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Academic literature on the topic 'Convento Santissima Annunziata Firenze'

Author: Grafiati
Published: 14 March 2023

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Journal articles on the topic "Convento Santissima Annunziata Firenze"

1

Urraci, Giovanni. "Il ricettario della Santissima Annunziata di Firenze." Zeitschrift für romanische Philologie 138, no. 4 (December 1, 2022): 1097–118. http://dx.doi.org/10.1515/zrp-2022-0056.

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Abstract This paper presents the preliminary results of a study on the untitled and unpublished recipe book transmitted by the codex conv.soppr.F.VIII.1834 (Biblioteca Nazionale Centrale di Firenze), previously conserved in the library of the convent of the Most Holy Annunciation (Florence); the codex contains both culinary recipes and «secrets». We argue that the composition of the manuscript took place in the second half of the seventeenth century (§§2‒3) and was carried out by multiple authors (§4). Subsequently, we analyse its main linguistic features, with particular regard to orthographical instability and morphological variation (§5). Finally, we investigate the main sources of the cookbook (§6), examining in detail some recipes taken from Bartolomeo Scappi’s Opera.
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2

Stowell, Steven F. H. "The Origins and Agency of the Miraculous Annunciation at the Santissima Annunziata in Counter-Reformation Florence." Renaissance and Reformation 45, no. 1 (August 11, 2022): 133–86. http://dx.doi.org/10.33137/rr.v45i1.39117.

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Research on miracle-working images has shown that devotees attributed their power to the authentic likeness of the holy people these images possessed. An authentic likenss of Christ, for instance, possessed his seemingly infinite agency. Using the miraculous painting of the Annunciation at the Santissima (SS.) Annunziata in Florence as a case study, this article questions whether an image’s agency was indeed limitless. Based on an examination of various hagiographical writings on the shrine written during the Counter-Reformation period, in particular Angelo Lottini’s Scelta d’alcuni miracoli e grazie della Santissima Nunziata di Firenze, this article proposes that certain miracles were connected with the image’s origins. In light of James Frazer’s theory of sympathetic magic, and Alfred Gell’s more recent theory of art and agency, this article argues that these post-Tridentine writings define the Annunziata image’s agency by the circumstances of its origins, which made it especially (though not exclusively) powerful over problems relating directly or conceptually to the mind, imagination, and eyes.
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3

Zanovello, Giovanni. "“In the Church and in the Chapel”." Journal of the American Musicological Society 67, no. 2 (2014): 379–428. http://dx.doi.org/10.1525/jams.2014.67.2.379.

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Detailed payment records and notes preserved in the Archivio di Stato di Firenze allow us to reconstruct the relationship of music and space in the Florentine church of Santissima Annunziata. In the late fifteenth century different musical styles and repertories came to define ritually the composite space of the church, one of the main houses belonging to the mendicant order of the Servants of Mary. This special role of music came into focus in the early 1470s and even more in the 1480s, when subsequent priors increased the musical activities, possibly to negotiate the new spatial features of the church after a consequential remodeling. Music thus helped organize key areas that had undergone architectural transformations, linking each part of the building to the specific rituals performed there through special sounds directed at the likely participants. The remodeling also involved a shift in the balance of power, with private patrons coming to control the virtual totality of the church. Music helped address this problem as well, by acoustically marking and reclaiming certain spaces as the friars' dedicated ritual sites, but also creating in its variety a nuanced representation of the community—both ordained and lay—that frequented the building.
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Books on the topic "Convento Santissima Annunziata Firenze"

1

Fabbri, Maria Cecilia. Due bozzetti di Ciro Ferri e del Volterrano per il soffitto della Santissima Annunziata a Firenze. Firenze: Giovanni Pratesi, 1995.

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2

Tozzi, Filippo M. "Memorie della Chiesa, e Convento" della SS. Annunziata di Firenze di p. Filippo M. Tozzi dei Servi di Maria, 1765. Firenze: Convento della SS. Annunziata di Firenze, 2010.

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3

honoree, Casalini Eugenio M., ed. Studi sulla Santissima Annunziata di Firenze in memoria di Eugenio Casalini osm: Non est in tota sanctior urbe locus. Firenze: Edifir, 2014.

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4

Aubert, Françoise. Travaux d'élèves italiennes à l'exposition de Paris 1900: Les devoirs des cours de langue et littérature françaises d'un institut florentin : la Santissima Annunziata. Bologna: CLUEB, 1999.

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5

Ottavio Vannini ritrovato: Quattro disegni inediti per le "teste di huomini chiari" nel chiostro grande della Santissima Annunziata di Firenze. Florence]: Enrico Frascione, 2015.

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