Relevant bibliographies by topics / Craft, stickers

Academic literature on the topic 'Craft, stickers'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Craft, stickers"

1

Darmawan, Andreas James, Lintang Widyokusumo, and Dyah Gayatri Puspitasari. "Perancangan Stiker Karakter Visual dalam Aplikasi Chatting: Kolaborasi Kebudayaan Jawa dan Wayang Kontemporer." Humaniora 6, no. 2 (April 30, 2015): 201. http://dx.doi.org/10.21512/humaniora.v6i2.3326.

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A new tradition in the use of chatting communication technology with mobile phone (cell phone) is more lively with the use of stickers. Stickers are used as a means to increase the emotion expressions of communication users. Current mobile phone technology, along with the development of high specifications (for visual depiction), is adequate to display complex visual. This prompts a new tradition that accepts even to be a new behavior in modern communication methods. Looking at this phenomenon, it is not impossible for an artist to open up the work area (creative economy) and the creation of new business areas in the visual characters of Indonesian culture. This study used the chatting phenomenon with stickers to introduce the culture of the puppet characters with contemporary approach for young people around the world. The method carried out included the depiction of classification of facial expression emotions and collaboration with the approach of some common sticker visualizations. The result was then put into the classification of semiotic theory combining with simplified visual approach to obtain the appropriate visual characterstics of the puppet. Research also involved visual craft of the purwa puppet as visual character basis for character deformation of the contemporary puppet. Thus, the application of visual stickers can be used by users for communication functions.
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Grochalska, Monika. "A MULTIPAGE TACTILE BOOK ABOUT EMOTIONS – UPPER-SECONDARY STUDENTS’ CREATION ANALYSIS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 21, 2019): 378. http://dx.doi.org/10.17770/sie2019vol4.3726.

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The article is an attempt at presenting the visual analysis associated with the didactic experience of the author. She decided to conduct demonstration lessons related to the art of learning emotions for two groups of upper-secondary students in Poland. The students’ teams were built of several people whom the task was to choose the specific emotion they were going to present in the book as well as to craft a tactile book using, for instance: coloured pieces of paper, glue sticks, stickers, textiles, felt-tip pens, magazines and so on. As a result of undertaken action, the author collected a dozen multipage tactile books about emotions created collaboratively by the lesson participants. The material was treated as cultural archetypes and then analysed with regard to sensational meanings given by their creators.
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Reniati, Reniati, Ari Agung Nugroho, and Hengky Veru Purbolakseto. "Pendampingan UMKM Kerajinan Lidi Nipah dan Batik di Desa Kace Timur Kabupaten Bangka." Yumary: Jurnal Pengabdian kepada Masyarakat 3, no. 2 (December 2, 2022): 71–78. http://dx.doi.org/10.35912/yumary.v3i2.1502.

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Abstract: Purpose: To provide digitalization assistance, provide added value and increase sales turnover of the Deshanda Craft Gallery. Method: The method uses participatory, counseling, mentoring and training. Results: The assistance obtained from the implementation are through training, e-commerce applications, digital promotions. So that it has an impact on increasing business motivation, carrying out marketing of products, increasing turnover and making products increasingly known to the public. Conclusions: community service involves small and medium enterprises of Nipah Sticks and Batik Crafts "Galery Deshanda Craft", which has various business of nipah sticks in the form of ornaments and batik. Nipah sticks are an export commodity from the Province of the Bangka Belitung Islands. Lack of promotion, traditional product sales and unprofessional management, lack of availability of raw materials has caused the Deshanda Craft Gallery to experience various obstacles in its development, it could even be threatened with closure due to the Covid 19 pandemic. Limitations: The limitation of this service is the implementation time. Keywords: 1. Nipah 2. Small And Medium Enterprises 3. Commodities 4. Digitization
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4

Dayu, Wulan, and Hartato Rianto. "Inovasi Kreatif Lidi Kelapa Sawit dalam Membantu Pertumbuhan Ekonomi Masyarakat Desa di Kecamatan Pematang Bandar, Kabupaten Simalungun." Jurnal Pengabdian Nasional (JPN) Indonesia 4, no. 1 (January 10, 2023): 204–13. http://dx.doi.org/10.35870/jpni.v4i1.145.

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As part of efforts to boost the economic vitality of the village communities in Pematang Bandar district of Simalungun Regency, public awareness of the use of palm leaves for sticks has encouraged entrepreneurs to develop crafts by processing palm leaves into sticks. It provides an opportunity to open a product workshop and lead to a variety of products. processed. High quality handicraft shape. The craft of processing palm sticks is very promising if you reach the right target market with the right strategy and advice. The purpose of this service activity is to see how stakeholder perspectives and strategies of oil palm artisans are implemented to support economic growth of rural communities in Pumatan Bandar District, Simalungun District. The SWOT analysis method uses joint engagement and research techniques. From the results of the activities, the village community-run handicraft shop of palm oil sticks in Pematang Bandar district of Simalungun Regency is very promising with increased sales, number of consumers' interest and wide market share. The use of palm oil sticks in crafts has the potential to support economic growth in the community. Therefore, one viable strategy is to open production cooperatives to improve services and increase the quality and consumer confidence of products made from palm oil sticks. In addition, this palm oil stick handicraft business is considered creative and productive as it can generate employment for the community, which helps to promote economic growth in the community.
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Luhan, Gimson, M. Damiri, Herwyn Joni, Yanciluk, and Ahmad Mujaffar. "Pengaruh Bagian Kayu dan Ketebalan Stiker pada Pengeringan Alami terhadap Sifat Fisika Kayu Gerunggang (Cratoxylon arborescens Bl.)." HUTAN TROPIKA 14, no. 1 (August 12, 2020): 60–70. http://dx.doi.org/10.36873/jht.v14i1.333.

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The existence of the wood needs to be considered so that the use of wood for a particular use needs to pay attention to the quality of wood, both for wood for building materials, furniture, panels, crafts and so on. The weakness of wood compared to substitutes such as metal and concrete is its hygroscopic nature. The aim of this study was to determinethe effect of wood parts treatment on axial direction and sticker thickness on natural drying time on changes in the physical properties of gerunggang wood (Cratoxylon arborescens Bl.). While the expected benefits are as information material for the wood processing industry and wood users to be able to dry the wood properly. The research was conducted at the Forest Products Technology Laboratory for 3 months. Cutting is done by dividing the length of the stem into 3 (three) equal parts in the axial position, namely the base (a1), middle (a2) and end (a3), each cut length ± 2 m for the board (example drying test) ) with ± 2 cm thick and ± 15 cm long for example test of moisture content, specific gravity and shrinkage. The results showed that the average value of fresh water content, saturated point moisture content, and air dry water content had a tendency to decrease in value from the base to the end of the stem. The natural dryingtime has an average tendency to dry more quickly from the base to the end of the stem, with drying times ranging from 28-40 days or an average of 33 days. The end of the wood with a thickness of 3,5 cm sticker dries faster (25 days) with a defect 1 broken edge. Parts of wood with a sticker thickness of 3,5 cm dries faster than the thickness of the stickers 2,5 cm and 1,5 cm. The results of measurements of (BJ) density of gerunggang wood averaged 0,55 including the medium group (BJ 0,4-0,6). Specific gravity has a tendency to increase in value from the base to the end of the rod with an uneven pattern including type 3. The tangential and radial direction shrinkage ratio of 1,88 is included in the medium classification, then gerunggang wood can be used for boards and lightweight construction under the roof, crates, furniture, plywood andconcrete molds. It is recommended to conduct further research on the possibility of using gerunggang wood for artificial boards.Keywords: drying, wood parts, physical properties, gerunggang.
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Semko, Tetyana, Vladyslav Palamarchuk, Olga Ivanishcheva, Olga Vasylyshyna, Nadiia Andrusenko, Kryzhak Liliia, Olena Pahomska, and Аlla Solomon. "The production of the innovative craft cheese "Anchan"." Potravinarstvo Slovak Journal of Food Sciences 16 (October 27, 2022): 705–20. http://dx.doi.org/10.5219/1778.

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The analysis of regional raw materials for producing craft cheese "Anchan" and studies of raw milk for its physical and chemical properties and technological indicators. Milk samples were pasteurized in the laboratory at a temperature of 80 °C for 10 seconds. Anchan was added to the milk for colour. Next, the milk before coagulation was heated in a pasteurization boiler by heating with saturated steam 36 – 38 °C. The enzyme 4 mL per 100 kg of milk and 4 mL of black cornflower extract was added to the prepared milk to improve milk coagulation and the formation of a dense cheese clot. Strains of probiotic cultures were selected for Anchan. The composition of the main complex yeast of mesophilic lactococci acid and aroma-forming cultures, namely Lactococcus lactis subsp. lactis, Lactococcus lactis subsp. Lactococcus lactis subsp. diacetilactis, Leuconostoc lactis. As an additional leaven used thermophilic lactic acid sticks of the species Lactobacillus acidophilus (incoherent race to obtain a new taste of craft cheese. Using these ingredients reduced fermentation time by 8 – 10 minutes. Closing the skin of the cheese by watering the cheese heats with hot water (50 – 55 °C). Marking, packaging, transportation and storage were carried out per the craft product's specifications for the craft producer. The following criteria were used for optimizing the technological process of Anchan cheese production: temperature treatment of milk, amount of added water for whey deoxidation and amount of salt in cheese. as a result of previous research.
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Andito, Tegar, and Sultan Arif Rahmadianto. "Perancangan Kartu Pos Fotografis "Malang at Night" Sebagai Alternatif Cindera Mata Kota Malang." Artchive: Indonesia Journal of Visual Art and Design 2, no. 2 (September 30, 2021): 126. http://dx.doi.org/10.53666/artchive.v2i2.1040.

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There are various souvenirs to be chosen that consist of keychains, traditional crafts, postcards, t-shirts, stickers, etc. Postcard is one of many kinds of souvenirs. Through postcard that being sent to friends or relatives, people can show ‘proof’ that they have visited certain places. Today that activity isn’t longer popular because of more modern means of communication. However, postcards are still desirable as inexpensive souvenirs to be collected by tourists themselves or to be given to friends and relatives without sending it through postal service. There aren’t many variations of Malang City postcards. This is caused by postcards that labeled ‘Malang’ often show visual elements that exist in greater Malang area but not the Malang City itself. This effort to design postcard tries to make an alternatives for souvenirs of Malang City in general and also specifically an alternative postcards of Malang City.
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8

Ramadayanti, Nila, Pristiyono Pristiyono, and Abdul Halim. "Create With Oil Palm Slipes To Become Economic Value Products For The Village Of Kampung Baru Bilah Barat, Labuhanbatu." International Journal Of Community Service 2, no. 2 (August 28, 2022): 165–72. http://dx.doi.org/10.51601/ijcs.v2i2.82.

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Labuhanbatu Regency is famous for its beautiful and abundant natural resource potential. However, this potential is not matched by the creativity of the community in managing it, on the contrary, there are several obstacles that arise because the community is still working individually in utilizing the potential of these raw materials. Efforts that can overcome these problems are to provide knowledge and information to the public about the economy and entrepreneurship through empowerment. Empowerment is a process and a goal, where empowerment is very supportive of the family economy, one of which is the empowerment of the stick craft business. This service aims to find out the benefits of palm leaf buds being a unique product and having a selling value in the market that is able to open up job opportunities for people who do not have an income. The methods used are field surveys, counseling/training, practice and mentoring, and evaluation of activities. The results achieved were the formation of a Partner Group, Counseling on methods/how to make sticks, training on making sticks, and providing assistance to partner groups.
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9

King, Phil. "The Literary Use of Names in Hebrew Narrative and Opportunities for Sign Language Translation." Journal of Translation 16, no. 1 (2020): 33–49. http://dx.doi.org/10.54395/jot-kcmvx.

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Names of characters in literature are frequently used as dense signifiers, conveying messages from author to reader beyond identifying an individual, and offering clues about the character’s destiny or how storylines may develop. This paper explores how the potential semantic connections evoked by names in Old Testament literature are exploited by Hebrew narrators as they craft their stories, contributing to characterization, plot structure, leitworter and dramatic irony. For example, Laban (‘white’) is caught up in trickery with white goats and white sticks, whereas Micah (‘who is like Yahweh’) has an idol in his house. Bible translators working with spoken languages tend to transliterate (rather than translate) these names, relegating any semantic connections to a footnote. Sign languages, however, are more iconic and often naturally use name signs that evoke something about the referent, rather than just an arbitrary collection of sounds. This opens up the possibility of maintaining some of the semantic connections and literary features of Hebrew narratives when creating Scripture-based products in sign languages. This paper investigates the opportunities and limitations of such a strategy for translating biblical names.
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10

Beringer, Dennis B., and Robert E. Joslin. "Evaluation of Muscular Forces That Can be Applied to Flight Controls." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 63, no. 1 (November 2019): 141–45. http://dx.doi.org/10.1177/1071181319631503.

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Excessive pilot flight-control forces have been identified as a causal factor in aircraft accidents, incidents, and anomalous events. However, the regulatory design requirements for fixed-wing and rotary-wing air-craft that are contained in the Code of Federal Regulations (CFR) have not been validated or updated in decades, and data for some specific situations were never included in the specifications. Results are presented for a recent study of over 300 participants categorized by gender, pilot/nonpilot status, and age group (10-year brackets from 18 through 69). Controls examined included sticks (left, center, right), yoke, rudder pedals (left, right), and helicopter collective. Results indicated that, on average, more than half of the sample could not achieve the short-term tabled forces used as reference points. However, more than half (60 to 87%) were able to sustain the prescribed long-term forces for 4 minutes or more in some control axes. It is recommended that reference tables both internal to the CFR and referenced by the CFR be modified to accommodate a larger percentage of the current user population.
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Books on the topic "Craft, stickers"

1

Books, Hinkler. My Easter make-and-do book: Over 60 stickers and press-outs! Heatherton, Victoria: Hinkler Books, 2010.

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2

Suzanne, McNeill, ed. Pipsqueaks craft sticks. Fort Worth, Texas: Design Originals, 1996.

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3

Hello Kitty craft sticks activity book. New York: Scholastic Inc., 2001.

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The craft of stickmaking. Marlborough, Wiltshire: Crowood Press, 1991.

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1957-, Halls Kelly Milner, and Schneider Hank, eds. Look what you can make with craft sticks. Honesdale, Pa: Boyds Mills Press, 2001.

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Mary, Clasen, and Mrs Grossman's Paper Company, eds. Mrs. Grossman's basic sticker idea book: Complete how-to book for designing cards, gift wrap and crafts with stickers! Petaluma, Calif: Mrs. Grossman's Paper Co., 1997.

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7

Neva, Hickerson, ed. Mountain crafts for kids: Nature craft projects, Bible memory verse coloring posters, reproducible awards, certificates, and a sticker posters. Ventura, Calif: Gospel Light, 1992.

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Fast, fun & easy fabric ficklesticks: Art sticks to bend, wrap, weave & wear. Lafayette, CA: C&T Pub., 2008.

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Can do sticks and stones. London: Thomson Learning, 2002.

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Salomon, Kathryn. Jewish ceremonial embroidery. London: Batsford, 1988.

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Book chapters on the topic "Craft, stickers"

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Mahoney, Dillon. "Crafting Ethical Connection and Transparency in Coastal Kenya." In Art of Connection. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520292871.003.0006.

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As connecting to the global economy has torn individual traders from the decades-old co-operative societies, a wave of “witchcraft” accusations and market burnings have helped illuminate the importance of the crafts industry’s moral economy of creativity and innovation and the ongoing debate about what ethical and moral development looks like in Kenya. Ideas of ethics and transparency, as produced through the application of a Fair Trade sticker, strategically erase complex economic and ethical realities while simultaneously indexing ideas of digital modernity and ethical citizenship. A Fair Trade sticker shines a selective light on marketable realities while simultaneously obscuring those inconvenient to marketing crafts. This new wave of ethical branding and NGO aesthetics enables a “race to the bottom” by businesspeople to find and organize the most exploitable artisans (the handicapped, single mothers, homeless children) into workshops and artisan organizations that explicitly market the marginality of the producers.
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