Relevant bibliographies by topics / Corpus Christus Festival

Academic literature on the topic 'Corpus Christus Festival'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Corpus Christus Festival"

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Liu, Lu. "A PRAGMATIC ANALYSIS ON PERSON DEIXIS IN THE QUEEN’S CHRISTMAS BROADCAST 2019." Cultural Communication and Socialization Journal 2, no. 1 (January 4, 2021): 01–04. http://dx.doi.org/10.26480/ccsj.01.2021.01.04.

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Christmas is the most important festival in the west, and the British Queen Elizabeth II makes a speech on this day every year to celebrate with the people. The Christmas speech every year involves annual domestic and international events, it is a rare opportunity for the Britiish Queen to express personal opinions and attitudes. Based on the person deixis of the Queen’s Christmas Speech in 2019, this paper intends to analyze the use of person deixis in the corpus and the pragmatic information they convey from the perspective of pragmatics, so as to further understand the pragmatic functions of person deixis. The appropriate use of person deixis in the Queen’s Christmas speeches can effectively highlight the main theme of the Christmas speeches, also achieve the purpose of blessing and appealing to the masses.
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COTOZ, Alex Péter, Valentin Sebastian DAN, and Maria CANTOR. "Urban Rehabilitation of the Unirii Square in Cluj-Napoca." Bulletin of University of Agricultural Sciences and Veterinary Medicine Cluj-Napoca. Horticulture 77, no. 1 (June 3, 2020): 140. http://dx.doi.org/10.15835/buasvmcn-hort:2019.0010.

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To improve the design of the Unirii Square from Cluj-Napoca both aesthetically and functionally, principles of urban landscape and sustainable design were implemented. To achieve this goal, modular and mobile structures with two different types of low maintenance plant species, Sedum and Cornus were selected. These species have been chosen because of their ecological benefits, hardiness attributes and morphological characteristics. This paper aims to present an urban green component adaptable to different scenarios such as major annual events without interfering with temporary constructions and pedestrian routes while at the same time creating a more aesthetic and attractive open space for locals and tourists alike. Every element added to the square can be relocated or moved at any given time without negative impact to the environment. To present the potential of this design concept, three different arrangement design scenarios were conducted - one for the everyday life of the public and the other to accommodate the unfolding of two major events held annually: the TIFF film festival and the Christmas fair.
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Dissertations / Theses on the topic "Corpus Christus Festival"

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Santos, Beatriz Catão Cruz. "O Corpo de Deus na América a festa de Corpus Christi nas cidades da América portuguesa -- sécula XVIII /." São Paulo, SP : Annablume, 2005. http://catalog.hathitrust.org/api/volumes/oclc/70847372.html.

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Nielen, Holger. "Prozessionsfeste und dramatische Spiele in interreligiösen Vergleich eine religionsphänomenologische Studie zu Fastnacht, Fronleichnam, ʻAšura und Purim." Berlin Logos-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2757744&prov=M&dok_var=1&dok_ext=htm.

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3

"Corpus Christi in Cuzco: festival and ethnic identity in the Peruvian Andes (folklore, Indian, Inca)." Tulane University, 1985.

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The complexity of the Corpus Christi festival in Cuzco, Peru, articulates the subtleties of cultural/ethnic definitions in an urban environment influenced by its unique precolombian past and pressured by modernization Participation in the festival rites form socially interwoven groups not restricted to but strongly influenced by residence, occupation and kinship--criteria which with language use, dietary habits and dress are the effective dimensions of ethnic classification and social stratification. These groups are identified with the city's traditional parish/barrios, where ethnic criteria define participants generally as Indians, specifically as Cuzquenos, and historically as Incas The festival's formal social structure is acephalous and heterogeneous. Festival performance is dependent upon the permanent, exclusive hermandades dedicated to specific festival rites and upon the ephemeral, inclusive cofrad(')ias insuring the participation of parish patronal saints. The non-hierarchical cargo structure of the cofrad(')ias has no formal relationship to secular offices Precolombian principles of socio-religious organization are encoded, validated and made manifest in the festival's symbolic structure and ritual drama Corpus Christi is commonly believed to be an extension of the Incan festival Inti Raimi. However, a close examination of the ethnohistorical sources strongly suggests that Corpus Christi resembles far more the Capacocha, a propitiatory/prophylactic rite involving both Incas and non-Incas Throughout its history, Corpus Christi has provided the overwhelming Indian majority with a sanctioned opportunity for expressing claims to socio-political precedence in opposition to Spanish/Mestizo cultural dominance, as well as for expressing shifting alliances among social groups within the Indian community Aspects of the festival's social and symbolic structures are shown to be but variants in a regional pattern when compared with other areal and calendric festivals. Corpus Christi marks a pivotal moment in a season of religious rites associated with important phases in the annual cycles of agricultural production, animal husbandry and celestrial phenomena The city's modern Jubilee Week with its ficticious 'reenactment' of Inti Raimi contrasts with Corpus Christi in the extreme. Inti Raimi is ideologically Mestizo; Corpus Christi, Indian. The two festivals embody two different but equally valid models of Cuzco and its Incan identity
acase@tulane.edu
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4

Dean, Carolyn Sue. "Painted images of Cuzco's Corpus Christi social conflict and cultural strategy in viceregal Peru /." 1990. http://catalog.hathitrust.org/api/volumes/oclc/22533745.html.

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Books on the topic "Corpus Christus Festival"

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Gómez, Juan Estanislao López. El corpus de Toledo. [Toledo: Editorial Zocodover, 1999.

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2

Mendoza, J. Carlos Vizuete. Corpus, cofradías eucarísticas y fiestas del sacramento en Toledo. Cuenca: Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2007.

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Atienza, Miguel Garrido. Antiguallas granadinas: Las fiestas del Corpus. Granada: Universidad de Granada, 1990.

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Villasante, Luis A. Huayhuaca. Festividad del Corpus Christi en el Cusco. Cusco: [s.n.], 1988.

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5

Congreso, Nacional de Cofradías del Santísimo Sacramento (2nd 2009 Autol Spain). Festivas demostraciones: Estudios sobre las cofradías del Santísimo y la fiesta del Corpus Christi. Logroño: Instituto de Estudios Riojanos, 2010.

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6

Armengou, Josep. La patum de Berga: Compilació de dades històriques, amb un suplement musical dels ballets de la patum. Barcelona: Columna, 1994.

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Quizhpilema, Vicente Zaruma. Las fiestas religiosas del Hatun Cañar: El Corpus Christi. Quito, Ecuador: Abya-Yala, 1994.

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Wuffarden, Luis Eduardo. La procesión del Corpus Domini en el Cuzco: La procession du Corpus Domini à Cuzco. [Madrid, Spain?]: Union Latine, 1996.

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Acevedo, Pedro Pablo de. Teatro escolar latino del siglo XVl: La obra de Pedro Pablo de Acevedo S. l. Madrid: Ediciones Clásicas, 1997.

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Amades, Joan. Corpus, l'auca de la processó. Tarragona: El Mèdol, 1997.

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Book chapters on the topic "Corpus Christus Festival"

1

"“Corpus Christi Play” and the Feast of Corpus Christi." In Festivals and Plays in Late Medieval Britain, 61–92. Routledge, 2016. http://dx.doi.org/10.4324/9781315255293-12.

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"The York Corpus Christi Guild and Drama." In Festivals and Plays in Late Medieval Britain, 93–118. Routledge, 2016. http://dx.doi.org/10.4324/9781315255293-13.

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Quirós, Francisco Bernardo de. "Las fi estas del aldea / The Corpus Christi Village Festival." In The Outrageous Juan Rana Entremeses. Toronto: University of Toronto Press, 2009. http://dx.doi.org/10.3138/9781442621404-006.

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Rodgers, Helen, and Stephen Cavendish. "A Very Christian City." In City of Illusions, 161–84. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197619414.003.0009.

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After the expulsion of the Moriscos, work began in earnest to turn Granada into a Christian city. The former Moorish capital was gradually transformed, with buildings and plazas created in the Spanish style, along with the erection of churches and monasteries. It was also an era when the reconstructing of Granada’s history began; the discovery of mysterious lead books told of the martyrdom of Arabic-speaking, Roman-era saints and this gave rise to the cult of the Sacromonte. These discoveries were later denounced as forgeries undertaken by the last of the Moriscos in an attempt to save themselves from expulsion. Later, they would be the spur for the fraudulent archaeological digs of Juan de Flores. The early Christian period was also notable for the presence of deeply religious figures such as San Juan de Dios, San Juan de la Cruz and Fray Luis of Granada, and the city would cement its Christian image with its Corpus Christi and Semana Santa festivals.
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