Academic literature on the topic 'Creative cinematic practice'
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Journal articles on the topic "Creative cinematic practice"
Markova, Lora, and Roger Shannon. "Leonora Carrington on and off Screen: Intertextual and Intermedial Connections between the Artist’s Creative Practice and the Medium of Film." Arts 8, no. 1 (January 10, 2019): 11. http://dx.doi.org/10.3390/arts8010011.
Full textChattopadhyay, Budhaditya. "The cinematic soundscape: conceptualising the use of sound in Indian films." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 2, no. 2 (December 31, 2012): 65–78. http://dx.doi.org/10.7146/se.v2i2.6398.
Full textCahill, James Leo. "Forgetting Lessons: Jean Painlevé’s Cinematic Gay Science." Journal of Visual Culture 11, no. 3 (December 2012): 258–87. http://dx.doi.org/10.1177/1470412912455616.
Full textBurch, Paul W. "Receptivity, Simultaneity: The Thin Red Line as Ecological Cinematic Poesis." Film-Philosophy 26, no. 2 (June 2022): 242–66. http://dx.doi.org/10.3366/film.2022.0197.
Full textHorbolis, Larysa, Olena Ishchenko, Anatoliy Novykov, Dmytro Marieiev, and Nataliya Hrychanyk. "The Cinemapoetics of the modern Ukrainian novel: Myroslav Dochynets’ creative works." Revista Amazonia Investiga 10, no. 48 (December 30, 2021): 209–17. http://dx.doi.org/10.34069/ai/2021.48.12.22.
Full textPick, Anat, and Chris Dymond. "Permacinema." Philosophies 7, no. 6 (October 27, 2022): 122. http://dx.doi.org/10.3390/philosophies7060122.
Full textGoldson, Annie. "Journalism Plus? The resurgence of creative documentary." Pacific Journalism Review 21, no. 2 (October 31, 2015): 86. http://dx.doi.org/10.24135/pjr.v21i2.120.
Full textWeste, Marija. "CONNECTIVITY: THE SPACE OF DOCUMENTARY SEQUENCES IN THREE FICTION FILMS OF RIGA FILM STUDIO." Culture Crossroads 10 (November 10, 2022): 31–45. http://dx.doi.org/10.55877/cc.vol10.140.
Full textSabatino, Anna Chiara. "Audiovisual Means to Therapeutic Ends. The Cinematic Dispositive within Medical Humanities." Cinéma & Cie. Film and Media Studies Journal 22, no. 39 (January 24, 2023): 53–68. http://dx.doi.org/10.54103/2036-461x/17748.
Full textGolding, Dan. "The memory of perfection: Digital faces and nostalgic franchise cinema." Convergence: The International Journal of Research into New Media Technologies 27, no. 4 (July 28, 2021): 855–67. http://dx.doi.org/10.1177/13548565211029406.
Full textDissertations / Theses on the topic "Creative cinematic practice"
Kubitzek, Barbara. "Cognition and Emotion in Cinematic Virtual Reality : What are the challenges in production to creating an emotional response?" Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71319.
Full textDonachie, Jacqueline. "Illuminating loss : a study of the capacity for artistic practice to shape research and care in the field of inherited genetic illness." Thesis, Northumbria University, 2016. http://nrl.northumbria.ac.uk/34447/.
Full textKhorana, Sukhmani. "Crossing over: theorising Mehta’s film trilogy; practising diasporic creativity." Thesis, 2010. http://hdl.handle.net/2440/64047.
Full textThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2010
Nevanti, Kirsi. "In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm." Doctoral thesis, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-262.
Full textBooks on the topic "Creative cinematic practice"
Murphy, Jill, and Laura Rascaroli, eds. Theorizing Film Through Contemporary Art. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989467.
Full textKnowles, Kim, and Marion Schmid, eds. Cinematic Intermediality. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.001.0001.
Full textTomadjoglou, Kimberly. Alice Guy’s Great Cinematic Adventure. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0008.
Full textBrine, Kelly Gordon. The Art of Cinematic Storytelling. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190054328.001.0001.
Full textArmatage, Kay. Barbara Willis Sweete. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0019.
Full textBirtwistle, Andy. Meaning and Musicality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0009.
Full textDuckett, Victoria. Queen Elizabeth. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039669.003.0005.
Full textGibbons, William. Allusions of Grandeur. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190265250.003.0005.
Full textPalmer, Landon. Rock Star/Movie Star. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888404.001.0001.
Full textLewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.
Full textBook chapters on the topic "Creative cinematic practice"
Pucill, Sarah. "A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror." In Cinematic Intermediality, 194–201. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0015.
Full textRocamora, Isabel. "Performance, Moving Image, Installation: The Making of Body of War and Faith." In Cinematic Intermediality, 176–84. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0013.
Full textCampbell, Timothy C. "Freeing the Apparatus." In The Techne of Giving. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823273256.003.0002.
Full textFuery, Kelli. "Habit the Cinematic Encounter: Cheryl Dunye and the ‘Dunyementaries’." In Ambiguous Cinema, 91–120. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781399504232.003.0005.
Full textColangelo, Dave. "Large-scale Projection and the (New) New Monumentality." In The Building as Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989498_ch02.
Full textHerbert, Daniel. "The Transnational Film Remake in the American Press." In Transnational Film Remakes. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407236.003.0014.
Full textSchmid, Marion. "The World as Spectacle: Cinematic Theatricalities." In Intermedial Dialogues, 53–85. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474410632.003.0003.
Full textKelly, Brine. "Storytelling Cuts and Film Grammar." In The Art of Cinematic Storytelling, 117–37. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190054328.003.0008.
Full textKretzer, Andreas. "Beyond the Haze of Carnival Candles." In Advances in Media, Entertainment, and the Arts, 21–43. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7254-2.ch002.
Full textBošković, Aleksandar. "Alone in the Cinemascope." In Experimental Cinemas in State-Socialist Eastern Europe. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462982994_ch07.
Full textConference papers on the topic "Creative cinematic practice"
Yip, David. "Disruptive Innovations in cinematic storytelling from 2D to 3D." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002036.
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