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Books on the topic 'Copyright guidance'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

P, Cornish G. Keep it legal: Copyright guidance for school library staff. Wanborough, Swindon: School Library Association, 2003.

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2

Deanna, Schwartz Daylle, ed. The musician's guide to licensing music: How to get music into film, TV, advertising, digital media, and beyond. New York: Watson-Guptill, 2010.

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3

Wilsey, Darren. The musician's guide to licensing music: How to get your music into film, TV, advertising, digital media, and beyond. New York: Billboard Books, 2010.

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4

Wilsey, Darren. The musician's guide to licensing music: How to get your music into film, TV, advertising, digital media, and beyond. New York: Billboard Books, 2010.

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5

Wilsey, Darren. The musician's guide to licensing music: How to get your music into film, TV, advertising, digital media, and beyond. New York: Billboard Books, 2010.

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6

Wilsey, Darren. The musician's guide to licensing music: How to get music into film, TV, advertising, digital media, and beyond. New York: Watson-Guptill, 2010.

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7

Elsey, Derek. Copyright and copying: Note of guidance to staff and students at the University of Teesside. University of Teesside: University of Teesside, 1996.

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8

Insider's guide to music licensing. New York: Allworth Press, 2014.

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9

The art of music publishing: An entrepreneurial guide to publishing and copyright for the music, film and media industries. Amsterdam: Focal Press, 2011.

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10

The plain and simple guide to music publishing. 2nd ed. Milwaukee, WI: Hal Leonard, 2009.

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11

Wixen, Randall D. The plain and simple guide to music publishing. Milwaukee: H. Leonard, 2005.

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12

1955-, Poe Randy, ed. The new songwriter's guide to music publishing. 3rd ed. Cincinnati: Writer's Digest Books, 2005.

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13

Gammons, Helen. The art of music publishing: An entrepreneurial guide to publishing and copyright for the music, film, and media industries. Hoboken: Taylor & Francis, 2012.

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14

Crawford, Tad. Business and legal forms for photographers. 4th ed. New York: Allworth Press, 2010.

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15

Crawford, Tad. Business and legal forms for photographers. 4th ed. New York: Allworth Press, 2010.

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16

Smith, Regina. Music publishing 101: Crash course, made simple and easy. Miami, Fla: No Walls Production and Publishing, 1999.

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17

Music publishing 101: Crash course, made simple & easy. Miami, Fla: No Walls Production and Publishing, 2001.

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18

Warner, Jay. How to have your hit song published. 2nd ed. Milwaukee, WI: H. Leonard Books, 1988.

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19

Kashif. Everything you'd better know about the record industry. Venice, Calif: Brooklyn Boy Books, 1995.

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20

A, Greenberg Gary, ed. Everything you'd better know about the record industry. Venice, Calif: Brooklyn Boy Books, 1996.

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21

Thall, Peter M. What they'll never tell you about the music business: The myths, the secrets, the lies (& a few truths). New York: Billboard, 2006.

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22

All you need to know about the music business. 2nd ed. London: Penguin, 2002.

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23

S, Passman Donald. All you need to know about the music business. London: Penguin, 1998.

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24

All you need to know about the music business. 8th ed. New York: Free Press, 2012.

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25

Hey, that's my music!: Music supervision, licensing, and content acquisition. New York: Hal Leonard, 2007.

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26

All you need to know about the music business. 5th ed. New York: Free Press, 2003.

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27

All you need to know about the music business. New York: Simon & Schuster, 1994.

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28

Passman, Donald S. All you need to know about the music business. 5th ed. New York: Free Press, 2003.

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29

All you need to know about the music business. 7th ed. New York: Free Press, 2009.

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30

All you need to know about the music business. New York: Simon & Schuster, 1997.

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31

All you need to know about the music business. New York: Simon & Schuster, 1991.

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32

1974-, Hnatiuk David, and Weiss David 1972-, eds. Music supervision: The complete guide to selecting music for movies, TV, games, & new media. New York: Schirmer Trade Books, 2005.

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33

Tarquin, Brian. Insider's Guide to Music Licensing. Skyhorse Publishing Company, Incorporated, 2014.

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34

Jacques, Sabine. The Parody Exception in Copyright Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198806936.001.0001.

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Parodies have been created throughout times and cultures. A glimpse at the judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody were rejuvenated but became unlawful. While copyright law grants exclusive rights to right-holders, these rights are not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerogatives in particular cases which foster creativity and cultural diversity within that society. The parody exception pertains to this ultimate objective by permitting users to reproduce copyright-protected materials for the purpose of parody. To understand the meaning and scope of the parody exception, this book examines and compares five jurisdictions which differ in their protection of parodies: France, Australia, Canada, the United States, and the United Kingdom. It is concerned with finding an appropriate balance between the protection awarded to right-holders and the public interest. This is achieved by analysing the parody exception to the economic rights of right-holders, the preservation of moral rights, and the interaction of the parody exception with contract law. As parodies constitute an artistic expression protected under the right to freedom of expression, this book also considers the influence of freedom of expression on the interpretation of this specific copyright exception. Furthermore, this book aims at providing guidance on how to resolve disputes where fundamental rights are in conflict.

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35

The Freedom Guide For Music Creators. Praising Pilgrims Music, 2011.

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36

Mathews, Deeann D. The Freedom Guide for Music Creators. Createspace Independent Publishing Platform, 2016.

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37

Passman, Donald S. All You Need to Know About the Music Business. 5th ed. Simon and Schuster, Inc., 2003.

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38

All You Need to Know About the Music Business: Revised and Updated for the 21st Century. Simon & Schuster, 2000.

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39

All You Need To Know About the Music Business: 6th Edition. 6th ed. Free Press, 2006.

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40

Warner, Jay. How to Have Your Hit Song Published and Updated. Leonard Corporation, Hal, 2006.

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41

Warner, Jay. How to Have Your Hit Song Published and Updated. Hal Leonard, 2006.

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42

The New Songwriter's Guide to Music Publishing. Cincinnati: F+W Media, Inc., 2009.

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43

Warner, Jay. How to Have Your Hit Song Published and Updated. Leonard Corporation, Hal, 2006.

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44

Warner, Jay. How to Have Your Hit Song Published and Updated. Leonard Corporation, Hal, 2006.

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45

Gammons, Helen. Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film, and Media Industries. Taylor & Francis Group, 2011.

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46

Gammons, Helen. Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film, and Media Industries. Taylor & Francis Group, 2011.

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47

Gammons, Helen. Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film, and Media Industries. Taylor & Francis Group, 2017.

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48

Gammons, Helen. Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film, and Media Industries. Taylor & Francis Group, 2011.

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49

Business and legal forms for photographers. 4th ed. New York: Allworth Press, 2010.

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50

Beall, Eric. Making Music Make Money: An Insider's Guide to Becoming Your Own Music Publisher. Leonard Corporation, Hal, 2022.

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