Relevant bibliographies by topics / Crafts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Crafts'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Crafts.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Crafts"

1

Kouhia, Anna, and Sirpa Kokko. "At the Intersection of the Digital and the Material: Teaching and Learning Crafts during the Pandemic." Research in Arts and Education 2022, no. 2 (December 22, 2022): 47–55. http://dx.doi.org/10.54916/rae.122976.

Full text
Abstract:
Although the value of crafted artefacts and craft activities is recognized in contemporary research and discussion, crafts as a standard school subject is still struggling with stereotypic labels; some consider the subject a relic from the past. This commentary demonstrates that crafts is an innovative school subject that engages students in creative thinking and up-to-date digital-material practices. The commentary relies on Finnish craft teachers’ experiences of learning and teaching crafts during the Covid-19 pandemic. Material was collected in two webinars in autumn 2020.
APA, Harvard, Vancouver, ISO, and other styles
2

Sudana, I. Wayan, Hasdiana Hasdiana, and Isnawati Mohamad. "Pembentukan Desa Kreatif Rintisan Berbasis Seni Kerajinan Lokal." Jurnal Sibermas (Sinergi Pemberdayaan Masyarakat) 11, no. 3 (June 18, 2022): 710–26. http://dx.doi.org/10.37905/sibermas.v11i3.14448.

Full text
Abstract:
The formation of creative villages is one of the instruments in improving the economy of rural communities in the creative economy sector. Creative villages can be formed in stages with a certain basis as superior according to the potential of the village. This activity aims to form a pioneering creative village based on local crafts as superior. The implementation of activities using participatory methods and workshops goes through: program socialization, formation of crafter groups, provision of knowledge related to crafts, manufacture of local crafts products, and planning follow-up activities. The results are: 1) increasing public interest in developing local crafts; 2) the formation of a crafter group in the village; 3) increasing community knowledge and skills in making local craft products according to village potential; 4) agreed on a program for continued activities in the development of local crafts in a sustainable manner. The results achieved are an indicator of the formation of a pioneering creative village based on crafts as a superior, which has the opportunity to improve the economy of rural communities in the creative economy sector.
APA, Harvard, Vancouver, ISO, and other styles
3

Kokko, Sirpa. "Orientations on studying crafts in higher education." Craft Research 13, no. 2 (September 1, 2022): 411–32. http://dx.doi.org/10.1386/crre_00086_1.

Full text
Abstract:
Crafts in higher education (HE) are scattered and typically lack departments of their own, instead being integrated in art, design, technology, education or culture-oriented departments. The purpose of this research is to shed light on the orientations of crafts in HE programmes that have crafts as their foci. Based on document analysis of the curricula of one American and four European (Finland, Sweden, Estonia and United Kingdom) craft study programmes and fieldwork observations, the following five orientations were identified: educational crafts, traditional crafts, critical crafts, cultural heritage of crafts and design-based crafts. Both similarities and differences were found. The targets, prospective career paths and pedagogical methods of these study programmes were adapted to the broader targets of the various departments. Craft teaching followed the basic principles of studio pedagogy. The sought-after skill acquisition level varied from expressive purposes to ability to make quality products. There were also differences in whether a programme focused on a specific craft field or covered a broad spectrum. The requirements of academization were adapted in all study programmes. However, the role of writing differed from free and short reflective writing in the art department to a strict academic writing style in the education department. Professional goals varied from becoming a teacher or an artist to self-employment in a small-scale craft enterprise or achieving commercial success in industrial production. Concerns about losing craft traditions and dedication to maintaining them were shared across programmes. Despite being situated on the outskirts of academia, the status of crafts as an HE discipline adds value and visibility to the crafts and strengthens their identities.
APA, Harvard, Vancouver, ISO, and other styles
4

Cook, Hadrian, and Kathy Stearne. "Rural Crafts: A study in South Wiltshire." Craft Research 12, no. 1 (March 1, 2021): 105–25. http://dx.doi.org/10.1386/crre_00042_1.

Full text
Abstract:
Rural Crafts are crafts with agrarian roots, but they are not easily located historically, or within today’s developed markets. This study stresses Rural over Heritage Crafts (based in manual skills and traditional materials, designs and techniques), although the two are not mutually exclusive. Rural Crafts are considered, present and past, through interviews with practitioners based in South Wiltshire. The study embraces networks of crafters, interviews with individuals and a focus for a rural craft event located at the Harnham Water Meadows at Salisbury, a historic location. It is established that, while few participants sustained themselves financially through their craft, it was clear that participation is ‘value driven’, providing personal benefits. The ethos of sustainability is a strong theme, both in sourcing materials and in the processes employed, especially true for individuals working with wood and thatching. Few clear similarities are found from past cottage industries, although the sense of continuity in craft is still strong. Networks included craft associations, and opportunities for informal learning, but there is a lack of formal training opportunities. This finding may be historic, as most people interviewed were over 60 years. As well as an age bias, there is a strong gender bias with men dominating regular part-time or full-time paid occupations and women treating their craft more as a hobby. Most people treat sales of any products as a bonus, and the future of such activities is dependent more upon personal interests and networks than on formally trained (often younger) individuals, more so than formal training delivered through individual organizations or companies. Otherwise, our conclusions are in line with modern ideas of personal, well-being and social benefits derived from craft activities.
APA, Harvard, Vancouver, ISO, and other styles
5

Abd Samad, Faisal Ikram, Mohd Yuzri Mohd Yusop, Nik Mohd Ridzuan Shaharuddin, Nasrudin Ismail, and Omar Bin Yaakob. "SLAMMING IMPACT ACCELERATIONS ANALYSIS ON SMALL HIGH SPEED PASSENGER CRAFTS." Brodogradnja 72, no. 1 (January 1, 2021): 79–94. http://dx.doi.org/10.21278/brod72104.

Full text
Abstract:
Small high speed passenger crafts (HSC) are commonly known for their poor seakeeping qualities. These crafts are frequently exposed to large slamming impacts and these repetitive shocks may pose danger to passengers’ safety and health. In Malaysia, small high speed passenger crafts having lengths between 7 to 9 meters are mainly used to transport tourists between popular island destinations. Evaluation on impact and vibration for this type of craft was conducted by using accelerometers attached to several locations on craft’s deck. The test was conducted at speeds ranged between 20 to 30 knots and the highest peak accelerations were recorded. The highest acceleration record during the sea trial was recorded at 4.22 g and the average acceleration measure is 2.20 g. Apart from this test, evaluation on effectiveness of the current foam seat typically used in this craft were evaluated using Dynamic Response Index (DRI) and results have shown that the seat is less efficient when impact reaches more than 1g at speeds of more than 20 knots. It is concluded that safety measures such as the use of more efficient suspension seat and limiting the operational speed need to be taken into consideration.
APA, Harvard, Vancouver, ISO, and other styles
6

Hart, Imogen, and Jorunn Veiteberg. "Today’s Anthology for Tommorow’s Crafts CRAFT." Journal of Modern Craft 14, no. 1 (January 2, 2021): 107–11. http://dx.doi.org/10.1080/17496772.2021.1926744.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Breen, Laura. "Sloppy craft: postdisciplinarity and the crafts." Journal of Modern Craft 10, no. 3 (September 2, 2017): 341–43. http://dx.doi.org/10.1080/17496772.2017.1394522.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sewruk, Piotr. "Rzemiosło żydowskie w Lublinie i jego instytucje w latach trzydziestych XX wieku." Studia Judaica, no. 1 (45) (2020): 169–201. http://dx.doi.org/10.4467/24500100stj.20.006.12920.

Full text
Abstract:
Jewish crafts in Lublin and their institutions in the 1930s The paper attempts to reconstruct the condition of Jewish crafts in Lublin in the 1930s after the new legal regulations for industry were introduced in 1927 (“The act on industry law”). Crafts in Lublin in this period were ethnically strongly polarized between the two groups. Jews owned 60 percent of all the workshops in the city, while Poles held the rest of the crafts and services. Jewish craftsmen dominated mainly in textile (tailoring) and leather (shoemaking) industries and services like hairdressing or photography. The article focuses primarily on quantitative and statistic aspects of the discussed topic. Jewish craft organizations (craft guilds), supporting institutions (credit institutions for craftsmen) and Jewish personnel of the Lublin Chamber of Crafts are also presented.
APA, Harvard, Vancouver, ISO, and other styles
9

Zhong, Yiming, Shukun Tang, and Mei Lan. "Research on the Inheritance Path and the Branding Inheritance Model of Traditional Crafts." Sustainability 15, no. 7 (March 28, 2023): 5878. http://dx.doi.org/10.3390/su15075878.

Full text
Abstract:
The inheritance of traditional crafts has contemporary value in the economy and socio-culture and, hence, the development of human civilization. China is well known for its traditional crafts and is the main subject of international traditional craft research; the Chinese government is the first leading force in traditional craft inheritance. This paper employs the grounded theory to analyze the content of 79 national policies on traditional crafts in China from 1960 to February 2022, and induces, compares, refines, and formulates an inheritance path for traditional crafts under the guidance of current public cultural policies in China. The path clarifies the Chinese government’s overall structure for traditional craft inheritance and can also serve as a reference for the international community in revitalizing traditional crafts and maintaining cultural continuity. The path contains five models, among which, the branding inheritance model is key to the revitalization of traditional crafts, yet in both theory and practice, there is a lack of implementation plans. This paper reviews branding theories, sorts out the four attributes of brand “Identification, Communication, Value, and Culture”, and then analyses the advantages of the branding inheritance model for traditional craft inheritance in four dimensions—recognition, identification, acquisition, and survival. Subsequently, this study selects the classical brand model focusing on each of the four attributes, explores the path to constructing the four attributes of traditional craft brands with a distinct operational logic, integrates the results of constructing the four attributes, forms a three-stage model of traditional craft branding inheritance, and analyzes the logical relationships of the components in the model. The model is a concrete implementation plan of the traditional craft branding inheritance, which aims to help public institutions formulate policies and guide practices in traditional craft inheritance, by providing a scientific strategic framework with a high degree of universality.
APA, Harvard, Vancouver, ISO, and other styles
10

Stefanidi, Evropi, Nikolaos Partarakis, Xenophon Zabulis, Ilia Adami, Stavroula Ntoa, and George Papagiannakis. "Transferring Traditional Crafts from the Physical to the Virtual World: An Authoring and Visualization Method and Platform." Journal on Computing and Cultural Heritage 15, no. 2 (June 30, 2022): 1–24. http://dx.doi.org/10.1145/3484397.

Full text
Abstract:
Visualizing human motion is a topic that has gained increasing attention in the domain of cultural heritage, due to the need for capturing intangible dimensions, existing for example in theatrical performances, dances, and crafts. In this respect, virtual humans are typically employed to re-enact human motion, executing movements reproduced through predefined animations, or physics simulation engines. In the case of traditional crafts, a defining point is how to model the interaction of virtual humans with craft-related objects and how to transfer it from the physical to the digital world. Toward a more effective and generic modeling and visualization of the interaction of humans with tools and machines utilized in crafts, this article proposes a novel methodology for the modeling and visualization of crafts and presents a platform enabling the authoring and visualization of craft processes. We contribute a way of visualizing craft processes within virtual environments, aiming to increase the usability of craft representation. As an example, we present and analyze the case of the craft of weaving with the use of a loom.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Crafts"

1

Hart, Imogen. "Arts and crafts objects." Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434024.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Pustina, Petter. "Arts & Crafts Laboratory." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135596.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Summerton, Janet. "Designer crafts practice in context." Thesis, City University London, 1990. http://openaccess.city.ac.uk/7724/.

Full text
Abstract:
This research attempts to identify patterns of successful independent practice among contemporary visual arts practitioners for the purpose of increasing understanding of the structures of and activity within the visual arts in England. The intention is to draw conclusions regarding how such practice can be facilitated and supported. It looks at a particular kind of practice in the area of design craft, and at the organisations charged with the responsibility for state provision, setting this critique in a context of a historical and social perspective. Much of recent conventional practice in the visual arts is considered to have a narrow view of what constitutes acceptable practice and is based on the gallery-based fine arts model. This model is a dubious base line from which to encourage a healthy range of independentpractice, and is of little use to the practitioners in this study, and others of similar intent. The practitioners encountered in this research might beconsidered applied artists, as they have a need to engage with a public during the processes of conception, creation and selling of their work. The patterns have been documented with the assistance of concepts regarding small business, particularly a subsector called micro business. Micro business has recently been identified to describe a pattern of activity which is not conducted for profit or with goals of expansion. The motivation behind micro business is to maintain self determination.
APA, Harvard, Vancouver, ISO, and other styles
4

Tepper, Leslie H. "Hand crafted : creating a market for Canada's Northwest Coast native arts and crafts." Thesis, University of Leicester, 2002. http://hdl.handle.net/2381/31141.

Full text
Abstract:
Museum collections contain examples of Aboriginal Northwest Coast material culture that have been categorised as curios, artefacts, tourist art, arts and crafts, or art. This dissertation examines the emergence of Native Northwest Coast Aboriginal objects made for sale as "arts and crafts". The discussion draws on the multidisciplinary field of material culture studies, on the theories of commodification and on the concept of the reinvention of culture. At the end of the nineteenth century the British Arts and Crafts Movement called for a return to the values and practices of an earlier period of hand crafted objects. For the next half-century in North America government agents, missionaries and philanthropic societies encouraged the production of traditional Aboriginal functional objects as a form of arts and crafts. This activity was perceived as a means of economic self-sufficiency, and to promote feelings of self-identity and self-worth among Native producers. At the onset of World War II. various individuals, private organisations, and government departments worked to transform the producer and the marketplace through education and public policy. Change was to be accomplished by establishing new venues, new expectations of behaviour, and a new social relationship between the supplier and the consumer. Today, a growing number of Native studio crafts people create objects of traditional material culture as a means of livelihood, and as participants in the revitalisation of Northwest Coast Aboriginal society. The term arts and crafts, however, has fallen into disuse and disfavour among Western scholars and Indigenous producers who associate the phrase with poor quality and low income. The term of choice today is art and artist. This work suggests that the production of arts and crafts in British Columbia was an important transition stage in the development of the Native art market. The efforts by private individuals, philanthropic societies and government programs during the mid-20th century raised the value of the hand crafted object. The thesis also suggests that the concept inherent in the Arts and Crafts Movement of "doing good when doing craft", is cyclical, reappearing as strategic policy during times of economic and social crisis on the Northwest Coast.
APA, Harvard, Vancouver, ISO, and other styles
5

Barclay, Christopher H. "Friedel-Crafts chemistry at halogenated surfaces." Thesis, University of Glasgow, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301625.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Davies, Timothy James. "New catalysts for friedel-crafts reactions." Thesis, Heriot-Watt University, 2001. http://hdl.handle.net/10399/505.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chen, Shuling. "Hydrodynamic behaviour of gliding hydrofoil crafts." Thesis, City University London, 2013. http://openaccess.city.ac.uk/2455/.

Full text
Abstract:
A new type of high-speed craft, called a Gliding-Hydrofoil Craft (GHC), has recently been developed in Jiangsu University of Science and Technology, China. This craft is similar to a planing hull but with a hydrofoil in the front part of its body. The fixed hydrofoil improves the seakeeping properties and stability of the craft compared with a conventional planing hull. In addition, the GHC has a more simple structure and higher stability when compared to a hydrofoil craft. Unlike conventional planing hulls and hydrofoil crafts, the study of hydrodynamics of GHC has been overlooked. The present work aims to advance our understanding on hydrodynamics of GHC, both model tests and numerical investigations are presented. To study its hydrodynamic characteristics, model tests are carried out in a towing tank, and the total resistance, trim angle and wetted area of the craft in the cases with different Froude numbers are measured. For the purpose of comparison, model tests have also been carried out for the hull without the hydrofoil. This thesis presents analysis on the experimental data and discusses the effects of the submerged depth and initial attack angle of the hydrofoil on the hydrodynamic features of the GHC. On this basis, the FLUENT software is then adopted to numerically investigate the hydrodynamics of the GHC. The accuracy of the FLUENT addressing this problem is validated by comparing the numerical solutions with the experimental data. The validation cases include 2D hydrofoil in current, Wigley hull with steady forward speed. Good agreement between numerical results and experimental data was obtained. Considering the significance of the turbulence involved in the problem, especially near the hydrofoil, a numerical investigation aiming to find a suitable turbulence model has been carried out. After being validated, 3D numerical simulations on both the planing craft and the GHC in steady flow are considered. The resistance coefficient, pressure coefficient and wave pattern with different Froude number are investigated. Some results are compared with experiment data obtained in the model tests. The wave pattern, velocity field and pressure distribution near the hulls are discussed in detail as well as the influence of the hydrofoil. Finally, the hydrodynamic performance of GHC in unsteady flow is investigated. Three cases were considered: ship berthing, leaving the harbour and turning navigation direction; which are very commonly seen unsteady examples in reality. The preliminary results presented in this thesis have confirmed the significant effects due to the unsteady procedure and imply the need of carrying out unsteady simulations in the future.
APA, Harvard, Vancouver, ISO, and other styles
8

Skeffington, Ian. "Friedel-crafts reactions over various catalysts." Thesis, University of Manchester, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682191.

Full text
Abstract:
The work contained in this thesis covers the sulfonylation reaction between toluene and one of methanesulfonic anhydride and methanesulfonyl chloride. The desired products of these reactions are the three isomers (onho. meta and para) of methyl tolyl sulfone and the by-products are methanesulfonic acid, when methanesulfonic anhydride was used as the sulfonylating agent, and hydrogen chloride when methanesulfonyI chloride was the sulfonylating agent. When this reaction was carried out using the traditional Friedel-Crafts catalyst, AlCl) the thermodynamic isomer ratio of 60 % ortlw, 30 % para and 10 % meta was obtained. The aim of this work was to increase the selectivity of the sulfonylation reactions to the para isomer as this was required by the industrial partner (Zeneca) for use in further reactions. The two sulfonylation reactions were carried out over a range of catalysts including Alell , a silica-alumina, a montmorillonite clay and several zeolite catalysts. The main catalyst studied was zeolite Beta as in an empirical test of a range of catalsyts it had given the greatest percentage of para isomer, with a selectivity of 60 per cent obtained under certain conditions. Reaction times, temperatures and stoichiometry were amongst the variables investigated for their role in the reaction. It was found that the reaction had an initial induction period whichever solid-acid catalyst was used, and also that the reaction stopped by twenty four hours, presumably due to catalyst coking. Yields of methyl tolyl sulfone of up to fifty per cent with a selectivity of sixty per cent for the para isomer were obtained using zeolite Beta with some catalysts giving higher yields but correspondingly lower para selectivities. The catalysts were studied using a variety of analytical techniques. The analysis of the catalysts, particularly for a series of well-characterised zeolite Y’s, was compared to the catalysis results and several interesting trends were observed. The Sil Al ratio of catalysts did not have a consistent effect on the yield or selectivity, however the amount of extra› framework aluminium was shown to have a near-linear relationship to the yield. The disproportionate yield in the sulfonylation reaction for zeolite Beta was linked to the ability of zeolite Beta, much investigated recently, to have very mobile aluminiums either in the framework or dislodging from the framework. These act as Lewis acid sites.
APA, Harvard, Vancouver, ISO, and other styles
9

Velarde, Laos Edmundo, and Milka Cajahuanca. "Mecanismos de reacciones de Friedel-Crafts." Revista de Química, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/100595.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Swiegers, Estee. "Create : investigating the dialogue between craft and design : a centre for the crafts in the Inner City of Pretoria." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29904.

Full text
Abstract:
The focus of this dissertation aims to bring about a dialogue between craft and design by using interior architecture as design medium. The study will investigate how craft can be implemented in space, in the form of products and as a part of place-making, in order for it to be elevated to the status of design. The roles of the producer and the user are of particular focus and are the means by which this re-establishment of craft’s identity, previously prey to local and global perceptions, will take place. An intervention that enables a productive work ethic is envisioned, to help contextualise a product effectively in order for it to reach its full potential. This concern for craft can raise awareness of local and global trends in its innovation and encourage the continuous integration of various creative fields. Furthermore, the investigation anticipates a redefinition of the term, commonly associated with souvenirs or curios, into an entity that harbours independence: an attribute that many designed products have. A vacant building in the Pretoria CBD is home to this crafts centre and its refurbishment aims at addressing the needs of those within the creative fields, as well as the general public. This Pretoria regionalist building from the 1960s poses an opportunity in terms of its materiality and its interior, comprising only a column grid. Thus a design opportunity arises in the form of vertical planes as infill, light entry and pedestrian movement, allowing surfaces and details to illustrate craft’s potential within the built environment. The value in the Modern facade is considered to a great extent in terms of retention, whereas the interior allows for a bolder intervention.
Dissertation (MInt(Prof))--University of Pretoria, 2011.
Architecture
unrestricted
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Crafts"

1

Gray, Madelaine. Selling your crafts at craft shows. Pownal, Vt: Storey, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1940-, John Brian, and Pembrokeshire Craft Markets, eds. Pembrokeshire crafts: And cottage craft producers. Newport, Dyfed: Greencroft for Pembrokeshire Craft Markets, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Zhorne, Wendy L. Nature crafts for children. Grand Rapids, Mich: Baker Books, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Seiff, Joanne. Fiber Gathering. New York: John Wiley & Sons, Ltd., 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

1968-, Chanko Pamela, ed. Crafts. New York: Scholastic, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Council, Crafts, ed. Crafts. London: Crafts Council, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Council, Crafts, ed. Crafts. London: Crafts Council, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Council, Crafts. Crafts. London: National Arts and Media Strategy Unit, Arts Council, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Roumanis, Alexis. Crafts. Calgary, Alberta: Weigl, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

1968-, Chanko Pamela, ed. Crafts. New York: Scholastic, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Crafts"

1

Sheridan, Carmel. "Crafts." In Failure-Free Activities for the Alzheimer’s Patient, 46–52. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-12441-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Plusnin, Juri. "Crafts." In Russian Provincial Society, 221–77. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97829-7_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Haasnoot, Ton, Andrew Woods, Thore Hagman, Jim Howe, Ruy Marra, and Peter George. "Rescue Crafts." In Drowning, 461–76. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-04253-9_71.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tubbs, Carol Crellin, and Margaret Drake. "Paper Crafts." In Crafts and Creative Media in Therapy, 73–91. 5th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003523369-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tubbs, Carol Crellin, and Margaret Drake. "Metal Crafts." In Crafts and Creative Media in Therapy, 121–35. 5th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003523369-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Laue, Thomas, and Andreas Plagens. "Friedel-Crafts-Acylierung." In Teubner Studienbücher Chemie, 124–28. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-322-94015-5_41.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Laue, Thomas, and Andreas Plagens. "Friedel-Crafts-Alkylierung." In Teubner Studienbücher Chemie, 128–32. Wiesbaden: Vieweg+Teubner Verlag, 1994. http://dx.doi.org/10.1007/978-3-322-94015-5_42.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Laue, Thomas, and Andreas Plagens. "Friedel-Crafts-Acylierung." In Teubner Studienbücher Chemie, 127–32. Wiesbaden: Vieweg+Teubner Verlag, 1998. http://dx.doi.org/10.1007/978-3-322-94077-3_42.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Laue, Thomas, and Andreas Plagens. "Friedel-Crafts-Alkylierung." In Teubner Studienbücher Chemie, 132–36. Wiesbaden: Vieweg+Teubner Verlag, 1998. http://dx.doi.org/10.1007/978-3-322-94077-3_43.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Li, Jie Jack. "Friedel-Crafts reaction." In Name Reactions, 145–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-662-05336-2_112.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Crafts"

1

Rosner, Daniela K. "Mediated crafts." In the 28th of the international conference extended abstracts. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753846.1753894.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"GECCO: GERMAN CRAFTS & CRAFTSMEN ONTOLOGY - A Common Crafts Ontology." In 8th International Conference on Web Information Systems and Technologies. SciTePress - Science and and Technology Publications, 2012. http://dx.doi.org/10.5220/0003902003550360.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kikuchi, Yuko, and Hirotake Imanishi. "The Sustainability of Crafts: Shifting the Paradigm of “Traditional Crafts”." In The Twelfth International Convention of Asia Scholars (ICAS 12). Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789048557820/icas.2022.033.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Alford, Grant. "Arts & Crafts (and iPads): Digital Craft and Political Economy." In 109th ACSA Annual Meeting. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.20.

Full text
Abstract:
In discussions of craft since the digital revolution in architecture of the past twenty years it is common for an author to situate their position relative to the Arts and Crafts movement of the late 19th and early 20th centuries. Scholars have repeatedly and rightly noticed striking parallels between reactions in design thinking to the industrial revolution and reactions to the digital revolution in architecture. Proponents of various digital schools invoke the likes of William Morris and John Ruskin as historical theoretical foils to visions of craft in the digital age. There is, however, a tendency to overlook or dismiss as naïve the socio-political ambitions that underwrite the better-known aesthetic styles of various craft movements. Revisiting the political economy of movements like the Arts and Crafts and its allies prompts questions about various contemporary formulations of digital craft. Reinterpreting, for example, Ruskin’s prescient critiques of the technological revolution of his time still suggest social, political, and economic implications for handicraft in our own digital age. To define these questions and potentials, this paper will review the historical moral imperative of craft; survey representative attitudes towards craft in several prominent digital schools of thought; and suggest alternative ways of engaging the socio-political possibilities of digital handicraft through architectural drawing with digital tablet computers, such as the iPad.
APA, Harvard, Vancouver, ISO, and other styles
5

Po Shun Chen, Abbott. "Intelligence Commerce Crafts SDGs." In ICSET 2021: 2021 5th International Conference on E-Society, E-Education and E-Technology. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3485768.3485778.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Amirbekovna, Gadzhalova Fatima. "PRESERVATION AND DEVELOPMENT OF PEOPLE ART CRAFTS AND CRAFTS ON EMBROIDERY IN CUBA." In Folk arts and crafts of the Russian Federation. ALEF, 2019. http://dx.doi.org/10.33580/978-5-00128-340-9-2019-104-107.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Analysis of Crafts Pricing Strategy." In 2019 Annual Conference of the Society for Management and Economics. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jsss.v4.021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jankova, Liga, Andrejs Lazdins, Madara Dobele, and Aina Dobele. "Topicality of crafts in the development of Jelgava old town quarter." In 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.019.

Full text
Abstract:
The development of small towns in Latvia is strongly affected by the growth of the tourism industry. New tourism products and sightseeing objects are created to develop local tourism and increase the number of visitors to cities/regions owing to municipal support. It has been found that in artisanal quarters, product sales and educational masterclasses create a new added value for tourism, thereby contributing to the sustainable development of the area. The first part of the research explained the role of crafts and artisans in urban development. The second part of the research performed a comparison of the operational patterns of current houses and centres of crafts, conducted an expert survey of administrators of the houses and centres of crafts and identified the demand for artisan products by the population and their interests in the development of the Jelgava Old Town street quarter. The research has concluded that in order for crafts to survive, national and local government support is needed for creating houses, centres, quarters and streets of crafts, improving the infrastructure for artisans to work and for tourists to visit them. Municipalities need to develop and implement a policy and a programme for craft development. Crafts have transformed into the cultural industry and in many autonomous communities, the craft competences have merged with tourism and contributed to a broad supply of products and have become important for the development of the area. Overall, the number of visitors to some Jelgava city tourism facilities increased in 2018, yet the total number of visitors decreased. This indicates that the city needs new local tourism facilities. Four operational patterns of houses and centres of crafts were identified in Latvia. Crafts as an important and supportive activity to be developed are incorporated in a number of European, national, Zemgale planning region, Jelgava city and region development strategies and programmes, thereby emphasizing the support needed for traditional artisan activities. Respondents highly rated the need for a house of crafts in the Jelgava Old Town street quarter – 45% expressed very convincing opinions, while 42% rated it as average. The main benefits in the context of craft functions pertain to the cultural and historical heritage and social value. Further research studies are needed to analyse the economic and creative/innovative functions of crafts.
APA, Harvard, Vancouver, ISO, and other styles
9

Almamari, Badar Mohammed. "Intellectual Property Forms for Art and Crafts Sectors: Investigating PACI’s Tools of Protecting Omani Crafts." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.02.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Almamari, Badar Mohammed. "Intellectual Property Forms for Art and Crafts Sectors: Investigating PACI’s Tools of Protecting Omani Crafts." In 3rd International Conference on Social Science, Humanities and Education. Acavent, 2020. http://dx.doi.org/10.33422/3rd.icshe.2020.03.02.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Crafts"

1

Chibnik, Michael. Crafts and Commodities: Oaxacan Wood Carvings. Inter-American Development Bank, May 2003. http://dx.doi.org/10.18235/0005907.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Glass, George. Electrical Safety Program: Nonelectrical Crafts at LANL, Live #12175. Office of Scientific and Technical Information (OSTI), December 2016. http://dx.doi.org/10.2172/1338684.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Martin, Tamara. Individual capacities (human capital) of the Tusubila crafts group. Ames (Iowa): Iowa State University, January 2018. http://dx.doi.org/10.31274/cc-20240624-894.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Khuder, Wafaa. The Role of Small and Medium Industries in the Heritage Identity in Iraq: A Case Study of Bashiqa Town. Institute of Development Studies, May 2023. http://dx.doi.org/10.19088/creid.2023.005.

Full text
Abstract:
This paper aims to identify the most famous Yazidi heritage industries in the town of Bashiqa, in Nineveh governorate. It explores the economic, social and cultural reality of three non-material industries (the manufacture of al-rashi, olive oil and soap) in the town of Bashiqa by comparing how they were manufactured in the past with how they are manufactured in the present, and assessing the impact of ISIS gangs on these industries. Finally, the paper puts forward proposals for how these industries can be developed to maintain their heritage and sustainability. The research also aims to invoke the cultural and scientific heritage of the local community to draw inspiration from their sources of strength to plan how local production of the traditional heritage industries can be revitalised after the destruction caused by ISIS. The paper also explores the attachment of the Yazidi community in Bashiqa to the traditional industrial crafts and the extent of their influence on social and economic life, especially given that the city of Mosul is famous for its craft activity, in addition to the cultural and religious differences among the local population of Bashiqa, which comprises several components of Iraqi society (Yazidi, Catholic and Orthodox Christians, and the Muslim Shabak – Sunni, Shiite, and Kurdish) and thus affect the community’s view of the traditional crafts.
APA, Harvard, Vancouver, ISO, and other styles
5

Klein, Randal, and Sam Johnson. Environmental Assessment: Proposed Automotive/Arts and Crafts Skills Center, Hill Air Force Base, Utah. Fort Belvoir, VA: Defense Technical Information Center, October 2010. http://dx.doi.org/10.21236/ada530627.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Chaitoo, Ramesh. The Entertainment Sector in CARICOM: Key challenges and Proposals for Action. Inter-American Development Bank, April 2013. http://dx.doi.org/10.18235/0009113.

Full text
Abstract:
Although small in terms of population, the Caribbean is renowned for its creativity. Its cultural diversity is manifested in a variety of artistic expressions including folklore, crafts, performances, music festivals, and carnivals. Despite the Caribbean's great potential in the entertainment sector, important domestic challenges - emanating from both public and private sectors - have long impeded the successful growth of creative industries. The paper explains how the implementation of the Economic Partnership Agreement with the European Union should serve as an impetus for stakeholders in the region to address these barriers thereby creating favorable conditions for the production and export of Caribbean entertainment services. This Study presents an overview of policies in the creative sector in terms of the promotion of services exports in selected CARICOM states: Barbados, Jamaica, and Trinidad and Tobago. This Technical Note highlights bottlenecks to implementation of recommendations proposed in existing analyses and diagnostics and suggests specific ways in which these can be overcome. It formulates concrete recommendations for relevant actors, including donors and domestic governments, to promote the development of the creative industries.
APA, Harvard, Vancouver, ISO, and other styles
7

Marks, Cynthia, Chance Phelps, Justin Ryan, and Paul Sorensen. Transformation Craft (T-Craft) Concept Study. Fort Belvoir, VA: Defense Technical Information Center, August 2007. http://dx.doi.org/10.21236/ada487273.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Becker, Sascha O., Stephen Broadberry, Nicholas Crafts, Sayatan Ghosal, Sharun W. Mukand, and Vera E. Troeger. Reversals of Fortune? A Long-term Perspective on Global Economic Prospects. Edited by Sascha O. Becker. CAGE Research Centre, March 2013. http://dx.doi.org/10.31273/978-0-9576027-00.

Full text
Abstract:
It is conventional wisdom that: Continued fast growth in the BRICS will result in a rapid catch-up to match and even surpass Western income levels in the next few decades The crisis in Europe will soon be over and normal growth will then resume as if nothing had happened The tax competition resulting from globalization means a race to the bottom in which corporate tax rates fall dramatically everywhere The best way to escape the poverty trap is to give the poor more money Losers from globalization can be ignored by politicians in western democracies because they do not matter for electoral outcomes The adjustment problems for developing countries arising from the crisis are quite minor and easy to deal with Actually, as Reversals of Fortune shows, all of these beliefs are highly questionable. The research findings reported here provide economic analysis and evidence that challenge these claims. In the report, Nicholas Crafts asks: "What Difference does the Crisis make to Long-term West European Growth?" Vera Troeger considers "The Impact of Globalisation and Global Economic Crises on Social Cohesion and Attitudes towards Welfare State Policies in Developed Western Democracies." Stephen Broadberry looks at "The BRICs: What does Economic History say about their Growth Prospects?" Sharun Mukand takes "The View from the Developing World: Institutions, Global Shocks and Economic Adjustment." Finally, Sayantan Ghosal has a new perspective on "The Design of Pro-poor Policies."
APA, Harvard, Vancouver, ISO, and other styles
9

Broadberry, Stephen, Nicholas Crafts, Leigh Gardner, Rocco Macchiavello, Anandi Mani, and Christopher Woodruff. Unlocking Development: A CAGE Policy Report. Edited by Mark Harrison. The Social Market Foundation, November 2014. http://dx.doi.org/10.31273/978-1-904899-98-3.

Full text
Abstract:
The world’s poor are ‘trapped’ in poverty. How can we unlock development so that poor countries can sustain economic growth over long periods of time? Our report considers this problem on three levels, the national economy, the private sector, and citizenship. At the core of each chapter is new research by CAGE members and associates. Chapter 1 addresses the factors underlying sustainable growth of the national economy. Chapter 2 looks for the sources of business capacity and sustainable growth of the private sector. Chapter 3 links citizenship to economic development, showing how political voice can enable women to participate more freely in society and the economy. In all three chapters we show how economic development relies on the rule of law, including a framework of laws and their enforcement that is applied to all and accessible by all. We show how, without such a framework, the sustainable growth of national economies and their businesses is threatened when laws fail to resolve conflicts. This failure is often accompanied by corruption or violence. So, we discuss what can be done to promote the rule of law; to make economic growth more stable and sustainable; to enhance the capacity of business organisations that are most likely to attract, grow and create jobs; and to enable women to play a full part in economic development as citizens, providers, and entrepreneurs. Foreword by Frances Cairncross; Introduced by Nicholas Crafts.
APA, Harvard, Vancouver, ISO, and other styles
10

Ohrn-McDaniel, Linda. Business or Craft. Ames: Iowa State University, Digital Repository, February 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-587.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Crafts' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography