Relevant bibliographies by topics / Cosmogonies

Academic literature on the topic 'Cosmogonies'

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Published: 1 June 2022

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Journal articles on the topic "Cosmogonies"

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STOYANOV, YURI. "Islamic and Christian heterodox water cosmogonies from the Ottoman period—paralleles and contrasts." Bulletin of the School of Oriental and African Studies 64, no. 1 (February 2001): 19–33. http://dx.doi.org/10.1017/s0041977x01000027.

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This article explores some important parallels and differences between certain Eastern Christian and Islamic heterodox (Alevi/Kizilbash, Yezidi and Ahl-e Haqq) cosmogonies, which shared and developed old cosmogonic themes such as the ‘primal ocean’ and the ‘earth-diver’-demiurge, and co-existed during the Ottoman period. The investigation reveals that some of the Eastern Christian versions of these cosmogonies have retained their archaic forms, but in most of them the earth-diver is identified with the Devil, a movement towards cosmogonic and religious dualism that could have been effected by both heretical and popular Christian diabology. Conversely, despite the existing traits of dualist and earth-diver cosmogonies in Northern and Central Asian non-Islamic Turkic and related religious traditions, a comparative analysis as demonstrated in this article shows that the Alevi/Kizilbash, Ahl-e Haqq and Yezidi cosmogonies did not absorb or develop these dualist features but rather tried to neutralize them by reinterpreting them in a largely monotheistic framework.
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Pajin, Dusan. "Indian cosmogonies and cosmologies." Filozofija i drustvo 22, no. 1 (2011): 3–28. http://dx.doi.org/10.2298/fid1101003p.

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Various ideas on how the universe appeared and develops, were in Indian tradition related to mythic, religious, or philosophical ideas and contexts, and developed during some 3.000 years - from the time of Vedas, to Puranas. Conserning its appeareance, two main ideas were presented. In one concept it appeared out of itself (auto-generated), and gods were among the first to appear in the cosmic sequences. In the other, it was a kind of divine creation, with hard work (like the dismembering of the primal Purusha), or as emanation of divine dance. Indian tradition had also various critiques of mythic and religious concepts (from the 8th c. BC, to the 6c.), who favoured naturalistic and materialistic explanations, and concepts, in their cosmogony and cosmology. One the peculiarities was that indian cosmogony and cosmology includes great time spans, since they used a digit system which was later (in the 13th c.) introduced to Europe by Fibonacci (Leonardo of Pisa, 1170-1240).
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Peebles, P. J. E. "Semiempirical seeded isocurvature cosmogonies." Astrophysical Journal 432 (September 1994): L1. http://dx.doi.org/10.1086/187497.

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Almqvist, Olaf. "Hesiod’s Theogony and analogist cosmogonies." HAU: Journal of Ethnographic Theory 10, no. 1 (March 2020): 183–94. http://dx.doi.org/10.1086/708747.

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López-Ruiz, Carolina. "The God Aion in a Mosaic from Nea Paphos (Cyprus) and Graeco-Phoenician Cosmogonies in the Roman East." Archiv für Religionsgeschichte 21-22, no. 1 (December 2, 2020): 423–47. http://dx.doi.org/10.1515/arege-2020-0022.

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AbstractThis essay offers a new interpretive angle on a fourth-century CE mosaic from Nea Paphos in Cyprus, in which the central panel depicts the god Aion presiding over the contest between Kassiopeia and the Nereids. The mosaic, which has other mythological scenes, two of them focused on Dionysos, has been interpreted in an allegorical Neoplatonic key or else as encrypting an anti-Christian polemic narrative. Here I propose that Aion and the other cosmogonic motifs in the panels, including the birth and triumph of Dionysos, point rather to Orphic and Phoenician cosmogonies, which in turn had a strong impact and reception among Neoplatonists and intellectuals of the Roman and late Roman Levant.
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López-Ruiz, Carolina. "How to Start a Cosmogony: On the Poetics of Beginnings in Greece and the Near East." Journal of Ancient Near Eastern Religions 12, no. 1 (2012): 30–48. http://dx.doi.org/10.1163/156921212x629455.

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AbstractIn this essay I explore the beginning lines of the most relevant cosmogonies from the eastern Mediterranean, focusing on theEnuma Elish, Genesis 1 and Hesiod’sTheogony. These opening lines reveal some of the challenges faced by the authors of these texts when committing to the written word their version of the beginning of the universe. Hesiod’sTheogonywill be treated in more length as it presents an expanded introduction to the creation account. This close reading is followed by a few reflections on the question of authorship of these and other Greek and Near Eastern cosmogonies.
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Falaix, Ludovic. "Géographie de l’intime, habitabilité et cosmogonies immersives." Sociétés 134, no. 4 (2016): 41. http://dx.doi.org/10.3917/soc.134.0041.

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Graf, Fritz. "Creation in the Poimandres and in Other Creation Stories." Archiv für Religionsgeschichte 21-22, no. 1 (December 2, 2020): 411–21. http://dx.doi.org/10.1515/arege-2020-0021.

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AbstractMy paper develops from the observation that the cosmogonies in Ovid’s Metamorphoses and the Hermetic Poimandres are related to each other. After an analysis of Ovid’s text as an example of a diakrisis cosmogony in which the world is created by the sorting out of its originally confused elements, I give a short overview of the history of this type of cosmogony before Ovid. I then analyze the respective cosmogony in the Poimandres as another example of the same typology. A look at the use of diakrisis cosmogonies in late antiquity, including in the first ‘Moral Poem’ of Gregory of Nazianzus, closes the paper and demonstrates the attraction of this cosmogonical model in the Imperial epoch.
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Naddaf, Gérard. "Hésiode, précurseur des cosmogonies grecques de type « évolutionniste »." Revue de l'histoire des religions 203, no. 4 (1986): 339–64. http://dx.doi.org/10.3406/rhr.1986.2574.

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Anemoyannis-Sinanidis, Spyrodimos. "Le symbolisme de l'œuf dans les cosmogonies orphiques." Kernos, no. 4 (January 1, 1991): 83–90. http://dx.doi.org/10.4000/kernos.289.

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Dissertations / Theses on the topic "Cosmogonies"

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Thomas, Lynn Karen. "Theories of cosmic time in the Mahabharata." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329216.

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Fages, Volny. "Les origines du monde : cosmogonies scientiques en France (1860-1920) : acteurs, pratiques, représentations." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0067.

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Les origines de l’homme, de la Terre, de la vie, ou des astres, sont des questions culturellement omniprésentes et façonnant profondément le second XIXe siècle. Mais alors que les débats autour de la théorie de l’évolution, de la paléontologie, et de la géologie, ont donné lieu à une historiographie très riche, les travaux concernant l’histoire de l’étude de l’origine des astres, que rassemble à l’époque le terme de « cosmogonie », sont beaucoup plus rares. Cette thèse s’efforce, dans le cas de la France, de combler cette lacune. Ce travail décrit en détail la variété des pratiques cosmogoniques du second XIXe siècle français. Il articule pour cela une attention particulière portée aux dispositifs institutionnels d’administration et de régulation des sciences, avec une étude prosopographique détaillée de la communauté d’acteurs, hétérogène, rassemblée par ce sujet de recherche. L’étude des auteurs d’hypothèses cosmogoniques, de leurs pratiques et de leurs discours, permet notamment d’éclairer, à travers un cas, le long processus de professionnalisation des sciences qui s’opère durant la période étudiée. Ce processus de démarcation d’une élite savante, universitaire, s’effectue simultanément sur plusieurs fronts, où les cosmogonistes sont présents. Leur étude permet ainsi d’identifier les façons dont s’élaborent, discrètement, des frontières, poreuses et longues à se stabiliser, singularisant socialement les auteurs susceptibles de participer à la fabrication de la science en fonction de critères indissociablement cognitifs, sociaux, et politiques
The origins of man, of life, of the Earth, or the stars, are central issues that shaped deeply the second half of XIXth century. Whereas historians of science have greatly and thoroughly studied debates surrounding evolutionary theory, paleontology, and geology, the history of the researches concerning the origins of the stars (“cosmogony”) during this period has mostly remained skimmed over. This PhD dissertation endeavors to fill this gap, in the French context. This work describes minutely the variety of cosmogonical practices that were developed between the 1860s and 1920s in France. In order to do so, it combines a specific attention to institutional ways of governing and regulating scientific practices and discourses with a detailed prosopographical study of the heterogeneous community gathered around this subject. The study of the authors of cosmogonic hypotheses, of their practices and discourses, sheds a new light on the long-term professionalization process of the sciences that takes place during this period. The boundary-work characterizing and differentiating a scientific, academic, elite occurs in different places where cosmogonists were active. The study of this group of actors enables to specify the way in which the frontiers that socially and epistemically singled the authors who were allowed to participate to the construction of science were socially, cognitively, and politically built
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Cristofari, Cécile. "Cosmogonies imaginaires : les mondes secondaires dans la science-fiction et la fantasy anglophones, de 1929 à nos jours." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3030.

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J'ai voulu étudier un phénomène qui sous-tend l'écriture de la littérature spéculative (science-fiction et fantasy) aujourd'hui : la création d'un « monde secondaire », selon l'expression de J.R.R. Tolkien. Deux problèmes se posaient de prime abord. Premièrement, l'ensemble culturel et éditorial que recouvre l'expression « littérature spéculative » est relativement flou, du fait des problèmes de délimitation des genres et de la problématique culturelle plus générale (la littérature spéculative est-elle définie par des motifs littéraires, ou par l'appareil culturel qui l'entoure ?). Deuxièmement, un « monde secondaire » est-il uniquement un univers inventé entièrement différent ou détaché du monde réel, ou peut-il recouper le monde réel, etc. ? La littérature spéculative étant un genre foisonnant et en pleine évolution, j'ai pris le parti de ne pas donner de réponses définitives. Plutôt que de tenter de tracer des frontières, j'ai cherché à mettre en évidence les différents éléments dont se constituent les mondes secondaires : les traditions du genre sur lesquels les auteurs s'appuient pour transmettre la vision d'un univers original à leurs lecteurs, entre mise en avant de l'originalité et utilisation d'éléments connus comme soubassement, ainsi que la vision particulière de l'histoire, de la géographie et de la place de l'humanité dans le monde que les auteurs développent. Cette réflexion se veut située à la fois en amont et en aval de l'acte d'écriture. Elle se conclut sur les questions qui se posent aux auteurs contemporains : questions de renouvellement du genre, ou d'ouverture sur les autres médias, en particulier ceux que pratiquent les amateurs
I endeavoured to study a phenomenon underlying contemporary speculative fiction (science fiction and fantasy): the creation of a ‘secondary world', to use J.R.R. Tolkien's phrasing. I had to solve two preliminary problems. First, the cultural and economic phenomenon that speculative fiction represents has a blurry outline, questions regarding genre delimitation and wider cultural problems (is speculative fiction defined only by a number of literary patterns, or by the whole cultural apparatus that goes with it?) being difficult to answer. Secondly, does the notion secondary worlds only apply to invented worlds that are entirely different or detached from the real world, or can it be applied to texts that take place at least partly in the real world, etc.? Speculative fiction being a diverse genre that has been steadily evolving for years, I have chosen to avoid giving definitive answers to those questions. Instead of looking for boundaries, I have tried to emphasise the various building blocks of secondary worlds in speculative fiction: the traditions of the genre authors rely on to convey their view of an original universe to their readers, in a dialogue between known elements used as a foundation and the idiosyncratic view of history, geography and the place of mankind in the particular secondary world developed by the author. In an attempt to open this study to the contemporary practice of world-building, I have concluded with the questions that speculative fiction authors face today: how to renew the tropes of the genre, how speculative fiction pervades other media, in particular the practices of fans
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Fondville, Geneviève. "Parole poétique et parole prophétique : la quête de l'être dans les cosmogonies de Pierre Emmanuel, de "Babel" au "Grand Oeuvre"." Paris 4, 2003. http://www.theses.fr/2003PA040123.

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Presents dans les cinq cosmogonies de l'Œuvre de pierre emmanuel, les prophetes posent de maniere originale la question de la parole poetique. Ils obligent a reflechir aussi bien a ce qui precede la parole et la fonde, le souffle anterieur a tout vocable, qu'a ce qui gene, voire empeche le poete d'expulser ce souffle dans une parole qui le donne en le modulant de maniere absolument personnelle. Les prophetes figurent le poete aux prises avec un germe en lui auquel il doit donner corps quand il voudrait soit se l'approprier, soit se contenter de le contempler. à travers les personnages de babel, jacob, sophia, tu, le grand Œuvre, pierre emmanuel comprend d'une maniere originale le " je est un autre " : non simplement un autre aspect de sa personnalite, double contraire auquel le prophete est toujours confronte, mais l'accueil de l'être qui le fonde, un " toi " qu'il atteste. Incarnation du souffle, la poesie est donc aussi temoignage de l'etre en qui s'accomplit tout homme, tout l'homme
The prophets present in the five cosmogonies of the works of pierre emmanuel ask in an original way the question of the poetic word. They oblige the reader to reflect upon what precedes the word and founds it, the breath anterior to any word as well as what impedes it, or even what prevents the poet from expelling this breath, expressing it in a word which conveys it while modulating it in a manner absolutely personal to the poet. The prophets are an image of the poet who possesses inside himself a seed to which he must give flesh when he would be tempted to appropriate it or simply contemplate it. In and through the characters of babel, jacob, sophia, tu, and the grand oeuvre, pierre emmanuel understands in an original way the "i is an other", not just another aspect of his personality, a double opposite with whom the prophet is always confronted, but the welcoming of a being who founds him, a "you" whom he attests. Poetry, which is an incarnation of this breath is thus also a testimony of being in which every man and the whole of mankind find their accomplishment
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Monceret, Claire. "Mémoire et Conscience dans Eurêka d’Edgar Allan Poe : entre mythe et science." Thesis, Corte, 2021. http://www.theses.fr/2021CORT0014.

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Dans la littérature mythique, il y a une sagesse ancienne que l’on propose d’interpréter à partir de la lecture d’Edgar Poe, et qui peut éclairer l’époque postmoderne et les nouveaux enjeux qu’elle pose à l’Homme. En 1848, Edgar Allan Poe, poète héritier de la tradition mythographique, réalise dans son « poème » cosmogonique Eurêka une expérience hybride mariant l’enquête scientifique, l’intuition paranormale et l’imagination poétique. En reliant les mythes, les sciences physiques et l’évolution de la pensée à l’intuition d’une Réalité sous-jacente, il reconnaît une connexion fondamentale entre l’Être et le Monde, et l’existence de vérités indémontrables par une logique ordinaire, comme le principe de Cohésion ou Cohérence universelle (Consistency) qui relie Tout. Les expériences cognitives les plus récentes font apparaître que les conceptions poétiques de Poe rejoignent les questions émergentes des sciences actuelles concernant l’implication de la mémoire et de la conscience dans la fabrique du réel. Elles sont ici reconnues comme étant intimement liées, produisant par leur activité conjointe des phénomènes qui échappent à une vision classique mais laissent des traces interprétables. Une démarche comparative et transdisciplinaire permet d’explorer avec Poe les facultés propres au vivant et de faire l’épreuve de leur visibilité à différents niveaux de réalité. Suivre l’intuition, à la manière de Poe, permet de générer des pistes de recherche qui ouvrent de nouvelles perspectives à condition d’être testables, c’est pourquoi l’approche herméneutique des textes est complétée par une approche expérimentale explorant d’autres modalités d’une reliance fondamentale entre les êtres et leur écosystème
In mythical literature, there is an ancient wisdom that is proposed to be interpreted from the reading of Edgar Poe, and which can shed light on the postmodern era and the new challenges it sets for man. In 1848, Edgar Allan Poe, a poet heir to the mythographic tradition, in his cosmogonic "poem" Eureka, carried out a hybrid experiment combining scientific inquiry, paranormal intuition and poetic imagination. By linking myths, physical sciences and the evolution of thought to the intuition of an underlying Reality, he recognizes a fundamental connection between Being and the World, and the existence of truths that cannot be demonstrated by an ordinary logic, like the principle of Cohesion or Universal Coherence (Consistency) which links Everything. The most recent cognitive experiments show that Poe's poetic conceptions agree with emerging questions in current science concerning the involvement of memory and consciousness in the making of reality. They are recognized here as being intimately linked, producing by their joint activity phenomena which escape a classical vision but leave interpretable traces. A comparative and transdisciplinary approach makes it possible to explore with Poe the faculties specific to living things and to test their visibility at different levels of reality. Following intuition, like Poe, makes it possible to generate avenues of research that open up new perspectives on condition that they are testable, which is why the hermeneutical approach to texts is complemented by an experimental approach exploring other modalities of a fundamental link between beings and their ecosystem
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Rhee, Jeesun. "Du monde mécanique à l'univers physique. Pour une histoire de la cosmologie à l'âge classique autour de Leçons sur les hypothèses cosmogoniques de Henri Poincaré (1911)." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC126/document.

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Ce travail prend pour point de départ Leçons sur les hypothèses cosmogoniques de Henri Poincaré, ouvrage qui est issu de son cours à la Sorbonne et l'une de ses dernières publications. L'objectif du travail est de restituer la pensée cosmologique du mathématicien et de l'inscrire dans l'histoire de la cosmologie, proposant une introduction aux Leçons et une grille de lectures historiques et philosophiques de cet ouvrage autour de deux axes : la cosmologie classique et la philosophie poincaréenne. La première partie est consacrée à la science classique qui oscille entre la possibilité d'une cosmogonie mécaniste et l'impossibilité d'une cosmologie en tant que science. L'ambivalence s'observe chez les auteurs des XVIIe et XVIIIe siècles notamment Kant et Laplace avec leur hypothèse cosmogonique, jusqu'au XIXe siècle qui reste récitent à s'étendre au-delà du système solaire et développer une cosmologie proprement dite. La seconde partie de la thèse vise une lecture systématique de l'œuvre de Poincaré à partir des trois ouvrages philosophiques composés et édités par lui-même comme La science et l'hypothèse. La lecture procède en trois temps, autour de trois problèmes : 1° la stabilité et le mécanisme, mis en question par la thermodynamique et le probabilisme (avant 1900) ; 2° la loi et le principe en mécanique et en physique, notamment le principe de relativité et le second principe de la thermodynamique, mis en question par le développement de la physique (1900-1905) ; 3° l'espace, mis en lumière par la nouvelle mécanique et la théorie cinétique (après 1905). Chaque problème est ouvert ou dirigé vers la problématique cosmologique, sans pour autant qu'elle soit poursuivie dans le concret ni dépasser le niveau conceptuel. Ainsi Poincaré est amené aux hypothèses cosmogoniques, pour finir par une philosophie plutôt qu'une cosmologie
This study takes as a primary source Lectures on Cosmogonic Hypotheses of Henri Poincaré, which was originally his course at the Sorbonne and one of his last publications. With the main objective to understand the cosmological thinking of Poincaré and its place in the history of cosmology, I propose an introduction to Lectures and its historical and philosophical reading around two axes: classical cosmology and Poincaré's philosophy. The first part is devoted to Classical Science to show how it seeks both the possibility of a mechanistic cosmogony and the impossibility of a cosmology as a science. This ambivalence can be seen in authors of the 17th and 18th centuries, especially Kant and Laplace with their cosmogonic hypothesis, as well as in the 19th century, when cosmological thinking remained speculative and restricted to the solar system, despite the advance of astronomy and physics, both in theory and observation. The second part suggests a systematic reading of Poincaré's philosophy from three philosophical books composed and edited by himself such as Science and Hypothesis. The reading proceeds in three steps, divided by a chronological order which is also thematic and problematic: (1) stability and mechanism, questioned by thermodynamics and probability theory (before 1900); (2) law and principle of mechanics and physics, especially the principle of relativity and the second principle of thermodynamics (1900-1905); 3 ° space, in the light of the new mechanics and the kinetic theory of gases (after 1905). Each problem shows its own cosmological moment that remains at the conceptual rather than the concrete level. Thus Poincaré is led to cosmogonic hypotheses, ending with a philosophy rather than a cosmology
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De, Rossi José. "Les Récits cosmogoniques Bara." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376062727.

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ROSSI, JOSE DE. "Les recits cosmogoniques bara." Montpellier 3, 1987. http://www.theses.fr/1987MON30017.

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Les takahotsy, genre litteraire bara, rapportent toujours une origine ; la formation du monde est une des questions ambigues et angoissantes que les recits tentent d'elucider. S'appuyant sur un corpus de textes collectes par cinq enqueteurs entre 1916 et 1968, ce travail propose d'analyser un aspect de la mythologie bara, groupe ethnique du sud de madagascar. Ce recueil de textes est un echantillon des productions litteraires relatives a l'origine du monde. En precisant la place de la cosmogonie dans la tradition orale de ce groupe, on est amene a aborder un domaine plus large : "la litterature bara". Mais il faut par la suite se concentrer sur le corpus pour detailler la typologie formelle de ces recits et les modes de leur enonciation. Ce va et vient est repris dans la methode d'analyse ou, a travers les formes et les contenus, on peut degager les finalites de ces recits; on decouvrira alors qu'ici, la cosmogonie ne rappelle pas simplement une origine, mais sert aussi a resoudre un probleme ponctuel contemporain de la narration. Plutot qu'une tentative de remonter le cours du temps, il s'agit davantage d'une mise en ordre du monde par le biais de la connaissance des rites et de la structure sociale. L'imaginaire est exprime avec talent : une ponderation apparait entre le serieux de la persuasion et l'humour traduit, entre autres par le jeu sur les signifiants
Takahotsy, a bara literary genre, always refers to an origin; the world creation is one of the ambiguous and frustrating questions that these narratives try to work out. This study proposes to analyse one aspect of the bara mythology, an ethnic group living in the south of madagascar. It rests on a corpus gathered by five investigators between 1916 and 1968. This anthology is a sample of bara literary productions referring to the origin of the world. In situating cosmogony in the oral tradition of this ethnic group, one is led to deal with a broader field : bara literature. Subsequent to this, one will have to concentrate on the corpus in order to explore the formal typology of these narratives and their mode of enunciation. Tsi movement to and from bara literature is analysed in a new fashion with the method of analysis resorted to. The aims of these narratives can therefore be laid out thanks to the analysis of forms and contents. Thus, one will discover that in bara literature, cosmogony does not only refer to an origin but can also be used to solved a specific problem which originates from the very act of narration in a given situation. Indeed, cosmogony is much more an attempt to organize the world than an attempt to go up along the course of time through the knowledge of tradition and social structure. The imaginary is expressed with talent : there appears a balance between the firmness of persuasion and the humour conveyd by the interaction of the signifying units
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Bickel, Susanne. "La cosmogonie égyptienne avant le nouvel empire /." Fribourg (Suisse) : Göttingen : Éd. universitaires ; Vandenhoek & Ruprecht, 1994. http://catalogue.bnf.fr/ark:/12148/cb35702232x.

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Brito, Robson Gomes de. "Aproxima??o dial?gica: cosmogonias grega e iorub?" UFVJM, 2018. http://acervo.ufvjm.edu.br/jspui/handle/1/1772.

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?rea de concentra??o: Linguagem, Filosofia e Cultura.
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A presente pesquisa desenvolve um exerc?cio anal?tico e te?rico-conceitual da aproxima??o dial?gica existente entre os mitos cosmog?nicos grego e iorub?. Por meio de uma an?lise comparada que envolve a lingu?stica, a antropologia e os estudos acerca dos mitos. A princ?pio busca-se demonstrar a compara??o entre os mitos e a sua import?ncia para o exerc?cio lingu?stico textual. Em seguida, prop?e-se verificar a proced?ncia de outras investiga??es que atestam os textos, Mitologia dos Orix?s e Teogonia de Hes?odo, como produ??es m?ticas cosmog?nicas e finaliza-se com a demonstra??o das poss?veis interpreta??es extra?das dos textos.
Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Ci?ncias Humanas, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2018.
The present research develops an analytical and theoretical-conceptual exercise of the dialogical approach existing between the Greek and Yoruba cosmogonic myths. Through a comparative analysis involving linguistics, anthropology, and studies of myths. At first it is tried to demonstrate the comparison between the myths and their importance for the textual linguistic exercise. Next, it is proposed to verify the origin of other investigations that attest the texts, Mythology of the Orix?s and Theogony of Hesiod, as mythical cosmogonic productions and ends with the demonstration of the possible interpretations extracted from the texts.
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Books on the topic "Cosmogonies"

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Bailly-Maître-Grand, Patrick. Petites cosmogonies. Wavre (Belgique): Mardaga, 2007.

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Sarrans, Jean-Louis. Cosmogonies: Oeuvres photographiques. Paris: Verlhac, 2010.

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Lebrun, René, and Etienne Van Quickelberghe, eds. Cosmogonies et religion. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115183.

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Sorel, Reynal. Les cosmogonies grecques. Paris: Presses universitaires de France, 1994.

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Ba, Cheikh Moctar. Étude comparative entre les cosmogonies grecques et africaines. Paris: L'Harmattan, 2007.

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Joan Miró: Cosmogonies d'un món originari (1918-1939). Barcelona: Galàxia Gutenberg, 2007.

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Before and after Darwin: Origins, species, cosmogonies, and ontologies. Burlington, VT: Ashgate Pub., 2008.

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Creation and evolution in primitive cosmogonies and other pieces. London: RoutledgeCurzon, 2003.

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Le rôle d'Eros et d'Aphrodite dans les cosmogonies grecques. Paris: Presses universitaires de France, 1986.

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Guenette, Daniel. La Part De L'ode: Avec huit petites cosmogonies de Jacques Palumbo. Saint-Lambert: Editions du Noroit, 1988.

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Book chapters on the topic "Cosmogonies"

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Lebrun, René. "De Luna in Anatolia antiqua." In Cosmogonies et religion, 11–21. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115196.

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Motte, André. "Platon et le culte des astres." In Cosmogonies et religion, 23–37. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115197.

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Raimond, Éric. "Le culte solaire d’Apollon." In Cosmogonies et religion, 39–45. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115198.

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Marchetti, Patrick. "Épiménide, le « crétois cnossien », fils de la lune." In Cosmogonies et religion, 47–69. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115199.

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Tourovets, Alexandre. "L’étoile Sirius divinisée en Iran sous le nom de Tishtriya." In Cosmogonies et religion, 71–76. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115200.

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Tavernier, Jan. "The Origin and the Early History of Tīr." In Cosmogonies et religion, 77–98. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115201.

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Isebaert, Lambert. "Dieu soleil, dieu lune et dieu terre dans la littérature tokharienne." In Cosmogonies et religion, 99–108. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.hr-eb.5.115202.

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Gmirkin, Russell E. "Genesis 1 and Greek Cosmogonies." In Plato's Timaeus and the Biblical Creation Accounts, 48–83. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003181774-3.

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Glassner, Edwin, and Heidi König-Porstner. "[Rezension von:] Pierre Busco, Les cosmogonies modernes et la théorie de la connaissance." In Moritz Schlick Rostock, Kiel, Wien, 743–48. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-211-69443-5_31.

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Haubold, Johannes. "When the Gods were Born: Greek Cosmogonies and the Near East by C. López-Ruiz." In Aestimatio: Critical Reviews in the History of Science (Volume 8), edited by Alan C. Bowen and Tracey E. Rihll, 136–41. Piscataway, NJ, USA: Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463235024-020.

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Conference papers on the topic "Cosmogonies"

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Bordeanu, C., Livius Trache, Alexei Smirnov, and Sabin Stoica. "Cosmogonic Models Overview." In EXOTIC NUCLEI AND NUCLEAR∕PARTICLE ASTROPHYSICS (III): From Nuclei to Stars. AIP, 2010. http://dx.doi.org/10.1063/1.3527242.

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Wambsganss, Joachim, Renyue Cen, Jeremiah P. Ostriker, and Edwin L. Turner. "Testing cosmogonic models with gravitational lensing." In Dark matter. AIP, 1995. http://dx.doi.org/10.1063/1.48356.

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Mikryukov, D. V. "STUDY OF STABILITY OF A PLANETARY SYSTEM ON A COSMOGONIC TIME SCALE." In 48-th International student's conferences "Physics of Space". Ural University Press, 2020. http://dx.doi.org/10.15826/b978-5-7996-2935-9.60.

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Zhdanov, Vladimir. "The Appearance and the Being On Pre-philosophical Terminology in Ancient Egyptian Cosmogonic Texts of the New Kingdom." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.171.

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Cova, Massimo. "Arte contemporáneo y señales visuales de la cotidianidad como paradigma de modelos globales de vida y de pensamiento." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4834.

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Abstract:
Nuestra propuesta consiste en presentar un proyecto artístico personal y su vinculación con obras de reconocidos artistas contemporáneos que adoptan, como referentes formales y conceptuales, unas señales visuales espontáneas presentes en los entornos cotidianos. Rastros efímeros y transitorios generados por los comportamientos y por las interacciones de las personas, que pueden ser representativos de modelos de vida y de pensamiento en la era de la globalidad. Las obras propuestas (tanto las personales como las de referencia) formalizan y reconfiguran, en el lenguaje propio del arte, unas huellas y unos indicios visuales que no pertenecen al territorio artístico. Marcas, restos o vestigios relacionados con aspectos de las complejas consecuencias de la internacionalización económica y cultural así como del desarrollo y de la expansión de las nuevas tecnologías o de modelos de comportamiento como fundamento de identidades individuales y colectivas. Esta propuesta deriva de la investigación teórico-práctica realizada para nuestra tesis doctoral, titulada Señales visuales y creación artística: cotidianidad y referentes. 1990-2015. Series personales: Space junk, la conquista del espacio… y sus residuos; Earth attack, humos y otros contaminantes de destrucción planetaria; Don’t touch!, imperativo moral y ético muy omitido; Cosmogonías ácidas, algunos segundos de lluvia (ácida); Scrapes & scratches, recuerdos de acciones y de gestos que dejan huella; (Re)Pulsiones, instintos, rechazos e incompatibilidades; Desplazamientos transitorios, presencias a través de las ausencias; El futuro ya ha pasado, vestigios de un futuro post-tecnológico como espejo de nuestro presente; Alter ludus, paradigmas de comportamientos adolescentes y metáforas de dinámicas adultas; En directo, rastros de contenidos vacíos y de imperfecciones tecnológicas; The martian man / Tribu, inquietantes mutaciones futuras de controvertidos modelos actuales. Artistas de referencia: Ignasi Aballí, Kader Attia, John Beech, Walead Beshty, Dan Colen, Reuben Cox, Igor Eskinja, Patrícia Gómez y María Jesús González, Wade Guyton, Mariko Mori, Laurel Nakadate, Matt O'Dell, Roman Ondák, Jorge Otero-Pailos, Steven Parrino, Thomas Ruff, Taryn Simon, Rudolf Stingel, Stefan Sandner, Penélope Umbrico. http://massimocova.com/nova-obra/ http://dx.doi.org/10.4995/ANIAV.2017.4834
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