Relevant bibliographies by topics / Copyright

Academic literature on the topic 'Copyright'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Copyright"

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Rahman, Irsan, Sinintha Yuliansih Sibarani, Sandi Aprianto, Arman Paramansyah, and Ayu Citra Santyaningtyas. "Protecting Intellectual Property In The Digital Age With A Law." Journal of Research in Social Science and Humanities 4, no. 2 (June 19, 2024): 49–60. http://dx.doi.org/10.47679/jrssh.v4i2.85.

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Life has changed with the development of science and technology. One technology that has a significant impact is the technology of the Internet world, the Internet introduces people to the digital world. Of course, this development also affects the law, especially copyright law. Copyrighted works that were still in a traditional form can now be converted to a digital form or digital copyrighted works can be created. In this case, copyright law, which previously protected traditional forms of copyrighted works, must evolve to include the protection of digital copyrighted works, one of which is through cooperation with technology. This research is a normative study with a focus on how copyright law, which previously protected traditional forms of copyright, must evolve to include protection of digital copyrights, one of which is through cooperation with technology. This research is a normative research with a qualitative approach that is descriptive. As technology allows the conversion of copyrighted works into digital forms, there are advantages such as the easy distribution/notification of copyrighted works, but also the ease of infringement. In view of these developments, the WIPO has issued two international treaties known as the WIPO Internet Treaties. These treaties have been adopted by several countries. Indonesia in its positive copyright law has implemented the protection of digital copyrighted works in its articles. Our copyright law needs to be further enriched to protect digital copyrighted works as suggested by the author in this study
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Tuenbayeva, Kalima, and Danakul Seitimbetova. "Chronology of copyright development: the history of the formation of the foundations of copyright in the USA, England, France and the Republic of Kazakhstan." Journal of history 113, no. 2 (2024): 73–83. http://dx.doi.org/10.26577/jh.2024.v113i2-06.

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A thorough revision of copyright law is extremely necessary due to a significant increase in the material value of literary and artistic property, as well as serious problems with its protection. The copyright statute encompasses three main copyright policies: copyright must encourage learning to avoid copyright censorship; copyright must protect and expand the public domain; and copyright is to provide public access to copyrighted materials.The main purpose of this article is to study the development of copyright law, the general principles of this topic and the analysis of the sources of copyright law.Currently, digital technologies with their potential for mass dissemination of information have become a catalyst for such profound social changes that it is time to rethink the basics of copyright law as intangible property rights, its evolution and scope, exceptions and limitations, taking into account the modern needs of technological innovation, progress and revolution. Librarians, as information professionals, also have their rights and responsibilities in relation to copyright. The article attempts to study the historical development of the copyright law, as a process of unification and harmonization and its application in the library sphere, the rights and obligations of librarians, as well as restrictions and protection of copyrights.
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Nainggolan, Samuel Dharma Putra, Ni Made Yordha Ayu Astiti, and Diajeng Woro Andini. "COPYRIGHT DAN RIGHT TO COPY (PEMAHAMAN DASAR HAK CIPTA DAN HAK YANG TERKAIT DENGAN HAK CIPTA DALAM BIDANG HAK KEKAYAAN INTELEKTUAL)." HUKUM DAN DINAMIKA MASYARAKAT 20, no. 2 (December 23, 2022): 1. http://dx.doi.org/10.56444/hdm.v20i2.3551.

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Copyright is a system of rights in the field of Intellectual Property Rights (IPR). In Indonesia, arrangements regarding Copyright are currently governed by Law Number 28 of 2014 Concerning Copyright. Regulates the scope and protection of a work which is the embodiment of human creativity, taste and initiative as God's creatures. Copyright which is an exclusive right attached to the Author in which there are Economic Rights and Moral Rights. Authors and other parties who receive Rights Related to Copyrights can receive economic benefits from an existing copyrighted work (Economic Rights). died (moral rights). In the Civil Law System legal system, the focus is on protection of the Author, whereas in the Common Law System legal system, the focus is on the protection of Works.
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MARGONO, Dr SUYUD. "DIGITAL COPYRIGHTS WORKS PROTECTION: DISCOURSE ON DECLARATIVE PRINCIPLES AND RECORDATION MECHANISM." INTERNATIONAL JOURNAL OF RESEARCH IN EDUCATION HUMANITIES AND COMMERCE 05, no. 03 (2024): 01–22. http://dx.doi.org/10.37602/ijrehc.2024.5301.

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The impact of development of information and technology in relation to digital works on the internet has indicated a contribute in the digital environment through duplication or copying under the copyright system. Duplication that only intended to read only, and there is permanent as intended to store information itself. Copyright protection on the Internet focuses to any attempt to restrict access and usage of the creation. Considered that violation in all activities that involve copying or making new digital activities either artistic or literary work available to the public without permission (eg, linking, framing, sharing). Indonesia has ensured the protection of copyrighted works, especially in the digital era, by ratifying international treaties related to copyright in the digital era such as the WIPO Copyrights Treaty (WCT), the WIPO Performances and Phonograms Treaty (WPPT), and the Beijing Treaty on Audio-Visual Performance. These three treaties regulate economic rights and moral rights for creators and performers, including those related to music and songs in the digital (internet) era Indonesian Copyright Law has regulations about Copyrights Recordation and Its recordation can be applied by applicant(s) even Creator or the Owner of Copyrights to Directorate General Intellectual Property (Indonesia IP Office). Certificate of Recordation will make easy proved if any dispute happening event takes proceedings either court or non-court settlement. Based on the declarative principle, there is a problem about contradiction between recordation and copyright protection which is published in the internet. This article discusses the existence of copyright recordation regulation that causes its to be breached copyright ownership principles to be gotten protection since that creation first time is publicized (first to publish).
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Yakubova, Iroda. "CIVIL LEGAL ANALYSIS OF THE ORGANIZATIONAL AND LEGAL FORM OF COLLECTIVE MANAGEMENT OF PROPERTY RIGHTS IN COPYRIGHT." Review of Law Sciences 7, no. 1 (March 24, 2023): 43–52. http://dx.doi.org/10.51788/tsul.rols.2023.7.1./kxtr9100.

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Since a collective rights management organization is formed directly by right holders and acts within the framework of powers received from them under the contract, it can be said that the activities of such an organization are membership-based. In this case, we say that the association of entities to form a legal entity for the protection of copyright is expressed in the management of these rights on a collective basis. Membership of rights holders in the organization is one of the important elements characterizing collective management organization. These reforms are related to issues such as ensuring the rights and legal interests of authors, putting an end to the unauthorized use of copyrighted works, fair payment of copyrights and strengthening accountability measures for copyright violations. In addition, a large number of cases of unauthorized use of author’s works and non-fair payment of copyright to authors indicate the growing need to develop the institution of collective management of author’s property rights. In our country, there are a number of issues that are waiting for their solution, and the regulation of copyright-legal relations, in particular, collective management of copyrights in its protection, and the research of the processes related to the copyright contract are urgent tasks. In addition, the article focuses on some current problems related to the improvement of this institution, international standards of copyright protection and comparative legal analysis of national legislation, as well as the opinions of scientists from Uzbekistan and other countries. Proposals and recommendations of scientific and practical importance for the development of copyright were put forward.
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Tang, Xiyin. "Privatizing Copyright." Michigan Law Review, no. 121.5 (2023): 753. http://dx.doi.org/10.36644/mlr.121.5.privatizing.

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Much has been written, and much is understood, about how and why digital platforms regulate free expression on the internet. Much less has been written— and even much less is understood—about how and why digital platforms regulate creative expression on the internet—expression that makes use of others’ copyrighted content. While § 512 of the Digital Millennium Copyright Act regulates user-generated content incorporating copyrighted works, just as § 230 of the Communications Decency Act regulates other user speech on the internet, it is, in fact, rarely used by the largest internet platforms—Facebook and YouTube. Instead, as this Article details, creative speech on those platforms is governed by a series of highly confidential licensing agreements with large copyright holders. Yet despite the dominance of private contracting in ordering how millions of pieces of digital content are made and distributed on a daily basis, little is known, and far less has been written, on just what the new rules governing creative expression are. This is, in fact, by design: these license agreements contain strict confidentiality clauses that prohibit public disclosure of any and all of their contents. This Article, however, pieces together clues from publicly available court filings, news reports, and leaked documents. The picture it reveals is a world where the substantive law of copyright is being quietly rewritten. Agreements between digital platforms and rightsholders remove the First Amendment safeguard of fair use, insert a new moral right for works previously deemed ineligible for moral rights protection, and use other small provisions to influence and reshape administrative, common, and statutory copyright law. Further still, recent changes or lobbied-for changes to copyright’s public law seek to either enshrine the primacy of such private governance or altogether remove copyright rulemaking processes from government oversight, cementing the legitimacy of the new private governors. Changing copyright’s public law to enshrine the primacy of such private governance insulates the new rules of copyright from the democratic process, transforming public participation in, and public oversight of, the laws that shape our daily lives. Creative expression on the internet now finds itself at a curious precipice: there is a seeming glut of low-cost or free content, much of it created directly by and distributed to users—yet increasingly regulated by an opaque network of rules created by a select few private parties. An understanding of the internet’s democratizing potential for creativity is incomplete without a concomitant understanding of how the new private rules of copyright may shape, and harm, that creativity.
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Gunawan, Heri, Joni Emirzon, and Muhammad Syaifuddin. "THE COMPARISON OF LEGAL DAMAGES FOR COPYRIGHT & BRAND INFRINGEMENT AMONG INDONESIA-CHINA LAWS." Jurnal Pembaharuan Hukum 8, no. 3 (December 30, 2021): 466. http://dx.doi.org/10.26532/jph.v8i3.17482.

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Intellectual Property Rights or what is often abbreviated as HAKI is a legal protection given by a certain country to a person or group of individuals who express their ideas in the form of works. This law is a state territory. This means that a work will only be protected by rights in the country where the work originated to obtain IPR. As stated in the Copyright Laws, Intellectual Property Rights are exclusive rights granted by a regulation to a person or group of people for their copyrighted works. This protected work is in the form of intangible objects such as copyrights, patents, and trademarks and tangible objects in the form of information, technology, literature, art, skills, science, and so on. The idea of compensation law for copyright and trademark infringement in Indonesia, of course, can imitate the copyright law and trademark law of the People's Republic of China in regulating more clearly the calculation of the value of losses for copyright and trademark infringement in order to be able to provide legal certainty for the owner / rights holders whose rights have been violated. The research use normative juridical approach. The purpose of writing is to analyze and explain the calculation of compensation by looking at the criteria, evidence, basis, form and formulation of calculating compensation for copyright and trademark infringement. The results of the study stated that the law for compensation that arises as a result of copyright and trademark infringement according to positive law in Indonesia still does not regulate in detail the calculation of the value of the loss of both copyrights and trademarks. Copyright Act No.28 of 2014 and Trademark Act No.20 of 2016 only gives rights to the right owner/right holder to file a claim for compensation, but the law does not regulate how to determine the value of the loss for a copyright infringement as well as brands.
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Ard, BJ. "Taking Access Seriously." Texas A&M Law Review 8, no. 2 (February 2021): 225–69. http://dx.doi.org/10.37419/lr.v8.i2.1.

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Copyright is conventionally understood as serving the dual purposes of providing incentives for the creation of new works and access to the resulting works. In most analysis of copyright, however, creation takes priority. When access is considered, it is often in the context of how access relates back to the creation of new works. Largely missing is an account of the value of access on its own terms. So what is the place of access in copyright law and policy? A set of cases dealing with copyright owners’ attempts to enjoin the markets created by new playback and distribution technologies is instructive. These decisions—where the courts refused to enforce copyright where the owners attempted to shut down a market rather than participate in it—have been criticized for their un- clear policy guidance and lack of doctrinal grounding. We can reconcile these cases with copyright policy by focusing on access. These cases provide rich examples showing how expanded access advances copyright’s higher-order goals of promoting a more democratic and participatory culture. Focusing on access also provides a means for bringing doctrinal coherence to these cases through the fair-use defense. The courts permitted the use of copyrighted works in new markets despite the copyright owners’ objections because these markets could expand public access without diminishing the copyright industries’ creative incentives. Indeed, copyright owners often found the markets profitable after being forced to enter them. Copyright owners’ market refusal in these scenarios is a distinct type of market failure, and fair-use doctrine allows courts to correct it.
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Sastrawan, Gede, and Gede Sastrawan. "ANALISIS YURIDIS PELANGGARAN HAK CIPTA PADA PERBUATAN MEMFOTOKOPI BUKU ILMU PENGETAHUAN." Ganesha Law Review 3, no. 2 (July 1, 2021): 111–24. http://dx.doi.org/10.23887/glr.v3i2.446.

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This article discusses the Juridical Analysis of Copyright Infirigement On The Act Of Photocopying Books of Science. Copyright is a part of Intellectual Property Rights (HKI). The copyright phrase comes from a foreign term, namely Copyrights. The term Copyrights was first put forward in the Berne Comvertion (International Convention on Copyright concerning the protection of Art and Literature) which was held in 1886. According to Article 1 number (1) of Law Number 28 of 2014 concerning Copyright, it states that "Copyright is the right exclusive to the creator that arises automatically based on the declarative principle after a work is manifested in a tangible form without reducing restrictions in accordance with the provisions of the legislation.
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Ruhtiani, Maya, Yuris Tri Naili, Purwono Purwono, and Iin Dyah Indrawati. "Sosialisasi dan Pelatihan Pendaftaran Hak Cipta dengan Sistem POP HC di Kota Tasikmalaya." Jurnal Pengabdian Masyarakat - PIMAS 1, no. 3 (August 16, 2022): 97–103. http://dx.doi.org/10.35960/pimas.v1i3.830.

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Someone's copyrighted work is the absolute right of the creator who is named with copyright. Basically, a copyrighted work can be used alone or transferred to others through a legal transition. The transition can be economically beneficial because the copyright holder must pay royalties to the owner. Basically, not everyone is aware of the existence of a transfer of rights that can be one of the protection of one's work can be done by means of copyright registration as evidenced by a certificate of copyright registration issued by the DGIP. The method used is by socialization and training directly to the representatives of artists in the city of Tasikmalaya. Socialization and training activities are aimed at providing an understanding of copyright registration and providing training for owners of copyrighted works to be able to register their own copyrighted works using the POP HC application that has been made by the DGIP to facilitate the recording of copyright on a copyrighted work
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Dissertations / Theses on the topic "Copyright"

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Nuss, Sabine. "Copyright & Copyriot : Aneignungskonflikte um geistiges Eigentum im informationellen Kapitalismus /." Münster : Westfälisches Dampfboot, 2006. http://www.gbv.de/dms/spk/sbb/recht/toc/516811444.pdf.

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Cooper, Elena Sophia Christina. "Art, photography, copyright : a history of photographic copyright, 1850-1911." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283882.

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Mazeh, Yo'av. "Originality in copyright." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402713.

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Adduono, Christopher. "Rebalancing copyright law." Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/383136/.

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This research focuses on copyright law particularly its ability to provide for the competing needs of both the public and rights holders. The arrival of the internet has brought copyright to the forefront of legal, political and public discussion and has presented copyright law with a unique challenge. The internet although enabling creators to disseminate their works to a wider audience has also facilitated free illegal access to copyrighted materials. This has not only undermined copyright’s effectiveness and caused chaos but has questioned the very legitimacy of the entire concept of copyright. This research discusses copyright law specifically how the concept of balance between right holders and the public originated and if this fundamental concept is maintained in current law. Focus is given to the founding principles of modern copyright law in the Statute of Anne 1710 and Donaldson v Beckett where copyright was deemed to have a dual purpose. The first purpose of copyright is to protect the interests of rights holders so they are incentivised to create socially useful works and can exploit their work. The second opposing purpose of copyright is to protect the interests of the public so knowledge is disseminated, learning is encouraged and the public can adequately access copyrighted works. Although a suitable balance between these rival purposes was once achieved, this research will discuss the changing dynamic between rights holders and the public. This will involve discussion of the history of copyright law as well as the impact of areas such as human rights, copyright subsistence and fair dealing. My motivation for this research is that copyright law is currently facing a crisis with widespread infringement and disregard for the law through piracy. Governments are failing to enforce copyright law and public support for copyright is diminishing. This research is important because governments have repeatedly tried to solve the crisis however these attempts have been unsuccessful and piracy has become commonplace. The current governmental approach is to continue copyright expansion for rights holders and to introduce harsher legislation against users. My research aims to embark on a fundamental reassessment of the nature of copyright itself, what is the purpose of copyright and the competence of current legislation to meet these purposes. This will involve discussion of key internal and external components of the copyright regime to assess their ability to achieve these purposes and protect the interests of both right holders and the public. The thesis will conclude the abovementioned components, current legislation and case law favours the economic interests of right holders above the interests of the public and that a series of reforms are necessary to rebalance copyright law. The thesis makes a contribution to copyright academic discussion by providing a framework for a balanced copyright regime where the interests of the public are a fundamental guiding principle. The overall aim is for the public to be considered equally alongside rights.
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Wei, Weixiao. "ISP copyright liability : towards an enhanced Chinese ISP copyright liability regime." Thesis, University of Strathclyde, 2009. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=11856.

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ISP copyright liability for copyright infringement over the Internet is a now widely adopted approach for tackling extensive online copyright piracy in various jurisdictions. However, in China, the inconsistent ISP knowledge standard and the lack of peer-to-peer file-sharing liability provisions in the existing legal framework are among the factors that impede effective copyright law enforcement on the Internet. The adoption of a broad knowledge standard and its application in case law, both in the U.S. and Germany, which have great influence on a Chinese ISP copyright liability system, are discussed along with a similar knowledge standard provided by the Chinese Online Copyright Regulations and its application to ultimately show the need of a broad knowledge standard in a Chinese ISP copyright liability system. As for the liability issues over peer-to-peer file-sharing networks, analysis of several prominent cases and the enacted or proposed legislation in this regard in an international context sheds light on the importance of a filtering mandate in effectively deterring copyright piracy. In a Chinese context, the absence of peer-to-peer file-sharing liability legislation and the inadequacy of the applied provisions in the existing legislation entail the examination of the need and the possibility of the mandatory use of filters in a Chinese ISP copyright liability system. For an enhanced Chinese ISP copyright liability regime, the thesis concludes with two recommendations that a broad ISP knowledge standard should be retained in the Chinese ISP copyright liability system and a filtering mandate is needed and should be legislated for efforts against widespread unlawful peer-to-peer file-sharing.
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Barr, Kenneth W. "Music copyright in the digital age : creators, commerce and copyright : an empirical study of the UK music copyright industries." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7752/.

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Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate investors over the interests of primary creators. However, little is known about popular music creators’ ‘lived experience’ of copyright. This thesis interrogates key aspects of copyright transactions between creators and investors operating in the UK music industries using analysis of various copyright related documents and semi-structured interviews with creators and investors. The research found considerable variety in the types of ‘deal’ creators enter into and considerable divergence in the potential rewards. It was observed that new-entrant creators have little comprehension of the basic tenets of copyright, but with experience they become more ‘copyright aware’. Documentary and interview evidence reveals creators routinely assign copyright to third party investors for the full term of copyright in sound recordings: the justification for this is questionable. An almost inevitable consequence of this asymmetry of understanding of copyright and asymmetry of bargaining power is that creators become alienated from their copyright works. The empirical evidence presented here supports historic and contemporary calls for a statutory mechanism limiting the maximum copyright assignment period to ten-years.
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Marais, Richard. "Investigating musical copyright infringement: Examining International Understandings of Musical Copyright Infringement for Potential Adaptation into South African Copyright Law." Master's thesis, Faculty of Law, 2019. http://hdl.handle.net/11427/31006.

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This thesis examines international approaches to musical work copyright infringement law for the purpose of establishing an approach that can be utilised effectively under the South African copyright infringement framework. In doing so, the importance of the various interactive elements of musical works is investigated as well as the modes of assessment in infringement scenarios. The findings are used to create a robust middle-ground approach to be adapted into the South African copyright infringement framework. Further considerations that impact infringement outcomes are addressed to the extent that they are contextually relevant. These include a discussion of research undertaken on the continent regarding the relationship between creators and the music-related copyright regime as well as the role that exceptions and limitations play in infringement outcomes.
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Daramaras, Konstantinos I. "Copyright and challenges to copyright : the case of 'piracy' and 'private copying'." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/34585.

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Copyright represents a constant and delicately poised balance among three, often competing interests: the author's and his/her rights in a protected work; the enterpreneur's who exploit such works and his/her own rights; and finally, the public who needs to have access to these works. However, especially since the mid-twentieth century, the system of copyright, and even its existence itself, has been seriously challenged. These challenges have come from the attitude of the 'developing countries', the advent of new technologies, and the consequent changing nature of piracy and private copying. This thesis examines these challenges in particular in relation to the audio-visual industries. Findings drawn from a wide range of sources ranging from private industry sources to intergovernmental bodies are used to determine the extent of piracy and private copying and the effects of these on the copyright industries and copyright owners alike. Different ways of meeting the challenges to copyright are explored in detail including technological solutions or 'fixes', trade-oriented measures, legal remedies, and educational programmes. Detailed attention is also paid to recent steps taken by the European Union and the GATT to establish a framework of copyright protection across the world. The likely success of all these measures is addressed in the concluding chapter.
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Simone, Daniela Teresa. "Copyright and collective authorship." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:fba5022d-8647-4deb-91f3-8cd8c536bcfa.

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Many scholars have suggested that current copyright law is ill-equipped to the challenges of determining the authorship of collaborative work. This thesis analyses four case studies of large scale collaboration (Wikipedia, Indigenous art, scientific collaborations and film) in order to consider how best to determine the authorship of the creative works that they produce for the purposes of copyright law. Current scholarship and much of the case law has tended to favour a restrictive approach to the grant of joint authorship status, in order to minimise the number of potential authors of a work. This is motivated by instrumental/pragmatic concerns related to the ease of exploiting a copyright work. As joint authors are often joint first owners of copyright, proponents of this approach fear that a minor contributor might cause hold-up problems by refusing to consent to licence or assign their copyright interest. This thesis argues that an instrumental/pragmatic approach to the application of the joint authorship test is undesirable, because it distances the test both from the creativity reality of collective authorship and from copyright’s notion of the author. In addition, the instrumental/pragmatic approach relies upon assumptions about creators, the creative process and the exploitation of creative works which are not borne out in the case studies. Building on the insights from the four case studies, the thesis argues that the best approach to applying the joint authorship test to works of collective authorship is one that is inclusive (of all those who have made a more than de minimis contribution of creative choices to the protected expression) and contextual (in that it takes the context of creativity into account). In coming to this conclusion the thesis also offers broader lessons about the nature of authorship and the ongoing relevance of copyright law standards for the regulation of collaborative creativity.
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Tilson, Koleta B. "Knowledge of and Response to Copyright Law, School Copyright Policy, and Copyright-related Issues: Survey of Secondary School Principals and Librarians." Digital Commons @ East Tennessee State University, 1990. https://dc.etsu.edu/etd/2810.

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The problem of this study was that, with the impact of new media and delivery systems, principals and librarians must respond to copyright issues in order to remain informed about the copyright law and the legal use of media. The purpose of this study was to gather and evaluate educator response to issues related to copyright. The study was conducted with a sample of regionally accredited secondary schools in the following states: Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. A total of 1008 questionnaires were mailed to the principal and the librarian of the 504 schools of the sample. The data of the study were provided by 546 (54%) questionnaires. The first twenty items of the questionnaire provided the variables used to organize, test, and report the data. The second part of the questionnaire was a multiple choice copyright test used to determine the copyright knowledge of the respondent. The t test was used to test the mean copyright test scores of educator groups for significant differences. Groups were defined by professional position, years of experience, involvement or no involvement in job related litigation, and law class or workshop participation since the enactment of the 1976 Copyright Law. Chi-square was used to test the frequencies of reported exposure to the 1976 Copyright Law between professional groups, experience groups, and law class or workshop participation groups. Seven null hypotheses were tested at the.05 level. The mean copyright test score of the librarian group was significantly higher than the mean score of the principal group. The mean test score of the law class participation group was significantly higher than the mean test score of the non-participation group. Responses of exposure to the 1976 Copyright Law provided a five category hierarchy. There was no significant difference in the exposure reported by the principal and librarian groups. The difference of exposure reported by the law class participation group and the non-participation group was significant. Fourteen research questions, which comprised the periphery of the study, were reported. The findings of the study provided the basis for the conclusions and recommendations.
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Books on the topic "Copyright"

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Institute, Pennsylvania Bar. Copyrights after the Digital Millennium Copyright Act. [Mechanicsburg, Pa.] (5080 Ritter Rd., Mechanicsburg 17055-6903): Pennsylvania Bar Institute, 1999.

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Yoo, Christopher S. Copyright. Cheltenham, UK: Edward Elgar Pub., 2011.

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Green, Bruce M. Copyright. Vancouver, B.C: Continuing Legal Education, 1987.

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Bonn, Moritz J. Copyright. Edited by Born Sigrid and Germany. 2nd ed. Bonn: Inter Nationes, 1998.

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Witkowski, Michał. Copyright. Kraków: Wydawn. Zielona Sowa, 2001.

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Olsson, Agne Henry. Copyright. 3rd ed. Stockholm: Allmänna förlaget, 1987.

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Prado, Nadia. Copyright. Santiago: LOM Ediciones, 2003.

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Library of Congress. Copyright Office., ed. Copyright. Washington, D.C: U.S. Copyright Office, 2004.

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María, Pescetti Luis, and Pescetti Luis María author, eds. Copyright. [Buenos Aires]: Aguilar, Alatea, Taurus, Alfaguara, 2010.

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Drassinower, Abraham. Copyright: Supplement. 2nd ed. Toronto]: Faculty of Law, University of Toronto, 2012.

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Book chapters on the topic "Copyright"

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Ploman, Edward W., and L. Clark Hamilton. "Policies for the information age." In Copyright, 203–29. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-8.

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Ploman, Edward W., and L. Clark Hamilton. "The outer limits of copyright." In Copyright, 175–202. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-7.

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Ploman, Edward W., and L. Clark Hamilton. "Origins and early development." In Copyright, 4–21. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-2.

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Ploman, Edward W., and L. Clark Hamilton. "Modern systems and principles of copyright." In Copyright, 22–46. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-3.

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Ploman, Edward W., and L. Clark Hamilton. "Challenges to copyright: new technologies and media." In Copyright, 148–74. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-6.

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Ploman, Edward W., and L. Clark Hamilton. "International agreements and structures." In Copyright, 47–89. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-4.

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Ploman, Edward W., and L. Clark Hamilton. "Introduction." In Copyright, 1–3. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-1.

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Ploman, Edward W., and L. Clark Hamilton. "Representative national copyright systems." In Copyright, 90–147. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003519973-5.

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Atkinson, Benedict. "Address of Victor Hugo to the International Literary Congress." In Copyright Perspectives, 1–6. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_1.

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Foong, Cheryl. "Open Content Licensing of Public Sector Information and the Risk of Tortious Liability for Australian Governments." In Copyright Perspectives, 205–39. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_10.

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Conference papers on the topic "Copyright"

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Alparslan, Gulde. "COPYRIGHT ISSUE IN ARTIFICIAL INTELLIGENCE APPLICATIONS OF SMART PRODUCTION AND AUTONOMOUS SYSTEMS." In BuPol London 2024–International Conference on Business, Economics & Policy, 20-21 February. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.196201.

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Background: In recent years, the use of artificial intelligence in the field of production and design has increased. As a result, in smart production and autonomous systems, the concepts of copyright and rights ownership on the works produced have become increasingly complex. In addition, there is no sufficient legal regulation regarding the rights of the software side of the system, the content providers and the commercial parties with whom they have agreements, in the productions made by autonomous systems through artificial intelligence software. In addition to the ownership of the work, the copyright of the elements in the content of the work and those who produce these elements also emerge as an important problem in productions made with artificial intelligence. Purpose of Study: In this study, it is aimed to examine the copyright issue in artificial intelligence applications of smart production and autonomous systems. Sources of Evidence: In the research, a literature review was conducted and semiotic analysis and content analysis were conducted based on academic studies. According to the results obtained, analyzes were made regarding the deficiencies in copyright and the main problems arising from field applications in smart production and autonomous systems made through artificial intelligence. Main Argument: The main argument of the research is that copyright is an important problem in both the short and long term in smart production and autonomous systems produced through artificial intelligence. Conclusions: Although DSM Directive 2019/790/EU, which was issued in 2016 and came into force in 2019, regulates digital copyrights, there are serious deficiencies regarding the ownership of the system or work and the legal regulations regarding smart productions and autonomous systems produced through artificial intelligence. While DSM Directive 2019/790/EU targets a uniform digital market, the copyright issue in artificial intelligence applications shows that this regulation is also inadequate. Regarding the AI Act, there is not yet sufficient regulation or implementation data regarding copyrights. The United States Copyright Office published in 2023 points out similar deficiencies in artificial intelligence and copyrights. Existing copyright regulations are insufficient today, especially for smart products produced by autonomous systems. One of the most important sources of the problem is that the work, its ownership, the types of work, and the commercial and moral values of the work are not fully defined. For a solution, comprehensive and advanced studies are needed regarding the copyrights of artificial intelligence.
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Novaković, Olivera. "Povreda autorskog prava na internetu – naknada ili prevencija štete?" In Prouzrokovanje štete, naknada štete i osiguranje. Institut za uporedno pravo, Udruženje za odštetno pravo, Pravosudna akademija, 2023. http://dx.doi.org/10.56461/zr_23.ons.18.

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The availability of technology and the spread of the Internet has led to a huge transition: people have gone from being consumers of content to being creators of content. However, the speed of technological progress, the ease of publishing and sharing content with a wide audience raises the question of whether the existing norms in the field of copyright keep pace with the development of technology, as well as whether they adequately protect the author from the damage that may be caused to him by infringing the copyrighted work. In the first part of the paper, the author analyzes the difference between continental and Anglo-Saxon law in terms of copyright protection and limitations. Furthermore, the author analyzes the issue of compensation for damages in the case of copyright infringement on the Internet through the presentation of cases from the practice of the United States of America and the European Union. In addition to the above, special attention is paid to Article 17 of the Directive on Copyright and Related Rights in The Single Digital Market, which eliminates the shortcomings of existing systems and enables prevention in the protection of copyright. Finally, the author analyzes the provisions of the legislation of the Republic of Serbia regarding the regulation of the mentioned issue.
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"Copyright [Copyright notice]." In 2012 Seventh International Conference on Digital Information Management (ICDIM 2012). IEEE, 2012. http://dx.doi.org/10.1109/icdim.2012.6360150.

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"Copyright [copyright notice]." In 2012 5th International Symposium on Communications, Control and Signal Processing (ISCCSP). IEEE, 2012. http://dx.doi.org/10.1109/isccsp.2012.6217883.

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Нинциева, Тамила Магомедовна, and Селима Тимуровна Исламова. "ON THE ORIGIN OF COPYRIGHT." In Высокие технологии и инновации в науке: сборник избранных статей Международной научной конференции (Санкт-Петербург, Ноябрь 2020). Crossref, 2020. http://dx.doi.org/10.37539/vt188.2020.34.92.008.

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В статье рассматриваются проблемы возникновения авторского права, как российского, так и зарубежного. Основной акцент делается на международные нормы в сфере авторского права, а также на российское авторское право в дореволюционный период. The article deals with the problems of the emergence of copyright, both in Russia and abroad. The main focus is on international norms in the field of copyright and on Russian copyright of the pre-revolutionary period.
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Inglis, Iulia. "Specific protection of copyright and related rights." In Open Science in the Republic of Moldova National Scientific Conference, 2nd edition. Information Society Development Institute, Republic of Moldova, 2022. http://dx.doi.org/10.57066/sdrm22.11.

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Legal protection regarding copyright and related rights is granted according to the legislation in force, and the legal norms regulate the relations that appear at the creation and capitalization of literary, artistic and scientific works (copyright), of interpretations, phonograms, videograms and broadcast programs (related rights), as well as other rights that are determined by intellectual activity. The principles of protection of copyright and related rights are based on the objective form of expression, originality, automatic protection, exclusivity of rights, freedom of creation and freedom of contract. The subject of copyright relations may be legal entities, both citizens of the Republic of Moldova and persons with foreign citizenship or stateless persons. The moral right of the author is inalienable: the right to paternity, the right to names, the right to respect the integrity of the work, the right to disclose the work, the right to withdraw the work. The successors of the copyright values, only the patrimonial rights, which can be transmitted to third parties. The registration of the object of copyright and / or related rights implies the completion and submission of the application to AGEPI, the payment of the state fee, the registration of the data regarding the registration in the State Register, the issuance of the registration certificate. From legal protection on copyright and related rights are excluded theories, scientific discoveries, procedures, methods of operation, mathematical concepts, inventions contained in a work, whatever the way of taking, explaining or expressing. Likewise, the protection of copyright related rights does not extend to administrative, political or judicial acts, nor to their official translations, state symbols and official state signs, folk expressions, news of the day and various facts that represent a simple information. Enforcement of copyright and related rights is ensured through civil, administrative and criminal protection. Violation of the rights recognized and guaranteed according to the legislation in force attracts civil, contravention or criminal liability.
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"Copyright." In 18th International Conference on Advanced Information Networking and Applications, 2004. AINA 2004. IEEE, 2004. http://dx.doi.org/10.1109/aina.2004.1283736.

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"Copyright." In 2020 5th International Conference on Advanced Robotics and Mechatronics (ICARM). IEEE, 2020. http://dx.doi.org/10.1109/icarm49381.2020.9195323.

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"Copyright." In 2007 IEEE International SOC Conference. IEEE, 2007. http://dx.doi.org/10.1109/socc.2007.4545407.

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"Copyright." In IEEE International SOC Conference, 2004. Proceedings. IEEE, 2004. http://dx.doi.org/10.1109/socc.2004.1362317.

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Reports on the topic "Copyright"

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Brianne, Selman, Brian Fauteux, and Andrew deWaard. A User-Centric Case for Rights Reversions and Other Mitigations: The Cultural Capital Project Submission to ISED Consultation on Term Extension. University of Winnipeg Library, March 2021. http://dx.doi.org/10.36939/ir.202103091613.

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Term extension is unlikely to benefit any but the largest of rightsholders, and indeed, in general independent creators typically do not benefit greatly from the promised financial exploitation promised by copyrights. This has been made even more evident by the COVID pandemic - while copyrighted works are consumed more than ever, independent creators have sunk further into poverty. We propose mitigation strategies for term extension that would help the people who are creating Canada’s cultural landscape, as well as additional actions that would alleviate additional current copyright losses.
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Newman, M. C., K. D. Greene, and P. M. Dixon. UnCensor{copyright} v4.0. Office of Scientific and Technical Information (OSTI), July 1995. http://dx.doi.org/10.2172/90171.

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Okediji, Ruth L. The International Copyright System. Geneva, Switzerland: International Centre for Trade and Sustainable Development, 2006. http://dx.doi.org/10.7215/ip_ip_20060601.

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Danaher, Brett, Michael Smith, and Rahul Telang. Piracy and Copyright Enforcement Mechanisms. Cambridge, MA: National Bureau of Economic Research, June 2013. http://dx.doi.org/10.3386/w19150.

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Band, Jonathan. Justice Breyer, Copyright, and Libraries. Association of Research Libraries, May 2022. http://dx.doi.org/10.29242/breyercopyright2022.

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On the occasion of Associate Justice Stephen Breyer retiring at the end of this US Supreme Court term, Jonathan Band, who represents and advises the Association of Research Libraries (ARL) on copyright issues, wrote a reflection on Breyer’s impact on the application of copyright law to libraries. In this brief paper, Band reviews Breyer’s majority opinion in Kirtsaeng v. Wiley (2013), which clarified that the first-sale doctrine applied to copies manufactured abroad, and the dissenting opinion Breyer wrote in Golan v. Holder (2012), in which the associate justice drew heavily on amicus briefs filed by the library community and provided language on the important role of libraries in preserving cultural heritage that can be cited in future cases. These two opinions, Band concludes, “reflect a deep understanding of the impact of copyright on libraries, an appreciation for the historic mission of libraries in promoting cultural heritage and making information accessible to the public, and an effort to apply the copyright law in a manner that does not interfere with this mission.”
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Van Maldeghem, Paul E. Software Developer's Guide to Copyright Limitations. Fort Belvoir, VA: Defense Technical Information Center, May 1995. http://dx.doi.org/10.21236/ada328023.

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Gledhill, Igle, Richard Goldstone, Sanya Samtani, Keyan Tomaselli, and Klaus Beiter. Copyright Amendment Bill Workshop Proceedings Report. Academy of Science of South Africa (ASSAf), 2022. http://dx.doi.org/10.17159/assaf.2022/0078.

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The genesis of the Copyright Amendment Bill was in 2009, when the Department of Trade and Industry (DTI) initiated various studies and impact assessments. In July 2015, the DTI published a Draft Copyright Amendment Bill for public comment. The final 2017 version of the Bill was approved by Parliament in 2019 and it was sent to President Cyril Ramaphosa for action in terms of Section 79(1) of the Constitution. Section 79(1) states that “The President must either assent to and sign a Bill passed in terms of this Chapter or, if the President has reservations about the constitutionality of the Bill, refer it back to the National Assembly for reconsideration”. The President referred the Bill back to Parliament for review on 16 June 2020, on constitutionality issues. In response to the President’s reservations, Parliament’s Portfolio Committee on Trade and Industry has invited stakeholders and other interested parties to submit written submissions on certain sections of the Bill by no later than 9 July 2021. The current copyright law is outdated and does not address the digital environment. The Academy of Science of South Africa seeks to take into account the status of the copyright legislation and the anticipated effects of the amendment Bill on different issues and thereafter, provide recommendations to the President.
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Klosek, Katherine. Copyright and Contracts: Issues and Strategies. Association of Research Libraries, July 2022. http://dx.doi.org/10.29242/report.copyrightandcontracts2022.

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In 2020, ARL’s Advocacy and Public Policy Committee launched a digital rights initiative focused on understanding and safeguarding the full stack of research libraries’ rights: to acquire and lend digital content to fulfill libraries’ functions in research, teaching, and learning; to provide accessible works to people with print disabilities; and to fulfill libraries’ collective preservation function for enduring access to scholarly and cultural works. Our objective is to make sure that these rights are well understood by research libraries, by Congress, by the US Copyright Office, and by the courts. This report discusses licenses and contracts for digital content in the context of the US Copyright Act. The report presents advocacy and public policy strategies, such as rights-saving clauses, open access, state strategies, and federal exemptions. The report concludes with next steps, including a test case and ARL strategies.
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Cooper, Danielle, and Katherine Klosek. Copyright and Streaming Audiovisual Content in the US Context. Ithaka S+R, January 2023. http://dx.doi.org/10.18665/sr.318118.

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Copyright law includes special rights for research and teaching, including the fair use right, which can help address gaps between the educational activities that technology facilitates and the exclusive rights copyright grants to authors. In this brief, we review how US copyright law currently applies to streaming content for educational and research purposes and explore the opportunities for academic libraries.
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Bowman, Gary M. Application of the Copyright Doctrine of Fair Use to the Reproduction of Copyrighted Material for Intelligence. Fort Belvoir, VA: Defense Technical Information Center, July 2000. http://dx.doi.org/10.21236/ada393351.

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