Journal articles on the topic 'Creative cinematic practice'
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Markova, Lora, and Roger Shannon. "Leonora Carrington on and off Screen: Intertextual and Intermedial Connections between the Artist’s Creative Practice and the Medium of Film." Arts 8, no. 1 (January 10, 2019): 11. http://dx.doi.org/10.3390/arts8010011.
Full textChattopadhyay, Budhaditya. "The cinematic soundscape: conceptualising the use of sound in Indian films." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 2, no. 2 (December 31, 2012): 65–78. http://dx.doi.org/10.7146/se.v2i2.6398.
Full textCahill, James Leo. "Forgetting Lessons: Jean Painlevé’s Cinematic Gay Science." Journal of Visual Culture 11, no. 3 (December 2012): 258–87. http://dx.doi.org/10.1177/1470412912455616.
Full textBurch, Paul W. "Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis." Film-Philosophy 26, no. 2 (June 2022): 242–66. http://dx.doi.org/10.3366/film.2022.0197.
Full textHorbolis, Larysa, Olena Ishchenko, Anatoliy Novykov, Dmytro Marieiev, and Nataliya Hrychanyk. "The Cinemapoetics of the modern Ukrainian novel: Myroslav Dochynets’ creative works." Revista Amazonia Investiga 10, no. 48 (December 30, 2021): 209–17. http://dx.doi.org/10.34069/ai/2021.48.12.22.
Full textPick, Anat, and Chris Dymond. "Permacinema." Philosophies 7, no. 6 (October 27, 2022): 122. http://dx.doi.org/10.3390/philosophies7060122.
Full textGoldson, Annie. "Journalism Plus? The resurgence of creative documentary." Pacific Journalism Review 21, no. 2 (October 31, 2015): 86. http://dx.doi.org/10.24135/pjr.v21i2.120.
Full textWeste, Marija. "CONNECTIVITY: THE SPACE OF DOCUMENTARY SEQUENCES IN THREE FICTION FILMS OF RIGA FILM STUDIO." Culture Crossroads 10 (November 10, 2022): 31–45. http://dx.doi.org/10.55877/cc.vol10.140.
Full textSabatino, Anna Chiara. "Audiovisual Means to Therapeutic Ends. The Cinematic Dispositive within Medical Humanities." Cinéma & Cie. Film and Media Studies Journal 22, no. 39 (January 24, 2023): 53–68. http://dx.doi.org/10.54103/2036-461x/17748.
Full textGolding, Dan. "The memory of perfection: Digital faces and nostalgic franchise cinema." Convergence: The International Journal of Research into New Media Technologies 27, no. 4 (July 28, 2021): 855–67. http://dx.doi.org/10.1177/13548565211029406.
Full textBowler, Alexia L. "‘Killing romance’ by ‘giving birth to love’: Hélène Cixous, Jane Campion and the language of In the Cut (2003)." Feminist Theory 20, no. 1 (October 23, 2018): 93–112. http://dx.doi.org/10.1177/1464700118804445.
Full textRaengo, Alessandra, and Lauren McLeod Cramer. "“There Is No Form in the Middle”." liquid blackness 5, no. 2 (October 1, 2021): 121–51. http://dx.doi.org/10.1215/26923874-9272822.
Full textLinnichenko, S. I. "Intertextuality as a modern linguo-cognitive practice: new forms of linguistic expression in the German postmodern literature." Vestnik of Samara University. History, pedagogics, philology 27, no. 2 (August 6, 2021): 103–11. http://dx.doi.org/10.18287/2542-0445-2021-27-2-103-111.
Full textMorris, Catherine. "‘Unremarkable, Forgotten, Cast Adrift’: Feminist Revolutions in Irish Visual Culture." Review of Irish Studies in Europe 2, no. 2 (October 24, 2018): 70–88. http://dx.doi.org/10.32803/rise.v2i2.1888.
Full textGolovnev, I. A. "Ethnocultural Communities of the North as Shown in Ethnocinema “Coast of the Chukchi Sea” by Grigory Smirnitsky: Shooting History." Archaeology and Ethnography 18, no. 3 (2019): 35–44. http://dx.doi.org/10.25205/1818-7919-2019-18-3-35-44.
Full textMarshall, Andrea. "Our stories, our selves: Star Wars fanfictions as feminist counterpublic discourses in digital imaginaria." Journal of Fandom Studies 8, no. 3 (September 1, 2020): 277–88. http://dx.doi.org/10.1386/jfs_00024_1.
Full textBaranova, Jūratė. "NIETZSCHE IR WITTGENSTEINAS: KINEMATOGRAFINĖS PARAŠTĖS." Religija ir kultūra 11 (January 1, 2012): 58–78. http://dx.doi.org/10.15388/relig.2012.0.842.
Full textGolubkov, Sergei A. "Formation of skills of working with cultural codes in classes in philological disciplines." Vestnik of Samara University. History, pedagogics, philology 27, no. 3 (November 26, 2021): 65–71. http://dx.doi.org/10.18287/2542-0445-2021-27-3-65-71.
Full textNaumović, Slobodan. "The Survivor's Suite: The Life of the International Festival of Ethnological Film in Belgrade through Interesting Times." Issues in Ethnology and Anthropology 16, no. 4 (December 14, 2021): 1013–42. http://dx.doi.org/10.21301/eap.v16i4.2.
Full textBueno, Claudio Celis. "From Spectacle to Deterritorialisation: Deleuze, Debord and the Politics of Found Footage Cinema." Deleuze and Guattari Studies 13, no. 1 (February 2019): 54–78. http://dx.doi.org/10.3366/dlgs.2019.0341.
Full textJuszkiewicz, Piotr. "Biuro, natura, wyobraźnia, wiejska chata, fabryczna hala. Wizerunki artystycznej pracowni w dokumentalnym filmie o sztuce czasów PRL-u." Artium Quaestiones, no. 26 (September 19, 2018): 149–69. http://dx.doi.org/10.14746/aq.2015.26.7.
Full textYevsyukov, Yu S. "Characteristic features of the upbringing of modern actor." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (October 3, 2018): 209–22. http://dx.doi.org/10.34064/khnum1-51.12.
Full textO’Halloran, Kieran. "Creating a film poem with stylistic analysis: A pedagogical approach." Language and Literature: International Journal of Stylistics 24, no. 2 (May 2015): 83–107. http://dx.doi.org/10.1177/0963947015571022.
Full textPronin, Alexander A. "Documentary Footage in the TV Film Portrait: Methods and Techniques of Mastering." Journal of Flm Arts and Film Studies 8, no. 2 (June 15, 2016): 133–43. http://dx.doi.org/10.17816/vgik82133-143.
Full textMahyudi, Johan, Djoko Saryono, Wahyudi Siswanto, and Yuni Pratiwi. "Construction of Visual Features of Indonesian Digital Poetry." International Journal of Linguistics, Literature and Culture 3, no. 5 (September 3, 2017): 1. http://dx.doi.org/10.21744/ijllc.v3i5.526.
Full textGrunditz Brennan, Kersti, and Annika Boholm. "The Blod Method: Case Study of an Artistic Research Project in Film." International Journal of Film and Media Arts 7, no. 1 (October 3, 2022): 48–74. http://dx.doi.org/10.24140/ijfma.v7.n1.03.
Full textBruveris, Klara. "THE “CREATIVE TREATMENT OF ACTUALITY”: POETICS AND VERISIMILITUDE IN LAILA PAKALNIŅA’S FILMS." Culture Crossroads 10 (November 10, 2022): 85–90. http://dx.doi.org/10.55877/cc.vol10.144.
Full textMacDonald, Michael, and João Lima. "Devemos apelidá-los de estudos cine-culturais? O cine-mundificar da música popular e dos estudos juvenis." Todas as Artes Revista Luso-Brasileira de Artes e Cultura 5, no. 1 (2022): 10–34. http://dx.doi.org/10.21747/21843805/tav5n1a1.
Full textMeihuizen, Nicholas. "Contemporization and Characterization in Christopher Logue's Homer." Translation and Literature 28, no. 2-3 (November 2019): 217–47. http://dx.doi.org/10.3366/tal.2019.0386.
Full textCrocker, Stephen. "Citizen Kant: Flatness and Depth in the Image of Thought." Deleuze Studies 1, no. 2 (December 2007): 126–43. http://dx.doi.org/10.3366/e1750224108000044.
Full textSteel, Roderick. "Video-Island." Interactive Film and Media Journal 2, no. 1 (January 30, 2022): 76–91. http://dx.doi.org/10.32920/ifmj.v2i1.1533.
Full textMUREȘAN, Răzvan. "”Theatre should be free, like air or love”. Joan Littlewood and the imperative of collective creation." Theatrical Colloquia 12, no. 2 (December 1, 2022): 37–52. http://dx.doi.org/10.35218/tco.2022.12.2.05.
Full textWillis, Holly. "Images Big and Soft: The Digital Archive Rendered Cinematic." Frames Cinema Journal 19 (February 18, 2022): 185–209. http://dx.doi.org/10.15664/fcj.v19i0.2379.
Full textKerr, David. "'Maisha yetu ya kila siku kama vile movie': Fantasy, desire and urban space in Tanzanian music videos." Journal of African Cinemas 11, no. 3 (December 1, 2019): 225–40. http://dx.doi.org/10.1386/jac_00018_1.
Full textXiao, Hui Faye. "‘Why am I still imprisoned in your eyes?’: Re-visioning ‘leftover women’ and the female gaze in Send Me to the Clouds." Asian Cinema 32, no. 2 (October 1, 2021): 169–86. http://dx.doi.org/10.1386/ac_00040_1.
Full textSasala, An. "Panic! Humanity's Cis-Heteronormative Fear of the Transgender Android." Somatechnics 8, no. 1 (March 2018): 64–78. http://dx.doi.org/10.3366/soma.2018.0237.
Full textBeltran, Myra, Angela Conquet, Christo Dougherty, Athena Mazarakis, and Roselle Pineda. "New Research." TURBA 1, no. 2 (September 1, 2022): 39–79. http://dx.doi.org/10.3167/turba.2022.010205.
Full textMedina, Nicolás, and Miklós Kiss. "The Role of Experimenting with the Human Voice in Film Music in the Representation of the Human/Alien Divide: the Case of Arrival (2016)." Acta Universitatis Sapientiae, Film and Media Studies 20, no. 1 (November 1, 2021): 1–19. http://dx.doi.org/10.2478/ausfm-2021-0011.
Full textЩеглова, Людмила, Lyudmila Shcheglova, Наталья Саенко, and Natalya Saenko. "Teaching resources of art cinema in the context of teaching the Humanities in the contemporary universities." Universities for Tourism and Service Association Bulletin 10, no. 4 (December 19, 2016): 39–48. http://dx.doi.org/10.12737/23575.
Full textRiera-Retamero, Marina, and Ana Belén Estrada-Gorrín. "La Barraca Transfronteriza. Prácticas cinematográficas y política del escapar en la frontera española-marroquí." Arte y Políticas de Identidad 23 (December 30, 2020): 247–62. http://dx.doi.org/10.6018/reapi.461761.
Full textVorontsova, Yu V. "Transcultural transformation in cinema." Vestnik Universiteta, no. 10 (December 1, 2021): 55–58. http://dx.doi.org/10.26425/1816-4277-2021-10-55-58.
Full textStasiowski, Maciej. "Built as Rain. Film Analysis of Unbuildable Architectural Speculations – a Case Study of „Instant City” (dir. Peter Cook and Ron Herron, 1968) and „The Zero Theorem” (dir. Terry Gilliam, 2013)." Kwartalnik Filmowy, no. 109 (May 25, 2020): 159–76. http://dx.doi.org/10.36744/kf.279.
Full textFlisfeder, Matthew, and Anthony Ballas. "Is it Possible to Represent the Sexual Relation in Cinema?" Language and Psychoanalysis 11, no. 1 (May 15, 2022): 4–15. http://dx.doi.org/10.7565/landp.v11i1.6455.
Full textBoczkowska, Kornelia. "Easy Rider and Thelma & Louise revisited, or on experimental film remakes of the road movie." Journal of Adaptation in Film & Performance 14, no. 2 (July 1, 2021): 145–61. http://dx.doi.org/10.1386/jafp_00050_1.
Full textJ. Alex, Gigy, and Babitha Justin. "Slamming the Door: Reinventing Kitchen Narratives in Contemporary Indian Movies." Southeast Asian Review of English 59, no. 2 (January 2, 2023): 7–19. http://dx.doi.org/10.22452/sare.vol59no2.3.
Full textWeitzenkorn, Rachel. "Boundaries of reasoning in cases: The visual psychoanalysis of René Spitz." History of the Human Sciences 33, no. 3-4 (September 1, 2020): 66–84. http://dx.doi.org/10.1177/0952695120908491.
Full textKnuuttila, Sirkka. "L’effet de réel revisited: Barthes and the affective image." Sign Systems Studies 36, no. 1 (December 31, 2008): 113–36. http://dx.doi.org/10.12697/sss.2008.36.1.07.
Full textPieldner, Judit. "Remediating Past Images. The Temporality of “Found Footage” in Gábor Bódy’s American Torso." Acta Universitatis Sapientiae, Film and Media Studies 8, no. 1 (September 1, 2014): 59–78. http://dx.doi.org/10.2478/ausfm-2014-0026.
Full textHelke, Susanna. "Encountering the invisible." Alphaville: Journal of Film and Screen Media, no. 17 (July 1, 2019): 209–14. http://dx.doi.org/10.33178/alpha.17.15.
Full textVincze, Terez. "Showing the Complexity of the Simple – The Art-puzzle of Hong Sang-soo." Panoptikum, no. 22 (December 17, 2019): 173–88. http://dx.doi.org/10.26881/pan.2019.22.07.
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