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Journal articles on the topic 'Creative citie'

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Published: 9 March 2023
Last updated: 10 March 2023

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1

Lee, Chang Bin. "Creative economies, creative cities." International Journal of Cultural Policy 17, no. 3 (June 2011): 356–57. http://dx.doi.org/10.1080/10286632.2010.531718.

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2

Kolotouchkina, Olga. "Creatividad y la identidad cultural urbana: Experiencias destacadas en las ciudades contemporáneas. / Creativity and urban cultural identity: Best practices in contemporary cities." Revista Internacional de Cultura Visual 5, no. 1 (July 11, 2018): 1–8. http://dx.doi.org/10.37467/gka-revvisual.v5.1524.

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This research paper is a reflection on the role of innovation and creativity in the urban landscape. Based on the analysis of the prominence of cities in the context of globalisation and the essential role of culture for urban regeneration and competitive advantage, the paper illustrates a series of innovative urban cultural practices implemented in different cities around the world. The focus on iconic architecture, the creative transformation of urban spaces as well as the hosting of mega-events reaffirm the urban cultural identity on account of new urban narratives, innovative dynamics of cultural consumption and entertainment, creative talent attraction and boost to the creative industries. In addition, those innovative practices become the catalyst for citizen engagement and activism. El artículo ofrece una reflexión sobre el papel de la innovación y la creatividad en el entorno urbano. Partiendo del análisis del protagonismo de las ciudades en el contexto de la globalización y el papel esencial de la cultura para la competitividad y la regeneración urbana, se ilustra una serie de innovadoras prácticas culturales en diferentes ciudades alrededor del mundo. La apuesta por la arquitectura icónica, la transformación creativa del espacio urbano, así como la celebración de mega-eventos culturales reafirman la identidad cultural urbana a través de la creación de nuevas narrativas urbanas, innovadoras dinámicas de ocio y consumo cultural, la atracción del talento creativo y el estímulo a las industrias creativas. Por otro lado, estas prácticas innovadoras se convierten en el catalizador del activismo y la participación ciudadana.
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3

Leslie, Deborah. "Creative cities?" Geoforum 36, no. 4 (July 2005): 403–5. http://dx.doi.org/10.1016/j.geoforum.2005.02.001.

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4

Douglas, Rachel, and Anne Barrett. "Creative Cities Creating Connections: Fostering Cross-Age Interaction Through Leisure." Innovation in Aging 4, Supplement_1 (December 1, 2020): 438. http://dx.doi.org/10.1093/geroni/igaa057.1416.

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Abstract Older and younger people interact infrequently in most social realms – a pattern stemming from institutional, cultural, and spatial age segregation. Increasing cross-age interaction offers promise as a strategy for not only enhancing social connections but also reducing ageist attitudes. We argue that a social realm with untapped potential for creating these connections is leisure, particularly within creative cities. To explore this possibility, our study examines cross-age interactions in Key West, Florida – a leisure-oriented city that promotes creativity through its social and built environment. Using participant-observation and interview data (n=126) from 2017 to 2019, we examined leisure experiences of tourists and residents, aged 23 to 83. Findings indicate that creative cultural contexts can counter ageist attitudes by promoting cross-age interaction. Data analysis revealed three processes encouraging these shifts – promoting diversity and acceptance, enhancing older adults’ participation, and nurturing intergenerational bonds. Ongoing cross-age interactions were fostered through the island’s welcoming philosophy and encouragement of out-group acceptance and diversity. They were further fostered by the island’s wide array of leisure activities and proximity of shared spaces that enabled older adults to readily pursue leisure with younger people. Cross-age ties also were promoted by the island’s focus on family-friendly leisure experiences. Our research highlights the potential of creative cities to promote age integration, and reduce ageism, through its cultural practices within leisure spaces.
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De Miguel-Molina, María, Virginia Santamarina-Campos, Blanca De Miguel-Molina, and María del Val Segarra-Oña. "Creative cities and sustainable development: mural-based tourism as a local public strategy." Dirección y Organización, no. 51 (December 1, 2013): 31–36. http://dx.doi.org/10.37610/dyo.v0i50.429.

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Creative locations become a key element of public regeneration strategies and develop innovative services based on intellectual proper ty. Some communities that have chosen to develop their tourism potential through the use of murals have improved their local development in a sustainable way, thus meeting a need expressed by tourists to create a more active experience with an opportunity for the destination to embed experiences in the locality. In this study, which was carried out as part of an international cooperation research project with Uruguay, we have explored whether Uruguayan mural art may be a way for Uruguayan towns to develop sustainable, creative, mural-based tourism. We used a qualitative content analysis, through in-person interviews, and found that its potential has not been exploited due to the lack of an organized public strategy.Keywords: creative cities, mural art, local sustainable development, mural-based tourism.Ciudades creativas y desarrollo sostenible: turismo basado en el arte mural como estrategia pública localResumen: Las localidades creativas son un elemento clave para el impulso de estrategias de regeneración pública y de creación de servicios innovadores basados en la propiedad intelectual. Algunas comunidades que han optado por desarrollar su potencial turístico a través del arte mural han mejorado su desarrollo local de manera sostenible, uniendo la necesidad de los turistas de vivir una experiencia más activa con la oportunidad de incluir en esas experiencias a la localidad. En este estudio, llevado a cabo en el marco de un proyecto de investigación de cooperación internacional con Uruguay, analizamos si el arte muralista uruguayo podría ser una vía para las localidades uruguayas de desarrollar un turismo sostenible y creativo. Para ello hemos realizado un análisis cualitativo del contenido de diversas entrevistas observando que dicho potencial no ha sido explotado debido a la falta de una estrategia pública organizada.Palabras clave: ciudades creativas, arte mural, desarrollo local, turismo basado en el muralismo.
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6

Podolskaya, Tatiana, Alexey Baranov, and Ludmila Tomashevskaya. "URBAN CREATIVE CLUSTERS AS A FACTOR OF GLOBAL ECONOMIC EFFICIENCY." EUrASEANs: journal on global socio-economic dynamics, no. 2(21) (April 4, 2020): 33–43. http://dx.doi.org/10.35678/2539-5645.2(21).2020.33-43.

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In the paper the authors analyze theoretical approaches to definition and classification of creative clusters, including used by the international economic organizations. The role and influence of creative economy for modern development of the urbanized cities is shown. In the paper the production factor which is basic for creation of added value in creative economy is designated. The authors show influence of the creative industries on development of world economy using of relevant analytical materials and statistical data. On the basis of the retrospective analysis from the Russian and foreign practice experience of creation and development of the creative cities is analyzed. Such mechanisms of change of the urbanized cities’ public space as a placemaking and redevelopment are described. In the study the comparative analysis of creative economy’s key indicators of the world capitals – leaders in development of the creative environment in dynamics is carried out. Analysis is based on the data of the Global Creativity Index and the interrelation of creativity level with urban saturation and competitiveness of the countries and cities.
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7

Evans, Graeme. "Creative Cities, Creative Spaces and Urban Policy." Urban Studies 46, no. 5-6 (May 2009): 1003–40. http://dx.doi.org/10.1177/0042098009103853.

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The paper presents the results of an international study of creative industry policies and strategies, based on a survey of public-sector creative city initiatives and plans and their underlying rationales. As well as this survey and an accompanying literature review, interviews were carried out with senior policy-makers and intermediaries from Europe, North America, Africa and south-east Asia. The paper considers the scope and scale of so-called new-industrial clusters in local cultural and creative quarters and sub-regional creative hubs, which are the subject of policy interventions and public—private investment. The semantic and symbolic expansion of the cultural industries and their concentration in once-declining urban and former industrial districts, to the creative industries, and now to the knowledge and experience economy, is revealed in economic, sectoral and spatial terms. Whilst policy convergence and emulation are evident, manifested by the promotion of creative spaces and industry clusters and versions of the digital media and science city, this is driven by a meta-analysis of growth in the new economy, but one that is being achieved by old industrial economic interventions and policy rationales. These are being used to justify the redevelopment of former and residual industrial zones, with cities utilising the creative quarter/knowledge hub as a panacea to implement broader city expansion and regeneration plans.
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8

Sobrino, Jaime. "Entre mitos y realidades: ciudades mexicanas que concentran clase creativa / Between myths and realities: Mexican cities that concentrate the creative class." Estudios Demográficos y Urbanos 31, no. 2 (May 1, 2016): 501. http://dx.doi.org/10.24201/edu.v31i2.1595.

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El propósito del presente documento consiste en realizar un estudio exploratorio sobre los atributos demográficos y económicos de las ciudades de México en donde se concentra la clase creativa, es decir, aquel segmento de la oferta ocupacional en el mercado urbano de trabajo que se compone por profesionistas, profesores universitarios, investigadores, trabajadores del arte, espectáculos y deportes. El término clase creativa fue propuesto por Richard Florida (2002), y a este segmento de la población ocupada se le ha dado una connotación de ventaja competitiva para la ciudad en donde reside, de tal manera que se ha tratado de comprobar la relación entre el desempeño económico local y la presencia de dicha clase. Aquí no se utiliza a la clase creativa como variable explicativa del comportamiento económico local. Más bien se busca aportar elementos sobre las características de las ciudades con mayor intensidad de clase creativa en su estructura ocupacional. Para alcanzar el propósito se realiza un modelo de regresión logística multivariada. Los resultados permiten concluir que las ciudades donde se concentraba la clase creativa en 2010 eran preferentemente capitales estatales y/o con baja participación de la producción manufacturera en su estructura económica. Asimismo, los ocupados en la clase creativa tuvieron mayor tasa de migración interna con respecto a la población ocupada total. Los lugares de origen y destino de la migración creativa fueron ciudades especializadas, ambas en este tipo de ocupados.AbstractThe purpose of this document is to conduct an exploratory study of the demographic and economic attributes of cities in Mexico where the creative class is concentrated, in other words, the sector of the urban labor market comprising professionals, university professors, researchers, and those engaged in the arts, entertainment and sports. The term “creative class” was coined by Richard Florida (2002) and this segment of the working population has been given a connotation of competitive advantage for the city where it lives. Accordingly, attempts have been made to test the link between local economic performance and the presence of the creative class. This study, however, does not use the creative class as an explanatory variable of local economic behavior. Instead, it seeks to shed light on the characteristics of the cities with the greatest intensity of the creative class in its occupational structure. To this end, a multivariate logistic regression model was designed. The results show that cities where the creative class was concentrated in 2010 were mainly state capitals and/or with a low share of manufacturing output in their economic structure. Likewise, those engaged in the creative class had a higher rate of internal migration with regard to the total working population. The places of origin and destination of creative migration were cities specializing in this type of employees.
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9

Malecki, Edward J. "Handbook of Creative Cities." Regional Studies 46, no. 8 (September 2012): 1102–3. http://dx.doi.org/10.1080/00343404.2012.709738.

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10

Hospers, Gert-Jan. "Creative cities in Europe." Intereconomics 38, no. 5 (September 2003): 260–69. http://dx.doi.org/10.1007/bf03031728.

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11

Jensen, Rodney. "Planning for Creative Cities." Australian Planner 46, no. 3 (September 2009): 22–31. http://dx.doi.org/10.1080/07293682.2009.10753405.

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12

Holden, John. "Thought Piece: Creative cities." Place Branding and Public Diplomacy 3, no. 4 (October 2007): 287–90. http://dx.doi.org/10.1057/palgrave.pb.6000076.

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13

O'Connor, Justin, Xin Gu, and Michael Kho Lim. "Creative cities, creative classes and the global modern." City, Culture and Society 21 (June 2020): 100344. http://dx.doi.org/10.1016/j.ccs.2020.100344.

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14

Waitt, Gordon, and Chris Gibson. "Creative Small Cities: Rethinking the Creative Economy in Place." Urban Studies 46, no. 5-6 (May 2009): 1223–46. http://dx.doi.org/10.1177/0042098009103862.

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Whether advocating creativity as a means to place competition or critiquing the social dislocations that stem from creativity-led urban regeneration, research about the creative economy has tended to assume that large cities are the cores of creativity. That many workers in `creative' industries choose to live and work in small urban centres is often overlooked. In this context, this article aims to recover within debates the importance of size, geographical position and class legacies in theories of creativity, economic development and urban regeneration. Using empirical materials from a case study of one Australian city—Wollongong, in New South Wales—it is argued that what might at first appear a rather parochial example illustrates the importance of rethinking the creative economy in place. Crucially, it is shown that, regardless of the numerical population size of a city, creativity is embedded in various complex, competing and intersecting place narratives fashioned by discourses of size, proximity and inherited class legacies. Only when the creative economy is conceptualised qualitatively in place is it possible to reveal how urban regeneration can operate in uncertain and sometimes surprising ways, simultaneously to estrange and involve civic leaders and residents.
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15

Pratt, Andy C. "Creative cities: the cultural industries and the creative class." Geografiska Annaler: Series B, Human Geography 90, no. 2 (June 2008): 107–17. http://dx.doi.org/10.1111/j.1468-0467.2008.00281.x.

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16

Vavilina, Nadezhda, Galina Parshukova, and Polina Parshukova. "Creative capital of Siberian cities." проект байкал, no. 69 (November 13, 2021): 50–53. http://dx.doi.org/10.51461/projectbaikal.69.1846.

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The article considers sociological theoretical approaches to the understanding of creative capital as a resource for the development of urban economies. It features methodological approaches to sociological research. The data of comparative analysis of the creative capital of Krasnoyarsk and Novosibirsk are presented. The comparative analysis was carried out on the materials of real sociological research conducted in 2020 according to a common methodology for determining a quota sample. The study was carried out on the basis of a quota sample of the city population aged 18 and over. The reliability of the data obtained was ± 3,5 %. The authors make a conclusion that there are differences in the nature of creative capital in Krasnoyarsk and Novosibirsk. This fact should condition different strategies for the development of creative industries for these cities.
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17

Florida, Richard. "Cities and the Creative Class." City & Community 2, no. 1 (March 2003): 3–19. http://dx.doi.org/10.1111/1540-6040.00034.

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Cities and regions have long captured the imagination of sociologists, economists, and urbanists. From Alfred Marshall to Robert Park and Jane Jacobs, cities have been seen as cauldrons of diversity and difference and as fonts for creativity and innovation. Yet until recently, social scientists concerned with regional growth and development have focused mainly on the role of firms in cities, and particularly on how these firms make location decisions and to what extent they concentrate together in agglomerations or clusters. This short article summarizes recent advances in our thinking about cities and communities, and does so particularly in light of themes advanced in my recently published book, The Rise of the Creative Class, which focuses on diversity and creativity as basic drivers of innovation and regional and national growth. This line of work further suggests the need for some conceptual refocusing and broadening to account for the location decisions of people as opposed to those of firms as sources of regional and national economic growth. In doing so, this article hopes to spur wider commentary and debate on the critical functions of cities and regions in 21st–century creative capitalism.
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Bandarin, Francesco. "The Creative Power of Cities." City, Culture and Society 2, no. 3 (September 2011): 121–22. http://dx.doi.org/10.1016/j.ccs.2011.09.004.

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19

Hall, Peter. "Creative Cities and Economic Development." Urban Studies 37, no. 4 (April 2000): 639–49. http://dx.doi.org/10.1080/00420980050003946.

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Karlsson, Charlie, and Urban Gråsjö. "Swedish perspectives on creative cities." International Journal of Global Environmental Issues 13, no. 2/3/4 (2014): 100. http://dx.doi.org/10.1504/ijgenvi.2014.064501.

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21

Batty, Michael. "The creative destruction of cities." Environment and Planning B: Planning and Design 34, no. 1 (2007): 2–5. http://dx.doi.org/10.1068/b3401ed.

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Whitzman, Carolyn. "Creating Cities." Urban Policy and Research 34, no. 2 (April 2, 2016): 196–98. http://dx.doi.org/10.1080/08111146.2016.1155199.

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Boonyasurat, Woralun, Grit Piriyatachagul, Panupong Thammawong, and Nichapa Niratsayaputi. "Crafts and Folk Art Tourism Development in Chiang Mai Towards UNESCO Creative Cities Network Membership." Journal of Sustainable Development 15, no. 4 (June 16, 2022): 84. http://dx.doi.org/10.5539/jsd.v15n4p84.

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The purposes of research were 1) to survey resources and to create a location map of crafts and folk art communities in Chiang Mai Province; 2) to assess tourism potential and readiness of community capital as creative tourist attractions in Chiang Mai Province; 3) to propose the guidelines for the model craft community development in Chiang Mai towards UNESCO creative cities network membership for supporting creative tourism; and 4) to propose the guidelines for the development of community and network management towards UNESCO creative cities network membership for supporting creative tourism. This research was a mixed method study by using the qualitative study method for collecting the data from interview, focused group, and participatory and non-participatory observation; and the quantitative method for collecting the data from a questionnaire according to the study objectives. The study results are presented in a descriptive form and are summarized as follows. 1) Survey on resources and creation of a location map of crafts and folk art communities in Chiang Mai Province: The distinctive resources in crafts and local art of each community are classified into 7 categories: 1) pottery and casting work, 2) fabric and embroidery, 3) wood carving and products, 4) basketry, 5 paperwork, 6) metal embossment, and 7) lacquerware. The locations of the craft communities in Chiang Mai are in 3 areas: 1) location in Chiang Mai City (inner area of the city wall), 2) location near Chiang Mai City (outer area of the city wall), and location far from Chiang Mai City (outer area of Mueang District). 2) Assessment on tourism potential and readiness of community capital for being creative tourist attractions in Chiang Mai Province: The overall result of all 4 aspects in tourism potential and readiness of community capital as creative tourist attractions in Chiang Mai Province was found at the high level (x  = 3.69). In each aspect, the highest mean was in management (x  = 3.79), followed by cultural identity (x  = 3.78), creative entrepreneurs (x  = 3.62), and space and facility (x  = 3.56) respectively. 3) Proposed guidelines for the model craft community development in Chiang Mai Province towards UNESCO creative cities network membership for supporting creative tourism: The guidelines for the model craft community development towards UNESCO creative cities network membership for supporting creative tourism consist of 4 factors. 4) Proposed guidelines for the development of community and network management towards UNESCO creative cities network membership for supporting creative tourism: The model for the development of community and network management towards UNESCO creative cities network membership for supporting creative tourism is known as “POLC of CM CREATION Model”.
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Leshchenko, O. V. "CREATION OF CREATIVE PUBLIC SPACES AS A TOOL OF REVIVAL OF REGRESSIVE CITIES AND REGIONS." "Scientific Notes of Taurida V.I. Vernadsky University", series "Public Administration", no. 1 (2021): 65–71. http://dx.doi.org/10.32838/tnu-2663-6468/2021.1/13.

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25

Thiel, Joachim. "Creative cities and the reflexivity of the urban creative economy." European Urban and Regional Studies 24, no. 1 (July 26, 2016): 21–34. http://dx.doi.org/10.1177/0969776415595105.

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The paper addresses the abundant literature on the creative city that has been generated following publication in 2002 of Richard Florida’s work on the creative class. In particular, it is maintained that the discussion should be based more on a robust social economic analysis of urban economies. The paper starts with a brief review of the polarized debate on the creative city in which either the optimist obsession with a new growth sector is stressed or there is a focus of attention on its negative impact on urban society. Building on the idea of cultural production as a reflexive economic activity and on three empirical vignettes about how culture, the economy and the city interact, it argues that cultural production is an adaptable activity which is, however, permanently forced into a state of adaptation. Urban space and society have an ambivalent role here. On the one hand, the city offers adaptability: on the other hand, however, because this is the case, it fosters the need for permanent adaptation.
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Bakas, Fiona Eva, Nancy Duxbury, Paula Cristina Remoaldo, and Olga Matos. "The social utility of small-scale art festivals with creative tourism in Portugal." International Journal of Event and Festival Management 10, no. 3 (December 2, 2019): 248–66. http://dx.doi.org/10.1108/ijefm-02-2019-0009.

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PurposeThe purpose of this paper is to address the gaps in research on strategic planning for the social impacts of small-scale events in rural areas and small cities. This is achieved by investigating the social utility inferred by small-scale art festivals with a creative tourism element in terms of increasing social capital and positive social change, from an event stakeholder perspective.Design/methodology/approachThe identified gap in knowledge is addressed by using interviews and fieldnotes from participant observation to co-create meaning with the organizers of four small-scale art festivals in small cities and rural areas in Portugal. Theoretical frameworks relating to creative tourism development and social capital creation are used to analyze the social utility of small-scale art festivals.FindingsCreative tourism activities are integrated within small-scale art festivals in small cities and rural areas in various ways, mainly through art-related workshops. Significant empirical data give insight into how small-scale art festivals create social value by increasing the host community’s pride and reinforcing the social fabric of the festival’s local and “portable” community, in part through these creative tourism activities.Research limitations/implicationsOne of the limitations of this study is that it focuses on the perspectives and insights of the festival organizers. An analysis of the festival participants’ views, local community stakeholder analysis and community impact analyses would offer further insights into how the creative tourism experiences and other moments of shared meaning generation within small-scale art festivals influence the creation of social utility.Originality/valueThis paper offers insights into how creative tourism activities are being integrated into small-scale art festivals in small cities and rural contexts, and how these activities foster social connections among festival participants and with the local community. This addresses significant gaps in the literature on strategic planning for the social impacts of events, particularly in the context of small-scale events in rural areas/small cities, and the strategic value of including creative tourism activities within small-scale festivals.
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Ratiu, Dan Eugen. "Creative cities and/or sustainable cities: Discourses and practices." City, Culture and Society 4, no. 3 (September 2013): 125–35. http://dx.doi.org/10.1016/j.ccs.2013.04.002.

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Ghorashi, S. S., and S. R. Hejazi. "TOWARD A MODEL FOR THE POLICY REQUIREMENTS OF TECHNOLOGICAL ENTREPRENEURSHIP IN THE URBAN ECOSYSTEM." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences X-4/W1-2022 (January 13, 2023): 235–40. http://dx.doi.org/10.5194/isprs-annals-x-4-w1-2022-235-2023.

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Abstract. Cities are creating an environment that encourages digital growth. Cities' capacity to facilitate and drive the development of a digital core system emphasizes the importance of cities in creating the necessary circumstances for a successful ecosystem - access to talent, access to funding, access to spaces and locations, and access to markets. Cities, on the other hand, can contribute to the creation of mechanisms such as co-investment funds, in which the public and private sectors share the risk of supporting new creative businesses. All facets of manufacturing, consumption, and regulatory services could be altered by digital technologies in our everyday routines. By introducing new capabilities and business models, as well as by influencing their environment and the policy systems that govern them, they will have a significant impact on entrepreneurial ecosystems. In this article, we are looking for a model that may express policy requirements of technological entrepreneurship in the urban ecosystem, based on knowledge about the importance and requirements of entrepreneurial ecosystems, the smart city approach, and the knowledge-based development strategy.A comparative analytical method was used to conduct this research. We review the literature on ecosystems, urban ecosystems, smart cities, and knowledge-based urban development. Then we classified the parameters of each and presented how these categories are related in a model. In the research literature and in an executive position, dealing with a model for the policy requirements of technological entrepreneurship in the urban ecosystem can explain how the issue is operationalized, examine the city as an ecosystem where entrepreneurship occurs through technology and requires its own policies.
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Scott, Allen J. "Creative cities: The role of culture." Revue d'économie politique 120, no. 1 (2010): 181. http://dx.doi.org/10.3917/redp.201.0181.

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Vecco, Marilena. "Creative and cultural industries and cities." International Journal of Sustainable Development 12, no. 2/3/4 (2009): 192. http://dx.doi.org/10.1504/ijsd.2009.032777.

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Yigitcanlar, Tan. "Creating smarter cities." Australian Planner 53, no. 4 (October 2016): 321–23. http://dx.doi.org/10.1080/07293682.2016.1245203.

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Bhattacharya, Shrimoyee, Sonali Anusree Patro, and Sujaya Rathi. "Creating Inclusive Cities." Environment and Urbanization ASIA 7, no. 2 (September 2016): 214–33. http://dx.doi.org/10.1177/0975425316654799.

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Grigoryeva, Elena, and Konstantin Lidin. "creative city." проект байкал, no. 73 (October 21, 2022): 55. http://dx.doi.org/10.51461/pb.73.09.

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Creative self-expression is one of the highest forms of happiness. At least that’s what many authoritative sources claim. After the release of The Creative City by Charles Landry, the phrase became a trendy meme and a beacon for urban planners. It is believed that the opportunity for creativity can attract the most valuable, educated, efficient and productive residents to the city. How reasonable is this attitude to creativity? How realistic are the hopes for a ‘creative class’ (R. Florida) in the development of cities? Or is it a poetic myth, a dream of some ‘blue cities’ from an old song? The materials in this section reflect on the relationship between poetry and urban planning, the search for happiness in the nostalgic memories, in the transformation of old industrial buildings into cultural centers, and vice versa, in the transformation of old districts into centers of new technologies filled with the romance of tomorrow. An article on the dreamlike substance of such a familiar element as the staircase concludes this section.
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Kolenda, Ric, and Cathy Yang Liu. "Are Central Cities More Creative? the Intrametropolitan Geography of Creative Industries." Journal of Urban Affairs 34, no. 5 (December 2012): 487–512. http://dx.doi.org/10.1111/j.1467-9906.2011.00593.x.

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35

Sangkakorn, Korawan, Nopasit Chakpitak, and Pitipong Yodmongkol. "Local Integration Ontological Model of Creative Class Migrants for Creative Cities." International Education Studies 8, no. 12 (November 26, 2015): 157. http://dx.doi.org/10.5539/ies.v8n12p157.

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<p class="apa">An innovative creative class drives creative cities, urban areas in which diverse cultures are integrated into social and economic functions. The creative city of Chiang Mai, Thailand is renowned for its vibrant Lan Na culture and traditions, and draws new migrants from other areas in Thailand seeking to become part of the creative class. This study aims to classify a local integration model for the migrant creative class, and to suggest a set of indicators that could be used to measure the level of successful integration of a migrant creative class when building creative cities. This study selected twelve creative class sample cases who are well known in Chiang Mai and separated the sample into three groups; educator, researcher, and innovator. The study’s agenda consisted of open-ended questions with a semi-structured format for the in-depth interview, and follows a local integration ontology model.</p><p class="apa">The study found that the local integration model consisted of four key domains: means and work, social connection, facilities, and foundations domains. Significant factors are included in each domain, and all four domains are important for the local integration of the creative class in creative cities. Annotation Ontology was used for determining the critical factors for success for migrants in creative cities: namely job, training, social bridge, and language and cultural knowledge.</p><p class="apa">This study presents a new model, the Lan Na Local Integration Metric, which can be applied to understand the successful integration of migrants into the Lan Na region of Chiang Mai.</p>
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Ceren Duman, H., and Tülin Vural Arslan. "From the Aim of Creating More Habitable Cities to Typification." International Journal of Social Science and Humanity 6, no. 8 (August 2016): 635–38. http://dx.doi.org/10.7763/ijssh.2016.v6.724.

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Trip, Jan Jacob. "Stefan Krätke: The creative capital of cities: interactive knowledge creation and the urbanization economies of innovation." Journal of Housing and the Built Environment 28, no. 2 (September 8, 2012): 411–12. http://dx.doi.org/10.1007/s10901-012-9308-3.

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38

Richards, Greg. "Tourism, an Underestimated Driving Force for the Creative Economy." Revista Turismo em Análise 29, no. 3 (December 27, 2018): 387–95. http://dx.doi.org/10.11606/issn.1984-4867.v29i3p387-395.

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This study examines the relationship between tourism and the creative economy. An increasing number of countries, regions and cities are developing policies to link tourism and creativity to economic growth and support cultural and creative activities. As a result, different models of “creative tourism” have emerged. Case studies of creative tourism development are described from different parts of the world, and their effects are examined. Particular attention is paid to the role of knowledge, which the Organisation for Economic Cooperation and Development (OECD) sees as central to the development of creative tourism. Because tourism can be a tool for the circulation of knowledge and creation of links between creative individuals, it can arguably support the development of the creative economy.
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Zheleznyak, Olga. "“Creative city”: A way of life and a way of shaping the environment." проект байкал, no. 73 (October 21, 2022): 62–67. http://dx.doi.org/10.51461/pb.73.11.

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Creativity as a real stimulus for modern development responds to the challenges of time, contributes to the generation of innovative ideas and the creation of new products and environments. A creative city and creative environment, being immanent properties of the modern world, are the key strategies for the development of cities/territories/environments and manifestation of their authenticity, contribute to the formation of a new way of life, and serve as symbols of success. Creative clusters are actively used for the renovation and gentrification of degrading territories and environments.
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Habibi, Zaki. "“It’s Okay to be Slow:” Witnessing the Articulation of Connected Practices by Creative Collectives in Indonesia and Malaysia." Jurnal Ilmu Sosial dan Ilmu Politik 26, no. 1 (July 25, 2022): 63. http://dx.doi.org/10.22146/jsp.71856.

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This article focuses on the everyday responses of the local creatives in dealing with the problematic single narrative of creative cities. Aiming to understand the everyday creative and media practices of individuals in the creative collectives that are situated in emerging creative cities in Southeast Asia, the research specifically addresses key contemporary debates within the field of urban media and communication studies. The article gives priority to the voices of the city dwellers from a bottom-up approach, looking at the material and embodied practices in their everyday life. Empirically, this article seeks the alternative voices raised by the members of selected creative collectives - four collectives in Bandung, Indonesia, and four others in George Town, Malaysia - in articulating the meaning of creativity, the media practices involved within, and the organic ways of organizing urban collectives. Drawing insights from the notion of articulation and media practice, and by employing both ethnographic and visual methodology approaches, in particular the use of the photo-documentation method, there are three key thematic findings elaborated here. These themes are (1) social settings in media-related practices, (2) material objects and sensitive affection, and (3) the labor of love. The ways in which these are discussed, using a combination of ethnographic vignettes and photo collages, foreground the importance of cultural identity articulation practiced by the creative collectives in both cities. Thus, the interlinkage between mediated experiences, spatial practices, and visual contexts is also a key significant aspect in the analysis of these bottom-up, organic urban creativities.
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Lederman, Jacob. "Urban Fads and Consensual Fictions: Creative, Sustainable, and Competitive City Policies in Buenos Aires." City & Community 14, no. 1 (March 2015): 47–67. http://dx.doi.org/10.1111/cico.12095.

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Scholarship in urban sociology has pointed to the reliance of city governments on ever–more market mechanisms for organizing social and economic policy. This form of governance involves prioritizing cities’ cultural and social assets for their value in a global competition of urban “brands,” each competing for new infusions of human and investment capital. At the same time, however, cities have been at the center of seemingly progressive policy efforts aimed at promoting innovation, sustainability, and creativity. These themes represent a newly dominant planning discourse in cities across the globe. While researchers have thoroughly examined how “creative classes” and “creative cities” may exclude everyday, working–class, or poor residents, new urban imaginaries focused on sustainability potentially imply less stratified urban outcomes. Analyzing two high–profile interventions in Buenos Aires, Argentina—a sustainable urban regeneration plan for the historic downtown, and the creation of an arts cluster in the impoverished south of the city—this paper argues that despite divergent narratives, creative and sustainable urban projects suggest similar policy agendas, planning assumptions, and relationships to market mechanisms. Increasingly, global policies, whose design and objectives may appear to contradict market logics, may have outcomes that further them.
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Burlina, Elena Y. "«Old City» – «Bezymyanka» – creative city." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 144–50. http://dx.doi.org/10.20323/1813-145x-2021-2-119-144-150.

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«Bezymyanka» is the name of the largest industrial district of the city of Kuibyshev, now Samara. The expressive name can also be interpreted as a metaphor for many industrial cities of the Soviet era. In the XXI century various projects for the transformation of industrial cities are known. The cultural capital of Europe in 2007 was the oldest mining city in Germany, Essen, together with nearby industrial ancient mining towns in the Ruhr River Valley. The project was won by solving environmental problems and creative reformatting of the industrial city. It should be noted that the problems of Soviet industrial cities are presented in numerous Russian and foreign studies. So, the article refers to modern works on the search for justified transformations of «Soviet Magnitka»; Uralmash in Ekaterinburg and other problematic industrial cities. The purpose of this article is to draw attention to various interpretations of such cities. In Samara, there is also «bifurcation»: the old city and industrial Bezymyanka. To expose the sociocultural contradiction between the «old» and the «industrial city», the article reveals discrepancies that inhibit development. The author draws attention to the unique and overtaken by its time Grushinsky festival, in particular, its leaders. Conclusion: the lack of the balance of «old», «Soviet» and «post-Soviet» territories inside of one city is a problem of lack of personalities.
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Wiradharma, Gunawan. "Infographic Optimization in Disseminating the Results of the Independent Assessment of Creative District/Cities in Indonesia." Journal of Advanced Research in Dynamical and Control Systems 12, SP8 (July 30, 2020): 331–43. http://dx.doi.org/10.5373/jardcs/v12sp8/20202531.

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Bradecki, Tomasz, and Szymon Opania. "Functional-Environmental Evaluation of Pocket Parks in Urbanized Areas - The Case Study of Gliwice." Civil and Environmental Engineering Reports 32, no. 4 (December 1, 2022): 50–72. http://dx.doi.org/10.2478/ceer-2022-0044.

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Abstract The article presents the role and importance of creating new green areas in the areas of urban agglomerations. Particular attention was paid to the processes of creating new green areas in post-industrial areas and urban wastelands and their restoration for cities. The issue of the formation of pocket parks is raised and the results of the detailed research carried out by the authors in 2020 are briefly discussed. The article presents a comparative analysis of several selected examples of pocket parks, describes the role they play in cities. The purpose of the research was to determine what elements of pocket parks play an important role for the microclimate of cities and their communities. An example of the creation of a new pocket park in the city center of Gliwice, Poland is presented. The conclusions of the research and the evaluation of the experiment carried out by the authors can be useful for the creation of urban policies, planning of green areas in cities and the creation of utility-functional programs for new green areas.
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Sokół, Aneta. "Empirical verification of the relationship between creative life orientations of the creative class and the creative city." GeoScape 13, no. 1 (June 1, 2019): 79–85. http://dx.doi.org/10.2478/geosc-2019-0006.

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Abstract In the last few years there has been a fundamental change in the approach to the issue of creativity in economics, and it is increasingly referred that the era of the economics of creativity has started. Currently, it is claimed that no matter how much knowledge one possesses, it is important how it is creatively processed and how it will be used. Both theoreticians and practitioners agree on its role as a source of competitive advantage in the micro and macroeconomic sphere. The aim of the article is to consider cognitive, theoretical and methodological as well as empirical issues (questionnaire research) on the development of creative life orientations of the creative class in creative cities. The research results allow us to present a recommendation for managers managing creative cities. They are for example: tolerance for new and unknown things; cooperation that are made by outstanding individuals and social support, acceptance of creativity and creators.
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Stevenson, Deborah. "Planning Creative Cities: Reflections on a Trend." Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik 6, no. 1 (August 1, 2020): 23–34. http://dx.doi.org/10.14361/zkmm-2020-0102.

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Wolniak, Radosław, and Izabela Jonek-Kowalska. "The Creative Services Sector in Polish Cities." Journal of Open Innovation: Technology, Market, and Complexity 8, no. 1 (January 12, 2022): 17. http://dx.doi.org/10.3390/joitmc8010017.

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The creative services sector plays an important and constantly growing role in the modern economy. This publication presents the results of extensive research on the functioning of the creative sector in Polish cities, conducted on a representative sample of 287 cities located throughout Poland. The sample was good in such a way as to maintain the structure by province. The survey included questions rated on a 5-point Likert scale. The aim of the research was to study the functioning of the creative sector in Polish cities and to determine whether the active involvement of public administration in its development has a positive impact on this sector. The research was carried out on the example of a medium-sized European country, which is Poland. The original contribution of the authors of the publication is to demonstrate, on a large research sample, the existence of a positive impact of the municipal office’s activities on the creative sector for example using special funds to boost creativity sector in the city, and to ascertain the existence of a linear relationship between the city size and the level of the creative sector functioning in it.
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Peixoto, Paulo. "Título da página eletrónica: Creative Cities Network." Revista Crítica de Ciências Sociais, no. 99 (December 1, 2012): 215–16. http://dx.doi.org/10.4000/rccs.5182.

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Markusen, Ann. "Creative Cities: A 10-Year Research Agenda." Journal of Urban Affairs 36, sup2 (August 2014): 567–89. http://dx.doi.org/10.1111/juaf.12146.

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Scott, Allen J. "Creative Cities: Conceptual Issues and Policy Questions." Journal of Urban Affairs 28, no. 1 (January 2006): 1–17. http://dx.doi.org/10.1111/j.0735-2166.2006.00256.x.

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