Academic literature on the topic 'Convents Italy Florence History'
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Journal articles on the topic "Convents Italy Florence History"
Toomaspoeg, Kristjan. "The nunneries of the Order of St. John in medieval Italy." Ordines Militares Colloquia Torunensia Historica 27 (December 30, 2022): 115–33. http://dx.doi.org/10.12775/om.2022.004.
Full textCappellini, Patrizia. "Trading Old Masters in Florence 1890–1914: heritage protection and the Florentine art trade in Post-Unification Italy." Journal of the History of Collections 31, no. 2 (October 13, 2018): 363–71. http://dx.doi.org/10.1093/jhc/fhy030.
Full textHills, Helen. "“Enamelled with the Blood of a Noble Lineage”: Tracing Noble Blood and Female Holiness in Early Modern Neapolitan Convents and Their Architecture." Church History 73, no. 1 (March 2004): 1–40. http://dx.doi.org/10.1017/s000964070009781x.
Full textYusim, Mark. "Francesco Guicciardini — from the «History of Florence» to «The History of Italy»." Novaia i noveishaia istoriia, no. 4 (2018): 3–14. http://dx.doi.org/10.31857/s000523100000105-9.
Full textGarcía-Serrano, Francisco. "Conclusion: The Mendicants as a Mediterranean Phenomenon." Medieval Encounters 18, no. 2-3 (2012): 272–89. http://dx.doi.org/10.1163/15700674-12342110.
Full textSperling, Jutta. "Dowry or Inheritance? Kinship, Property, And Women's Agency in Lisbon, Venice, and Florence (1572)." Journal of Early Modern History 11, no. 3 (2007): 197–238. http://dx.doi.org/10.1163/157006507781147470.
Full textDean, Trevor. "Review: Beyond Florence: The Contours of Medieval and Early Modern Italy." English Historical Review 120, no. 485 (February 1, 2005): 131–33. http://dx.doi.org/10.1093/ehr/cei019.
Full textHorodowich, Elizabeth, Paula Findlen, Michelle M. Fontaine, and Duane J. Osheim. "Beyond Florence: The Contours of Medieval and Early Modern Italy." Sixteenth Century Journal 35, no. 3 (October 1, 2004): 927. http://dx.doi.org/10.2307/20477113.
Full textSWEET, ROSEMARY. "BRITISH PERCEPTIONS OF FLORENCE IN THE LONG EIGHTEENTH CENTURY." Historical Journal 50, no. 4 (November 8, 2007): 837–59. http://dx.doi.org/10.1017/s0018246x07006401.
Full textColacicco, Tamara. "The British Institute of Florence and the British Council in Fascist Italy: from Harold E. Goad to Ian G. Greenlees, 1922–1940." Modern Italy 23, no. 3 (June 27, 2018): 315–29. http://dx.doi.org/10.1017/mit.2018.19.
Full textDissertations / Theses on the topic "Convents Italy Florence History"
Hamilton, Desirae. "The Captain of the People in Renaissance Florence." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804880/.
Full textVirgilio, Carlo. "Florence, Byzantium and the Ottomans (1439-1481) : politics and economics." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5738/.
Full textMariani, Irene. "Vespucci family in context : art patrons in late fifteenth-century Florence." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/15740.
Full textGrover, Sean Thomas. "A Tuscan Lawyer, His Farms and His Family: The Ledger of Andrea di Gherardo Casoli, 1387-1412." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11041/.
Full textKim, Hae-Jeong. "Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.
Full textBailie, Lindsey Leigh. "Staging Privacy: Art and Architecture of the Palazzo Medici." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11049.
Full textThe Palazzo Medici was a site of significant social and political representation for the Medici. Access to much of the interior was limited, ostensibly, to the family. In republican Florence, however, visitors were a crucial component in the maintenance of a political faction. Consequently, the "private" spaces of the Palazzo Medici were designed and decorated with guests in mind. Visitor accounts reveal that the path and destination of each visitor differed according to his status and significance to the family. The common citizen waited, sometimes for great lengths, in the courtyard, taking in the anti-tyrannical message of the space. The privileged guest, who had more to provide the Medici, was given access to the more private spaces of the residence. Surrounded by art and architecture that demonstrated the faith, education, and wealth of the Medici, he was assured that his support of the family was beneficial to his own pursuits.
Committee in charge: James Harper, Chairperson; Jim Tice, Member; Jeff Hurwit, Member
Swanson, Barbara Dianne. "Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1365170679.
Full textLefeuvre, Philippe. "La notabilité rurale dans le contado florentin Valdarno Supérieur et Chianti, aux XIIe et XIIIe siècles." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H015.
Full textThis thesis is an investigation into rural elites. It aims to evidence the process by which rural notables, considered here as a social type, establish their ascendency over a given territory. The Florentine contado is a case in point. Social mobility and the move of the wealthiest inhabitants of the country to the city are shown as primarily responsible for undermining the social cohesion of rural communities, increasingly preyed upon by townsmen. This research is based on three monastic archives, Montescalari, Vallombrosa and Coltibuono, and focuses on the Upper Valdarno valley and the Chianti hills (the archives are held by the Archivio di Stato of Florence, in the Diplomatico). Reconstructing the history and careers of the local notability provides a wider understanding of the way in which social distinction works and evolves over time, transforming rural communities and traditional rural sociability. From the early 12th century up to the first decades of the 13th century, rural communities in the contado were organized on a local and feudal basis, around a significant number of landowning families who exploited the land and the men who worked it, and organized the redistribution of the rent. That pattern changed, not so much because of the rise of city merchants and artisans, but because landlords started to use their lands and feudal power as a means to gain ground in the new urban economy. They neglected older rural solidarities to become providers of credit, which soon worked as an important factor of social differenciation. The social structures (the extended family, fiefdoms, rural towns and the nobility's clientele) which had been the traditional framework for keeping and transmitting capital (both economic and symbolic), were radically transformed in the process
Renard, Thomas. "Architecture et figures identitaires de l’Italie unifiée (1861-1921)." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040091.
Full textThis dissertation questions the place and role of architecture in the Italian national building process at the turn of the twentieth century. We chose to isolate several paradigmatic figures of identity (such as Dante or some distinctive features of medieval architecture) and to study them through the prism of a number of commemorations held in Italy in the first decades after unification (1861-1921). The analysis of three commemorations bound together by the activity of the art historian Corrado Ricci constitutes the core of our study.The eighth centenary of the creation of the University of Bologna in 1888 and the architectural activity of Alfonso Rubbiani are studied as one of the first examples of a commemoration not marked by the construction of a new monument but by the reinvention of an old one. The careful consideration of the 1911 celebrations for the 50th anniversary of Italian unification and especially the regional and ethnographic exhibition held in Rome on this occasion allowed us to define a new articulation between national and regional identity, defined as a unity of national artistic genius through a multiplicity of genius loci “rediscovered” in the architecture of late Middle Ages and early Renaissance Commune. The third and main object of our analysis are the commemorations for the 600th anniversary of Dante's death in 1921. For this event many buildings were restored throughout Italy, especially in Florence and Ravenna. In both cities, the impact of commemorations reached an urban scale, leading to the creation of whole areas known as zone dantesche: spatial evidences of the powerful myth that the figure of Dante embodied in this historical conjuncture. Supported by the newly acquired value of heritage in the national building process, this commemoration was a crucial step in the invention of a neomedieval city and its mass diffusion through a set of visual stereotypes
Merseburger, Maria. "Gemalte Gewandung im Florentiner Quattrocento." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/18687.
Full textThe thesis presents an art historical methodology that assesses clothing and its pictorial representations in order to interpret how material culture relates to social construction. Using as an example an impressive patronage project of the Tornabuoni family – a newly rich family of merchants in the circle of the Medici – reveals the possibilities as well as the limitations of symbolic communication through dress in early modern Florence. In addition to outward style, these subtle symbols helped to establish and renegotiate their bearer’s position in the shifting hierarchy of an uncertain political climate. By closely examining Tornabuoni commissions, the thesis demonstrates how clothing is a critical means of understanding social motivations and aspirations.
Books on the topic "Convents Italy Florence History"
Roberto, Manescalchi, and Istituto geografico militare (Italy), eds. Tracce di antichità del Convento della SS. Annunziata nei locali dell'Istituto geografico militare. Firenze: Istituto geografico militare, 2004.
Find full textDemartis, Giada. San Jacopo di Ripoli: Progetto per uno "stato terzo delle dame" e i conservatori della Toscana leopoldina. Firenze: L'autore libri Firenze, 2001.
Find full textThe chronicle of Le Murate. Toronto: Iter Inc., 2011.
Find full textRita, Nencioni, ed. Il chiostro degli angeli: Storia dell'antico monastero camaldolese di Santa Maria degli Angeli a Firenze. Firenze: Polistampa, 2008.
Find full textThe Diario of the printing press of San Jacopo di Ripoli: 1476-1484 : commentary and transcription. Firenze: L.S. Olschki, 1999.
Find full textRouse, Mary A. Cartolai, illuminators and printers in fifteenth-century Italy: The evidence of the Ripoli Press. Los Angeles: University of California, 1988.
Find full textRouse, Mary A. Cartolai, illuminators, and printers in fifteenth-century Italy: The evidence of the Ripoli Press. Los Angeles: Dept. of Special Collections, University Research Library, University of California, 1988.
Find full textRouse, Mary A. Cartolai, illuminators, and printers in fifteenth-century Italy: The evidence of the Ripoli Press. Los Angeles: Dept. of Special Collections, University Research Library, University of California, 1988.
Find full textJ, Crum Roger, and Paoletti John T, eds. Renaissance Florence: A social history. New York: Cambridge University Press, 2006.
Find full textFlorence Historical Society. Book Committee., ed. Florence. Charleston, SC: Arcadia, 2003.
Find full textBook chapters on the topic "Convents Italy Florence History"
Coli, M., A. L. Ciuffreda, S. Caciagli, and B. Agostini. "Principles and practices for conservation of historical buildings: the case history of the Saint John Baptistery at Florence, Italy." In Geotechnical Engineering for the Preservation of Monuments and Historic Sites III, 313–24. London: CRC Press, 2022. http://dx.doi.org/10.1201/9781003308867-18.
Full textCampbell, Gordon. "4. Italy." In Garden History: A Very Short Introduction, 50–62. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.003.0004.
Full textCoppola, Michele. "Notes for a building history of the temple of Ramesses II at Antinoe. The architectural investigation." In Proceedings of the XI International Congress of Egyptologists, Florence, Italy 23-30 August 2015, 124–30. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/j.ctv177tjnf.26.
Full textGrimaldi, Dulce María, and Patricia Meehan. "The transformation of Theban Tomb 39 (TT39). A contribution from a conservation viewpoint in terms of its history after dynastic occupation." In Proceedings of the XI International Congress of Egyptologists, Florence, Italy 23-30 August 2015, 247–53. Archaeopress Publishing Ltd, 2017. http://dx.doi.org/10.2307/j.ctv177tjnf.48.
Full textCooper-Richet, Diana. "The English-Language press in Continental Europe." In The Edinburgh History of the British and Irish Press, Volume 2, 221–39. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424882.003.0014.
Full text"represented the gods of [f.68v] the pagans with seven clouds which descended onto the stage, in each of which was a great number of musicians and instrumentalists. They all came out of the said clouds. After having sung and danced, they all went back into their clouds, and gradually re-ascended up to the sky, and so skillfully that one lost sight of them, without anyone at all appearing for any of the ropes or other things necessary for this ascent. In order to make this music, the grand-duke had searched out all the cleverest men of Italy, and so the comedy was completed. And it was staged five times: the first time as a rehearsal, the second, at which I was, for the arrival of the grand-duchess. On this day the done of Florence were very strongly represented there, with an infinity of jewelry. The third time for the Florentine and foreign gentlemen who had come for the wedding, the fourth for the common people and the courtiers of Florence. On that day with the Venetian and Genoese ambassadors who had come to congratulate the grand-duke on his marriage (I went there with them); and the fifth time on the arrival of the ambassador of Spain, who arrived after the wedding for the same reason as the other ambassadors. notes." In Art History as Cultural History, 259–68. Routledge, 2014. http://dx.doi.org/10.4324/9781315078571-53.
Full textConference papers on the topic "Convents Italy Florence History"
Rinaldi, Simona. "L’architettura militare italiana della Cittadella di Ancona: tecniche costruttive e sistemi difensivi del XVI secolo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11481.
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