Relevant bibliographies by topics / Coronation of the Virgin

Academic literature on the topic 'Coronation of the Virgin'

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Published: 26 July 2024
Last updated: 26 July 2024

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Journal articles on the topic "Coronation of the Virgin"

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Rothenberg, David J. "The Most Prudent Virgin and the Wise King:Isaac's Virgo prudentissima Compositions in the Imperial Ideology of Maximilian I." Journal of Musicology 28, no. 1 (January 1, 2011): 34–80. http://dx.doi.org/10.1525/jm.2011.28.1.34.

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Isaac quoted the chant Virgo prudentissima (Most Prudent Virgin), Magnificat antiphon for the Feast of the Assumption, in four compositions. Three of them can be shown to have connections to the Hofkapelle court chapel) of Emperor Maximilian I, Isaac's employer starting in 1496. They are: (1) the six-voice ceremonial motet Virgo prudentissima, composed in 1507 while Isaac was in Constance for the imperial Reichstag that Maximilian had convened in order to plan his coronation as Emperor; (2) the six-voice Missa Virgo prudentissima, which has sometimes been thought to be an earlier work but probably dates from around the same time; and (3) Gaudeamus omnes, the Assumption Introit in volume 2 of the Choralis Constantinus, which quotes Virgo prudentissima as a secondary cantus firmus. All three of these works appropriate the liturgy and theology of the Assumption of the Virgin so that Maximilian's ascent to the Imperial throne and coronation as Emperor might be aligned symbolically with the Virgin Mary's Assumption into heaven and Coronation therein as Queen. The symbolism of Isaac's compositions helped Maximilian, who crafted his public image very carefully by commissioning numerous large-scale propagandistic textual and visual works, to portray himself as a noble and enlightened ruler seeking protection for his imperial crown and empire from the Virgin Mary. Isaac's musical imagery also aligns very closely with the visual iconography of Albrecht Dürer's painting Festival of the Rose Garlands.
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Salvador González, José María. "The Iconography of the Coronation of the Virgin in Late Medieval Italian Painting." Eikon / Imago 2, no. 1 (June 14, 2013): 1–48. http://dx.doi.org/10.5209/eiko.73366.

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This paper aims to highlight the artistic and conceptual relevance acquired by the iconographic theme of The Coronation of the Virgin in Italy during the Late Middle Ages. To achieve this goal we analyzed twenty-seven Trecento and Quattrocento paintings, with the purpose of discovering in them the more or less innovative compositional formulas proposed by these artists, as well as the possible literary sources that inspired them. From the formal perspective we have discovered three different iconographic types, which complement themselves mutually, as progressively complex variations of a similar basic structure. From the conceptual perspective we could also specify that these three different iconographic types of The Coronation of the Virgin in Italy are inspired directly in specific comments by some Church Fathers and medieval theologians.
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Shapovalova, Elena V. "THE “CORONATION OF ESTHER” IN THE INTERIOR OF THE REIMS CATHEDRAL: THE MARIOLOGICAL CYCLE OF TAPESTRIES IN THE RELIGIOUS AND POLITICAL CONTEXT OF THE 16TH CENTURY." Studia Religiosa Rossica: Russian Journal of Religion, no. 3 (2023): 125–38. http://dx.doi.org/10.28995/2658-4158-2023-3-125-138.

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The article analyzes the peculiarities of the iconography of the “Coronation of Esther” in the cycle of the “Life of the Virgin Mary”, created for the Reims Cathedral at the beginning of the 16th century. While the composition of the tapestries is obviously influenced by such an important textual source as Biblia Pauperum, the master depicts the scene in his own way, finding himself closer to the interpretation of Bible moralisée. The polemic with Protestants increased attention to the image of the Virgin Mary in Catholic art. At the same time, French foreign policy and relations of Paris and Saint-Siège may have been a factor in the additional visualization of the monarch’s status as “the most Christian king,” which led to an increased politicization of French art and an emphasis on the coronation theme.
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Salvador-González, José María. "The Iconographic Type of the Coronation of the Virgin in the Renaissance Italian Painting in the Light of the Medieval Theology." Religions 13, no. 12 (November 24, 2022): 1145. http://dx.doi.org/10.3390/rel13121145.

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This article highlights the artistic and conceptual relevance of the iconographic type of the Coronation of Mary in Italy during the Late Middle Ages and Early Modernity. We have analyzed 14 Italian Renaissance paintings, aiming to discover the possible doctrinal sources that inspire them. From a conceptual perspective, we have specified that the iconography of The Coronation of the Virgin in Italy is directly inspired by the comments of some Church Fathers and medieval theologians and hymnographers. From the formal perspective, we discover that three different iconographyc types complement each other as progressively more complex variants of a similar basic structure.
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Bent, George R. "A Patron for Lorenzo Monaco's Uffizi Coronation of the Virgin." Art Bulletin 82, no. 2 (June 2000): 348. http://dx.doi.org/10.2307/3051381.

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Salvador González, José María. ""Sicut lilium inter spinas". Floral Metaphors in Late Medieval Marian Iconography from Patristic and Theological Sources." Eikon / Imago 3, no. 2 (September 20, 2014): 1–32. http://dx.doi.org/10.5209/eiko.73394.

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This paper proposes an interpretation of the flowers and other plant motifs present in some late medieval images of four Marian themes: the Virgin Enthroned with Child, the Virgin of Humility, the Sacra Conversazione and the Coronation of the Virgin. By supplementing certain unjustified conventions that, without any argument, see these flowers as natural symbols of Mary’s love or virginity, our iconographic proposal is based on multiple evidence by prestigious Church Fathers and medieval theologians. By commenting some significant passages of the Old Testament, all of them praise the Mother of the Savior in terms of flowers and plants as metaphors for her holiness and virtue. Thus, on the basis of a solid patristic and theological tradition, this paper attempts to interpret these botanic elements as symbolic figures of purity, humility, charity, sublimity of virtue and absolute holiness of Mary and, as the essential core, her perpetual virginity and virginal divine motherhood.
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Faulkner, Ashley. "The Coronation of the Virgin: Alice Meynell’s Typological Critique of Modern Bodies." Cahiers victoriens et édouardiens, no. 74 Automne (November 14, 2011): 75–88. http://dx.doi.org/10.4000/cve.1048.

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Hodne, Lasse. "The Bride and Groom of the “Canticum novum”." Acta ad archaeologiam et artium historiam pertinentia 21 (September 21, 2017): 139–52. http://dx.doi.org/10.5617/acta.5534.

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The article concentrates on the “Coronation of the Virgin” in medieval art. This image is based on the Bride and Groom theme from the Canticles. However, whereas this text from the Old Testament was examined already by the Church Fathers in their exegetical writings, a “canonical” representation of it was coined only in the 12th century. This “late introduction” reflects deeply rooted changes in religious life which profoundly changed church history. The turtle dove whichsings in the Canticles is, according to Saint Bernard of Clairvaux, not only a symbol of faithfulness but also of chastity. This chastity must, in turn, be connected with the chastity of the clergy and the development of the idea of celibacy precisely in this period. Hence, the “Coronation”, besides being a symbol of the Church, is also an expression of a precise conception of the Church, namely a body constituted of men who maintain their virginity as brides awaiting the arrival of the Groom.
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Nastalska-Wiśnicka, Joanna. "Staropolskie piśmiennictwo sanktuaryjne jako źródło do badań nad kultem maryjnym na ziemiach Rzeczypospolitej." Textus et Studia, no. 4(4) (May 9, 2017): 47–70. http://dx.doi.org/10.15633/tes.01403.

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The article features the wealth of forms and contents of prints conventionally called “sanctuary prints”. These include compendia which are the guides to sacred places of the Polish Republic, peregrination literature, occasional prints (e.g. published on the occasion of the coronation of a miraculous image), homiletic forms (texts of sermons preached during the Marian holidays, image translation or coronation), the stories of sacred places and legends related to them, collections of miracles and graces, prayer books and texts of songs intended for the pilgrims. Interpretation possibilities of this type of texts were indicated. The presence of the Virgin Mary in a notional sphere of elites and masses identified clearly and permanently her place in Polish religiosity and the Marian cult has found particular expression in growing from the half of the 16th century, the adoration of the Marian images. Important from this perspective studies tend to portray multiple cultural phenomena available through the external manifestations of worship presented in the source material.
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Glockner, Julio. "The Barroque Paradise of Santa María Tonantzintla (Part I)." Ethnologia Actualis 16, no. 1 (June 1, 2016): 8–29. http://dx.doi.org/10.1515/eas-2016-0001.

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Abstract The baroque church of Santa María Tonantzintla is located in the Valley of Cholula in Central Mexican Plateau and it was built during 16th-19th century. Its interior decoration shows interesting symbolic fusion of Christian elements with Mesoamerican religious aspects of Nahua origin. The scholars of Mexican colonial art interpreted the Catholic iconography of Santa María Tonantzintla church as Assumption of Virgin Mary up to celestial kingdom and her coronation by the holy Trinity. One of those scholars, Francisco de la Maza, proposed the idea that apart from that the ornaments of the church evoke Tlalocan, paradise of ancient deity of rain known as Tlaloc. Following this interpretation this study explore a relation between Virgin Mary and ancient Nahua deity of Earth and fertility called Tonatzin in order to show profound syncretic bonds which exist between Cristian and Mesoamerican traditions.
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Dissertations / Theses on the topic "Coronation of the Virgin"

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Grindlay, E. J. "'Some out of vanity will call Her the Queene of Heaven' : iconography of the assumption and coronation of the Virgin in post-Reformation England, 1580-1616." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1414311/.

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This thesis aims to conceptualise the Virgin through a focus on post-Reformation representations of her bodily assumption and coronation as Queen of Heaven. The Reformation’s emphasis on the Word was a driving force behind a diminishing of significance of the Virgin, underpinning a shift in perception of her image from Heaven’s Queen to humble handmaid. This thesis will show how in spite of its eradication from state-approved liturgy, iconography of the assumption and coronation of the Virgin continued to be of cultural significance. Through historicised close reading of works by writers from a range of confessional standpoints, it will show how these contentious aspects of Mariology aroused powerful and complex responses in post-Reformation England. The timescale of the thesis commences midway through the reign of Elizabeth I, in the year that marked the start of the Jesuit mission, and finishes midway through the reign of James I, in a year which saw the investiture of Charles as Prince of Wales. Thematically rather than chronologically structured, the thesis itself journeys on a spectrum of faith, encompassing views that range from Protestant polemicist to Jesuit Catholic. It will show how iconography of the assumption and coronation was symptomatic of the continued confessional complexity of post-Reformation England. The thesis commences with two chapters exploring oppositional representations of the Virgin as Queen of Heaven in Protestant writing. Chapters focusing on individual voices follow: Elizabeth Cary, the writers of recusant rosary books, Sir John Harington, Henry Constable and Robert Southwell. In a variety of ways, both oblique and direct, these writers engaged with images of the Virgin’s assumption and coronation, and their representation of the Virgin’s image reflects cultural and political as well as religious concerns.
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Fonseca, Ramírez Cristina del Carmen. "Dos coronas para una reina: el poder de la imagen en el arzobispado de Michoacán en el siglo XIX (1854 – 1900)." Doctoral thesis, Universitat Jaume I, 2021. http://dx.doi.org/10.6035/14118.2021.693875.

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En América Latina el proceso de romanización, durante los pontificados de Pio IX y de León XIII, tuvo como fin el realizar un reacomodo de sus propias estructuras, ponderando la autoridad de la jerarquía romana y del papado frente al poder que ejercía el clero nacional. En el caso de México, este proceso dio como resultado una fuerte división interna de la jerarquía eclesiástica local, aglutinándose en dos bandos: romanos vs locales. Esto provocó graves polarizaciones entre los grupos, problemática que se extrapoló a las devociones marianas más representativas de cada facción, siendo su culto y, sobre todo, su coronación pontificia el escenario perfecto para demostrar su poder político, económico y de convencimiento de las masas. Así, las tres primeras coronaciones pontificias llevadas a cabo en México a finales del siglo XIX fueron una muestra fiel de cómo la imagen de la Virgen María era convenientemente utilizada como arma política.
The process of Romanization in Latin America during the pontificates of Pius IX and Leo XIII had the purpose of realizing a rearrangement of its own structures, weighing the authority of the Roman hierarchy and the papacy against the power exercised by the national clergy. In the case of Mexico, this process resulted in a strong internal division of the local ecclesiastical hierarchy, coalescing into two camps: Roman vs. local. This caused serious polarizations between the groups, a problem that was extrapolated to the most representative Marian devotions of each faction, being their cult and, above all, their pontifical coronation, the perfect setting to demonstrate their political, economic, and convincing power of the masses. Thus, the first three pontifical coronations carried out in Mexico at the end of the 19th century were a faithful example of how the image of the Virgin Mary was conveniently used as a political weapon.
Programa de Doctorat en Història de l'Art
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Tresidder, George Anthony. "English coronation and mock-coronation verse from Dryden to Pope." Thesis, Goldsmiths College (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266020.

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Belekdanian, Arto Onnig Arto Onnig. "The coronation ceremony during the eighteenth dynasty of Egypt : an analysis of three "coronation" inscriptions." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:4b606eb6-dd7e-4a7e-adf8-2234e11b01ef.

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This thesis provides a detailed interpretation of three key texts described in Egyptological research as "coronation inscriptions:" the Historical Inscription of Hatshepsut, Thutmose III's Texte de la jeunesse, and Horemheb's Turin inscription. Similarities and differences between these texts, as well as other sources, both textual and pictorial, are discussed. A clear terminology is laid out, distinguishing between accession (the royal heir becoming king at the death of their predecessor), crowning (the action of placing the crowns on the new king's head), and coronation ceremony (following the accession by some time on which occasion the new ruler would have been bestowed with the crowns and regalia of his office, perhaps for the first time). The main aim of this thesis is to determine whether it would be accurate to label the discussed texts as coronation inscriptions and, if not, how they can best be described. It is determined that the evidence supports the earlier conclusion reached by Redford, that it would be incorrect to speak of a “coronation ceremony” in the dynastic period, for new kings would have been crowned at their accessions in a palace setting, soon after the death of their predecessors, this followed some time later by a public “appearance ceremony” in a temple festival setting. While it is determined that Thutmose III's inscription describes the time when kingship was predicted to him, it is concluded that the Hatshepsut and Horemheb texts narrate exceptional events on which occasion their accessions in a palace and public "appearance ceremonies" intersected.
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Pierce, Kathryn. "THE CORONATION MUSIC OF CHARLES II." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1177601564.

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Pollack, Alexander Gregory. "Half-virgin." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5010.

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Half-Virgin is a cross-genre collection of essays, short stories, and poems about the humor, pain, and occasional glory of journeying into adulthood but not quite getting there. The works in this collection seek to create a definition of a term, "half-virgin," that I coined in the process of writing this thesis. Among the possibilities explored are: an individual who embarks upon sexual activity for the first time and does not achieve orgasm; an individual who has reached orgasm through consensual sexual activity, but has remained uncertain about what he or she is doing; and the curious sensation of being half-child, half-adult. Ultimately, I believe, a "half-virgin" possesses all of these traits. One of the goals of the collection is to scramble the prototypical coming-of-age story into bits and parts and halves. Among the approaches included are earnest memoir (the real and metaphorical costumes a young couple wears on Halloween), character-driven fiction (the life story of Marlow, a college track star who ends up the unwitting inspiration for Super Mario Brothers), and narrative experiments (a tongue-in-cheek creative writing syllabus and a bullet pointed resume of sexual conquests). By exploring the untidy fragments in love, lust, and human connection in these works, Half-Virgin aspires to find wholeness through the jagged adventures of growing up.
ID: 029809539; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Includes reading list (p. 156-159).; Thesis (M.F.A.)--University of Central Florida, 2011.
M.F.A.
Masters
English
Arts and Humanities
Creative Writing
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Lawrence, Toby Katrine. "Whose body? Nicholas and Sheila Pye's 'The Coronation'." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43317.

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In 2008, Canadian artists Nicholas and Sheila Pye travelled from Toronto, Ontario to Graz, Austria for a six-month artist residency. Working within the Austrian landscape and drawing from an influence of Northern European Medieval and Renaissance art the Pyes produced The Coronation, a twelve-minute, three-channel video installation enmeshed with art historical references. Their deliberate appropriation of the triptych format and the Adam and Eve imagery of the fifteenth-century Ghent Altarpiece by Jan van Eyck place the Edenic narrative of the side panels in The Coronation in conversation with the shifting seasons and ecological processes in the centre panel, providing numerous entry points for contemplation. While this video installation suggests an exploration of the iconographic body, it is also indicative of the Pyes’ complication of the notion of the autonomous human body, its engagement with the environment and, furthermore, an emphasis on the instability of identity. Previous writing on the collaborative practice of the Pyes has taken the form of exhibition reviews and curatorial essays, concentrating on a sustained narrative that prioritizes the Pyes’ relationship. Shifting away from the specificities of a biographical framework, my research focuses on The Coronation’s attention to the interrelationality of life. Furthermore, the Pyes push their artistic practice beyond one that assumes the specificity and autonomy of an individual human body, reconstituted in the intersecting body and earth. This informs our understanding of corporeal signification as comprised of embodied social and ideological performativity. Framed by a broad ecological lens and with Judith Butler’s notion of performativity in mind, I demonstrate the capacity of the Pyes’ work to problematize the stability of physical and enunciated boundaries that demarcate the human body.
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Holland, Ian. "Essence and Decision. The Case of Coronation Hill." Thesis, Griffith University, 1999. http://hdl.handle.net/10072/367666.

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The rise of environmental issues has presented a challenge to decision-making in the area of natural resources policy. This challenge has met with diverse responses, ranging from neo-liberal attempts to incorporate environmental values into economic calculus, through 'ecological rationalist' arguments for the special nature of environmental issues, to radical theories of the state's role in controlling the impact of environmental concerns on capitalist profitability. From this plethora of ideas about how to address environmental concern should emerge some directions that are more promising than others. But which? The Coronation Hill mine case, presented in this thesis, exemplified the complexities of natural resources decision-making in an environmental era. By analysis of the Resource Assessment Commission's Inquiry into the Coronation Hill proposal, this thesis examines the strengths and weaknesses of the claims of different theoretical approaches. Such use of the single case to explore theory is exemplified by Allison's work Essence of Decision. The RAC, as a neo-liberal institution, attempted to utilise both Pigouvian and Coasian strategies to address environmental issues. Both types of strategy emerge in the application of contingent valuation to preservation values. Private property rights allocation strategies, derived by public choice theorists from Coase's work, are also in evidence in debate about Aboriginal rights in the Kakadu Conservation Zone (site of the proposed mine). The problems that beset the RAC both in its use of contingent valuation and its attempts to resolve Aboriginal issues exemplify why neo-liberal approaches are of limited use for dealing with the class of policy problem that Coronation Hill represented. Dryzek, Walker and others argue that ecological problems have a distinctive nature, which necessitates a distinctive policy response. However the evidence from the Coronation Hill case demonstrates the falsity of this premise. Ecological problems are in general similar to other policy problems. Radical analysis of environmental issues has treated them as potential sources of disruption to capital accumulation. According to the structural dependence thesis as formulated by Block and Przeworski and Wallerstein, the role of the state is to prevent damage to investor confidence. Data from the Coronation Hill case, however, suggests that the 'anti-capital' recommendations of the RAC adopted by the government had none of the detrimental effects predicted by radical theories (and by business actors). This is probably because it is not in fact clear that environmental protection is a goal hostile to capitalism. Environmental issues have also acted as an impetus to institutional innovation: innovation which the Resource Assessment Commission to some extent exemplified. The Commission's apparent failure (it was shut down two years after the Coronation Hill episode) superficially lends credence to criticism of proposals for institutional reform. Comparative analysis of the Resource Assessment Commission and its established twin the Industry Commission, however, highlights the importance of institutional analysis for revealing that the type of institutional reform must match the type of problem being confronted. The Resource Assessment Commission is shown to be in several ways an inappropriate organisation to deal with issues like Coronation Hill. Thus the fate of the Resource Assessment Commission was largely inevitable, and was determined largely by its nature rather than by political events of the early 1990s. Theoretically, the Coronation Hill case highlights the limitations of both neo-liberal and ecological approaches to dealing with environmental concerns in the natural resources policy field. It also, however, leads to the conclusion that there is no coherent policy category of 'environmental policy'. Rather, environmental policy issues are similar to other policy issues, and are themselves divided into other more important categories. These categories are defined by the divisions between first, issues in which conflict originates in distributive issues versus those in which that conflict originates in value clashes; and second, those issues in which interests are divided along capital / labour lines, versus those in which they divide in other ways.
Thesis (Masters)
Doctor of Philosophy (PhD)
Australian School of Environmental Studies
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Serravalle, Dean. "The schizophrenic virgin." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52660.pdf.

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Forster, Wendy. "Dark Virgin of Tepeyac." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1446112.

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Books on the topic "Coronation of the Virgin"

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1942-, McKinnell John, ed. The death, assumption & coronation of the Virgin fromthe York cycle. Lancaster: Medieval English Theatre, 1988.

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Eisenberg, Marvin. The "Confraternity Altarpiece" by Mariotto di Nardo: The Coronation of the Virgin and the Life of Saint Stephen. Tokyo: National Museum of Western Art, 1998.

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Jordan, Lee F. Coronation. [Place of publication not identified]: Black Rose Writing, 2012.

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Lane, Lizzie. Coronation wives. [London, England]: Ebury Press, an imprint of Ebury Publishing, 2013.

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Morris, James. Coronation Everest. Short Hills, NJ: Burford Books, 2000.

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Kurosawa, Susan. Coronation talkies. London: Penguin, 2006.

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Tinker, Jack. Coronation St. London: Treasure Press, 1987.

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Carman, Bliss. Coronation ode. Boston: L.C. Page, 1996.

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Lane, Lizzie. Coronation wives. Bath: Windsor, 2013.

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Copeland, Agnes Grote. Coronation hymn. [Canada?: s.n.], 1994.

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Book chapters on the topic "Coronation of the Virgin"

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Langlois, Claude. "Liturgical Creativity and Marian Solemnity: The Coronation of Pilgrimage Virgin Maries in France (1853–1964)." In Marian Devotions, Political Mobilization, and Nationalism in Europe and America, 29–56. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43443-8_2.

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Levin, Carole. "The Coronation." In Queenship and Power, 13–17. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93009-7_2.

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Griffiths, John. "'Coronation Review'." In Empire and Popular Culture, 144–46. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-19.

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Haywood, Ian. "Victory and Coronation." In Queen Caroline and the Power of Caricature in Georgian England, 59–84. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-46224-5_3.

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Hook, Judith. "The Imperial Coronation." In The Sack of Rome, 267–78. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230628779_19.

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Griffiths, John. "Coronation Exhibition 1911." In Empire and Popular Culture, 146–48. London: Routledge, 2021. http://dx.doi.org/10.4324/9781351024785-23.

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Griffiths, John. "'Women's Coronation Procession'." In Empire and Popular Culture, 295–98. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-35.

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Nayder, Lillian. "Virgin Territory and the Iron Virgin." In Maternal Instincts, 75–97. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-14534-8_5.

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Pettis, Jeffrey B. "Virgin Birth." In Encyclopedia of Psychology and Religion, 2433–34. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_728.

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Elia, Anthony J. "Virgin Mary." In Encyclopedia of Psychology and Religion, 2434–37. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_729.

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Conference papers on the topic "Coronation of the Virgin"

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Lombardi, Chiara Andrea, Valeria Comite, Andrea Bergomi, Mattia Borelli, Gianluca Carabelli, Valentina Verzoni, Mario Colella, and Paola Fermo. "Non-invasive diagnostic techniques for studying the Coronation of the Virgin altarpiece by Michele di Matteo." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.010.

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Lombardi, Chiara Andrea, Valeria Comite, Andrea Bergomi, Mattia Borelli, Gianluca Carabelli, Valentina Verzoni, Mario Colella, and Paola Fermo. "Non-invasive diagnostic techniques for studying the Coronation of the Virgin altarpiece by Michele di Matteo." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.010.

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Gaillou, Eloise. "Emeralds From the Coronation Crown of Napoleon III." In 43rd New Mexico Mineral Symposium. Socorro, NM: New Mexico Bureau of Geology and Mineral Resources, 2023. http://dx.doi.org/10.58799/nmms-2023.636.

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Haney, Matthew M., and Huub Douma. "Imaging lateral heterogeneity at Coronation Field with surface waves." In SEG Technical Program Expanded Abstracts 2010. Society of Exploration Geophysicists, 2010. http://dx.doi.org/10.1190/1.3513202.

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Bowes, P. "Safety management at Virgin Trains." In IET Seminar on Safety Assurance in Railways 2009. IET, 2009. http://dx.doi.org/10.1049/ic.2009.0076.

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Sandariria, Hardina, and Yeni Susanti. "H-supermagic labeling on edge coronation of some graphs with a cycle." In PROCEEDINGS OF THE 8TH SEAMS-UGM INTERNATIONAL CONFERENCE ON MATHEMATICS AND ITS APPLICATIONS 2019: Deepening Mathematical Concepts for Wider Application through Multidisciplinary Research and Industries Collaborations. AIP Publishing, 2019. http://dx.doi.org/10.1063/1.5139140.

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Pulles, WIlliam, Henk Lodewijks, A. Toerien, Ritva Muhlbauer, J. Van Niekerk, and A. Richardt. "Passive treatment of acid mine drainage at Vryheid Coronation Colliery, South Africa." In Mine Closure 2016. Australian Centre for Geomechanics, Perth, 2016. http://dx.doi.org/10.36487/acg_rep/1608_31_pulles.

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Douma, Huub, and Matthew Haney. "Surface‐wave inversion for near‐surface shear‐wave velocity estimation at Coronation field." In SEG Technical Program Expanded Abstracts 2011. Society of Exploration Geophysicists, 2011. http://dx.doi.org/10.1190/1.3627466.

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Evans, J. "Energy monitoring on the Virgin Pendolino trains." In IET Conference on Railway Traction Systems (RTS 2010). IET, 2010. http://dx.doi.org/10.1049/ic.2010.0023.

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Behura, Jyoti, Ilya Tsvankin, Edward Jenner, and Alex Calvert. "Estimation of interval velocity and attenuation anisotropy from reflection data at the Coronation Field." In SEG Technical Program Expanded Abstracts 2011. Society of Exploration Geophysicists, 2011. http://dx.doi.org/10.1190/1.3627567.

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Reports on the topic "Coronation of the Virgin"

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Wibawa, Tasha. Coronation of King Charles shines spotlight on monarchies. Monash University, May 2023. http://dx.doi.org/10.54377/492a-625a.

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Brandeis, Thomas J., and Jeffery A. Turner. U.S. Virgin Islands’ Forests, 2009. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southern Research Station, 2013. http://dx.doi.org/10.2737/srs-rb-196.

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Marcano-Vega, Humfredo. U.S. Virgin Islands’ forests, 2014. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southern Research Station, 2020. http://dx.doi.org/10.2737/srs-rb-227.

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Brandeis, Thomas J., and Jeffery A. Turner. U.S. Virgin Islands’ Forests, 2009. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southern Research Station, 2013. http://dx.doi.org/10.2737/srs-rb-196.

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Marcano-Vega, Humfredo. U.S. Virgin Islands’ forests, 2014. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southern Research Station, 2020. http://dx.doi.org/10.2737/srs-rb-227.

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Ogurcak, Danielle, Maria Donoso, Alain Duran, Rosmin Ennis, Tom Frankovich, Daniel Gann, Paulo Olivas, et al. Natural resource condition assessment: Virgin Islands National Park and Virgin Islands Coral Reef National Monument. National Park Service, June 2022. http://dx.doi.org/10.36967/nrr-2293652.

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Roberts, J., and A. Warren. U.S. Virgin Islands Wind Resources Update 2014. Office of Scientific and Technical Information (OSTI), December 2014. http://dx.doi.org/10.2172/1166661.

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Davis, Jerry, Scott Hasse, and Adam Warren. Waste-to-Energy Evaluation: U.S. Virgin Islands. Office of Scientific and Technical Information (OSTI), August 2011. http://dx.doi.org/10.2172/1022416.

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Rusina, Tamara. Political administrative map of the Virgin Islands. Edited by Nikolay Komedchikov and Alexandr Khropov. Entsiklopediya, July 2007. http://dx.doi.org/10.15356/dm2016-08-26-9.

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Johnson, Caley. U.S. Virgin Islands Petroleum Price-Spike Preparation. Office of Scientific and Technical Information (OSTI), June 2012. http://dx.doi.org/10.2172/1046276.

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