Academic literature on the topic 'Creating text and music'
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Journal articles on the topic "Creating text and music"
Polashek, Timothy D. "Beyond Babble: A Text-Generation Method and Computer Program for Composing Text, Music and Poetry." Leonardo Music Journal 15 (December 2005): 17–22. http://dx.doi.org/10.1162/lmj.2005.15.1.17.
Full textLopatin, Mikhail. "‘Ut cantus consonet cum verbis’: transformations of sound and sense in Paolo da Firenze’s Lena, virtù e speranza." Early Music 48, no. 1 (February 2020): 3–11. http://dx.doi.org/10.1093/em/caaa001.
Full textManggala, Bondan Aji. "“DURMA” (Model Penciptaan Pesan dan Kesan Musik Melalui Pembenturan Teks Lirik dengan Ekpresi Musik)." Acintya Jurnal Penelitian Seni Budaya 12, no. 1 (August 3, 2020): 23–32. http://dx.doi.org/10.33153/acy.v12i1.3139.
Full textBogdan, Suita, Olga Bench, and Iryna Riabchun. "Nonlinearity as a strategy for creating postmodern musical texts in the 1970-1990s." Revista Amazonia Investiga 11, no. 57 (November 8, 2022): 198–204. http://dx.doi.org/10.34069/ai/2022.57.09.21.
Full textSemyonova, Nina V. "Review on the book: Shuldishova A.A. Alexander Blok: The Musicality of the Lyrical Image: monograph. Kyiv: Publisnig House of Dmitry Burago, 2018." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (December 15, 2019): 572–77. http://dx.doi.org/10.22363/2312-9220-2019-24-3-572-577.
Full textCobussen, Marcel. "In(-)formations. The Meaning of Paratextual Elements in Debussy's Syrinx." Musicological Annual 41, no. 2 (December 1, 2005): 55–70. http://dx.doi.org/10.4312/mz.41.2.55-70.
Full textMignonneau, Laurent, and Christa Sommerer. "Creating Artificial Life for Interactive Art and Entertainment." Leonardo 34, no. 4 (August 2001): 303–7. http://dx.doi.org/10.1162/00240940152549212.
Full textZhou, Daping. "The Theoretical Background for the Chinese Composers Piano Music Genre Peculiarities Research." Aspects of Historical Musicology 14, no. 14 (September 15, 2018): 180–206. http://dx.doi.org/10.34064/khnum2-14.13.
Full textTsakher, Izolda. "On the Role of Literary Works in the Course of Music Literature (Musicology)." Bulletin of Baikal State University 30, no. 2 (June 11, 2020): 219–24. http://dx.doi.org/10.17150/2500-2759.2020.30(2).219-224.
Full textSZOCS, Botond. "Parallelism between Linguistics and Music – Noam Chomsky and Heinrich Schenker." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 287–94. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.31.
Full textDissertations / Theses on the topic "Creating text and music"
Kendrick, Paul. "Blind estimation of room acoustic parameters from speech and music signals." Thesis, University of Salford, 2009. http://usir.salford.ac.uk/15820/.
Full textNowlain, Kristine. "Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2791.
Full textKristine Nowlain, sopran
Gustave Charpentier (1860-1956)
Depuis le jour
Ur Louise(Louise)
Libretto av G. Charpentier
Albert Dahllöf, piano
Mario Castelnuovo-Tedesco (1895-1968)
The Divan of Moses-Ibn-Ezra
1. When the morning of life has passed
2. The dove that nests in the tree-top
3. Wrung with anguish
Text av Moses-Ibn-Ezra (1058-1138)
Gustav Sondén, gitarr
Heitor Villa-Lobos (1887-1959)
Bachianas Brasileiras, no. 5 (Aria)
Text av Ruth V. Corrêa
Gustav Sondén, gitarr
Åke Uddén (1903-1987)
Tre sånger ur ”Les Chanson de Bilitis”
1. Tendresses
3. Chanson
Text av Pierre Louÿs (1870-1925)
Johanna Johnsson, piano
Gösta Nyström (1890-1966)
På Reveln
3. Havet Sjunger
Text av Ebba Lindqvist (1908-1995)
Johanna Johnsson, piano
Rebecca Clarke (1886-1979)
The Seal Man
Text ur A Mainsail Haul av John Masefield (1878-1967)
Albert Dahllöf, piano
W.A. Mozart (1756-1791)
Ach, ich Fühl’s
Ur Die Zauberflöte(Pamina)
Libretto av Emanuel Schikaneder (1751-1812)
KMH Kammarorkester
Judith Weir (f. 1954)
woman.life.song
1c. Edge (text av Toni Morrison, f. 1931)
2. Eve Remembering (text av Toni Morrison)
3b. The Mothership: when a good mother sails from this world (Stave II) – (text av Clarissa Pinkola Estés, f. 1945)
KMH Kammarorkester:
Sofia Winiarski, dirigent
Albert Dahllöf, piano
Andreas Nyström, slagverk
Astrid le Clercq, klarinett
Catrin Spångberg Johansson, altflöjt
Enno Leggedör, viola
Gustav Wetterbrandt, basklarinett
Henrik Wassenius, slagverk
Hugo Olsson, klarinett
Isabel Godau, violin
Johanna Moraeus, violin
Kajsa Nilsson, flöjt
Klara Källström, cello
Miia Roiko-Jokela, flöjt
Miriam Liljefors, harpa
Moa Nissfolk, gitarr
Ragnhild Kvist, viola
Simon Landqvist, slagverk
Svante Söderqvist, kontrabas
Viktoria Hillerud, cello
Melander, Hanna. "Var ska jag börja? : En konstnärlig undersökning kring utgångspunktens betydelse vid låtskrivande." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100844.
Full textPowers, Harold S. "Music as Text and Text as Music." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A36794.
Full textDuwe, Menan Medeiros. "Campos textuais em dois processos colaborativos de criação na música contemporânea." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/129848.
Full textThis dissertation is a study of two creative processes in contemporary music in which I have worked with two colleagues: Dario Rodrigues Silva (pianist) and Lauro Pecktor (composer). The first process was the preparation of the premiere of Doppelgänger, and the second was the construction and presentation of the piece espaços submersos entre prédios. In both processes I have investigated the function and meaning of the score, evaluating the musicians’ agency and ideas. The analyses were conducted under theoretical references of the Musical Work Concept (GOEHR, 1992), the questioning of super estimated role of score in the Western Concert Culture, a set of investigations about collaborations between composers and performers and the concept of The Field of the Musical Work (ÖSTERSJÖ, 2008). As methods, I have considered the principles of Artistic Research (BORGDORFF, 2012; COESSENS, CRISPIN, DOUGLAS, 2009), Analytic Autoethnography (ANDERSON, 2006) and Case Studies. Both processes have been described and then analyzed. Rehearsals recordings, my memory as participant researcher and interviews with my colleagues were the main resources used in the analysis. In conclusion, I observed that the score was considered a starting point, texts around which were created text fields through interaction and group work, confirming that the work of musicians (performers and composer) is best understood as creation and interpretation cycles, as proposed in The Field of the Musical Work.
Gander, Jonathan. "Performing music production : creating music product." Thesis, King's College London (University of London), 2011. https://kclpure.kcl.ac.uk/portal/en/theses/performing-music-production(9d443c79-db0d-4c34-9f7d-de4f4bc5fb14).html.
Full textJehan, Tristan 1974. "Creating music by listening." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/42172.
Full textIncludes bibliographical references (p. 127-139).
Machines have the power and potential to make expressive music on their own. This thesis aims to computationally model the process of creating music using experience from listening to examples. Our unbiased signal-based solution models the life cycle of listening, composing, and performing, turning the machine into an active musician, instead of simply an instrument. We accomplish this through an analysis-synthesis technique by combined perceptual and structural modeling of the musical surface, which leads to a minimal data representation. We introduce a music cognition framework that results from the interaction of psychoacoustically grounded causal listening, a time-lag embedded feature representation, and perceptual similarity clustering. Our bottom-up analysis intends to be generic and uniform by recursively revealing metrical hierarchies and structures of pitch, rhythm, and timbre. Training is suggested for top-down un-biased supervision, and is demonstrated with the prediction of downbeat. This musical intelligence enables a range of original manipulations including song alignment, music restoration, cross-synthesis or song morphing, and ultimately the synthesis of original pieces.
by Tristan Jehan.
Ph.D.
Rhodes, Mahlon. "Music + Design: Creating Holistic Multimodal Music Experiences." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent157469738121486.
Full textCallahan, Lorenzo Lee Jr. "Creating an independent record label." FIU Digital Commons, 2003. http://digitalcommons.fiu.edu/etd/1977.
Full textDavis, Luis Carlos. "Mascara: Creating, Producing and Analyzing a Counternarrative Film-Text." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/612430.
Full textBooks on the topic "Creating text and music"
Abbinanti, Frank. Dialogues (creating music). Lebanon, NH: Frog Peak Music, 1999.
Find full textR, Pointon Marcia, and Binski Paul, eds. Image, music, text. Oxford, UK: Blackwell Publishers, 1996.
Find full textBarthes, Roland. Image, music, text. New York: Noonday Press, 1988.
Find full textSturman, Paul. Creating music around the world. Cambridge: Cambridge University Press, 2000.
Find full text1948-, Boswell William, ed. Creating careers in music theatre. New York: P. Lang, 1988.
Find full textCreating in the music industry. Manchester, England: Music Industry Learning, 2007.
Find full textCreating country music: Fabricating authenticity. Chicago: University of Chicago Press, 1997.
Find full textMusic as social text. Cambridge, UK: Polity Press, 1991.
Find full textCreating music and sound for games. Boston: Thomson Course Technology, 2007.
Find full textVerdi's theater: Creating drama through music. Chicago: University of Chicago Press, 1998.
Find full textBook chapters on the topic "Creating text and music"
Ghedini, Fiammetta, François Pachet, and Pierre Roy. "Creating Music and Texts with Flow Machines." In Creativity in the Twenty First Century, 325–43. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-618-8_18.
Full textDean, Roger T. "Creating Music." In The Routledge Companion to Music Cognition, 251–63. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315194738-21.
Full textBerg Hansen, Kim. "Creating Delimited Text." In Practical Oracle SQL, 169–90. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5617-6_10.
Full textCoppola, William J., David G. Hebert, and Patricia Shehan Campbell. "Creating World Music." In World Music Pedagogy, 105–33. New York ; London : Routledge, 2018–: Routledge, 2020. http://dx.doi.org/10.4324/9780429278617-5.
Full textBartolome, Sarah J. "Creating World Music." In World Music Pedagogy, 116–40. New York; London: Routledge, 2018—| Includes bibliographical references and index.: Routledge, 2019. http://dx.doi.org/10.4324/9781315164076-5.
Full textCampbell, Patricia Shehan, and Chee-Hoo Lum. "Creating World Music." In World Music Pedagogy, 102–27. New York; London: Routledge, 2018–: Routledge, 2019. http://dx.doi.org/10.4324/9781315157924-5.
Full textFallin, Jana R., Mollie Gregory Tower, and Debbie Tannert. "Creating." In Using Music to Enhance Student Learning, 109–19. 3rd ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429504525-9.
Full textSnoman, Rick. "Creating drum loops." In Dance Music Manual, 217–28. Fourth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429453830-18.
Full textBloustien, Geraldine, and Margaret Peters. "Creating Spaces." In Youth, Music and Creative Cultures, 123–64. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230342491_4.
Full textCohen, Annabel J. "Music and Text." In The Routledge Companion to Music Cognition, 337–48. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315194738-28.
Full textConference papers on the topic "Creating text and music"
Alekseev, Alexander Petrovich, and Tatyana Vladimirovna Alekseeva. "Video search by image - technology "Video Color"." In 24th Scientific Conference “Scientific Services & Internet – 2022”. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/abrau-2022-2.
Full textJulie, Watkins. "Creating Affective Visual Music." In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.70.
Full textNivat, Georges. "“TRACTS OF RUSSIAN MEMORY” OR THE MAIN “NESTS” OF MEMORY IN RUSSIA." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.02.
Full textBailey, Sam R., Adam D. N. Scott, Harry Bernard Wright, Ian Symonds, and Kia Ng. "Eye.Breathe.Music: creating music through minimal movement." In Electronic Visualisation and the Arts (EVA 2010). BCS Learning & Development, 2010. http://dx.doi.org/10.14236/ewic/eva2010.37.
Full textDickens, Amy, Chris Greenhalgh, and Boriana Koleva. "Creating Space for Facilitated Music Performance." In AM '17: Audio Mostly 2017. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3123514.3123518.
Full textFourney, David W., and Deborah I. Fels. "Creating access to music through visualization." In 2009 IEEE Toronto International Conference - Science and Technology for Humanity (TIC-STH 2009). IEEE, 2009. http://dx.doi.org/10.1109/tic-sth.2009.5444364.
Full textFoote, Jonathan, Matthew Cooper, and Andreas Girgensohn. "Creating music videos using automatic media analysis." In the tenth ACM international conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/641007.641119.
Full textXie, Qiong, and Wei Wang. "On the Imagery Creating by Music Catalogue." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.153.
Full textRau, Lisa F., and Paul S. Jacobs. "Creating segmented databases from free text for text retrieval." In the 14th annual international ACM SIGIR conference. New York, New York, USA: ACM Press, 1991. http://dx.doi.org/10.1145/122860.122894.
Full textKato, Akihiro, Ryo Morita, Hiroshi Yamato, Shima Okada, and Naruhiro Shiozawa. "Exercise becomes Music: Creating communication through new music experiences using exercise data." In 2022 IEEE 4th Global Conference on Life Sciences and Technologies (LifeTech). IEEE, 2022. http://dx.doi.org/10.1109/lifetech53646.2022.9754874.
Full textReports on the topic "Creating text and music"
Mayas, Magda. Creating with timbre. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.686088.
Full textYatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
Full textBuene, Eivind. Intimate Relations. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481274.
Full textBIZIKOEVA, L. S., and M. I. BALIKOEVA. SOMERSET MAUGHAM - MASTER OF CREATING CHARACTERS. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-111-121.
Full textIrminger, Bente. A growing interest in creativity is opening up new roles for the designer- but also creating a need for clarification of these roles. Universitetet i Bergen KMD, January 2018. http://dx.doi.org/10.22501/kmd-ar.1090256.
Full textZuo, Lingyan, Fengting Zhu, Rui Wang, Hongyan Shuai, and Xin Yu. Music intervention affects the quality of life on Alzheimer’s disease: a meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, December 2021. http://dx.doi.org/10.37766/inplasy2021.12.0055.
Full textGates, Allison, Michelle Gates, Shannon Sim, Sarah A. Elliott, Jennifer Pillay, and Lisa Hartling. Creating Efficiencies in the Extraction of Data From Randomized Trials: A Prospective Evaluation of a Machine Learning and Text Mining Tool. Agency for Healthcare Research and Quality (AHRQ), August 2021. http://dx.doi.org/10.23970/ahrqepcmethodscreatingefficiencies.
Full textBIZIKOEVA, L. S., and M. I. BALIKOEVA. LEXICO-STYLISTIC MEANS OF CREATING CHARACTERS (BASED ON THE STORY “THE POOL” BY W.S. MAUGHAM). Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-3-62-70.
Full textPedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.481294.
Full textMcIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Marrickville. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208593.
Full text