Relevant bibliographies by topics / Costume in motion pictures

Academic literature on the topic 'Costume in motion pictures'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Costume in motion pictures.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Costume in motion pictures"

1

Rusinova, Elena A., and Elizaveta M. Khabchuk. "The Influence of Traditions of Culture on the Techniques of Sound Directing in Japanese Cinema. Speech and Pause." Journal of Flm Arts and Film Studies 10, no. 2 (June 15, 2018): 74–84. http://dx.doi.org/10.17816/vgik10274-84.

Full text
Abstract:
The article (the end of the publication, beginning: No 1 (35), 2018) analyzes the sound features of Japanese motion pictures created in the second half of the 20th - beginning of the 21st centuries, on the example of the speech expressiveness of screen actors. The peculiarity of the acting game for a long time was one of the obstacles to understanding and accepting Japanese films by the Western audience. The approach of Japanese film actors to taking roles was based on traditions of the theatrical performance. However, theatrical techniques organically entered the artistic structure and became distinctive features of the genre of dzidaigaki (costume-historical film), especially loved by the audience. The main vehicle in the sound design of such films was the actor's speech using an ancient language, differing from modern Japanese by the presence of additional endings and pronouns. The mode of stylization of speech, associated with a special attention to detail, brings the audience closer to the time displayed on screen, adding realism in the perception of the screen event. The article presents stylistic, phonetic, semantic features of actor's speech in Japanese films not only in costume and historical genre, but also in fantasy and animation films. In the latter two genres, the onomatopoeia (sound imaging) plays an important role in creating the sound design of the film, which is so common in Japanese colloquial and written speech that can also be attributed to a peculiar Japanese cultural tradition. Analysis of sound designs of the Japanese films, including the use of onomatopoeia, is the novelty of the work presented. The articles topicality is that analyzing another view of the world can broaden the horizon of seeing a specific creative task that is not even related to the Japanese theme, while opening up new creative opportunities. In addition, the material of the article in some extent fills a gap in Russian cinema studies, related to the theme of sound in Japanese cinema.
APA, Harvard, Vancouver, ISO, and other styles
2

Reason, Matthew. "Still Moving: The Revelation or Representation of Dance in Still Photography." Dance Research Journal 36, no. 1 (2004): 43–67. http://dx.doi.org/10.1017/s0149767700007567.

Full text
Abstract:
Arnold Genthe's 1915 photograph of Anna Pavlova, taken as she leaps into the air, is perhaps the earliest photograph of free movement in dance (Fig. 1). Unlike many other early images, with long exposure times necessitating static poses or wires to hold up the dancers, this photograph depicts actual movement. This claim to authenticity and actuality is a powerful part of its appeal; looking at the image, viewers are sure that they are witnesses to a faithful reproduction of Pavlova dancing, that they are seeing the dance of the past. Considered in this manner, the photograph is an example of the revelatory power of the camera to show us what has been.However, Genthe's photograph is not a powerful image simply because it is, authentically, of a dancer in motion. It might have mechanically frozen its subject in time, but the photograph communicates movement beyond the moment it depicts—beyond, in a sense, what it reveals photographically to what it evokes in the mind of the viewer. Viewers are able to see movement in details indicative of motion: the flowing fabric of the costume, Pavlova's bodily posture with raised and powerfully muscled thigh, the elevated arm gestures, and the sharply bent and thrusting toes. Additionally, the degree of blur in the photograph provides an indistinctness that is suggestive of something in motion; oddly, the partial obscurity of the picture prompts viewers to imagine more than they can see. All of these elements are evocative indications of movement; they are neither documentary nor part of what can be called photographic revelation, but are instead representational.
APA, Harvard, Vancouver, ISO, and other styles
3

Fronc, Jennifer. "“HISTORICAL PRESENTATION” OR “LIBEL TO THE RACE”?: CENSORSHIP AND THE BIRTH OF A NATION." Journal of the Gilded Age and Progressive Era 14, no. 4 (October 2015): 612–15. http://dx.doi.org/10.1017/s1537781415000432.

Full text
Abstract:
On April 9, 1915, the fiftieth anniversary of General Lee's surrender at Appomattox, The Birth of a Nation opened in Boston. Audience members were “prepared for the unusual” the moment they entered the Tremont Theatre. After “a young man in evening dress and a silk hat” took tickets, “two young women in flounced hoop skirts and with long curls … ma[d]e a sort of graceful minuet bow, and hand[ed] you a program.” While “soldiers ‘on guard’ in the Civil War uniforms of the North and South” flanked the aisles, another costumed young woman “escort[ed] you to your seat.” As the film projector flickered to life, a title card issued an important caveat to the audience: “This is an historical presentation of the Civil War and Reconstruction period and is not meant to reflect in any way upon any race or people of today.” D. W. Griffith did not write this title card; rather, the National Board of Censorship of Motion Pictures (NBC) inserted it to fend off protestors and signal its commitment to filmmakers’ First Amendment rights.
APA, Harvard, Vancouver, ISO, and other styles
4

Szczęsna, Agnieszka, Przemysław Pruszowski, Przemysław Skurowski, Ewa Lach, Janusz Słupik, Damian Pęszor, Marcin Paszkuta, et al. "Inertial Motion Capture Costume." Procedia Technology 27 (2017): 139–40. http://dx.doi.org/10.1016/j.protcy.2017.04.061.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Young, Linda. "Motion Pictures." SMPTE Journal 105, no. 4 (April 1996): 177–78. http://dx.doi.org/10.5594/j15829.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Masson, Alan J. "Motion Pictures." SMPTE Journal 108, no. 2 (February 1999): 75–78. http://dx.doi.org/10.5594/j17112.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Masson, Alan J. "Motion Pictures." SMPTE Journal 107, no. 1 (January 1998): 11–13. http://dx.doi.org/10.5594/j17616.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau, and Sacha Zilberfarb. "Motion pictures." Vacarme 15, no. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Burns, Edward J. "Motion Pictures." SMPTE Journal 97, no. 4 (April 1988): 268–74. http://dx.doi.org/10.5594/j00667.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Young, Linda. "Motion Pictures." SMPTE Journal 106, no. 1 (January 1997): 9–11. http://dx.doi.org/10.5594/j09530.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Costume in motion pictures"

1

Lewis, Shane. "Costume in "New Hollywood" movies /." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17806.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lewis, Shane. "Orry-Kelly : an Australian in Hollywood : producing meaning through costume." Thesis, Queensland University of Technology, 1997.

Find full text
Abstract:
Costume designer Orry-Kelly has a unique place in Hollywood history as one of the few designers to win three or more Academy Awards and one of the few Australians to succeed in the Hollywood studio system. His work was a major factor in the success of Bette Davis at Warner Bros. However, Orry-Kelly and his work have received little critical attention. This study examines the function of Orry-Kelly's costumes in a selection of Bette Davis vehicles produced at Warner Bros. between 1938 and 1942. In order to assess the value of Orry-Kelly's contributions, the thesis charts the development of the role of the Hollywood studio costume designer and summarises theories relevant to the function of costume in classical Hollywood narrative. Films analysed are Jezebel, Dark Victory, The Letter, The Little Foxes, Now, Voyager, The Great Lie and In This Our Life. Sources consulted for background to Orry-Kelly's life and career include records in the Orry-Kelly File in the Warner Bros. Archives at the University of Southern California, and material gathered in Australia which has not been previously presented in an academic study. The study concludes that Orry-Kelly's costume concepts display an intuitive understanding of processes of human perception and behaviour, and knowledge of the requirements of the film medium, to convey the preferred meanings about characters and aid in story-telling.
APA, Harvard, Vancouver, ISO, and other styles
3

Sutphin, Elizabeth Anne Hopkins. "The Last Two Years of David Brachman: Designing a Feature Film on a Micro Budget." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5523.

Full text
Abstract:
This thesis documents my creative process as the Production Designer on the feature length micro budget film The Last Two Years of David Brachman, written and directed by Marc Casilli. The film is a dark comedy chronicling the life of David Brachman, a twenty-five year old with a stagnant life that is seemingly leading nowhere, as he pledges on his twenty-fifth birthday to change the path of his life in the next two years or commit suicide if he fails. The overall design concept of the film is rooted in realism, but allowed to contain elements that will remove the audience in order to lighten the load of the serious topic of death. With a nod to the 1950s family home and the nostalgia of decades past; David's world is created to show drastic shifts from his inert, routine life at home to the outside working world in to which he thrusts himself. The world outside of David's home is seen through a lens that exemplifies stereotypical social roles and thereby adds to his feelings of outcast and loneliness. Creating the versatile world of David Brachman presented challenges with the amount of locations, characters, and costumes changes; however, these challenges were further complicated by working on an overall micro budget of thirty-six thousand dollars, with approximately fifteen hundred dollars allocated to the art department and costuming. These challenges created a need for resourceful acquisition techniques and budgeting to ensure that the overall artistic vision was not sacrificed. Remaining true to the design aesthetic and the director's vision, my staff and I were able to overcome budgetary challenges, staffing changes that occurred during filming, and shifts in the production dynamic that created a sometimes chaotic filming environment. The careful planning and organization of each design element and their execution ensured the successful creation of David's world and a visual story to compliment the screenplay. Within this thesis I document my design process from my initial design proposal to the director through post production and final viewing of the completed film. Included here are specific details of my design process including script analysis, script breakdowns, location plots, budget tracking, stills from the film, a copy of the finished film, and all the paperwork generated in creating the film. A detailed journal of the filming process including obstacles I encountered as well as the solutions created throughout this process and a self evaluation and reflection on the final product of work are included.
ID: 031001283; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Includes shooting script: The Last Two Years of David Brachman.; Title from PDF title page (viewed February 26, 2013).; Thesis (M.F.A.)--University of Central Florida, 2012.; Includes bibliographical references (p. 275-277).
M.F.A.
Masters
Theatre
Arts and Humanities
Theatre; Design
APA, Harvard, Vancouver, ISO, and other styles
4

Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Chan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Tam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Van, Liew Maria. "Democratic women : gender, national discourse and the cinema of post-Franco Spain /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Wang, Qi. "Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Restoule, Jean-Paul. "How "Indians" are read the representation of aboriginality in films by native and non-native directors /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Costume in motion pictures"

1

Museum, Victoria and Albert, ed. Hollywood costume. New York: Abrams, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Leandro, José Augusto. A hora do costume: Do cinematógrafo ao Cine Plaza : Castro, 1903-1965. [Castro, Paraná, Brazil]: Arquivo Público Municipal de Castro, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Costume and cinema: Dress codes in popular film. London: Wallflower, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Leese, Elizabeth. Costume design in the movies: An illustrated guide to the work of 157 great designers. New York: Dover, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Micheli, Sergio. Lo sguardo oltre la norma: Cinema e arte figurativa : luce, colore, espressione, gesto, scenografia e costume. Roma: Bulzoni, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Walter, Fritz. Maskerade: Kostüme des österreichischen Films : ein Mythos. Wien: K & S, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Verdone, Mario. Scena e costume nel cinema: Antologia storico-critica. Roma: Bulzoni, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Dressed: A century of Hollywood costume design. New York: Collins Design, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Farani, Piero. Atelier Farani: Pasolini, il costume del film. Milano: Skira, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Anthony, Slide, ed. The ultimate directory of film technicians: A necrology of dates and places of births and deaths of more than 9,000 producers, screenwriters, composers, cinematographers, art directors, costume designers, choreographers, executives, and publicists. Lanham, Md: Scarecrow Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Costume in motion pictures"

1

kydd, Elspeth. "Motion Pictures." In The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kamada, Seiichi. "Motion Pictures." In Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kamada, Seiichi. "Motion pictures." In Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pollatsek, E. Shura, and Mitchell D. Wilson. "In My Your Head." In Costume in Motion, 30–45. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pollatsek, E. Shura, and Mitchell D. Wilson. "Styles and Genres Of Concert Dance Costume." In Costume in Motion, 46–61. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pollatsek, E. Shura, and Mitchell D. Wilson. "Appalachian Spring." In Costume in Motion, 170–81. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Pollatsek, E. Shura, and Mitchell D. Wilson. "joyUS justUS." In Costume in Motion, xx—17. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Pollatsek, E. Shura, and Mitchell D. Wilson. "State." In Costume in Motion, 62–79. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Pollatsek, E. Shura, and Mitchell D. Wilson. "Ice Cycle and Wind Rose." In Costume in Motion, 138–51. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Pollatsek, E. Shura, and Mitchell D. Wilson. "Styles of Collaboration." In Costume in Motion, 80–94. New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351258524-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Costume in motion pictures"

1

Lagendijk, R. L., and M. I. Sezan. "Motion compensated frame rate conversion of motion pictures." In [Proceedings] ICASSP-92: 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 1992. http://dx.doi.org/10.1109/icassp.1992.226178.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Karaki, Koichi, Hiroko Sasaki, and Masaharu Mitsunaga. "Holographic motion pictures by hole burning." In International Conferences on Optical Fabrication and Testing and Applications of Optical Holography, edited by Toshio Honda. SPIE, 1995. http://dx.doi.org/10.1117/12.215315.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Alexander, P. "Development of integral holographic motion pictures." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201899.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Chuang, Yung-Yu, Dan B. Goldman, Ke Colin Zheng, Brian Curless, David H. Salesin, and Richard Szeliski. "Animating pictures with stochastic motion textures." In ACM SIGGRAPH 2005 Papers. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1073273.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Holynski, Aleksander, Brian Curless, Steven M. Seitz, and Richard Szeliski. "Animating Pictures with Eulerian Motion Fields." In 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2021. http://dx.doi.org/10.1109/cvpr46437.2021.00575.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Baecker, Ronald, Alan J. Rosenthal, Naomi Friedlander, Eric Smith, and Andrew Cohen. "A multimedia system for authoring motion pictures." In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244142.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mayhew, Christopher A. "True Three-Dimensional Animation In Motion Pictures." In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), edited by David F. McAllister and Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940133.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Abdulsamet, Hasiloglu, and Tosun Olcay. "Identification system from motion pictures: LBPH application." In 2017 International Conference on Computer Science and Engineering (UBMK). IEEE, 2017. http://dx.doi.org/10.1109/ubmk.2017.8093546.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Awatsuji, Yasuhiro, Aya Komatsu, Masatomo Yamagiwa, and Toshihiro Kubota. "Motion pictures of propagating ultrashort laser pulses." In 26th International Congress on High-Speed Photography and Photonics, edited by Dennis L. Paisley, Stuart Kleinfelder, Donald R. Snyder, and Brian J. Thompson. SPIE, 2005. http://dx.doi.org/10.1117/12.567035.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

MAEDA, Toshiyuki, Masumi YAJIMA, and Akiyoshi WAKATANI. "Frequency-based Skill Analysis for Motion Pictures." In 2018 12th France-Japan and 10th Europe-Asia Congress on Mechatronics. IEEE, 2018. http://dx.doi.org/10.1109/mecatronics.2018.8495892.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Costume in motion pictures"

1

Koschmann, Anthony, and Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27649.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Costume in motion pictures' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography