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Journal articles on the topic 'Crafts and Industries'
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1
Richards, Greg. "DEVELOPING CRAFT AS A CREATIVE INDUSTRY THROUGH TOURISM." Brazilian Creative Industries Journal 1, no. 1 (July 1, 2021): 03–22. http://dx.doi.org/10.25112/bcij.v1i1.2671.
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This paper examines the position of crafts within the creative industries and considers how this has been affected by the growing links between the creative industries and tourism. A review of the creative industries concept indicates that crafts occupy an ambiguous position between art and tradition, which problematises their relationship with the creative industries. This is gradually changing at the creative and tourism sectors become more closely linked, and craft has become an important element of the development of creative tourism experiences. We review the role of craft in creative tourism, including case studies from Brazil, Finland, and Thailand, to examine how tourism can support the creative development of crafts. This analysis indicates that craft can be an important aspect of creative tourism development in different contexts and can provide a strong basis for placemaking initiatives.
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Karyasa, I. Wayan, I. Gede Putu Banu Astawa, I. Gede Ardwi Pradnyana, and Made Vivi Oviantari. "MENGUATKAN BRANDING TENUN ENDEK KHAS BULELENG MELALUI REVITALISASI PEWARNAAN DENGAN FIKSATOR NANOPASTA ANORGANIK BERBAHAN ABU VULKANIK GUNUNG AGUNG." JURNAL WIDYA LAKSANA 10, no. 2 (August 31, 2021): 117. http://dx.doi.org/10.23887/jwl.v10i2.30053.
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In the Covid-19 pandemic era, most of craft industries, including Buleleng endek ethnical woven crafts, had an impact on sales drastically. Woven craft industries did some preventive efforts, one of them was through enhancing ecofriendly industry branding, i.e. through intensifying yarn dying using natural colors from local raw materials. However, the main problems on color quality, color fastness, tensile strength and ductile ability of colored yarns resulted by natural dyeing should be handled. Our current finding on inorganic nanopaste fixator of natural colors could be as solution. The natural color dyeing technology was applied for cotton as well as silk yarn by using local color natural resources. It resulted that the yarns had better color quality, good grade color fastness and higher tensile strength and ductile ability. The industrial partner had good response on the natural dyeing technology, where it was also supported by good response from costumer candidates of the endek woven crafts. The revitalization of natural dyeing technology through applying inorganic fixator nanopaste affected the stronger branding of Buleleng endek woven crafts through enhancing the selling revenue.
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Almamari, Badar Mohammed, Fakhriya Al-Yahayai, and Mohammed Alamri. "Traditional Omani Crafts Approaches To Identity." Technium Social Sciences Journal 10 (July 28, 2020): 566–78. http://dx.doi.org/10.47577/tssj.v10i1.1328.
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The purpose of this study is to identify how landscapes, places, and geographical forms of land influenced craft making identity by addressing Omani crafts enterprises in urban and rural areas. This has been done by interviewing local craftspeople and analysing their responses as a qualitative data collection method using open-ended questions to seek reliability and credibility in the study. The interviews in this research were mostly conducted with participants belonging to ten enterprises under the management of the Public Authority for Crafts Industries (PACI), Department of Art Education and the Handcrafts Centre. Consequently, this study highlights the importance of studying the influence of landscapes, places, and geographical forms in shaping local people's crafts identity by investigating their craft industries in rural and urban areas.
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Sewruk, Piotr. "Rzemiosło żydowskie w Lublinie i jego instytucje w latach trzydziestych XX wieku." Studia Judaica, no. 1 (45) (2020): 169–201. http://dx.doi.org/10.4467/24500100stj.20.006.12920.
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Jewish crafts in Lublin and their institutions in the 1930s The paper attempts to reconstruct the condition of Jewish crafts in Lublin in the 1930s after the new legal regulations for industry were introduced in 1927 (“The act on industry law”). Crafts in Lublin in this period were ethnically strongly polarized between the two groups. Jews owned 60 percent of all the workshops in the city, while Poles held the rest of the crafts and services. Jewish craftsmen dominated mainly in textile (tailoring) and leather (shoemaking) industries and services like hairdressing or photography. The article focuses primarily on quantitative and statistic aspects of the discussed topic. Jewish craft organizations (craft guilds), supporting institutions (credit institutions for craftsmen) and Jewish personnel of the Lublin Chamber of Crafts are also presented.
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Indahyani, Titi. "Sukses Mengembangkan Desain Seni dan Kerajinan Menjahit Aplikasi Berbahan Dasar Limbah Kain (Kain Perca) bagi Industri Rumah Tangga." Humaniora 1, no. 2 (October 31, 2010): 431. http://dx.doi.org/10.21512/humaniora.v1i2.2885.
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Arts and craft products are now beginning to be produced by many home industries such as sewing patchwork application products. But the lack of knowledge of art, design and product marketing in this industry making products become less competitive and provide income earning less than the maximum. Besides, home industry players sometimes do not have the high endurance and sustainability in business. As one of the national strategic issues, the arts, crafts and creative industries get serious attention from the government. It is expected with the opening horizons of knowledge in art, design and product marketing in the area of sew patchwork application craft (which is use the waste fabric) will impact the development of entrepreneurship opportunities and support many home industries entrepreneur from local micro become sustainable macro business. This action will also support to further explore the various culture of Indonesian arts, crafts and other creative industries became more creative, innovative and competitive by using waste materials that are environmentally friendly.
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Mohammad Zaher, Ehab. "Industries and crafts in Baghdad during the second Abbasid era 232-861 AD / 334 AH-946 AD." Journal of Historical Archaeology & Anthropological Sciences 8, no. 3 (October 30, 2023): 162–66. http://dx.doi.org/10.15406/jhaas.2023.08.00288.
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This study aims to address an important cultural heritage, which is the industrial and craft achievements in the city of Baghdad, who are the people of industries, crafts, and artisans who lived during the Second Abbasid Era (334-447 AH/945-1055 AD). Because this group played a role in political, economic and social stability at the same time. The study dealt with the issue of the regulations in place among craftsmen and craftsmen within sects that followed a specific professional hierarchy and binding rules for people of one craft. The study also addressed the economic and social role of craftsmen and the extent of its impact on political stability in the city of Baghdad. In summary; In the second Abbasid era, Iraq witnessed a development in industries and crafts, as several factors helped in its activity, including the availability of various raw materials, as well as commercial activity that provided the industry with raw materials, so multiple industries were established that included various cities, each of which specialized in A specific quality that you are famous for, each This helped the industry flourish at the internal and external levels, such that the Iraqi product reached different regions of the world.
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Cook, Hadrian, and Kathy Stearne. "Rural Crafts: A study in South Wiltshire." Craft Research 12, no. 1 (March 1, 2021): 105–25. http://dx.doi.org/10.1386/crre_00042_1.
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Rural Crafts are crafts with agrarian roots, but they are not easily located historically, or within today’s developed markets. This study stresses Rural over Heritage Crafts (based in manual skills and traditional materials, designs and techniques), although the two are not mutually exclusive. Rural Crafts are considered, present and past, through interviews with practitioners based in South Wiltshire. The study embraces networks of crafters, interviews with individuals and a focus for a rural craft event located at the Harnham Water Meadows at Salisbury, a historic location. It is established that, while few participants sustained themselves financially through their craft, it was clear that participation is ‘value driven’, providing personal benefits. The ethos of sustainability is a strong theme, both in sourcing materials and in the processes employed, especially true for individuals working with wood and thatching. Few clear similarities are found from past cottage industries, although the sense of continuity in craft is still strong. Networks included craft associations, and opportunities for informal learning, but there is a lack of formal training opportunities. This finding may be historic, as most people interviewed were over 60 years. As well as an age bias, there is a strong gender bias with men dominating regular part-time or full-time paid occupations and women treating their craft more as a hobby. Most people treat sales of any products as a bonus, and the future of such activities is dependent more upon personal interests and networks than on formally trained (often younger) individuals, more so than formal training delivered through individual organizations or companies. Otherwise, our conclusions are in line with modern ideas of personal, well-being and social benefits derived from craft activities.
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Sato, Daisuke, Yuichi Ikeda, Shuichi Kawai, and Maxmilian Schich. "The sustainability and the survivability of Kyoto’s traditional craft industry revealed from supplier-customer network." PLOS ONE 15, no. 11 (November 9, 2020): e0240618. http://dx.doi.org/10.1371/journal.pone.0240618.
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Due to the changes in consumer demand and generational transformations, Kyoto’s traditional craft industry has suffered substantial revenue losses in recent years. This research aimed to characterize Kyoto’s traditional craft industry by analyzing the supplier-customer network involving individual firms within the Kyoto region. In the process, we clarify the community structure, key firms, network topological characteristics, bow-tie structure, robustness, the vulnerability of the supplier-customer network as crucial factors for sustainable growth. The community and bow-tie structure analysis became clear that the traditional craft industry continues to occupy an important position in Kyoto’s industrial network. Furthermore, we clarify the relationship between modern and traditional craft industries’ network characteristics and their relative profitability and productivity. It became evident that the traditional craft industry has a different network structure from the modern consumer games and electric machinery industries. The modern industries have the strongly coupled component, and the attendant firms there create high value-added and play a significant role in driving the entire industry, while more traditional craft industries, such as the Nishijin silk fabrics and Kyoto doll industries, do not have this strongly coupled component. Moreover, the traditional crafts industry does not have a central firm or a dense network for integrating information, which is presumed to be a factor in the decline of the traditional craft industry.
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Kappasov, Marat. "Crafts by Nomads of the Ural and Turgai Regions at the Beginning of the 20th Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 4 (August 2021): 102–16. http://dx.doi.org/10.15688/jvolsu4.2021.4.9.
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Introduction. The article, based on the “Materials on the Kyrgyz (Kazakh) Land Use Collected and Developed by the Statistical Parties of the Turgai-Ural Resettlement Region”, examines the crafts of the nomads of the Lbischensky, Uralsky, Turgai, Irgiz, Temir uyezds in the early 20th century. Temir, Lbishchensky and Ural uyezds belonged to the Ural region, Turgai and Irgiz uyezds to the Turgai region. Methods and materials. Using the mathematical method, the method of comparative analysis and content analysis, the author shows how much income per person came from crafts in the studied uyezds and proves that crafts were only additional industries and could not compete with nomadic cattle breeding. The article examines the crafts that brought the greatest income. Farmhands, transportation, groundhog hunting, fishing, etc., were well-known crafts; the Muslim spiritual cult and its servants was an unusual craft. Analysis. Our article shows that the studied uyezds had their own craft specializations. For example, a significant number of nomads in Lbischensky uyezd were engaged in transportation, in Turgai uyezd in hunting groundhogs, in Irgiz uyezd in hunting and fishing. Results. At the end of the article, the author concludes that the majority of nomads were primarily engaged in crafts as farmhands due to their poverty.
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Hardati, Ratna Nikin, Siti Muslikah, Warsito Warsito, and Mustaufir Mustaufir. "Pendampingan dan Pelatihan dalam Meningkatkan Kualitas Produksi Kursi Rotan di Kelurahan Kedungkandang Kota Malang." Jurnal Surya Masyarakat 6, no. 1 (November 30, 2023): 60. http://dx.doi.org/10.26714/jsm.6.1.2023.60-65.
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Currently, many people are pursuing small home industries to improve their welfare and support the resilience of the national economy. One of the home industries that manages wood to make rattan chair crafts is owned by Mr. M. Shodiq in the Kedungkandang sub-district, Kedungkandang sub-district, Malang City. However, several obstacles are still faced by these small industries, including obstacles in increasing the quality and quantity of rattan chair handicraft production due to several factors such as: lack of knowledge about how to process good and varied rattan chair crafts from both the shape and motif aspects, the use of tools which has not been touched by science and technology. The method of community service is socialization about innovation in the development of rattan chair product quality, namely by providing training materials on the use of innovative tools to develop and improve the rattan chair craft industry. The results of this community service include 1) partners have received education and skills in diversifying rattan chair craft products, 2) partners have received appropriate technology-based tools in the form of rattan cutting machines to increase product sales.
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DMYTRENKO, Vita, and Vitalii DMYTRENKO. "Crafts as a sector of creative industries." Humanities science current issues 1, no. 40 (2021): 79–85. http://dx.doi.org/10.24919/2308-4863/40-1-12.
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Noone, Peter. "Arts, Crafts and Traditional Industries (Book 3)." Occupational Medicine 68, no. 5 (June 20, 2018): 343. http://dx.doi.org/10.1093/occmed/kqy043.
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Juliana, Netty. "Development of Outerwear Handicraft Industry Technique in the Application of Simalungun Pinar Hurungguan Ornaments." International Journal of Research and Innovation in Applied Science VIII, no. XII (2024): 183–93. http://dx.doi.org/10.51584/ijrias.2023.81217.
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The engineering development of the outer fashion craft industry in the application of the Pinar Hurungguan Simalungun ornament is a research on the creativity of students in Medan-North Sumatra. The development of creativity applies an explosive qualitative method, which is to produce new designs that have never been designed by someone, through a critical thinking process to create new inspiration. The stages of the activities carried out in creating women’s outerwear crafts are as follows: 1) theoretical presentations about fashion craft art; 2) craft concept maps; 3) drawing sketches; 4) design motifs and clothing using corel draw; 5) the process of making crafts using cloth; and 5) outerwear craft presentation. The goal of developing the outerwear craft industry is to increase the knowledge and skills of the younger generation in the creative industries. So that the preservation of regional culture is maintained optimally and improves the community’s economy.
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Hvizdová, Eva. "REGIONAL DEVELOPMENT THROUGH CRAFTS TOWARDS THE CREATIVE INDUSTRIES." Науковий вісник Ужгородського університету. Серія «Економіка», no. 2(50) (September 28, 2017): 128–30. http://dx.doi.org/10.24144/2409-6857.2017.2(50).128-130.
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Karyasa, I. Wayan, I. Gede Putu Astawa, and I. Made Ardwi Pradnyana. "Mengembalikan Kejayaan Industri Kerajinan Cadas Silakarang di Kabupaten Gianyar melalui Penerapan Teknologi Cadas Termokromik Buatan." JPM (Jurnal Pemberdayaan Masyarakat) 6, no. 1 (May 4, 2021): 591–98. http://dx.doi.org/10.21067/jpm.v6i1.5095.
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Covid-19 pandemi affects most of craft industries, including the formerly fabulous Silakarang stone’s arts and crafts located in the Gianyar Regency, Bali Province. Environmental issues regarding to river basin ecological protection along Ubud and Sukawati Districts, the mining of basaltic stones from the river banks was restricted strictly by the government. Thus, the natural stones resources for the Silakarang crafts became more difficult to afford. Hence, todays the Silakarang stone craftsmen are more and more dependent on the so-called white stone of Yogya from Java Island. Artificial stone, composing of volcanic ashes, rice husk ash silica-carbon nanocomposite, Portland cement could be the solution the problem. The addition of thermochromic natural inorganic pigment to the mixture could improve their color and performance of the artificial stones. The implementation of the thermochromic artificial stones technology to solve the stone crafts problem was conducted through community service using the participatory action and learning system approuch. As results, the artificial thermochromic stone crafts and arts products could be well accepted by costumers and it impacted to better selling of the stone crafts. The craftsmen gained better income and the Silakarang stone arts and crafts enterprises could better survive among the pandemic time.
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Muhammed, Salwa Tofiq. "Geographical analysis of cottage industries in the Kurdistan region of Iraq." Twejer 4, no. 1 (May 2021): 1107–56. http://dx.doi.org/10.31918/twejer.2141.25.
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Handicrafts as one of the most important elements of cultural heritage are receiving wide attention.efforts to develop them at the national, regional and international levels are increasing in order to emphasize the economic, social and cultural importance they occupy as part of national identity. some countries are focusing on the development of crafts and handicrafts, as their products have a role in attracting tourists, achieving social well-being and enhancing domestic output through the creation of income-guaranteed jobs and the active operation of capital, in addition to their pivotal role in human building. Because of the importance of handicraft industry, the subject of this study(geographical analysis of cottage industries in the Kurdistan region of Iraq)came to reveal the reality of cottage industries in the Kurdistan region, and because of the geographical and historical status of the study area, the research contained the concept of industrial crafts, their importance in the regional environment, and their types, some proposals and solutions were presented in order to promote these crafts and overcome the problems The study found that the geographical factors in the Kurdistan region, especially the spread of the population in different ways, and the subsequent different historical spatial conditions, in turn led to the diversity of crafts and handicrafts, and in the end the study came to a number of conclusions and recommendations that try to develop the pros and reduce the negatives.
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BEKKOUCHE, Prof Dr Nassira. "TRADITIONAL CRAFTS IN THE ZYANID PÉRIOD THE CRAFT OF EMBROIDERY AS AN EXAMPLE." International Journal of Humanities and Educational Research 06, no. 01 (February 1, 2024): 01–14. http://dx.doi.org/10.47832/2757-5403.24.1.
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Tlemcen is considered one of the most important industrial cities in Algeria, rich in its traditional crafts throughout the ages, particularly the craft of embroidery, which was considered one of the main industries to the Zyanid period. Indeed, the sultans had a great interest in these trades which met their needs, such as making clothes, saddles, mattresses, etc. Sultan Abu Hamo Musa II paid particular attention to this craft and valued its owners, placing them in a social rank immediately lower than that of nobles and jurists. At this time, the artisan class achieved a distinguished place in Tlemcenian society. What is worth mentioning is that the Andalusians helped bring a lot of technical know-how to the Zyanid artisans, which increased the progress and development of the embroidery craft in Algeria in general and to Tlemcen in particular. This intervention raises a few questions: What is the origin of this craft? How did it arrive in Algeria? Did it exist in Algeria before the Zyanid period? What are the most decorative shapes with which royal clothing was embroidered? What were they referring to? What is its relationship to rituals and myths?.
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Kornishina, Galina A. "THE FUNCTIONAL STRUCTURE OF THE CRAFT PRODUCTIONS FOR THE PROCESSING OF PLANT RAW MATERIALS IN THE TRADITIONAL ECONOMY OF THE MORDVINS." Economic History, no. 3 (September 30, 2018): 344–55. http://dx.doi.org/10.15507/2409-630x.042.014.201803.344-355.
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Introduction. The article is devoted to the analysis of the functional structure of craft industries associated with the processing of vegetable fibers at Mordvins in the late XIX – early XX century. The study of this problem is necessary in order to analyze the socio-economic state of the whole complex of economy in the period under review and the trends of its development. It is supposed to consider the level of development of the studied types of craft industries, to identify the quantitative and qualitative characteristics of their production and economic base, as well as their importance for the traditional economy of the Mordvins. Materials and Methods. The main method used in writing the article is the comparative-historical method. This will allow us to trace the forms of existence and functions of the components that make up the structure of the traditional crafts of the Mordvins, as well as to identify trends in changes occurring with them. This method will be supplemented by analysis of historiographical works and sources, as well as by methods of field research. Results. The development of commodity-money relations in the Russian economy of the late XIX – early XX century led to a wide spread of various types of handicraft production. The Mordvins were mainly developed local crafts, including those related to the processing of vegetable fiber. They had a sufficiently developed functional structure, which included not only the direct production of products from linen and hemp fibers, but also the tools used in this production, cultivation and primary processing of the necessary raw materials, the sale of finished products. Discussion and Conclusions. Despite the fact that the processing of hemp and flax in the Mordvins in the XIX – early XX century was well developed, it did not go beyond the home crafts in which only family members worked. It was they who held the whole functional structure of these crafts. Only the production of ropes reached the level of the cottage industry. This was of great importance for the economy of the Mordvins peasants and brought a significant part of the family’s income, and sometimes it was the main means of its existence.
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Saragih, Liharman, Arno Frayliado Saragih, Rizky Fadhila Purba, Bima Perdana Sakti, Nurhasanah ., and Trizki Yopandi. "Analisa Daya Saing Usaha Anyaman Keranjang di Kabupaten Simalungun dengan menggunakan Model Diamond Porter." Jurnal Ecogen 7, no. 1 (March 29, 2024): 114. http://dx.doi.org/10.24036/jmpe.v7i1.14883.
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This study aims to analyze the competitive advantage by using the Porter Diamond Model in the basket weaving craft business in Nagori Sirpang Dalig Raya, Kecataman Pematang Raya, Simalungun Regency. The research method used is descriptive with a qualitative approach. Data collection techniques were carried out by interview, observation and documentation. The results showed important determinants in the competitive advantage of woven basket craftsmen in accordance with porter's diamond model, consisting of factor conditions; demand conditions; company structure, strategy and competition; related industries and supporting industries; and the role of government. The formulation of appropriate generic strategies is to increase product innovation to other creative crafts, focus on opening bamboo plantations and improve labor skills to attend training and development
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Hidayat, Rahmat, Andi Adriansyah, and Febi Kurniawan. "Development of Ceramic Decorative Rotary Tool Technology Based on the Internet of Things as a Learning Media to Support Creative Industries." E3S Web of Conferences 500 (2024): 01016. http://dx.doi.org/10.1051/e3sconf/202450001016.
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Indonesia is a rich and diverse country for crafts and creative industries. In supporting the creative industry, it is necessary to have skills through learning creative crafts in the community of Rangdumulya Village, Pedes District, Karawang. The problem that occurs is that currently, the younger generation is less interested in creative crafts such as pottery, ceramics, and batik. In making pottery and ceramics, turntable equipment is needed to make pottery products that can be formed into jugs, teapots, glasses, and jars. The lack of digital turntable tools is helping the work of pottery craftsmen in the process of making and forming pottery, which can be used to accelerate the production process. The purpose of this research is to create, design, and implement to have a positive impact on the emergence of new technological products and the creation of pottery technology, which is considered very necessary to help the learning process of creative crafts in the village to become an independent village. The focus of this research is the development of internet-of-things-based ceramic decorative rotary tool technology as a learning medium to support creative industries. The result of this research is that Internet-of-Things-Based Ceramic Decorative Rotary Tool Technology can work, have a positive impact on pottery craftsmen, and increase the productivity of youth skills in the field of creative crafts, especially in making pottery or ceramics.
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Munawar, Fansuri, and Ghifari Munawar. "Efforts to accelerate the export of creative craft industries through business intelligence model framework." Fair Value: Jurnal Ilmiah Akuntansi dan Keuangan 5, no. 5 (December 25, 2022): 2403–10. http://dx.doi.org/10.32670/fairvalue.v5i5.2739.
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This article seeks to develop a framework model for a business intelligence system mapping West Java's exports of creative crafts. The fundamental issue is that the craft industry's exports are underperforming due to a lack of responsiveness in capturing export opportunities. In addition, the lack of a business intelligence system in the craft industry to evaluate export mapping on the global market emphasizes the importance of this research. This body of literature employs the research methods of data gathering and consolidation, determining information needs, and developing a framework for business intelligence. This study investigates primary data regarding the export of handicrafts from West Java, including exporter data, export commodity data (HS code), export trade transactions, export destination country data, and the overall export value and volume. The proposed model is a framework for mapping the export of craft creative industries and the stages of business intelligence (BI) deployment. Based on the results and discussion, the proposed BI framework can serve as a basis for developing a business intelligence system to evaluate the export mapping of handcraft products in West Java.
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Maria Viktorovna, Yakovleva. "The influence of fashion on the development of creative industries." Vestnik of Saint Petersburg State University of Culture, no. 2 (51) (2022): 116–20. http://dx.doi.org/10.30725/2619-0303-2022-2-116-120.
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Modern fashion is interpreted as the sphere of generating ideas and their embodiment in material samples. One of the main roles in this process is played by intellectual capital. Which, in the conditions of the crisis of modern socio-economic policy, is considered as a productive and alternative option for the resource-based economy of capital. This fact has been embodied in the development of the creative economy, in the phenomenon of creative industries, which include the fashion industry, design, advertising and other creative areas. The issue of the influence of fashion, its trends and practical developments on creative spheres acquires a significant role. In particular, the phenomenon of greening as a trend of modern fashion significantly affects the development of creative ideas, consumer culture, and production. This process is embodied in eco-tourism, architecture, interior design, popularization of crafts and craft technologies. Also, the fashion industry is a sphere for the realization of the creative potential of young people and its socialization.
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Berg, Maxine. "Useful knowledge, ‘industrial enlightenment’, and the place of India." Journal of Global History 8, no. 1 (February 18, 2013): 117–41. http://dx.doi.org/10.1017/s1740022813000077.
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AbstractResearch is now turning to the missing place of technology and ‘useful knowledge’ in the debate on the ‘great divergence’ between East and West. Parallel research in the history of science has sought the global dimensions of European knowledge. Joel Mokyr's recentThe Enlightened Economy(2009) argued the place of an exceptional ‘industrial enlightenment’ in Europe in explaining industrialization there, but neglected the wide geographic framework of European investigation of the arts and manufactures. This article presents two case studies of European industrial travellers who accessed and described Indian crafts and industries at the time of Britain's industrial revolution and Europe's Enlightenment discourse on crafts and manufactures. The efforts of Anton Hove and Benjamin Heyne to ‘codify’ the ‘tacit’ knowledge of a part of the world distant from Europe were hindered by the English East India Company and the British state. Their accounts, only published much later, provide insight into European perceptions of India's ‘useful knowledge’.
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Melnyk, Andrii, Iryna Yerko, Natalia Melnyk, and Roman Kacharovsky. "CENTERS OF AUTHENTIC PRODUCTS OF VOLYN REGION AS A SECTOR OF CREATIVE INDUSTRIES." SCIENTIFIC ISSUES OF TERNOPIL VOLODYMYR HNATIUK NATIONAL PEDAGOGICAL UNIVERSITY. SERIES: GEOGRAPHY 54, no. 1 (July 11, 2023): 140–48. http://dx.doi.org/10.25128/2519-4577.23.1.15.
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The article examined the definitions of the term "folk art industries" according to the legislation of Ukraine. Folk art works in Ukraine are an integral part of Ukrainian culture, they have taken into themselves the features inherent in separate ethnographic regions of the country and are a specific component of historical and cultural recreational resources, one of the most interesting in the people's creativity. The focus of attention is directed on authentic products of Volyn, which forms a brand of Ukrainian industries. The samples of intangible cultural heritage occupy a separate niche in the system of historical and cultural tourist resources – folk art industries, which allow to study traditions and hue of Volhynians, to make an idea about the peculiarities of life of the region. The UN data show that the global market of creative industries has doubled in the last ten years.
The modern structure of folk art works of Volyn has been defined, the main kinds and centers of folk art, which are found in the territory of Volyn region, are outlined by a brief characteristic of each of them. The entrepreneurial potential of the art folk industries centers as a sector of creative industries has been discovered. The peculiarities of the spatial location of the centers of artistic folk industries on the territory of the region are analyzed in terms of administrative districts and territorial communities. Study of peculiarities and regularities of accommodation of centers of artistic folk crafts will allow to expand the range of available tourist routes, to create a proper tourist infrastructure near these centers. The analysis of the supply ratio of this type of tourist-recreational resources as a basis for development of cognitive tourism was carried out. The proposed measures will allow to increase the role of these objects in the system of recognizable tourist routes, which in turn will allow to increase the number of tourists in Volyn, and thus to improve the financial condition and create a positive image of the region.
On the basis of the conducted research, it is worth creating training centers where anyone who wants to could learn the art of creating artistic folk crafts. It is necessary to consider the possibility of creating a network of specialized trade establishments that would specialize in the sale of souvenir products, the formation of orders for certain individual types of crafts or individual products, exclusive items, would contribute to the popularization of folk and applied arts, contain a base of masters of folk arts and crafts, conduct master classes, aimed at studying certain techniques of creating these products.
A very important component is the information and advertising policy in this field, which would be aimed at popularizing the cognitive aspect of the functioning of centers of artistic folk crafts. At the same time, in order to form a positive image of the region, it is necessary to inform the population and potential tourists with the help of cartographic material (in particular, interactive), printed products (booklets, flyers), mass media about these objects and locations.
The development of folk arts and crafts centers within the Volyn region is one of the most promising areas of the redevelopment of the territory, can create preconditions for the improvement of the environment design, increase the level of attractiveness of the territories for living, promote the accumulation of human potential.
Key words: folk arts, authentic products, cognitive tourism, creative industries, Volyn region
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Temin, Peter. "Two Views of the British Industrial Revolution." Journal of Economic History 57, no. 1 (March 1997): 63–82. http://dx.doi.org/10.1017/s0022050700017927.
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There are two views of the British Industrial Revolution in the literature today. The more traditional description sees the Industrial Revolution as a broad change in the British economy and society. This broad view of the Industrial Revolution has been challenged by Crafts and Harley who see the Industrial Revolution as the result of technical change in only a few industries. This article presents a test of these views using the Ricardian model of international trade with many goods. British trade data are used to implement the test and discriminate between the two views of the Industrial Revolution.
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Fatmawati, Fatmawati, and Deky Aji Suseno. "Strategi Pengembangan Industri Kerajinan Eceng Gondok di Kabupaten Semarang." Economics Development Analysis Journal 7, no. 3 (August 29, 2018): 251–59. http://dx.doi.org/10.15294/edaj.v7i3.25257.
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Industri kerajinan eceng gondok di Kabupaten Semarang sangat potensial untuk dikembangkan, namun perkembangannya mengalami penurunan yang semula di tahun 2013 terdapat 18 unit usaha menurun menjadi 10 unit usaha di tahun 2015. Volume produksi di tahun 2015 juga mengalami penurunan jika dibandingkan dengan tahun 2014. Hal tersebut berbanding terbalik dengan ketersediaan bahan baku eceng gondok di Rawapening yang terus mengalami peningkatan. Sampel dalam penelitian ini terdiri dari 10 perajin dan 8 keyperson. Adapun metode penelitian yang digunakan adalah analisis deskriptif untuk mengetahui permasalahan industri dan Analisis Hierarki Proses (AHP) untuk menentukan strategi pengembangan industri kerajinan eceng gondok di Kabupaten Semarang. Hasil penelitian menunjukkan bahwa permasalahan mendasar yang dihadapi adalah masih terbatasnya SDM yang terampil. Prioritas utama dalam pengembangan industri kerajinan eceng gondok di Kabupaten Semarang adalah kriteria SDM (nilai bobot 0,463), disusul kriteria pemasaran (nilai bobot 0,347), kriteria manajemen produksi (nilai bobot 0,119), dan kriteria teknologi (nilai bobot 0,017). Adapun saran dari penelitian ini antara lain diharapkan pemerintah dan pihak yang berkepentingan lebih memfokuskan pengembangan industri kerajinan eceng gondok melalui peningkatan pengetahuan dan keterampilan teknis SDM melalui pendidikan dan pelatihan.
Water hyacinth crafts industries in Semarang Regency potential for development, but its development has decreased which was originally in the year 2013, there are 18 business units decreased to 10 business units in 2015. The production volume in 2015 also decreased compared to 2014. The inversely proportional to the availability of raw materials in the water hyacinth Rawapening which is constantly increasing. The sample in this study consisted of 10 craftsmen and 8 keyperson. The research method used is descriptive analysis to find out the problems of industries and Analysis Hierarchy Process (AHP) to determine the development strategy of water hyacinth crafts industries in Semarang Regency. The results showed that the fundamental problems faced is the limited skilled human resources. The main priority in the development of water hyacinth crafts industries in Semarang district is HR criteria (weight value 0.463), followed by marketing criteria (weight value 0.347), production management criteria (weight value 0.119), and technology criteria (weight value 0.017). The suggestion from this study are expected in the government and interested parties more focused development of water hyacinth crafts industries by enhancing the knowledge and technical skills of human resources through education and training
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Sauliak, Bohdan. "Ukrainians Folk Trades and Crafts as a Component of Creative Industries." Folk art and ethnology, no. 4 (August 30, 2019): 95–100. http://dx.doi.org/10.15407/nte2019.04.095.
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Roostika, Ratna, Tri Wahyuningsih, and Sigit Haryono. "Destination Competitiveness Analysis for Creative Crafts Industries in Bantul Yogyakarta Indonesia." Journal of Corporate Governance, Insurance, and Risk Management 2, no. 3 (July 20, 2015): 16–33. http://dx.doi.org/10.56578/jcgirm020302.
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Utami, Yenni Sri, Oliver Samuel Simanjuntak, Vynska Amalia Permadi, and Agus Sasmita. "SWOT Analysis As An Instrument For Strategic Planning Of Batik Kayu Craft Small Medium-Sized Enterprises (SMEs) In Krebet Bantul Yogyakarta." Tourism and Sustainable Development Review 1, no. 2 (August 31, 2020): 94–102. http://dx.doi.org/10.31098/tsdr.v1i2.14.
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Krebs Tourism Village is a tourism destination that specifically produces the creative industries of Batik Kayu crafts. Small Micro Medium-Sized Enterprises of Batik Kayu craft in Krebet have developed rapidly and become a specific icon of Krebet Tourism Village. The unique styles of Batik upon wooden media have attracted both domestic and international customers. This research purpose to formulate the efficient strategies that can be applied to extend the growth of Batik Kayu craft in Krebs. This paper adopts the method of SWOT analysis to obtain a comprehensive evaluation of this SME Industries. Field observations and direct interviews have carried out with numerous Batik Kayu industrialists. This research only addresses the process of new Batik Kayu product variations development, information, and communication technology-based marketing network utilization, as well as the shortened supply processes from producers to consumers. The proposed strategies are new strategies that have never been implemented before in our partner region. Our contributions were acknowledged to increase sales capacity, extend the markets, and diminish the distribution layers to increase profits.
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Berg, Maxine. "Craft and Small Scale Production in the Global Economy: Gujarat and Kachchh in the Eighteenth and Twenty-first Centuries." Itinerario 37, no. 2 (August 2013): 23–45. http://dx.doi.org/10.1017/s0165115313000466.
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India's production of fine luxury and craft goods for world markets was discovered and exploited by Europeans in the seventeenth and eighteenth centuries. Textile producers in Gujarat, the Coromandel Coast, and Bengal applied fine craft skills to European designs, colour codes, and textile lengths and widths. Through the intervention of the East India Companies and private traders as well as their intermediaries, brokers and local merchants, weavers, and printers produced the goods to satisfy Western markets just as they had done for Eastern and African markets in the centuries before.Today Indian craftspeople are engaging in a new phase of production for global markets. They are using traditional techniques of the kind that attracted Western buyers in the seventeenth and eighteenth centuries: hand weaving, hand block printing, and natural dyes. Accessing the niche national and international markets needed to provide a future for these crafts is a major challenge. This article focuses on the artisans, skills and markets in one area of India—the region of Kachchh in northern Gujarat, even now considered a remote part of the new global India. It sets this within a wider context of Gujarat and the earlier and more recent history of its textile industries. Douglas Haynes's recent book, Small Town Capitalism in Western India (2012) provides a framework for the study of small-scale industry, and the article will address his subject and methods. The new sources used are a collection of oral histories of craftspeople in a range of industries. These oral histories address skills and training across generations, and how these crafts have adapted and continue to adapt to the demands of national and world markets.
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Putra, Wirmie Eka, and Lutfi Lutfi Lutfi. "ANALISIS KINERJA KEUANGAN INDUSTRI KREATIF DI KOTA JAMBI PASCA ACFTA DAN AIFTA." Jurnal Manajemen Terapan dan Keuangan 6, no. 3 (December 10, 2017): 147–54. http://dx.doi.org/10.22437/jmk.v6i3.4249.
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This research aims to determine the difference of sales and profit levels of creative industries in Jambi City before and after the application of ACFTA and AIFTA. This research was conducted in Jambi city whose data come from creative industry actor registered as member of Dekranasda of Jambi City, coming from various creative industries in Jambi city. The creative industries in Jambi include Jambi batik handicraft, Jambi songket, wood craft, batik scrap handicraft and crafts of old and silver coin accessories. This research is designed as quantitative research with survey method to creative industry players in Jambi City. The method used in sampling this study using convenience sampling with the number of samples of 36 creative industry players. Data analysis using different test Paired sample T test. The results of this study indicate that: (1) There is a difference of creative industry sales rate in Jambi city before and after ACFTA and AIFTA, and (2) There is a difference of creative industry profit rate in Jambi city before and after ACFTA and AIFTA.
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Gudowska, Bogna. "ARTS AND CRAFTS AND UN SUSTAINABLE DEVELOPMENT GOALS." International Journal of New Economics and Social Sciences 11, no. 1 (June 30, 2020): 277–88. http://dx.doi.org/10.5604/01.3001.0014.3547.
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The purpose of this article is to show the links between arts and crafts and the 2030 Sustainable Development Goals established by the United Nations. The UN aims to cover the most important challenges that humanity and the global economy must face in the nearest future, such as poverty, hunger, health, access to education, climate change or sustainable development. According to the author, arts and crafts, although it is a narrow field listed within the group of cultural and creative industries, can contribute to achieving the goals of the UN, positively influencing, among others on employment, fair trade and ethical production.
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Cahyadi, Nur, and Heru Baskoro. "Era Pandemi Covid-19 : Pemberdayaan Masyarakat Pengerajin Sangkar Burung Balongpanggang Untuk Meningkatkan Penghasilan." Jurnal Pengabdian Manajemen 1, no. 2 (March 7, 2022): 70. http://dx.doi.org/10.30587/jpmanajemen.v1i2.3696.
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Basically, economic development can not only be measured by an increase in the production of goods or services, but can also be seen from the economic aspect and other changes, such as developments in technology, developments in education, available infrastructure, improvements in health, and also can be seen from the increase in income and prosperity of the community. The development of the industrial sector in an area can be marked by the emergence of creative and innovative businesses such as SMEs. One of the potential businesses that many people are engaged in is in the field of handicrafts. In order to be able to increase competitiveness globally, it is expected that economic actors engaged in the handicraft industry are directed to produce a product in the form of goods of high quality and value so that later it is expected to have competitiveness both at home and abroad. Bird cage crafts in the Balongpanggang sub-district have been established for generations. The number of bird cage craft home industries in the region continues to increase. The majority of the population in several villages in the Balongpanggang sub-district choose to become bird cage craftsmen rather than other jobs. The village community continues to pursue bird cage crafts because the results of this work can meet the needs of daily life which so far are still lacking or indeed not fulfilled from agricultural products and can increase income.
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Yuldashev, N. K., V. I. Nabokov, and K. V. Nekrasov. "Industrial and agricultural production in the makhallas of Uzbekistan." E3S Web of Conferences 449 (2023): 09005. http://dx.doi.org/10.1051/e3sconf/202344909005.
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There is a special, Asian way of production. This is industrial and agricultural production in makhallas. The roots of crafts and entrepreneurship of mahallas go back to the distant history of Central Asia. In the Soviet period, this production was carried out in the form of small craft production. In recent years, the development of crafts and entrepreneurship in makhallas in Uzbekistan has been given the most important importance. The sectoral specialization of all mahallas has been determined in the Republic. Measures to support each of them have been planned and are being implemented. Much attention is paid to the expansion of small industries in the Mahalla environment, including handicraft, sewing, shoe and confectionery. Support is provided to those engaged in home work. More than 2000 mahallas specialize in providing various types of services. Measures are being taken for the effective use of household lands and organized spring sowing. In the agricultural sector, work is being carried out (taking into account the peculiarities of regions, districts) on the specialization of each mahalla in fruit and vegetable growing, greenhouse farming and other areas, according to the principle "one mahalla – one type of product". This gives great opportunities for finding sales markets, contributes to improving product quality, mutual transfer of experience and the development of new technologies. The policy pursued in relation to the mahallas is aimed at solving three important tasks: spiritual, political and socio-economic.
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Eyferth, Jacob. "De-Industrialization in the Chinese Countryside: Handicrafts and Development in Jiajiang (Sichuan), 1935 to 1978." China Quarterly 173 (March 2003): 53–73. http://dx.doi.org/10.1017/s0009443903000056.
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Rural industrialization is often seen as a characteristic feature of Chinese socialism, under both Mao and his successors. It is less often recognized that rural industrialization did not start from scratch: the pre-1949 Chinese countryside was already industrialized to a considerable degree, though most rural industries were unmechanized “proto-industries” – small-scale, decentralized, and household-based. Modernizing governments, including both the Kuomintang and CCP regimes, tended to see such industries as obstacles on their march towards industrial modernity, understood as mass production in urban factories. This article focuses on one particular industry, handicraft papermaking in Jiajiang county, Sichuan. It argues that Maoist policies, with their emphasis on local grain self-sufficiency, discriminated against communities that depended on specialized production and exchange. To the extent that these communities had specialized in crafts in order to compensate for an inhospitable natural environment (as was the case in many upland areas), Maoist policies penalized the already disadvantaged – with sometimes disastrous consequences.
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Rabiae, Grine. "The Reality of the Handicrafts and Crafts Sector in Algeria and its Promotion Strategy: Tipaza State as a Model." Finance and Business Economies Review 6, no. 3 (September 24, 2022): 171–203. http://dx.doi.org/10.58205/fber.v6i3.322.
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The traditional industry and crafts sector is a major driver for investment, development and economic empowerment of women, in addition to preserving the cultural heritage and national identity. In order to reposition the products of traditional industry, Algeria has adopted a new strategy based on providing the opportunity for craftsmen to be present in the most important international exhibitions, not to mention the provision of raw materials and the supply of these Industries with the basic materials that go into themanufacturing process of their products, in addition to ensuring financial support and accompanying guarantee in order to achieve the quality of products bearing the Algerian brand and to provide qualified labor to support the various craft activities in Algeria.
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Putri Elfa Mas`udia, Rieke Adriati Wijayanti, Moh. Abdullah Anshori, Lis Diana Mustafa, Mochammad Sarosa, and Yani Ratnawati. "Pembuatan Website, Instagram Dan Akun Shopee Sebagai Media Marketing Produk Anyaman Bambu Di Desa Duwet." Cakrawala: Jurnal Pengabdian Masyarakat Global 2, no. 3 (August 5, 2023): 220–26. http://dx.doi.org/10.30640/cakrawala.v2i3.1506.
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Desa Duwet is a village located in the Tumpang sub-district of Malang Regency. The majority of the residents work as farmers and engage in Micro, Small, and Medium Enterprises (MSMEs). There are several creative industries, such as crafts made from various bamboo products (besek), satay skewers, various banana-based pastries, and the production of cookies. The besek bamboo crafts are of good quality and should be sold at competitive prices.. The main challenges faced are the lack of promotional techniques and marketing supported by digital information technology through offline and online marketing platforms. A team from the State Polytechnic of Malang helps the village of Duwet with marketing through digital media by creating a website, Shopee account, and Instagram account so that the sales of besek bamboo crafts can be directly from end to end to the customers.
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Kesaboina, Venkata Murali, Peeyush Kumar Gupta, and Srutinwita Roy. "INDIAN CRAFTS AND SUSTAINABLE NATURAL DYES." ShodhKosh: Journal of Visual and Performing Arts 4, no. 2CDSDAD (January 23, 2024): 151–61. http://dx.doi.org/10.29121/shodhkosh.v4.i2cdsdad.2023.596.
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Indian crafts reflect the most commonly from different parts of the country practice several art forms and crafts, and their identities are associated with where they carry a significant part of their culture and tradition. Most of these art forms are practised for ages and passed from generation to generation. Most of these are folk and traditional, and regional art forms have local religious themes, community values, cultural practices, and various traditional beliefs. Our country has several distinct folk and traditional arts in different regions of India. Among these most popular are Madhubani from the Mithila region of Bihar, Kalamkari Paintings, Kondapalli Toys, Etikoppaka Toys, Nirmal Toys from Andhra Pradeshand Telangana. Colours carry an important cultural significance in India. Here the researcher wants to focus mainly on the natural dyes used for these art forms, the influence of cultural diversity, and sustainability factors. Natural colors are extracted from plants and other natural sources for most of these art forms. Some of these started adopting artificial synthetic colour practices due to various reasons. Since the dawn of civilization, colour has influenced the human psyche from ancient times and played a significant role in the formation of different cultures of human beings worldwide. With the increasing demand in recent times for the use of natural and sustainable colours many industries started looking for natural bio-resource colours without any harmful effects on the environment and aquatic ecosystem. Current studies also spotlight a historical overview of natural colourants.
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Vale, Brenda, and Yvonne Shaw. ""First find your peasant ..."." Architectural History Aotearoa 16 (December 5, 2019): 72–86. http://dx.doi.org/10.26686/aha.v16.8932.
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Within the context of Edwardian architecture, this paper concerns the interior of dwellings in the 1900s and in particular the furnishings and objects inspired by the Arts and Crafts movement that people might have chosen to have in their homes. The Arts and Crafts section of the 1906 International Exhibition in Christchurch included work by the Haslemere Peasant Arts Society and Haslemere Peasant Industries from England. This paper explores how this movement began, and speculates why its works were part of an exhibition that included works by well-known Arts and Crafts protagonists, such as Morris, Ashbee and Voysey. It looks at the figures involved in the Haslemere ventures, including Godfrey Blount, and the response in the New Zealand press to his ideas that at least 90% of workers should want less rather than more wages, and as a result be involved in working on the land (Blount "Religion and Riches" pp 91-93). The paper also speculates about the life of the peasant and the romanticised view taken of peasants by proponents of the Arts and Crafts movement. It also discusses whether the Arts and Crafts would have flourished, both in New Zealand and Britain, without societies with a middle-class wealthy enough to adorn their homes with its artefacts, or indeed wealthy enough to bankroll it.
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Lantu, Donald Crestofel. "Indonesian Leather Handicraft Trade in the International Market: SWOT analysis approach." Journal of International Conference Proceedings 5, no. 3 (September 29, 2022): 206–14. http://dx.doi.org/10.32535/jicp.v5i3.1867.
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The leather craft industry is one of the growing industries in Indonesia and is one of the export commodities of the creative industry. The creative industry is an industry that is one of the mainstays in the country's economy. The abundance of animal skin waste is used as a variety of commodities that have a selling value. The focus of this research is to analyze the potential of international trade in leather craft commodities by using a SWOT analysis approach. The purpose of this study is to map the internal and external factors of the international trade in leather crafts, which can be one of the preliminary research and sources of future research. From the results of the desk study and SWOT analysis, it was concluded that the leather craft creative industry has an opportunity in the international market with a market share of 4.4% and is in the 6th position as a leather craft exporter in 2021. Internal and external factors for this leather craft shows that the advantages and disadvantages of this creative leather craft industry can be combined to improve business strategies and studies in future research.
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Partarakis, Nikolaos, Xenophon Zabulis, Antonis Chatziantoniou, Nikolaos Patsiouras, and Ilia Adami. "An Approach to the Creation and Presentation of Reference Gesture Datasets, for the Preservation of Traditional Crafts." Applied Sciences 10, no. 20 (October 19, 2020): 7325. http://dx.doi.org/10.3390/app10207325.
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A wide spectrum of digital data are becoming available to researchers and industries interested in the recording, documentation, recognition, and reproduction of human activities. In this work, we propose an approach for understanding and articulating human motion recordings into multimodal datasets and VR demonstrations of actions and activities relevant to traditional crafts. To implement the proposed approach, we introduce Animation Studio (AnimIO) that enables visualisation, editing, and semantic annotation of pertinent data. AnimIO is compatible with recordings acquired by Motion Capture (MoCap) and Computer Vision. Using AnimIO, the operator can isolate segments from multiple synchronous recordings and export them in multimodal animation files. AnimIO can be used to isolate motion segments that refer to individual craft actions, as described by practitioners. The proposed approach has been iteratively designed for use by non-experts in the domain of 3D motion digitisation.
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Ermaya, Sir Kalifatullah. "Analisis Lingkungan Industri pada Pelaku Usaha Mikro di Hamzah Batik Yogyakarta." Coopetition : Jurnal Ilmiah Manajemen 14, no. 1 (January 20, 2023): 66–78. http://dx.doi.org/10.32670/coopetition.v14i1.2928.
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This research was conducted on 30 creative SMEs in Yogyakarta who supply their products to Hamzah Batik. The classification of the craftsmen are: snacks, traditional home decorations, aromatherapy oils, wood crafts, silver crafts, batik bags, batik shoes and sandals, batik fabrics, traditional herbs and herbs as well as luxury materials such as jars and paintings. The results show that by using descriptive statistical analysis of the industrial analysis model created by Porter, the "buyer power" dimension with the indicator "consumer bargaining power in determining product selling prices" has the highest score or the most influential when compared to other indicators. Meanwhile, the “intensity of competition” dimension with the indicator “industry concentration affecting business in creative industries” has the lowest score. However, all indicators are in the very high category, which means that all indicators have a very high influence on the success of creative MSMEs in Yogyakarta which supply their products to Hamzah Batik. With the increase in globalization and to increase national GDP, the authors suggest increasing the competitiveness of MSME creative products in Yogyakarta by expanding their market, such as exporting their products abroad.
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Cho, Wan Hee. "A study on the Regional Revitalization Plan Utilizing Craft Design Center Program." Korea Institute of Design Research Society 8, no. 4 (December 31, 2023): 159–70. http://dx.doi.org/10.46248/kidrs.2023.4.159.
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The craft design industry refers to tangible and intangible industries and contents that create economic added value by embodying cultural and artistic elements. It has been developed based on the traditional culture of the country and region. This study aims to suggest ways to create cultural values and revitalize local communities by utilizing these craft design activities. Currently, local communities have undergone rapid industrialization and urbanization due to rapid economic development and rapid growth, and these are expressed as urban environmental problems such as changes in social structure, reduction of exchange, and absence of community activities. In particular, after COVID-19, the concept of community has declined, and life centered on social relations is changing. Therefore, this study analyzes prior research on the operating system of the Crafts Center, which operates craft design programs, and presents a systematic activation plan focusing on the support direction and operation program. This is significant in contributing to the improvement of the quality of life of isolated or unstable local members while playing a role in raising awareness of the cultural industry through craft design and expanding the network of local communities.
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Demasheva, Yuliya. "Creation of subsidiary crafts as a necessary component of the modification of an agricultural enterprise." Moscow University Economics Bulletin, no. 4 (August 31, 2021): 186–201. http://dx.doi.org/10.38050/01300105202149.
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The article defines the role and reveals the need to create subsidiary crafts as a necessary component for modifying and improving the innovative development of an agricultural enterprise. The author carries out the analysis of the state and development of subsidiary crafts at agricultural enterprises in the Nizhny Novgorod region. The relevance of the study is explained by the fact that in conditions of rural development, each agricultural enterprise to a certain extent correlates with the development of subsidiary industries and crafts. The purpose of the study is to diagnose the development of subsidiary fisheries in the regions and analyze the prerequisites for their creation. The subject of the study is subsidiary fisheries in the Nizhny Novgorod region. The methodological basis of the research relies on scientific methods based on the requirements of an objective and comprehensive analysis of the state and development of subsidiary fisheries in the region. Drawing on the results of the study, the author identifies the changes in the state of subsidiary fisheries at the regional level and determines the prerequisites for their development in the future.
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Demasheva, Yuliya. "Creation of subsidiary crafts as a necessary component of the modification of an agricultural enterprise." Moscow University Economics Bulletin, no. 4 (August 31, 2021): 186–201. http://dx.doi.org/10.38050/01300105202169.
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The article defines the role and reveals the need to create subsidiary crafts as a necessary component for modifying and improving the innovative development of an agricultural enterprise. The author carries out the analysis of the state and development of subsidiary crafts at agricultural enterprises in the Nizhny Novgorod region. The relevance of the study is explained by the fact that in conditions of rural development, each agricultural enterprise to a certain extent correlates with the development of subsidiary industries and crafts. The purpose of the study is to diagnose the development of subsidiary fisheries in the regions and analyze the prerequisites for their creation. The subject of the study is subsidiary fisheries in the Nizhny Novgorod region. The methodological basis of the research relies on scientific methods based on the requirements of an objective and comprehensive analysis of the state and development of subsidiary fisheries in the region. Drawing on the results of the study, the author identifies the changes in the state of subsidiary fisheries at the regional level and determines the prerequisites for their development in the future.
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Eglite, Zanete. "COLLABORATION IN CREATIVE INDUSTRIES – FROM CREATIVE INDIVIDUALS AND INTERMEDIARIES TO NETWORKS." Culture Crossroads 23 (January 10, 2024): 102–17. http://dx.doi.org/10.55877/cc.vol23.397.
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Collaboration is the core of creative work, and it can help small and medium-sized enterprises, as well as individual creative professionals, develop creative products that would not be possible if these parties were working separately. The aim of the paper is to reveal benefits of collaboration in creative industries from theoretical and practical perspectives. The paper analyses the concept of collaboration in creative industries and provides a theoretical overview of collaboration models that can take various forms, such as networks, creative intermediaries, and clusters. Also, the author has developed a creative industry collaboration matrix, including the Ministry of Culture of the Republic of Latvia’s list of creative industries (Architecture, Design, Cinema, Performing arts, Visual arts, Music, Publishing, Television, Radio and interactive media, Advertising, Computer games and Interactive software, Cultural heritage, Cultural education, Recreation, Advertising, Entertainment and other cultural activities) [LR Ministry of Culture 2022], as well as adding two more creative industries, which are identified in other theoretical models of creative industries used in Europe – Fashion and Crafts. By interviewing various experts from creative industries, the intensity and frequency of collaboration in creative industries are compared, and it is evaluated which creative industries are more prone to collaboration.
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Ben-Amos, Ilana Krausman. "Women apprentices in the trades and crafts of early modern Bristol." Continuity and Change 6, no. 2 (August 1991): 227–52. http://dx.doi.org/10.1017/s026841600000134x.
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Cet article étudie l'importance et les différentes sortes d'apprentissage, tant officiel qu'officieux des jeunes femmes de Bristol au début de l'époque moderne. On y démontre que si, en ville, l'apprentissage officiel de femmes avait tendance à diminuer sous la pression d'une population croissante au cours du 16è siècle, l'apprentissage et le travail officieux, se poursuivaient durant la même époque. L'acquisition de techniques de façon officieuse n'est pas seulement liée à la domination inintérrompue des industries dans la ville même, mais aussi à la création d'emplois à vie, ce qui influençait le sort de plusieurs jeunes femmes de l'époque.
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Olianych, Valentina, Larysa Olianych, and Andrzej Kryński. "WOODWORKING INDUSTRIES IN KHARKIV REGION DURING THE NEP YEARS: A HISTORICAL ASPECT." Scientific Journal of Polonia University 53, no. 4 (November 15, 2022): 83–89. http://dx.doi.org/10.23856/5310.
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The article examines the development of woodworking industries in Kharkiv region, the situation of artisans, their income and everyday life. The impact of the new economic policy on production volumes is determined. Cooperage, carpentry, carpentry, and art products were studied. The transformation and development of handicrafts is identified and studied. The tax system that influenced woodworking handicraft production is considered. We made our own expedition to the workshop of a famous master who used the experience of his ancestors in the manufacture of products. The technology of production of wooden products characteristic of Kharkiv region is studied, and the industry concentration is determined. The connection of cooperage with other branches of agriculture is indicated. The authors studied the work of carpenters and described traditional housing of the hata-sena type and the gradual transformation in the Ukrainian village into a hata-sena-hata dwelling. We paid attention to the manufacture of tools (pitchforks, rakes), household items (troughs, mortars, ladles, buckets, etc.). The life of a rural family was directly connected with woodworking crafts, wood products were in demand, so the masters of this business increased significantly during the NEP period. The authors described the range of chiseled products, consisting of bowls, glasses, salt shakers, rolling pins. Birch, maple, hornbeam, and ash were used to make crafts. In the Slobozhansky Museum of local lore, at the exhibition "hall of ethnography", the authors studied wooden products and production technology of the period of the new economic policy in Kharkiv region.
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Bianchini, Ilka Maria Escaliante, Suzana Leitão Russo, and Norberto Nuno Pinto dos Santos. "RESEARCH ON GEOGRAPHICAL INDUSTRIES AND EDGE CRAFTS ASSOCIATIONS IN NORTHEAST BRAZIL AND NORTH PORTUGAL." International Journal for Innovation Education and Research 7, no. 8 (August 31, 2019): 63–73. http://dx.doi.org/10.31686/ijier.vol7.iss8.1651.
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This paper presents partial results of a survey on the profile of Geographical Indication Lace Embroidery Associations in northeastern Brazil and Portugal. Geographical Indications value and protect traditional products linked to a particular locality, while making positive contributions to the local economy. Handicraft production associations in Brazil, which have obtained the geographical indication seal, add many artisans who derive their families' livelihoods almost exclusively by selling the products. In Portugal the process is different and the certification is individual for the artisan and the pieces. This study aimed to characterize the profile of the members of the Renda Irlandesa, Renda Renascença e Bordado Filpe associations in northeastern Brazil with Geographical Indication seal and the lace of Tibaldinho, Bilro and Lenço dos Namorados in Portugal. The work started with bibliographic research that preceded the field research and Doctoral Sandwich in Portugal. In the bibliographic research were used articles, theses, dissertations available in the online bases of CAPES periods. The Sandwich Doctorate was conducted between November 2018 and March 2019 and the field research in Brazil was conducted from May to June 2019, and data were collected through a semi-structured questionnaire.
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Pannabecker, John R. "Inventing Industrial Education: The Ecole d'Arts et Métiers of Châlons-sur-Marne, 1807–1830." History of Education Quarterly 44, no. 2 (2004): 222–49. http://dx.doi.org/10.1111/j.1748-5959.2004.tb00162.x.
Full textAbstract:
Today eight Schools of Arts and Crafts are the largest source of engineers in France but they originated from a single school established by Napoleon Bonaparte in 1803. At the time many French were concerned that their industries lagged behind the British. What better way to modernize industry than to train boys and young men in a more rational approach to production and send them out to lead industrial change? Historians have left a pessimistic view of the school's first quarter century, but my reading of the evidence, including the archives on school shops and commerce, has led me to nearly the opposite conclusion—the school of Châlons was, from 1807 to 1830, one of the most innovative and unusual schools of all time.