОСУВАННЯ ТРАДИЦІЙНИХ НАЦІОНАЛЬНИХ ЕЛЕМЕНТІВ ОЗДОБЛЕННЯ В СУЧАСНОМУ ОДЯЗІ." Art and Design, no. 2 (June 15, 2018): 51–58. http://dx.doi.org/10.30857/2617-0272.2018.2.6.
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The purpose of this work is to establish the possibility of the decorating of modern women's clothes with artistic elements and ornaments of traditional national clothes of Ukraine different regions and their subsequent reproduction in knitwear. Methods of literary-analytical review and visual-analytical research are used.The elements of clothing decoration that are characteristic of ethnic Ukrainian clothing have been defined during the research. The structures of knitted fabrics based on on openwork, plated and interlooping with unrolling, which simulate different merezhka of traditional Ukrainian embroidery, have been developed in this study. The few variants of simple mesh are offered: narrow one made on the basis of the rib 1 + 1 with an unrolling; narrow complex canvas - on the basis of openwork interlooping; wide (more than 2 cm) canvas - on the basis of a plated interlooping. The model of the women's dress is executed in the semi-regular way on two-bar flat-knitted machine, using the developed variants of knitted fabric structures. Taking into account the traditions of an arrangement of the embroidery decoration elements and modern fashion trends, it is proposed to use a narrow simple snap-net to decorate the neck of the product, a wide snap-net, having a plant ornament to knit 2/3 of the bottom of the sleeve. The narrow canvas is also used as a connecting element of the sleeve parts made with various interlooping. The decoration elements of national Ukrainian clothes have been investigated and reproduced in women's knitted dress by new knitted structure creation taking into account modern technology. Research results can be used to expand the range of modern women's clothing
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Robinson, Michele Nicole. "Dirty Laundry: Caring for Clothing in Early Modern Italy." Costume 55, no. 1 (March 2021): 3–23. http://dx.doi.org/10.3366/cost.2021.0180.
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Personal linens were key components of early modern health regimens. When they were visibly clean and bright white, linen shirtsleeves, collars and cuffs communicated the cleanliness of the wearer's body, as well as the state of their mind, morals and spirit. These functional garments and accessories could also be fashionable, especially when decorated with ruffles, lace and embroidery. Linens thus communicated hygienic, social, moral and financial information, which was generated by and reliant upon processes of laundry. This article explores some of these processes, especially as they pertain to linen shirts, cuffs and ruffs owned by non-elite people living in northern Italian cities. It brings archival, visual and material sources together with evidence generated through the re-creation of early modern processes of caring for clothing to show how ‘doing the laundry’ imparted linens with social and financial meanings and values.
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Lestari, Soraya, and Novi Hardiyanti. "Pengembangan Kota Wisata Syariah dengan Peningkatan UMKM Syariah." Jurnal Maksipreneur: Manajemen, Koperasi, dan Entrepreneurship 9, no. 1 (November 15, 2019): 61. http://dx.doi.org/10.30588/jmp.v9i1.437.
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<p><em>The growth of the Islamic economy is currently growing rapidly. This can be seen from the number of Micro, Small, and Medium Enterprises (MSMEs) that adopt the principles of Islamic business. Sharia MSME is a means of creating jobs and encouraging economic progresses, and advancing private sector businesses. The emergence of many new entrepreneurs who adopted the sharia system in Aceh becomes a great opportunity as a center for sharia products. Not only sharia products, Sharia MSMEs more broadly include the application of the Islamic financial system, including culture, entertainment, lifestyle, and tourism. The need for Aceh's flagship products wrapped in nuances of Islamic principles is still very limited in Aceh. It becomes an obstacle to make Aceh as a tourist destination with Islamic principles. The number of embroidery craftsmen is still less compared to the number of requests. This condition is based on the work that is still traditional and has not used a computerized machine yet. The limitations of human resource capabilities often become obstacles for using technology, production processes, and business development. The increase in sharia tourism will have a positive impact on the improvement of sharia MSMEs. This can be seen from the level of creativity, knowledge, and marketing according to tourist demand. The purpose of this study was to determine whether there is a significant influence of creativity, knowledge, and marketing to the improvement of Islamic MSMEs. This research has been conducted with questionnaires for the entrepreneurs’ MSMEs of embroidery products in Aceh. The results of this study indicate that createvity, knowledge, and marketing simultaneously influence the improvement of sharia MSMEs. Partially, creativity and knowledge variables do not influence the improvement of sharia MSMEs, while marketing affects the improvement of sharia MSMEs significantly.</em></p>
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Shi, Jian Ping, Xuan Wang, Xian Yan Liu, and Jia Ni Zhu. "Analysis on the Application of Traditional Shoulder Adornment Arts in Fashion Design." Advanced Materials Research 175-176 (January 2011): 777–81. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.777.
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Shoulder adornment, as a colorful flower among traditional Chinese costume, is known for its totem-rich patterns, exquisite embroidery skill and unique decorative application. In this paper, the modeling and structure of the shoulder adornment arts were discussed and explained. The direct, indirect and re-creation application method of artistic representations were applied into the design of cheongsam, sweater and evening dress to create innovative effect. These clothes not only kept the charm of Chinese shoulder adornment, but also represented the characteristics of modern fashion design. Modern women clothes with the characteristics of luxury, graceful and Chinese traditional could be designed on the basis of the combination of unique shoulder adornment styles with modern fashion style, which embodied great artistic value and unique creativity of shoulder adornment in traditional Chinese costume culture and represented the culture implication of the unity of heaven and man.
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Pankratov, Sergey S. "THE PROBLEM OF ATTRIBUTION OF PRODUCTS OF THE TRADE AND INDUSTRIAL PARTNERSHIP “P.I. OLOVYANISHNIKOV'S SONS” IN THE LIGHT OF NEW INFORMATION ABOUT THE COMPANY." Articult, no. 4 (2020): 92–103. http://dx.doi.org/10.28995/2227-6165-2020-4-92-103.
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The article is devoted to the problem of attribution of individual works of the commercial and industrial partnership “P.I. Olovyanishnikov's sons”. The article describes for the first time previously unknown divisions of the Partnership, such as the icon painting studio, painting, embroidery and carpentry workshops, brocade factory, and indicates sources confirming their existence. The date of creation of the Church utensils factory in Moscow has been revealed. For the first time, the structure of the Partnership, its staff and their qualifications are analyzed. The relationship between the Partnership and the Stroganov school is revealed. The article analyzes the relationship between Olovyanishnikov and other manufacturers of art products and the artist M.V. Nesterov. The article describes the principles of product separation depending on its artistic merits. We consider the profile reference materials printed publications of the enterprise, which contain information about the types of products of the Partnership.
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Stasiowski, Maciej. "Built as Rain. Film Analysis of Unbuildable Architectural Speculations – a Case Study of „Instant City” (dir. Peter Cook and Ron Herron, 1968) and „The Zero Theorem” (dir. Terry Gilliam, 2013)." Kwartalnik Filmowy, no. 109 (May 25, 2020): 159–76. http://dx.doi.org/10.36744/kf.279.
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The introduction of time-based media into the design stage opened up a new understanding of architectural and represented space as a dematerialized, dynamic, and user-dependent concept. Unbuildable architectural projects always relied on specific techniques and media. Their radical nature usually channelled innovative artistic currents and visualization tools, like collage and pop art aesthetics in the works of Archigram. Cinema is yet another ground for such deliberations. With Instant City (Archigram’s Peter Cook and Ron Herron) and The Zero Theorem (Terry Gilliam) the problem of dematerialization is being channelled by architectural/spatial proposals that involve a range of literary tropes, cultural texts, and filmic intertexts, in order to create a rich embroidery of references that forward a new look upon architectural production as a practice of creating protocols for dynamic and all the more elusive imagery. This article’s central objective lies in the task of reframing a discussion on iconicity, media facades, and mutative building skins, so as to include modes of cinematic portrayal that are not just contents of architectural “messages”, but also their “media”.
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Zakiah Hidayati and Cisyulia Octavia Helikopta Simanjuntak. "PELATIHAN KREASI TAS GONI DARI LIMBAH PASAR UNTUK MENINGKATKAN NILAI EKONOMI PRODUK." Jurnal Pengabdian UntukMu NegeRI 3, no. 2 (November 1, 2019): 134–39. http://dx.doi.org/10.37859/jpumri.v3i2.1449.
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We are facing a lot of environmental issue right now. One of the environmental problem is household and industrial waste such as plastic. Plastic waste is becoming a widely recognised environmental problem. The government of Samarinda has been banned plastic bags in grocery stores in order to reduce plastic waste as determined by Mayor Regulation No. 8 of 2019. Lots of people are looking for reusable shopping bag. One of the alternative to plastic grocery bag is burlap bag. The traditional market sellers often sell their grain in burlap sacks and may be willing to give away the unusable sacks. Burlap is very useful and has many specific application, like grocery bag and pouch. Burlap grocery bag can be adorned with patch, embroidery and beads. The aim of community service is to teach housewives to design and apply patch onto the burlap grocery bag, as traditional market waste, in order to increase the value of product. The result of the class is : improved their skill in designing and creating patch on burlap bag. It is hoped that the class will support the potential of creativity industry by reusing the waste material.