Academic literature on the topic 'Counting – Songs and music'
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Journal articles on the topic "Counting – Songs and music"
Simeon, Jinky Jane C., and Jacqueline Pugh-Kitingan. "Bringing the Children’s Songs of the Rungus of Sabah into Malaysian Music Classrooms." Malaysian Journal of Music 10, no. 2 (November 22, 2021): 54–73. http://dx.doi.org/10.37134/mjm.vol10.2.5.2021.
Full textChopde, Abhay, Anuradha Lohar, Mitul, Swaraj Mane, and Shaurya Mhaske. "Music Player u sing Emotion Recognition." International Journal of Innovative Technology and Exploring Engineering 11, no. 3 (January 30, 2022): 59–64. http://dx.doi.org/10.35940/ijitee.c9761.0111322.
Full textTreacy, Danielle Shannon, and Heidi Westerlund. "Shaping imagined communities through music: Lessons from the School Song practice in Nepal." International Journal of Music Education 37, no. 4 (June 10, 2019): 512–23. http://dx.doi.org/10.1177/0255761419850251.
Full textKovtun, Kateryna. "Oi u luzi chervona kalyna (“Oh, the Red Viburnum in the Meadow”) as an Anthem-Song: Social Roles and Genre Transformations in the Time of War." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(2) (November 29, 2023): 74–79. http://dx.doi.org/10.31500/1992-5514.19(2).2023.294625.
Full textSemik, Monika, and Małgorzata Tęczyńska-Kęska. "Dziecięcy świat dźwięków — edukacja muzyczna dziecka w wieku przedszkolnym." Pedagogika Przedszkolna i Wczesnoszkolna, no. 2 (18) (2021): 51–59. http://dx.doi.org/10.4467/23537159ppw.21.017.15177.
Full textYulsyofriend, Mafardi, Tia Novela, Vivi Anggraini, and Adi Priyanto. "Stimulating Children's Numerical Literacy: The Effectiveness of Singing Favorite Food Songs." JPUD - Jurnal Pendidikan Usia Dini 17, no. 1 (April 30, 2023): 144–54. http://dx.doi.org/10.21009/jpud.171.11.
Full textBennett, Betsy K. "Now & Then: Counting On the Air: Time through the Age." Mathematics Teaching in the Middle School 1, no. 8 (January 1996): 630–36. http://dx.doi.org/10.5951/mtms.1.8.0630.
Full textFigzał-Janikowska, Magdalena. "Od rytmizacji do oper i baletów. Wokół muzycznych inscenizacji Jana Dormana." Pamiętnik Teatralny 68, no. 3-4 (December 18, 2019): 141–60. http://dx.doi.org/10.36744/pt.10.
Full textCoulter, Neil R. "Re-counting Knowledge in Song: Change Reflected in Kaulong Music." Asia Pacific Journal of Anthropology 14, no. 3 (June 2013): 295–96. http://dx.doi.org/10.1080/14442213.2012.756798.
Full textHo, Andrew Fu Wah, Zhenghong Liu, Win Wah, Stephanie Fook-Chong, Pin Pin Pek, Hong Yee Lo, Rui Ming Teo, Beng Hoong Poon, Yih Yng Ng, and Marcus Eng Hock Ong. "Evaluation of culture-specific popular music as a mental metronome for cardiopulmonary resuscitation: a randomised crossover trial." Proceedings of Singapore Healthcare 28, no. 3 (January 10, 2019): 159–66. http://dx.doi.org/10.1177/2010105818820544.
Full textDissertations / Theses on the topic "Counting – Songs and music"
Hubbard, Colton M. "Tea Songs." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116378208.
Full textLanci, Michael P. "Songs for Joe Hill." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin149580760300849.
Full textHung, Justin. "Songs about Words." Digital Commons @ Butler University, 2020. https://digitalcommons.butler.edu/grtheses/523.
Full textBaron, Michael David. "The songs of Franz Liszt." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234717504.
Full textHood, Errik M. "Teaching the Songs of Ivor Gurney:An Applied Studio Guide to the Utilization of Fourteen Songs." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1448468099.
Full textNguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.
Full textJones, Reba Pestun. "An examination of coal mining song repertoire in the Virginia elementary music curriculum with the creation and incorporation of a suggested coal mining musical unit of study /." < Digital Thesis and Dissertation Collection > Username and password required for access, SU only, 2003. http://www.su.edu/library/digitalthesis/jonesreba.pdf.
Full textWood, Kenneth Edward. "An investigation and analysis of selected Victorian art songs /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004204.
Full textVan, Rhyn Chris. "Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85813.
Full textENGLISH ABSTRACT: African art music practices of western origin have oftentimes been excluded from general discourses on western art music practices. In this study, close readings of selected art songs by twentieth and twenty-first century Nigerian, Ghanaian, Egyptian and South African composers serve to ‘map’ this music through challenging existing general discourses on art music composition, and genre-specific discourses on art song composition in Africa. The readings also serve to create new discourses, including ones that promote African crossregional engagements. In the first part of this dissertation, the readings take place in the contexts of the selected countries. The second section presents pre-selected discourses and theories as points of departure. Chapter 2 proposes to question how the theory of African vocalism can be expanded, and how animist materialism could serve as an alternative context in which to read the composition of art music in Nigeria and Ghana. Chapter 3 aims to answer which strategies in anti-exotic self-representation have been followed in twentieth-century Egyptian art song. Chapter 4 asks how South African composers of art song have denoted ‘Africa’ in their works, and how these denotations relate to their oeuvres and general stylistic practices. Chapter 5 interrogates how composers have dealt with the requirements of tonal languages in their setting of texts in such languages to music. Chapter 6 probes possible interpretations of composers’ display of the ‘objects’ of cultural affiliation, positing expatriate African composers as diplomats. Chapter 7 asks what the contexts are in which to read specific examples of African intercultural art music, without which the analyst might make an inappropriate (perhaps unethical?) value judgement. The conclusion presents a comparison of trends and styles in African art song to those in certain western song traditions. A discussion on folk and popular song styles as art is followed by a consideration of African vocalism in the context of the dissertation as a whole. A continuation of an earlier discussion on the compositional denotation of ‘Africa’ leads to a consideration of the ‘duty to denote’ in the context of western modernity.
AFRIKAANSE OPSOMMING: Kunsmusiekpraktyke van westerse oorsprong in Afrika is gereeld van algemene diskoerse oor westerse kunsmusiekpraktyke uitgesluit. Stip-lesings van geselekteerde kunsliedere deur Nigeriese, Ghanese, Egiptiese en Suid-Afrikaanse komponiste dien in hierdie studie om die musiek op die ‘kaart te plaas’ deur in gesprek te tree met bestaande algemene diskoerse oor kunsmusiekkomposisie, asook genre-spesifieke diskoerse oor kunsliedkomposisie in Afrika. Die lesings dien ook om nuwe diskoerse te skep, insluitend diskoerse wat gesprekke óór die grense van verskillende streke in Afrika bevorder. Die lesings in die eerste helfde van die proefskrif vind plaas binne die kontekste van die geselekteerde lande. In die tweede deel word vooraf-geselekteerde diskoerse en teorieë as wegspringpunte gebruik. Hoofstuk 2 stel dit ten doel om te vra hoe die teorie van Afrikavokalisme (African vocalism) uitgebrei kan word, en hoe animistiese realisering (animist materialism) as alternatiewe konteks kan dien waarin die komposisie van kunsmusiek in Nigerië en Ghana gelees kan word. In Hoofstuk 3 word gepoog om uit te vind watter strategieë in anti-eksotiese self-uitbeelding gevolg is in twintigste-eeuse Egiptiese kunsliedkomposisie. Die doel van Hoofstuk 5 is om uit te vind hoe komponiste die vereistes van toontale in hul toonsettings van tekste in sulke tale hanteer het. Hoofstuk 6 ondersoek moontlike interpretasies van komponiste se aanbiedings van die ‘objekte’ van kultuuraffiliasie deur die postulering van geëmigreerde komponiste as diplomate. Hoofstuk 7 vra wat die kontekste is waarin spesifieke voorbeelde van interkulturele kunsmusiek uit Afrika gelees kan word, waarsonder die analis ‘n onvanpaste (dalk onetiese?) waardebeoordeling kan maak. Die slot bied ’n vergelyking van tendense en style in Afrika-kunsliedere met dié in sekere westerse liedtradisies aan. ’n Bespreking van volks- en populêre liedstyle as kuns word gevolg deur ’n oorweging van Afrika-vokalisme in die konteks van die proefskrif as geheel. ‘n Voortsetting van ’n vroeëre gesprek oor die komposisionele uitbeelding van ‘Afrika’ lei tot ‘n oorweging van die ‘plig om uit te beeld’ in die konteks van westerse moderniteit.
Sigurjónsson, Jóhannes. "Reference Music As Guidelines : Using reference music to create better songs." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-73989.
Full textI detta arbete undersöker jag hur referensmusik kan användas som ett verktyg för att stärka svagheter i mitt eget låtskrivande- och produktionsprocess. Svagheterna hittades genom att analysera feedback från andra studenter på min egen musik. Därefter analyserades fyra referensartister med syftet att hitta lösningar på dessa svagheter. Fyra nya låtar skrevs sedan och producerades genom att implementera lösningarna från referensartisterna till den kreativa processen. Resultaten var mestadels positiva, eftersom låtarna förbättrades på olika svagheter som hittades i feedbackanalysen. Metoden begränsade dock den kreativa processen i vissa tillfällen snarare än att inspirera den. Anledningarna till detta beror dels på valet av referensartister och vilka aspekter av deras musik som analyserna var inriktade på.
Books on the topic "Counting – Songs and music"
ill, Mathieu Kristen, and Publications International Ltd, eds. Counting songs. Lincolnwood, Ill: Publications International, 1998.
Find full textManushkin, Fran. My Christmas safari. New York, N.Y: Dial Books for Young Readers, 1993.
Find full textPaley, Joan. One more river: A Noah's ark counting song. Boston, MA: Little, Brown, 2002.
Find full textEllwand, David. Clap your hands: An action book. Brooklyn, N.Y: Handprint Books, 2001.
Find full textEllwand, David. Ten in the bed: A counting book. New York: Handprint Books, 2000.
Find full textNikola-Lisa, W. No babies asleep. New York: Atheneum Books for Young Readers, 1994.
Find full textCabrera, Jane. Ten in the bed. London: Gullane Children's Books, 2006.
Find full textMills, J. Elizabeth. The spooky wheels on the bus. New York: Cartwheel Books, 2010.
Find full textRaffi. Five little ducks. New York: Crown, 1989.
Find full textRaffi. Five little ducks. San Diego: Harcourt, 2000.
Find full textBook chapters on the topic "Counting – Songs and music"
Akuno, Emily Achieng’. "Children’s songs." In Music Education in Africa, 299–314. Abingdon, Oxon; New York, NY: Routledge, 2019. | Series: Routledge studies in music education: Routledge, 2019. http://dx.doi.org/10.4324/9780429201592-19.
Full textThomas, Richard K. "Campfire Songs." In Music as a Chariot, 109–32. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315145631-6.
Full textAmos, Jonny. "Releasing Cover Songs and Remixes." In The Music Business for Music Creators, 167–68. London: Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-24.
Full textArcher, W. G. "Steps and Music." In Love Songs of Vidyāpati, 117. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003104216-79.
Full textLal, Ananda. "Note on the Music Scores." In Songs of Tagore, 53–55. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003276869-5.
Full textAmos, Jonny. "Songwriters Pitching Songs to Recording Artists." In The Music Business for Music Creators, 268–76. London: Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-41.
Full textFlinn, Caryl. "The Songs of Music46." In The Sound of Music, 47–93. London: British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-910-5_3.
Full textBolderman, Leonieke. "Sharing songs on Hirakata Square." In Contemporary Music Tourism, 40–57. Abingdon, Oxon; New York, NY: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429318863-3.
Full textTragaki, Dafni. "Acoustemologies of rebetiko love songs." In Music as Atmosphere, 184–201. [1.] | New York : Routledge, 2019. | Series: Ambiances, atmospheres and sensory experiences of spaces: Routledge, 2019. http://dx.doi.org/10.4324/9780815358718-10.
Full textJohansson, Ola. "An Analysis of Swedish Pop Music." In Songs from Sweden, 99–135. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2736-4_4.
Full textConference papers on the topic "Counting – Songs and music"
Folorunso, S. O., O. O. Banjo, J. B. Awotunde, and F. E. Ayo. "Machine Learning Analysis of Music Based on Music Information Retrieval Tasks." In International Workshop on Social Impact of AI for Africa 2022. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.157.3.
Full textSoleymani, Mohammad, Micheal N. Caro, Erik M. Schmidt, Cheng-Ya Sha, and Yi-Hsuan Yang. "1000 songs for emotional analysis of music." In the 2nd ACM international workshop. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2506364.2506365.
Full textCheng, Zhiyong, Jialie Shen, Lei Zhu, Mohan Kankanhalli, and Liqiang Nie. "Exploiting Music Play Sequence for Music Recommendation." In Twenty-Sixth International Joint Conference on Artificial Intelligence. California: International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/511.
Full textSridhar, Rajeswari, and T. V. Geetha. "Music Information Retrieval of Carnatic Songs Based on Carnatic Music Singer Identification." In 2008 International Conference on Computer and Electrical Engineering (ICCEE). IEEE, 2008. http://dx.doi.org/10.1109/iccee.2008.118.
Full textHishida, Hirotoshi, Yoshihiro Komatsu, Tomohiro Nomura, Yasuhiro Hishida, and Keiko Hishida. "Music Database for Earphone Hearing Loss Prevention and Music Therapy - American Musical Songs -." In 13th International Multi-Conference on Complexity, Informatics and Cybernetics. Winter Garden, Florida, United States: International Institute of Informatics and Cybernetics, 2022. http://dx.doi.org/10.54808/imcic2022.02.40.
Full textDas, Nikhil, Esther Ramdinmawii, Ajit Kumar, and Sanghamitra Nath. "Vocal Singing and Music Separation of Mizo Folk Songs." In 2023 4th International Conference on Computing and Communication Systems (I3CS). IEEE, 2023. http://dx.doi.org/10.1109/i3cs58314.2023.10127457.
Full textGarcia-Garcia, Dario, Jeronimo Arenas-Garcia, Emilio Parrado-Hernandez, and Fernando Diaz-de-Maria. "Music genre classification using the temporal structure of songs." In 2010 IEEE International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2010. http://dx.doi.org/10.1109/mlsp.2010.5589240.
Full textLiu, Yi, and Yue Gao. "Acquiring Mood Information from Songs in Large Music Database." In 2009 Fifth International Joint Conference on INC, IMS and IDC. IEEE, 2009. http://dx.doi.org/10.1109/ncm.2009.311.
Full textKuusi, Tuire, Ivan Jimenez, and Matthew D. Schulkind. "Identifying Beatles songs from their chord progressions: New evidence of the effect of specialized harmonic familiarity, melodic cues, and transposition on the identification of songs from chord progressions." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0035.
Full textOliveira, Gabriel P., and Mirella M. Moro. "Mining Exceptional Genre Patterns on Hit Songs." In Symposium on Knowledge Discovery, Mining and Learning. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/kdmile.2023.232412.
Full textReports on the topic "Counting – Songs and music"
Berrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, July 2001. http://dx.doi.org/10.18235/0007945.
Full textManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), November 2020. http://dx.doi.org/10.19088/ids.2020.001.
Full textFlanagan, Aidan, and Robert Weldon. Overview of MUSiC and Neutron Multiplicity Counting Analysis with the NoMAD Detector. Office of Scientific and Technical Information (OSTI), August 2023. http://dx.doi.org/10.2172/1994106.
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