Academic literature on the topic 'Courtly love – Poetry'
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Journal articles on the topic "Courtly love – Poetry"
Yoonhee Park. "Courtly Love Poetry: Language for Seduction." Medieval and Early Modern English Studies 15, no. 2 (August 2007): 355–82. http://dx.doi.org/10.17054/memes.2007.15.2.355.
Full textDahami, Yahya Saleh Hasan, and Abdullah Al Ghamdi. "MUA'LLAGAT ZOHAYR IBN ABI SOLMA: ELEGANT PIECE OF ARABIC POETRY (1)." International Journal of Applied Research in Social Sciences 3, no. 1 (March 29, 2021): 1–11. http://dx.doi.org/10.51594/ijarss.v3i1.208.
Full textEcklund Farrell, Dianne. "Rear Cover: Courtly Love in the Caucasus: Rustaveli’s Georgian Epic, The Knight in the Panther Skin." Carl Beck Papers in Russian and East European Studies, no. 2205 (November 13, 2012): A. http://dx.doi.org/10.5195/cbp.2012.193.
Full textKhoddam, Salwa. "The God Amor, the Cruel Lady, and the Suppliant Lover: C.S. Lewis and Courtly Love in Chapter One of The Allegory of Love." Journal of Inklings Studies 3, no. 2 (October 2013): 153–81. http://dx.doi.org/10.3366/ink.2013.3.2.9.
Full textPrats, Arturo. "The love poetry of Shelomoh ben Reuben Bonafed: Hebrew poems and courtly love." Journal of Medieval Iberian Studies 3, no. 2 (September 2011): 149–63. http://dx.doi.org/10.1080/17546559.2011.610173.
Full textEckhardt, Joshua. ""Love-song weeds, and Satyrique thornes": Anti-Courtly Love Poetry and Somerset Libels." Huntington Library Quarterly 69, no. 1 (March 2006): 47–66. http://dx.doi.org/10.1525/hlq.2006.69.1.47.
Full textPintarič, Miha. "Hate Speech and French Mediaeval Literature." Acta Neophilologica 51, no. 1-2 (November 21, 2018): 63–70. http://dx.doi.org/10.4312/an.51.1-2.63-70.
Full textMeisami, Julie Scott. "Allegorical Gardens in the Persian Poetic Tradition: Nezami, Rumi, Hafez." International Journal of Middle East Studies 17, no. 2 (May 1985): 229–60. http://dx.doi.org/10.1017/s0020743800029019.
Full textPiña Pérez, Marucha Claudia. "Amor y guerra en la poesía de Jorge Manrique. Análisis del decir “Castillo de amor”." Medievalia 52, no. 2 (December 2, 2020): 83–98. http://dx.doi.org/10.19130/medievalia.2020.52.2.171865.
Full textAlareer, Refaat, Noritah Omar, and Hardev Kaur. "A Bakhtinian Reading of John Donne’s Parody Poem “The Bait”." Advances in Language and Literary Studies 8, no. 1 (February 1, 2017): 200. http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.200.
Full textDissertations / Theses on the topic "Courtly love – Poetry"
Del, Pulgar Manuel-Jesús Moreno García. "La poesía de Nicolás Núńez." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/5199/.
Full textMcCullough, Eleanor G. ""Except you ravish me" [microform] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric "In a valey of this restles mynde" /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0326.
Full textO'Brien, Erica F. ""FLIPPING THE SCRIPT": FEMININE CULPABILITY MODELS IN FIFTEENTH-CENTURY IBERIAN TEXTS." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/577421.
Full textPh.D.
This dissertation explores the ways in which feminine culpability is verbally articulated by the male courtly lover to his beloved lady within the amorous relationship in three fifteenth-century Spanish sentimental novels: Diego de San Pedro’s Cárcel de amor, published in 1492, and two of Juan de Flores' sentimental novels, Grimalte y Gradissa and Grisel and Mirabella, both published in approximately 1495, and how these motifs of feminine culpability are subverted in the anonymous fifteenth-century Catalan chivalric novel Curial e Güelfa. This subversion of culpability motifs is facilitated in Curial e Güelfa since there is also a subversion of gender roles within the amorous relationship of the novel's protagonists: a female lover, Güelfa, who courts her male beloved, Curial. To execute this study, I begin by discussing the origins of this rhetoric of feminine culpability in patristic, Biblical and philosophical texts, illustrating their sedimentation into the collective ideologies of medieval audiences. I also examine these feminine culpability models in Provençal lyric poetry written and recited by Occitan troubadours between the eleventh and thirteenth centuries, as one of its particular genres, the mala cansó, aims to not only blame the beloved lady, but also to publicly defame her, a threat that is also ever-present in the words of the male lover in the sentimental novel. After analyzing the tactics used by the male courtly lover to blame the beloved lady for his suffering and the demise of the relationship, I demonstrate how these same tactics are employed by the female characters of Curial e Güelfa toward the beloved man. However, feminine blame still occurs in Curial e Güelfa, manifested as feminine self-blame and blame between women, while the male characters engage in self-absolution, absolution of other men, and utter shirking of the blame. The theoretical framework employed is that of medieval canon law, and the way in which culpability was determined under this law from the twelfth century onward, which was by the intentions of the offender at the time of the crime or transgression rather than the consequences of the transgression. If we examine these fifteenth-century courtly love texts, it becomes clear that the beloved lady is innocent, while the male lover himself is the culpable party. Finally, following Rouben C. Cholakian's reading of the troubadour poetry through the work of twentieth-century psychoanalyst Jacques Lacan, I conclude that although the poet-lover verbally enunciates erotic metaphors and adulating language toward his beloved lady in the guise of courtly love, the true desire that he cannot articulate is to dominate, to overpower, and possibly to eradicate the feminine. Thus, in a Lacanian sense the notion that courtly love literature praises the woman is a fallacy. Both the poet-lover of the Provençal lyric and the courtly lover of the sentimental novel subvert the concept of alleged feminine superiority and exaltation in these texts.
Temple University--Theses
McCullough, Eleanor G. "Except you ravish me [electronic resource] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric In a valey of this restles mynde /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.
Full textHostert, Thomas. "L'amor cortese provenzale fra hohe Minne e dolce stil novo." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79948.
Full textRueda, Sánchez Marina. "«En cada desdén un rayo»: la impronta del amor cortés en la lírica áurea española." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/671087.
Full textCourtly love can be considered a revolution in the love secular lyric ambit. This lyric born in the courts of the twelfth century and quickly spread throughout the Gallic country up to the medieval Europe, and its influence is present in many lyric works in the way of understanding the poetic figure of love and the woman, especially in the case of the Spanish Golden Age poetry. The intention of this paper it to offer an explanation of the impact of the fin’amors in Hispanic peninsula and, chiefly, in the parallelism between the medieval troubadour and the lyric of Golden Age through a conceptual and structural analysis of the game between imitation and innovation that permeates this poetry, always based on the work of the authors who frame, as an exemplary conductive thread, what became the evolution of the fin’amors for the golden courtly love.
Säll, Ellen. "Att älska högt och på avstånd : En komparativ analys av kärleksuttrycket inom hövisk kärlek och klassisk persisk poesi av Jalal al-din Rumi och Fakhr al-din Araqi." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-183001.
Full textDenna uppsats ämnar jämföra kärleksuttrycket i klassisk persisk poesi med den europeiska, medeltida höviska kärleken. Syftet med denna uppsats är att utifrån ett höviskt kärleksperspektiv analysera hur kärleken kommer till uttryck hos två namn inom den klassiska persiska poesin, Jalal al-din Rumi och Fakhr al-din Araqi. Den gudomliga kärleken har analyserats med hjälp av Rumis samling Vassflöjtens sång och Araqis Gnistornas bok, båda översatta och kommenterade av Ashk Dahlén. Metoden för denna uppsats är att analysera den persiska poesin med hjälp av den höviska kärleken som ett verktyg. Detta kommer att göras med hjälp av frågorna hur kärleken i poesin tar sig uttryck och hur den förhåller sig till den höviska kärleksmodellen. Vetskapen om den persiska poesin tillhandahålls av bland annat Ashk Dahlén, Bo Utas och Simon Sorgenfrei med antologin Kärleken begär att detta tal skall fram. Den gudomliga kärleken jämförs i analysen med olika uttryck av höviska kärlek genom århundradet med hjälp av Anders Cullheds kapitel om hövisk kärlek i Tidens guld: essay om kanon, liv, poesi och Carin Franzéns Jag gav honom inte min kärlek: Om hövisk kärlek som kvinnlig strategi. Jag gör en komparativ analys mellan den persiska poesin och diverse exempel från den höviska kärleken och framhäver framförallt dess likheter men också en del större olikheter. Uppsatsen undersöker också användningen av eros och agape med hjälp av Anders Johanssons Kärleksförklaring: Subjektiveringens dialektik för en djupare analys. Sammanfattningsvis visar analysen en rad likheter i uttrycket inom både värdsliga och andliga sammanhang men också att dessa likheter grundar sig på olika utgångspunkter. Uppsatsen avslutas med att diskutera de övervägande likheterna och varför dessa går att finna men problematiserar och framhäver även de olikheter som går att finna som användadet av eros och agape samt användningen av motiv. Intentionen med denna uppsats är att öppna upp för mer forskning inom området och att undersöka varför det är möjligt att finna dessa likheter under samma tidsperiod i olika delar av världen.
Whetnall, J. L. "Manuscript love poetry of the Spanish fifteenth century : Developing standards and continuing traditions." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377232.
Full textVELICKÁ, Olga. "Minnesang a dvorská literatura na dvoře posledních Přemyslovců a prvních Lucemburků." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-119457.
Full textJaluška, Matouš. "Dvorná láska v kontextu herních aspektů dvorské kultury (Cantigas de Santa Maria a trubadúrský zpěvník R)." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-357878.
Full textBooks on the topic "Courtly love – Poetry"
Hughes, Cassidy. Petrarch, Dante and the Troubadours: The religion of love and poetry. Kidderminster, Worcestershire: Crescent Moon, 1993.
Find full textChristine. Le livre duduc des vrais amans. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1995.
Find full texteditor, Demartini Dominique, and Lechat Didier editor, eds. Le livre du duc des vrais amants. Paris: Honoré Champion, 2013.
Find full textManuscript verse collectors and the politics of anti-courtly love poetry. Oxford: Oxford University Press, 2009.
Find full textChristine. Le livre du duc des vrais amans. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1995.
Find full textCherchi, Paolo. Andreas and the ambiguity of courtly love. Toronto: University of Toronto Press, 1994.
Find full textE, Winters Margaret, and Bibliothèque nationale (France), eds. The Lai de l'ombre. Birmingham, Ala: Summa Publications, 1986.
Find full textCastillo, Hernando del. Cancionero general. Madrid: Editorial Castalia, 2004.
Find full textCastillo, Hernando del. Cancionero general. Madrid: Editorial Castalia, 2004.
Find full textManuscripts of English courtly love lyrics in the later Middle Ages. Cambridge [Cambridgeshire]: D.S. Brewer, 1985.
Find full textBook chapters on the topic "Courtly love – Poetry"
Birrell, Anne M. "The Dusty Mirror: Courtly Portraits of Woman in Southern Dynasties Love Poetry." In Expressions of Self in Chinese Literature, edited by Robert E. Hegel and Richard C. Hessney, 33–69. New York Chichester, West Sussex: Columbia University Press, 1985. http://dx.doi.org/10.7312/hege91090-004.
Full textDunnigan, Sarah M. "Heretical Love-Words: The Poetry of William Fowler." In Eros and Poetry at the Courts of Mary Queen of Scots and James VI, 149–63. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9781403932709_7.
Full text"‘Words of Seduction’: Courtly Love Poetry." In Sex and Eroticism in Mesopotamian Literature, 124–42. Routledge, 2013. http://dx.doi.org/10.4324/9780203414286-23.
Full textReynaert, J. "Hadewijch: mystic poetry and courtly love." In Medieval Dutch Literature in its European Context, 208–25. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511553967.015.
Full textEckhardt, Joshua. "Epilogue: Redeploying Anti‐Courtly Love Poetry Against the Protectorate." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry, 162–72. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0006.
Full textEckhardt, Joshua. "The Politics of Courtly and Anti‐Courtly Love Poetry in the Hands of Collectors." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry, 33–66. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0002.
Full textSierhuis, Freya. "Centaurs of the Mind." In Fulke Greville and the Culture of the English Renaissance, 99–118. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823445.003.0006.
Full textEckhardt, Joshua. "‘Love‐song weeds, and Satyrique thornes’: Anti‐Courtly Love Poetry and Somerset Libels." In Manuscript Verse Collectors and the Politics of Anti-Courtly Love Poetry, 67–92. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780199559503.003.0003.
Full text"THE DEATH OF COURTLY LOVE AND THE POETRY OF PROSE:." In Jewish Literary Eros, 112–43. Indiana University Press, 2022. http://dx.doi.org/10.2307/j.ctv2b6z9gb.10.
Full textDickason, Kathryn. "Romancing the Dance." In Ringleaders of Redemption, 174–206. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197527276.003.0007.
Full textConference papers on the topic "Courtly love – Poetry"
Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.
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