Books: 'Contributions in poetics'

1

Franzén, Carin. Att översätta känslan: En studie i Julia Kristevas psykoanalytiska poetik. Stockholm: Symposion, 1995.

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2

Against ethics: Contributions to a poetics of obligation with constant reference to deconstruction. Bloomington, Ind: Indiana University Press, 1993.

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3

ʻAbd al-Ḥamīd al-Sayyid ʻAbd al-Ḥamīd. al- Ṭarīq al-muʻabbad ilá ʻilmay al-Khalīl ibn Aḥmad: Al-ʻarūḍ wa-al-qāfīyah. al-Qāhirah: Maktabat al-Kullīyāt al-Azharīyah, 1986.

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4

1930-, Maguire Robert A., and Timberlake Alan, eds. American contributions to the Twelfth International Congress of Slavists: Cracow, August-September 1998 : literature, linguistics, poetics. Bloomington, IN, USA: Slavica, 1998.

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5

1930-, Maguire Robert A., and Timberlake Alan, eds. American contributions to the Eleventh International Congress of Slavists: Bratislava, August-September 1993 : literature, linguistics, poetics. Columbus, Ohio: Slavica Publishers, 1993.

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6

1943-, Burian Peter, ed. Plato and Aristotle on poetry. Chapel Hill: University of North Carolina Press, 1986.

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7

Shastri, Mool Chand. Buddhistic contribution to Sanskrit poetics. Delhi, India: Parimal Publications, 1986.

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8

Karan, Anita. Pratihārendurāja's contribution to Sanskrit poetics. Delhi, India: Eastern Book Linkers, 1988.

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9

Sanskrit poetics, with contribution of Orissa. Delhi, India: Bharatiya Vidya Prakashan, 1988.

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10

The contribution of Paṇḍitarāja Jagannātha to Sanskrit poetics. Delhi, India: New Bharatiya Book Corp., 2008.

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11

Manabendu, Banerjee, ed. The two Vāgbhaṭas and their contribution to Sanskrit poetics. Kolkata: Sanskrit Pustak Bhandar, 2004.

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12

Miśra, Jagadīśaprasāda. Āśādharabhaṭṭa =: The contribution of "Āśādhara Bhaṭṭa" to Sanskrit poetics. Dillī, Bhārata: Īsṭarna Buka Liṅkarsa, 1987.

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13

Miśra, Jagadīśaprasāda. Āśādharabhaṭṭa =: The contribution of "Āśādhara Bhaṭṭa" to Sanskrit poetics. Dillī, Bhārata: Īsṭarna Buka Liṅkarsa, 1987.

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14

Guptā, Sāvitrī. Comparative and critical study of Ekāvalī: Contribution of Vidyādhara to Sanskrit poetics. Delhi, India: Eastern Book Linkers, 1992.

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15

Aristotle on emotion: A contribution to philosophical psychology, rhetoric, poetics, politics, and ethics. 2nd ed. London: Duckworth, 2002.

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16

Giuseppe, Cacciatore, ed. Il sapere poetico e gli universali fantastici: La presenza di Vico nella riflessione filosofica contemporanea : atti del Convegno internazionale, Napoli, 23-25 maggio 2002. Napoli: A. Guida, 2004.

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17

1945-, Cacciatore Giuseppe, ed. Il sapere poetico e gli universali fantastici: La presenza di Vico nella riflessione filosofica contemporanea : atti del Convegno internazionale, Napoli, 23-25 maggio 2002. Napoli: A. Guida, 2004.

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18

1945-, Cacciatore Giuseppe, ed. Il sapere poetico e gli universali fantastici: La presenza di Vico nella riflessione filosofica contemporanea : atti del Convegno internazionale, Napoli, 23-25 maggio 2002. Napoli: A. Guida, 2004.

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19

Wittgenstein's ladder: Poetic language and the strangeness of the ordinary. Chicago: University of Chicago Press, 1996.

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20

Perloff, Marjorie. Wittgenstein's ladder: Poetic language and the strangeness of the ordinary. Chicago: University of Chicago Press, 1996.

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21

Bhatti, S. S. Contemporary Urdu poetry: Contribution of poets of Punjab. New Delhi: Siddharth Publications, 1996.

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22

Korada, Suryanarayana, Satapathy Harekrishna 1956-, and Rāṣṭrīyasaṃskr̥tavidyāpīṭhaṃ Tirupati, eds. 20th century Sanskrit poets and their contribution. Tirupati: Rashtriya Sanskrit Vidyapeetha, 2010.

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23

Surber-Meyer, Nida-Louise. Gift and exchange in the Anglo-Saxon poetic corpus: A contribution towards the representation of wealth. Genève: Slatkine, 1994.

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24

1866-1934, Gray John, and Imbert Maurice, eds. Correspondance: Avec les contributions de John Gray à La revue blanche. Tusson: Du Lérot, 2010.

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25

Fénéon, Félix. Correspondance: Avec les contributions de John Gray à La revue blanche. Tusson: Du Lérot, 2010.

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26

Melançon, Benoît. Diderot épistolier: Contribution à une poétique de la lettre familière au XVIIIe siècle. [Saint-Laurent, Québec]: Fides, 1996.

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27

Melançon, Benoît. Diderot épistolier: Contribution à une poétique de la lettre familière au XVIIIe siècle. [Saint-Laurent, Québec]: Fides, 1996.

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28

Dailey, Thomas F. The repentant Job: A Ricoeurian icon for biblical theology. Roma: Pontificia Universitas Gregoriana, Facultas Theologiae, 1993.

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29

The repentant Job: A Ricoeurian icon for Biblical theology. Lanham: University Press of America, 1994.

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30

ʻĀbidī, Sayyid Amīr Ḥasan. India's rich and valuable contribution to Persian literature: In the light of some recent discoveries. [Patna: Khuda Bakhsh Oriental Public Library, 1985.

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31

Kumari, B. Anjani. History and contribution of the zamindars in Visakhapatnam region (A.D. 1611-1949). New Delhi: Gyan, 2017.

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32

Galvin, Mary E. Queer Poetics: Five Modernist Women Writers (Contributions in Women's Studies). Greenwood Press, 1998.

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33

Caputo, John D. Against Ethics: Contributions to a Poetics of Obligation with Constant Reference to Deconstruction. Indiana University Press, 1993.

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34

Caputo, John D. Against Ethics: Contributions to a Poetics of Obligation with Constant Reference to Deconstruction. Indiana University Press, 1993.

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35

Ehlers, Sarah. Left of Poetry. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469651286.001.0001.

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In this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.

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36

Weststeijn, Willem G. Dutch Contributions To The Eleventh International Congress Of Slavists, Bratislava, August 30 - September 9, 1993. (Studies in Slavic Literature and Poetics). Editions Rodopi, 1994.

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37

Weststeijn, Willem G. DUTCH CONTRIBUTIONS TO THE TWELFTH INTERNATIONAL CONGRESS OF SLAVISTS.August 26 - September 3, 1998. Literature.(Studies in Slavic Literature and Poetics 34). Rodopi Bv Editions, 1999.

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38

Ontology and the Art of Tragedy: An Approach to Aristotle's Poetics (S U N Y Series in Ancient Greek Philosophy). State University of New York Press, 2001.

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39

Maguire, Robert A. American Contributions to the Eleventh International Congress of Slavists: Bratislava, August-September 1993 : Literature. Linguistics. Poetics. (International ... to the International Congress of Slavists). Slavica Publishers, 1993.

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40

Pettis, Joyce. African American Poets. Greenwood, 2002. http://dx.doi.org/10.5040/9798400607776.

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Covering 46 poets from more than two centuries of African American literary history, this biocritical dictionary is an important contribution to any reference collection. The poets are situated within their historical and literary context, and for each a brief biographical sketch is given, with information on the poet's personal history, education, influences, and accomplishments. Each entry examines the poet's work as a whole, with a discussion of selected important poems and their recurrent themes. Students and interested readers will gain a good appreciation for the stylistic features and artistic contributions made by these African American poets. For further research, each essay concludes with a list of the poet's published book-length works, anthologies where their poetry appears, and information on reference resources. This reference work is introduced with an insightful overview of the significant developments and contributions in African American poetry, from the 18th century poetry of Phillis Wheatley, through the major arts movements including the Harlem Renaissance and the Black Arts Movements of the 1960s, up to the present time. This thoughtful dictionary explores both the aesthetic and the social functions of the literary movements, as well as the individual poet's contributions to the body of poetic output. Covered here are numerous contemporary African American voices such as Maya Angelou, Yusef Komunyakaa, and Rita Dove. Alongside the names synonymous with the Harlem Renaissance, such as Gwendolyn Brooks and Langston Hughes, are lesser known poets about whom students often have trouble finding information but whose contributions are no less significant.

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41

Ontology and the Art of Tragedy: An Approach to Aristotle's Poetics (S U N Y Series in Ancient Greek Philosophy). State University of New York Press, 2001.

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42

Mool, Chand Shastri. Buddistic Contribution to Sanskrit Poetics to Sanskrit Poetics. Parimal Publications, 2005.

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43

Newcomb, John Timberman. There Is Always Others. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036798.003.0005.

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This chapter examines how the experimental verse of Others, the quintessential aestheticist-modernist little magazine of American poetry, emerges from and responds to the climate of metropolitan activism that links it to The Masses. Others, published between July 1915 and July 1919 by Alfred Kreymborg and various friends, published works by such distinguished poets such as Ezra Pound, T. S. Eliot, William Carlos Williams, Marianne Moore, and Carl Sandburg. This chapter argues that Others's commitment to stylistic experimentalism possessed a strong social dimension by showing how its verses addressed the conditions of urban-industrial modernity. It also describes the magazine's poetics of modernity as it extends across three interdependent registers: formal, thematic, and metapoetic. Finally, it discusses Others's contribution to the expansion of modern poetic form by cultivating a distinctive innovation, the vers libre variation sequence.

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44

Henri 1865-1933 Brémond. Prayer & Poetry: A Contribution to Poetical Theory. Creative Media Partners, LLC, 2021.

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45

Vallega-Neu, Daniela. Heidegger's Poetic Writings: From Contributions to Philosophy to the Event. Indiana University Press, 2018.

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46

Ben-Herut, Gil. The Poetics of Bhakti. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878849.003.0002.

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The first chapter of this book focuses on the way the tradition commemorates the Ragaḷegaḷu and its author, the unique poetics that govern the text, and the relation between the text’s form and its generation of meaning for its intended audiences. The chapter begins with an overview of the commemorative tradition pertaining to Harihara, author of the Ragaḷegaḷu. Then, through examination of some of the work’s textual particularities, it underscores Harihara’s contribution to Kannada literature in his Ragaḷegaḷu through the introduction of a new and simplified mode of literary expression (in terms of choice of meter, language register, and more) and of previously unfamiliar themes (such as characters from the margins of society). The chapter shows how the public memory of Harihara acknowledged his literary innovations by mentioning them at key moments in his life story.

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47

Liveley, Genevieve. Narratology. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199687701.001.0001.

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This book explores the extraordinary contribution that classical poetics has made to twentieth- and twenty-first-century theories of narrative. Its aim is not to argue that modern narratologies simply present ‘old wine in new wineskins’, but to identify the diachronic affinities shared between ancient and modern stories about storytelling, recognizing that modern narratologists bring particular expertise to bear upon ancient literary theory and offer valuable insights into the interpretation of some notoriously difficult texts. By interrogating ancient and modern narratologies through the mutually imbricating dynamics of their reception it aims to arrive at a better understanding of both. Each chapter selects a key moment in the history of narratology on which to focus, zooming in from an overview of significant phases to look at core theories and texts—from the Russian formalists, Chicago school neo-Aristotelians, through the prestructuralists, structuralists, and poststructuralists, to the latest unnatural and antimimetic narratologists. The reception history that thus unfolds offers some remarkable plot twists. It unmasks Plato as an unreliable narrator and theorist, and offers a rare glimpse of Aristotle putting narrative theory into practice in the role of storyteller in his work On Poets. In Horace’s Ars Poetica and in the works of ancient scholia critics and commentators it locates a rhetorically conceived poetics and a sophisticated reader-response-based narratology evincing a keen interest in audience affect and cognition—and anticipating the cognitive turn in narratology’s mot recent postclassical phase.

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48

Huang, Guiyou. Asian American Poets. Greenwood Publishing Group, Inc., 2002. http://dx.doi.org/10.5040/9798400615177.

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Even though Asian American literature is enjoying an impressive critical popularity, attention has focused primarily on longer narrative forms such as the novel. And despite the proliferation of a large number of poets of Asian descent in the 20th century, Asian American poetry remains a neglected area of study. Poetry as an elite genre has not reached the level of popularity of the novel or short story, partly due to the difficulties of reading and interpreting poetic texts. The lack of criticism on Asian American poetry speaks to the urgent need for scholarship in this area, since perhaps more than any other genre, poetry most forcefully captures the intense feelings and emotions that Asian Americans have experienced about themselves and their world. This reference book overviews the tremendous cultural contributions of Asian American poets. Included are alphabetically arranged entries on 48 American poets of Asian descent, most of whom have been active during the latter half of the 20th century. Each entry begins with a short biography, which sometimes includes information drawn from personal interviews. The entries then discuss the poet's major works and themes, including such concerns as family, racism, sexism, identity, language, and politics. A survey of the poet's critical reception follows. In many cases the existing criticism is scant, and the entries offer new readings of neglected works. The entries conclude with bibliographies of primary and secondary texts, and the volume closes with a selected, general bibliography.

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49

Glaser, Ben, and Jonathan Culler, eds. Critical Rhythm. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.001.0001.

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This collection intervenes in recent debates over formalism, historicism, poetics, and lyric by focusing on one of literary criticism’s most important, most vested, and perhaps least well-defined or definable terms. Rhythm in these essays is at once a defamiliarizing aesthetic force and an unstable concept. It is a key term through which Romantic, Modern, and contemporary literary theory define form, either in conversation with or opposition to meter. It has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice if not identity as such. Through their exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form sorted out through scansion, description, and taxonomy and roped back into interpretation. Pressing beyond the poetry handbook’s isolated descriptions of technique as well as inductive declarations of what rhythm “is,” each essay builds toward methodological inquiry about what it means to think rhythm. With contributions from many of the foremost scholars in the fields of prosody and poetics, Critical Rhythm develops new critical models for understanding how rhythm, in light of its historicity and generic functions, permeates poetry’s composition, formal objectivity, circulation in national and other publics, performances, and present critical horizons.

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50

Neuhaus, Stefan, ed. In den Plural setzen. Nomos Verlagsgesellschaft mbH & Co. KG, 2022. http://dx.doi.org/10.5771/9783828879096.

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Marlene Streeruwitz is one of the most important authors in the German language, and her dramas already belong to the canon of contemporary literature. In 2021, she was the first Joseph Breitbach Poetics Lecturer in Koblenz, the honour being awarded in particular for her dramatic work. This volume brings together contributions on her dramas, ranging from the author's own poetological statements (in two conversations with the director of the Koblenz Theatre) to essays by literary scholars on central aspects of interpretation to a dramolet that collages texts by her and makes them productive for theatre in a new, practical way. With contributions by Marlene Streeruwitz, Lena Becker, Karen Bo, Elena Panzeter, Franziska Zinn, Yann Breunig, Markus Dietze, Alexander Draxl, Nishant K. Narayanan, Stefan Neuhaus, Harald Popp, Johannes Waßmer and a selection bibliography by Sina Giebels and Jonas Breer.

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Books on the topic 'Contributions in poetics'

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