Journal articles on the topic 'Contributions in philosophy of poetics'
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Rowett, Catherine. "Analytic Philosophy, the Ancient Philosopher Poets and the Poetics of Analytic Philosophy." Rhizomata 8, no. 2 (December 1, 2020): 158–82. http://dx.doi.org/10.1515/rhiz-2020-0008.
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Abstract The paper starts with reflections on Plato’s critique of the poets and the preference many express for Aristotle’s view of poetry. The second part of the paper takes a case study of analytic treatments of ancient philosophy, including the ancient philosopher poets, to examine the poetics of analytic philosophy, diagnosing a preference in Analytic philosophy for a clean non-poetic style of presentation, and then develops this in considering how well historians of philosophy in the Analytic tradition can accommodate the contributions of philosophers who wrote in verse. The final part of the paper reviews the current enthusiasm for decoding Empedocles’ vague and poetic descriptions of the cosmic cycle into a precise scientific periodicity on the basis of the recently discovered Byzantine scholia on Aristotle. I argue that this enthusiasm speaks to a desire for definite and clear numerical values in place of poetic motifs of give and take, and that this mathematical and scientific poetic is comparable to the preferred poetic of analytic philosophy.
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Petrovic, Ivana, and Andrej Petrovic. "General." Greece and Rome 65, no. 2 (September 17, 2018): 282–97. http://dx.doi.org/10.1017/s0017383518000244.
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I was very excited to get my hands on what was promising to be a magnificent and extremely helpfulHandbook of Rhetorical Studies, and my expectations were matched – and exceeded! This handbook contains no less than sixty contributions written by eminent experts and is divided into six parts. Each section opens with a brief orientation essay, tracing the development of rhetoric in a specific period, and is followed by individual chapters which are organized thematically. Part I contains eleven chapters on ‘Greek Rhetoric’, and the areas covered are law, politics, historiography, pedagogy, poetics, tragedy, Old Comedy, Plato, Aristotle, and closing with the Sophists. Part II contains thirteen chapters on ‘Ancient Roman Rhetoric’, which similarly covers law, politics, historiography, pedagogy, and the Second Sophistic, and adds Stoic philosophy, epic, lyric address, declamation, fiction, music and the arts, and Augustine to the list of topics. Part III, on ‘Medieval Rhetoric’, covers politics, literary criticism, poetics, and comedy; Part IV, on the Renaissance contains chapters on politics, law, pedagogy, science, poetics, theatre, and the visual arts. Part V consists of seven essays on the early modern and Enlightenment periods and is decidedly Britano-centric: politics, gender in British literature, architecture, origins of British Enlightenment rhetoric, philosophy (mostly British, too), science, and the elocutionary movement in Britain. With Chapter 45 we arrive at the modern age section (Part VI), with two chapters on feminism, one on race, and three on the standard topics (law, political theory, science), grouped together with those on presidential politics, New Testament studies, argumentation, semiotics, psychoanalysis, deconstruction, social epistemology, and environment, and closing with digital media. The volume also contains a glossary of Greek and Latin rhetorical terms. As the editor states in his Introduction, the aim of the volume is not only to provide a comprehensive history of rhetoric, but also to enable those interested in the role of rhetoric in specific disciplines or genres, such as law or theatre and performance, to easily find those sections in respective parts of the book and thus explore the intersection of rhetoric with one specific field in a chronological sequence.
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Andrade, Erika Natacha Fernandes de, and Marcus Vinicius da Cunha. "Sophistry in Vygotsky: Contributions to the Rhetorical and Poetic Pedagogy." Studies in Philosophy and Education 39, no. 1 (September 14, 2019): 85–99. http://dx.doi.org/10.1007/s11217-019-09683-y.
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Bühlmann, Vera. "Atomic Time and Quantum Literacy." Minnesota review 2021, no. 97 (November 1, 2021): 95–121. http://dx.doi.org/10.1215/00265667-9335842.
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Michel Serres is well known as a strong advocate of science becoming a way of life. As a contribution to the growing literature seeking to address the Anthropocene, this article develops how we could relate the strong and underlying motif of quantum optics that is at work throughout Serres’s oeuvre, and the implications Serres exposes in terms of a natural philosophy (Bühlmann 2020), through what the author sees as the quantum literacy of a world poetics of the current present. Such a literacy is literacy for which the constitutive relation for theoretical thought—between light, vision, and speculation—turns into an intellectual and yet material and physical power. Such a literacy would be an impersonal kind of literacy, a literacy for which poetics, mathematics, and the sciences are inextricably linked in the domain of what is here called—in distinction to atom time—atomic time.
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SILVA FILHO, Francisco Bento da, and Symone Fernandes de MELO. "À Sombra de um Diálogo: Heidegger e a Poética de Augusto dos Anjos." PHENOMENOLOGICAL STUDIES - Revista da Abordagem Gestáltica 26, no. 1 (2020): 90–97. http://dx.doi.org/10.18065/rag.2020v26n1.8.
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This article seeks to promote a meeting between Heidegger's philosophical thinking and the poetics of Augusto dos Anjos. Heidegger's thinking, at a time called turning, departs from the terminology of phenomenology and hermeneutics. The proposition of the philosopher, henceforth, begins to turn to language and to be called the topology of being. Therefore, the work of art, with special emphasis on poetry, is the source from which the unveiling and the revelation of world and earth, in the Heideggerian terms, spring forth. Based on this understanding, a study was made of Heidegger's contributions to existential phenomenology, with emphasis on the second moment of his production or path. From then on, it appeared necessary to tangentiate the singularity of Augustus of the Angels, expressed in his history and his poetics, in dialogue with Heidegger's philosophical thought. Augustus of the Angels rescues the world in its pure state and language as a possibility of meaning. In a convergent direction, Heidegger walks toward the unveiling of the Being, which occurs in the face of the anguish of existence and the extreme possibility of non-being, in the face of its being-to-death condition. The dialogue between the philosopher and the poet was thought provoking and fruitful.
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STREHOVEC, Janez. "The Upcycling and Reappropriation – On Art-Specific Circular Economy in the Age of Climate Change." Cultura 20, no. 1 (January 1, 2023): 27–41. http://dx.doi.org/10.3726/cul012023.0003.
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Abstract: Whereas mainstream theories of environmental art and sustainable development consider art as a domain suitable for the application of environmentally friendly procedures, such as the circular economy, trash management and digitization, this research article focuses on the internal development of the autopoetic and selfreferential art machine, which generates an art-specific sustainability. The circular environmental economy coexists with the circular art economy, which implies changes in the aesthetics and poetics of the artwork; it deploys upcycling to use art trash in creating a new, higher value object. Art-specific sustainability contributes to the power and complexity of the art machine with new conceptual interventions and devices. These devices allow art to resist threats from other fields and to redefine itself. As sustainable development agendas of international organizations take into account the social, political, and economic initiatives that promote ethics, inclusion, and tolerance, this article discusses the contributions of contemporary environmental art to expanded concepts of the political and science. In particular, art activism, in cooperation with civil society, can be an important driver in areas that parliamentary politics overlooks.
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KIVLE, INETA. "P. CHEYNE, A. HAMILTON, M. PADDISON (EDS.) PHILOSOPHY OF RHYTHM: AESTHETICS, MUSIC, POETICS. New York: Oxford University Press, 2019 ISBN 978-0-19-934778-0." HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES 10, no. 1 (2021): 312–19. http://dx.doi.org/10.21638/2226-5260-2021-10-1-312-319.
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The review provides an outline of the collective monograph The Philosophy of Rhythm: Aesthetics, Music, Poetics, edited by Peter Cheyne, Andy Hamilton and Max Paddison, published by Oxford University Press, 2019. Concept of rhythm is analysed from different perspectives—philosophical, musicological and psychological. It considers a multidisciplinary approach and also includes both analytic and continental philosophical traditions. Rhythm is viewed as a pulse that is going through various metric structures including particular pieces of music, paintings, examples of poetry and philosophy. Twenty eight authors from the entire world discuss rhythm and specify definitions of rhythm. They try to give answers on crucial questions uniting experienced rhythm in philosophy and arts, thus giving an important contribution to rhythm studies. The book is organised thematically and based on different aspects of rhythm manifestations. The main questions of the research are as follows: How is rhythm experienced? Does rhythm necessarily involve movement? Why rhythm is so deeply rooted in human? How can static configurations be rhythmic? How does a rhythmic structure change from a stable pattern to a flexible texture? All these questions concern two interwoven issues common for the volume in general: immanence of rhythm to arts and human experience of it.
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Prus, Robert. "Engaging Love, Divinity, and Philosophy: Pragmatism, Personification, and Autoethnographic Motifs in the Humanist Poetics of Brunetto Latini, Dante Alighieri, and Giovanni Boccaccio." Qualitative Sociology Review 10, no. 3 (July 31, 2014): 6–46. http://dx.doi.org/10.18778/1733-8077.10.3.01.
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Although the works of three early Italian Renaissance poets, Brunetto Latini (1220-1294), Dante Alighieri (1265-1321), and Giovanni Boccaccio (1313-1375), may seem far removed from the social science ventures of the 21st century, these three Italian authors provide some exceptionally valuable materials for scholars interested in the study of human knowing and acting. As central participants in the 13th-14th century “humanist movement” (in which classical Greek and Latin scholarship were given priority in matters of intellectual development), Brunetto Latini, Dante Alighieri, and Giovanni Boccaccio helped sustain an analytic focus on human lived experience. Most of the materials addressed here are extensively fictionalized, but our interests are in the sociological insights that these authors achieve, both in their accounts of the characters and interchanges portrayed in their texts and in their modes of presentation as authors. Although lacking the more comprehensive aspects of Chicago-style symbolic interactionist (Mead 1934; Blumer 1969) theory and research, these early Renaissance texts are remarkably self-reflective in composition. Thus, these statements provide us with valuable insights into the life-worlds of (a) those of whom the authors speak, (b) those to whom the authors address their works, and (c) the authors themselves as people involved in generating aspects of popular culture through their poetic endeavors. More specifically, these writers enable us to appreciate aspects of pragmatist emphases on human knowing and acting through their attentiveness to people’s perspectives, speech, deliberation, action, and interaction. In addressing affective relationships, introducing generic standpoints, and considering morality as community matters, these materials offer contemporary scholars in the social sciences some particularly instructive transhistorical and transcultural comparative and conceptual reference points. Inspired by the remarkable contributions of the three 13th-14th century Italian poets and some 12th- 13th century French predecessors, the Epilogue direct specific attention to the ways in which authors might engage poetic productions as “producers” and “analysts” of fictionalized entertainment.
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Krysowski, Olaf. "Between „the Real” and „the Ideal”: Criteria of the Comparative Thought in Maurycy Mochnacki’s Crirical Writings." Tekstualia 1, no. 68 (June 30, 2022): 77–92. http://dx.doi.org/10.5604/01.3001.0015.9075.
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Maurycy Mochnacki’s comparative thought is to be seen in the context of pioneering refl ections that constitute the modern, post-Kantian comparative approach. In order to evaluate Mochnacki’s contribution, one cannot limit it to the opposition between national and foreign literatures, or what is universal and classical versus what is regional and romantic. Mochnacki developed concepts and methods that made it possible to analyze and understand romantic works without referring to classical criteria and rules, which were successively repeated in normative poetics, but were less and less relevant. His extensive, innovative comparative analyses of romantic works were very original in the Polish context. He employed the concepts of „reality” and „ideality,” borrowed from German philosophy, as the main criteria of comparative readings.
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Syvachenko, Galyna M., and Antonina V. Anistratenko. "VOLODYMYR VINNICHENKO’S NOVEL “THE NEW COMMANDMENT”: POETICS AND FORMS OF EXISTENTIAL SELF-REFLECTION." Alfred Nobel University Journal of Philology 1, no. 25 (May 30, 2023): 61–77. http://dx.doi.org/10.32342/2523-4463-2023-1-25-5.
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The article considers the second edition of Volodymyr Vynnychenko’s novel “The New Commandment” (1947), written for the first time in 1932. The author of the book translated it into French together with his wife after the end of World War II. The purpose of the work and the tasks dictated by it are to analyse the “French” novel “The New Commandment” by Volodymyr Vynnychenko in the paradigm of modernist aesthetics, to reveal the main philosophical ideas and aesthetic functions of the novel, to identify elements of intertextual memory, and to understand the influence of the book by Ukrainian dissident Viktor Kravchenko “I Chose Freedom” (1946). The set of goals determines the need to use hermeneutical (analysis of artistic text), comparative-typological (comparison of philosophical novel various functions), historical-literary (solution of a number of literary problems in the context of various national literatures) research methods. Vynnychenko’s work is analysed in the paradigm of the “Transcendent Homelessness” philosophical concept, introduced into scientific discourse by the Hungarian philosopher and literary theorist D. Lukach in his Hegelian-Weber essay “The Theory of the Novel” (1916), where he quotes the German romantic, a representative of the Jena school, Novalis: “Philosophy is homesickness – the desire to be at home everywhere”. In the study of Volodymyr Vynnychenko’s contribution to European modernism in the interwar era, the author pays attention to the key thesis of the trans-cultural theory, which touches such disciplines as anthropology, sociology and political science. Particular attention is paid to the genesis and specificity of the philosophical and figurative system of one of the key “French” texts by Volodymyr Vynnychenko. The leading aesthetic components and means of forming philosophical and ideologicalpolitical paradigms of the work are also determined. The French aristocracy had a great debate on “The New Commandment”. In April 1949, the translation was published in one of the Paris publishing houses (Nouveau Commandemant. Paris: Editions des Presses du Temps Present). The French literary critics of the time responded favourably to the publication of the Ukrainian author’s book, and the literary and artistic society “Club de Faubourg” already on 10th May 1949, arranged a massive discussion of “The New Commandment”, which testified to the approving attitude towards the author. At the same time, another well-known French artist club “Arts-Sciences-Lettres”, awarded Volodymyr Vynnychenko with an honorary diploma and a silver medal. On 21st July 1949, the prestigious Parisian weekly bulletin “Le Nuvelle Litterere” responded to this fact where noticed that after Shevchenko and Marko Vovchok, Volodymyr Vynnychenko is the first Ukrainian writer whose novels have been responded to by French audience. In this regard, it is noted that the philosophical foundations of Vynnychenko’s novel organically fit into the “spiritual crisis” European discussions of those times. We have studied philosophical character manifestation peculiarities in the genre of novel-dialogue, novel-polemic, which are widely represented in the “French” prose of the Ukrainian artist and are closely connected with the French literary tradition. It is proved that, having spent almost the last thirty years of his life in France, the Ukrainian writer seems to aim at identifying common thematic, aesthetic, philosophical and ideological paradigms that go beyond mononational boundaries, and demonstrates that Ukrainian emigrant artists were participants in pan-European literary modernism, although for the most part it concerns Volodymyr Vynnychenko himself, as well as Yu. Kosach, I. Kostetskyi, A. Arkhipenko, A. Ekster, A. Manevich, I. Pune, A. Boguslavskaya, M. Glushchenko. Particular attention is paid to the genre experiment of Vynnychenko, in particular, the philosophical and political novel with such poetic features as the presentation and discussion of concordist theory, the use of such a modernist technique as “a novel within a novel”, the constant inclusion of various discursive forms of concordism discussion. The critical optics of the study combines the historical and philosophical specificity of the era of the interwar twenties, on which the novels of Volodymyr Vynnychenko are based, as well as the national identity of the Ukrainian writer and his biographical individuality.
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Barros de Oliveira, Rafael. "Entre philosophie et linguistique: Autour de “Philosophie et langage” de Paul Ricœur." Études Ricoeuriennes / Ricoeur Studies 11, no. 1 (July 22, 2020): 65–85. http://dx.doi.org/10.5195/errs.2020.500.
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What is the task – rather than the contribution – of philosophy with regards to language? In this article, we revisit Paul Ricœur’s answer to this question in his text “Philosophie et langage.” Ricœur sets forth as the task of philosophy the recovery of a triple linguistic mediation: from language to the world, from language to the subject, and from language to the human community. Starting from the concrete experience of speaking subjects, Ricœur opposes the systemic closure presupposed by the structuralistic view on language, which suspends the function of reference in the relation of meaning between two ideas. Provided with an enlarged conception of reference, one that includes the poetic function of language, the philosopher extricates from the notion of “the world of the text” the constitutive ontological dimension of language, since in its poetic function the latter reveals the multiple possibilities of our mode of existence. We point towards the connection between the reopening of that triple linguistic mediation and the call to an elaboration of a new ontology, one that Ricœur accomplishes through the notion of attestation.
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Keane, Niall. "The Continually Expanding Limits of Hermeneutics: Heidegger on Poetic Expression, Nature, and the Holy." Research In Phenomenology 46, no. 3 (July 22, 2016): 349–68. http://dx.doi.org/10.1163/15691640-12341343.
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This article sets itself the task of explicating and assessing Heidegger’s hermeneutically expansive analyses of the ‘holy,’ ‘poetic expression,’ and ‘nature’ in his 1934/35 and 1944 Hölderlin lectures. The piece looks specifically at how Heidegger rearticulates poetic expression and nature through the fundamental attunement of ‘holy mourning’, which he finds in Hölderlin’s Germanien. I demonstrate how these two lecture courses, published as ga 4 and ga 39, offer us important insights into the development of Heidegger’s reflections on the holy and poetic expression and in fact function as instructive bookends when it comes to understanding the role of the “last god” in Heidegger’s Contributions to Philosophy and the talk of ‘the first’ and ‘the other beginning’ found therein. The article examines such issues as the poet as mediator, Heidegger’s non-dialectical employment of mediation and the limits of mediation, nature and the holy, the fundamental attunement of ‘holy mourning,’ the dangerousness of language, and the relation between humans and gods.
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Milentijević, Lazar P. "L. N. TOLSTOJ I F. M. DOSTOJEVSKI KAO PRETEČE RUSKE RELIGIJSKE FILOZOFIJE." Nasledje Kragujevac XX, no. 55 (2023): 183–97. http://dx.doi.org/10.46793/naskg2355.183m.
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This paper examines the main theses of L. N. Tolstoy and F. M. Dostoevsky, expressed in works, drafts and letters, and became the cornerstone in the formation of Russian religious philosophy of the 19th and 20th centuries. Despite the fact that in the works of Lev Tolstoy and F. M. Dostoevsky it is impossible to find a dissected and detailed philosophical or theological system, their contribution to the development of Russian religious philosophy cannot be over- estimated, as evidenced by the works of S. N. Bulgakov, D. S. Merezhkovsky, P. A. Florensky, V. V. Rozanov, Vyach. Ivanova, L. I. Shestov, A. L. Volynsky, S. A. Askoldov, V. V. Zenkovsky, N. O. Lossky, etc. The comprehension of two great writers of the 19th century is a reaction of the turn-of-the- century era to cultural, social and historical circumstances that led to new needs and ques- tions, and also forced a reassessment of the value system. In this context, the article shows that the concept of „goodness”, to which Leo Tolstoy repeatedly returned, has again become relevant among Russian religious philosophers. Religious philosophy itself in the image of Tolstoy found its almost tactile confirmation, if we take into account the clearly protruding bonds between the writer’s life and his work. On the other hand, Dostoevsky’s work found a greater response due to his commitment to a more orthodox understanding of Christianity with a clearly expressed neo-mythologization. The study examines the most important artistic principle of Dostoevsky called „realism in the highest sense”, which played an important role in the development of symbolist poetics.
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Silk, Jonathan A. "Serious Play." Indo-Iranian Journal 65, no. 3 (July 27, 2022): 267–301. http://dx.doi.org/10.1163/15728536-06503004.
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Abstract The Lalitavistara is one of the most influential hagiographies of the Buddha. It has been known in Sanskrit since the early days of modern studies of Buddhism, but was long available only in inadequate editions. That has now changed with the publication of the edition of K. Hokazono, now complete in three volumes. The present paper discusses something of the history of the study of the text, Hokazono’s edition, and another recent book by G. Ducoeur that deals with the text, as well as touching on a contribution by Xi He on the poetics of the text. It includes a concordance of a recent translation from Tibetan published by the 84000 project, aligning its sections with the Sanskrit editions of Lefmann and Hokazono.
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Mcintosh, Alastair. "The Emperor has no Clothes … Let us Paint our Loincloths Rainbow: A Classical and Feminist Critique of Contemporary Science Policy." Environmental Values 5, no. 1 (February 1996): 3–30. http://dx.doi.org/10.1177/096327199600500111.
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The British government's White Paper on science together with government research council reports are used as a basis for critiquing current science policy and its intensifying orientation, British and worldwide, towards industrial and military development. The critique draws particulary on Plato and Bacon as yardsticks to address who science is for, what values it honours and where current policy departs from imperatives of socio-ecological justice. Metaphors of the ‘Emperor's new clothes’ and incremental spectral shift in attitude help illuminate both the problems and ways forward. The paper calls for a re-integration of classical perspectives with added insights, often ecofeminist, from philosophy, poetics and a theology of reverence. Predication on the values of love, interconnectedness and orientation towards childrens’ all-round development should be central to curricular reform. Consistent with the views of Plato, the original founder of the Academy, the utilitarian role of science ought to be balanced with a contemplative role of science as the art of knowing ourselves in relation to nature. Only with such a holistic academic approach can it adequately rise to providing a pedagogy of authentic human development, service to the poor and remedies, rather than contribution, to the ongoing destruction of nature.
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Marie, Caroline. "Virginia Woolf's Imaginary Museum of the Medieval in ‘The Journal of Mistress Joan Martyn’." Victoriographies 11, no. 2 (July 2021): 165–84. http://dx.doi.org/10.3366/vic.2021.0421.
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This article shows that the Middle Ages Virginia Woolf imagines in her 1906 short story ‘The Journal of Mistress Joan Martyn’ are influenced by the staging of the medieval in late-Victorian museums and reflects late-Victorian medievalism. From the perspective of material culture studies, Woolf's tale reflects the representation and fabrication of the medieval by the British Museum and the South Kensington Museum and shapes a similar narrative of the Middle Ages. Relying on Michel Foucault's definitions of ‘heterotopia’ as well as on Tony Bennett's analysis of Victorian museums, this article argues that Woolf's fictionalisation of the medieval evidences a new, complex temporality of knowledge and consciousness of the past which also defines late-Victorian curatorial philosophy and practices. It analyses each regime of that new temporality: first, the archaeological gaze and its contribution to the grand national narrative via the literary canon and, second, the theatrical gaze, with its focus on spectacularly displayed artefacts, that partakes of an image's mystique. In temporal terms, this results in a tension between the tangible remains of a past clearly separated from the present and the mystical fusion of past and present reinscribing Woolf's poetics of the moment within a sense of history.
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Stevanović, Vladimir. "Implications of Vattimo's 'Verwindung' of modernism in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 157–72. http://dx.doi.org/10.5937/saj1502157s.
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In the postmodern era, besides new approaches to architectural practice, substantial changes happen in architectural textual production owed to the inflow of the postmodern transdisciplinary theory in architectural discourse. Theorists, critics and historians of architecture gladly use the contribution from philosophy, political sciences, sociology, art theory and literary criticism to categorize and explain postmodern architectural styles or tendencies, no longer unifying them exclusively by means of formalistic aspects dating from the same period. Now, topics and paradigms from various postmodern theories are being implemented and thus created the phenomenon of the translation of a theory into an instrument of architectural purpose. In most cases, theoretical outlooks serve as a cover which the theorists of architecture use to formulate the poetics of architects, proclaim desirable models of reception, and develop the stance on the disciplinary and socio-historical contexts. However, it becomes interesting when the same architectural works of a single or several architects are differently interpreted by different theorists of architecture. The paper examines these premises on a specific example, which is: 1) demonstrated in practice by Catalan architecture of the 1980s; 2) the point of convergence between de Solà-Morales, Rossi and Frampton; 3) underlain by Vattimo's philosophical concept of Verwindung of modernism.
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Campanile, Enrico. "Réflexions Sur La Reconstruction De La Phraséologie Poétique Indo-Européenne." Diachronica 10, no. 1 (January 1, 1993): 1–12. http://dx.doi.org/10.1075/dia.10.1.02cam.
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SUMMARY Indo-Iranian poetic phraseology has been the subject of quite a number of contributions which have resulted in the identification of numerous formulas of poetic language. These results have effectively been facilitated by the fact that not only Vedic and Gathic culture, but also the lexicon of the texts are extremely conservative, so much so that their comparison permits the reconstruction of entire verbal strings which could be attributed with certainty to the common phase of Indo-Iranian. The present study attempts to show that, among these formulas, there are a great number which could be traced back to the poetic lexicon of Indo-European, and this to the extent where they are attested not only in Vedic and Avestan, but in other Indo-European languages as well. This presupposes that one considers at the same time the phenomena of lexical renewal and lexical variation which manifest themselves in the history of every language and even in Indo-European. All this means that the reconstruction of the poetic formulas of Indo-European should be based not on the identity of signifiers, but on that of the signifieds. RÉSUMÉ La phraséologie poétique de l'indo-iranien a fait l'objet de bien des contributions, qui ont abouti à l'identification de nombreuses formules du langage poétique; et cela a été objectivement facilité par le fait que non seulement la culture, mais aussi le lexique des textes védiques et gathiques sont extrêmement conservateurs, si bien que leur comparaison permet de reconstruire sans difficulté des séquences verbales que l'on peut attribuer avec certitude à la phase commune de l'indo-iranien. Notre étude se propose de montrer que, parmi ces formules, nombreuses sont celles qu'on peut faire remonter au lexique poétique de l'indo-européen, dans la mesure où elles sont attestées non seulement en védique et en avestique, mais aussi dans d'autres langues indo-européennes, pour peu que l'on prenne en compte les phénomènes de renouvellement lexical et de variation lexicale qui se sont manifestés dans l'histoire de chaque langue et même dans l'indo-européen. Cela signifie que la reconstruction des formules poétiques de l'indo-européen doit se fonder non pas sur l'identité des signifiants, mais sur celle des signifiés. ZUSAMMENFASSUNG Indo-iranische poetische Phraseologie ist bisher schon Objekt vieler Bei-trage gewesen, die zur Identifikation einer groBen Anzahl von Formeln poeti-scher Sprache geführt haben. Diese Ergebnisse sind nicht zuletzt dadurch mög-lich geworden, daB nicht nur die vedische und gathische Kultur, sondern auch das Lexikon dieser Texte ziemlich konservativ sind, und zwar so sehr, daB deren Vergleich ohne Schwierigkeit die Rekonstruktion ganzer Verbalfolgen erlaubt, die mit Sicherheit der gemeinsamen indo-iranischen Phase zugeschrie-ben werden konnen. Die vorgelegte Arbeit versucht zu zeigen, daB unter diesen Formeln sich eine groBe Anzahl befindet, die auf das poetische Lexikon des Indo-Europaischen zurückgeführt werden können, und dies soweit sie nicht nur fur das Vedische und Avestische, sondern auch für andere indoeuropaische Sprachen attestiert sind. AU dies setzt freilich voraus, daß man ebenfalls Phä-nomene lexikalischer Erneuerung und lexikalischer Variation mitberücksichtigt, die sich in der Geschichte einer jeden Sprache manifestieren, sogar im Indo-Europäischen. All dies bedeutet, daß sich die Rekonstruktion poetischer Formeln des Indo-Europäischen nicht auf die Identität der Bezeichnenden, sondern der Bezeichneten stützen muß.
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Desideri, Fabrizio, and Mariagrazia Portera. "Foreword. Finalism and Judgement." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 14, no. 2 (December 30, 2021): 3. http://dx.doi.org/10.36253/aisthesis-13336.
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What does it mean to “judge” something? What are the preconditions and the necessary prerequisites for the formulation of a judgement (be it a cognitive judgement, a moral judgement, or an aesthetic judgement)? Is there a special relationship between finalism and judgement and, if yes, in what sense? The relationship between finalism and judgment has been typically understood along two main lines of interpretation: on the one hand, as the finalism attributed by judging to certain objects or phenomena; on the other hand, from the point of view of the finality of judging itself, i.e., the teleological orientation of judging in the global dimension of life.
This issue of Aisthesis includes a selection of highly relevant contributions to the topic “Judgement and finalism”, with the aim of bringing to the fore the circular movement that seems to characterize every judgement in itself – from nature, and from the nature of our mind, to the objects, structures, natural kinds etc. that populate the world, and reversely from the world to the mind. Kant’s Critique of the Power of Judgement plays, in this respect, a very fundamental role, as the papers by Stefano Velotti, Luigi Filieri, Lorenzo Sala, and Antonio Branca show brilliantly. Andrea Lanza and Barbara Santini discuss the interconnections between teleology and judgement in the frame, respectively, of Husserl’s phenomenology and Friedrich Hölderlin’s poetic philosophy. The idea that finalism and the dynamics of judgement have much to do with each other opens new links to disciplines other than philosophy and to an interdisciplinary approach to the activity of judging in research fields such as psychology, cognitive sciences, biology. This is the perspective adopted by Francesco Vitale, in his paper on Ernst Mayr’s teleonomy, and by Onerva Kiianlinna, in her a paper on epigenesis and modularity in Evolutionary Aesthetics.
This present issue is further enriched by a substantial focus on images and the aesthetic experience in the digital age (Fabrizio Desideri, Francesca Perotto, Caterina Zaira) and by a multifaceted and intriguing “Varia” section, with contributions by Ricardo Ibarlucia, Mariya Veleva, David Alvaro Gonzàlez, Carmelo Colangelo.
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Kleden, Leo. "Wahyu Alkitabiah dalam Tinjauan Hermeneutika Ricoeur." Jurnal Ledalero 19, no. 2 (December 19, 2020): 169. http://dx.doi.org/10.31385/jl.v19i2.213.169-184.
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<p><em>This article attempts to explain the idea of revelation in the Scripture according to Paul Ricoeur's hermeneutic philosophy. This paper consists of two parts. The first part describes the theory of text in Ricoeur's hermeneutics. Ricoeur's most important contributions to this section are his description of threefold semantic autonomy: semantic autonomy with respect to the author's subjective intention outside the text, semantic autonomy with respect to the original cultural context in which the text was written, and semantic autonomy with respect to the original audience or addressee. An important consequence of semantic autonomy is that interpretation of a text is never reproductive but productive. The second part explains that the language of Scripture is much more like poetic language than scientific language. Poetic language is the language of disclosure, which expresses a deeper dimension of reality. The next five literary genres in the Scriptures are discussed, through which divine revelation is expressed: namely, narrative, prophetic, prescriptive, wisdom and hymnic genre. With that Ricoeur shows the richness of biblical revelation in its various dimensions, which together form “a polysemic and polyphonic concept of revelation”.</em></p><strong>Keywords</strong>:<em> text, discourse, literary genre, semantic autonomy, revelation, narrative, hymn</em>
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Karcz, Marta. "The ripeness of poetry—innovation in the concept of kāvyapāka as introduced by Bhoja." Cracow Indological Studies 22, no. 2 (December 31, 2020): 63–78. http://dx.doi.org/10.12797/cis.22.2020.02.04.
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The paper examines the contribution of Bhoja, an 11th-century theoretician of Sanskrit literature, to the theory of kāvyapāka—the maturity or ripeness of poetry. The concept relies on comparison between a poem and a fruit as they likewise must come to fruition to reach perfection—the state when they are most pleasing to their recipients. The theory is mentioned in numerous important Sanskrit works on poetics. However, different theoreticians perceive the state of perfection in poetry somewhat differently. Bhoja provides yet one more view on this matter. Although he relies on his predecessors, and in some points agrees with them, he also offers fresh perspectives on the subject. The paper focuses on the analyses of relevant passages from Bhoja’s works, Sarasvatīkaṇṭhābharaṇa and Śṛṅgāraprakāśa, concerning the subject of kāvyapāka, and compares them with the views of other theoreticians as summarized in the first part of the study.
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Matei, Alexandru. "Ambivalences of a Tour de Force: “Istoria Literaturii Române Contemporane” as Critique and as Literature." Studia Universitatis Babeș-Bolyai Philologia 67, no. 3 (September 20, 2022): 205–16. http://dx.doi.org/10.24193/subbphilo.2022.3.23.
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"Ambivalences of a Tour de Force: Istoria Literaturii Române Contemporane as Critique and as Literature. This essay starts from hypothesizing a double dimension of Mihai Iovănel’s History: critical and literary (or, as Matei says, poetic). The idea of such an interpretation is given by Iovănel’s quoting a late text by Louis Althusser, in which the French philosopher defines the figure of an “aleatory materialist,” as opposed to a “dialectical” materialist. While critics have already discussed the critical dimension of Iovănel’s project, an aspect Matei also examines in the last part of his contribution, less has been said, he maintains, about the History as a literary project, as “writing.” Matei thus attends to the qualities and shortcomings of Iovănel’s project, which stem, he claims, from the aforementioned double dimension of the History. Keywords: Mihai Iovănel, poetics of literary history, aleatory materialism, contemporary Romanian literature"
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Pope, Michael. "EMBRYOLOGY, FEMALE SEMINA AND MALE VINCIBILITY IN LUCRETIUS, DE RERVM NATVRA." Classical Quarterly 69, no. 1 (May 2019): 229–45. http://dx.doi.org/10.1017/s0009838819000612.
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In a poem setting forth the way things are in nature, it is fitting for Lucretius to address, among many other phenomena, human conception and embryonic determination. With an eye toward ethics, Lucretius demonstrates how sexual reproduction at the seminal level can be explained by Epicurean atomism. In this paper, I am concerned with the biological ‘how’ of conception as explained in De Rerum Natura (= DRN) but also with the ethical ‘therefore’ for Lucretius’ readership and (over)estimations of male autonomy. For modern audiences with a basic grasp of procreation that includes sperm supplied by a male and egg supplied by a female, encountering Lucretius’ verses on women contributing semen (semina) to the process of conception can be surprising (4.1209–62). The idea of female semen may give us pause as we calibrate it with our understanding of eggs and ovulation, but Lucretius, in his time, was not advancing some novel theory. Wading into established debates on male-only or joint male-female semen production and gendered insemination (that is, who produces semen and whose semen is active at conception), Lucretius sides with those promulgating mutuality for both questions (for example Democritus [DK 24 A13]) and rejects Aristotle's representative exclusivist claim of male activity vs female passivity (τὸ ἄρρεν ἐστὶν ὡς κινοῦν καὶ ποιοῦν, τὸ δὲ θῆλυ ὡς παθητικόν, Gen. an. 729a28–30; cf. 726a30–6). That is to say, a sexually mature female, like her male counterpart, emits semen that has determining potency in the formation of a human embryo (Lucr. 4.1209–62). Although the discharge and activity of female semen is the focus of this paper, my investigation is not a Quellenforschung or historical survey of Greco-Roman ideas about women's contributions to insemination and fertility, since others have treated these matters extensively. I concentrate rather on how Lucretius employs the concept of female semen in terms of his poetics in Book 4 and what I see as an ethical argument against the domineering nature of Roman masculinity. The problem of female semen, from the point of view of Lucretius’ Roman male audience, is that it is potentially costly to men because it rivals and threatens their status from the physiological to the discursive level. Iain Lonie broaches the same issue from Greek perspectives.
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Hansen, Jens Morten. "On the origin of natural history: Steno’s modern, but forgotten philosophy of science." Bulletin of the Geological Society of Denmark 57 (November 1, 2009): 1–24. http://dx.doi.org/10.37570/bgsd-2009-57-01.
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Nicolaus Steno (Niels Stensen, 1638–86) is considered to be the founder of geology as a discipline of modern science, and is also considered to be founder of scientific conceptions of the human glands, muscles, heart and brain. With respect to his anatomical results the judgment of posterity has always considered Steno to be one of the founders of modern anatomy, whereas Steno’s paternity to the methods known to day of all students of geology was almost forgotten during the 130 yr from 1700 to 1830. Besides geology and anatomy there are still important sides of Steno’s scientific contributions to be rediscovered. Steno’s general philosophy of science is one of the clearest formulated philosophies of modern science as it appeared during the 17th Century. It includes • separation of scientific methods from religious arguments, • a principle of how to seek “demonstrative certainty” by demanding considerations from both reductionist and holist perspectives, • a series of purely structural (semiotic) principles developing a stringent basis for the pragmatic, historic (diachronous) sciences as opposed to the categorical, timeless (achronous) sciences, • “Steno’s ladder of knowledge” by which he formulated the leading principle of modern science i.e., how true knowledge about deeper, hidden causes (“what we are ignorant about”) can be approached by combining analogue experiences with logic reasoning. However, Steno’s ideas and influence on the general principles of modern science are still quite unknown outside Scandinavia, Italy, France and Germany. This unfortunate situation may be explained with the fact that most of his philosophical statements have not been translated to English until recent decades. Several Latin philologists state that Steno’s Latin language is of great beauty and poetic value, and that translations to other languages cannot give justice to Steno’s texts. Thus, translations may have seemed too difficult. Steno’s ideas on the philosophy of science appear in both his many anatomical and in his fewer geological papers, all of which with one exception (in French) were written in Latin. A concentration of his philosophy of science was given by himself in his last scientific lecture “Prooemium” (1673), which was not translated from Latin to English before 1994. Therefore, after the decline of Latin as a scientific language Steno’s philosophy of science and ideas on scientific reasoning remained quite unknown, although his ideas should be considered extremely modern and path finding for the scientific revolution of the bio- and geo-sciences. Moreover, Steno’s philosophy of science is comparable to Immanuel Kant’s 80 yr younger theory on perception, Charles S. Peirce’s 230 yr younger theory on abduction, and—especially—Karl R. Popper’s 300 yr younger theory on scientific discovery by conjecture and refutation.
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Azzariti-Fumaroli, Luigi, Lorenzo Bartalesi, and Filippo Domenicali. "Foreword. Aesthetics and ontology in Etienne Souriau." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 15, no. 2 (February 6, 2023): 3–4. http://dx.doi.org/10.36253/aisthesis-14243.
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Étienne Souriau was a refined and demanding thinker, with an aristocratic demeanour, far removed from the currents of ideas dominant in his time. A difficult and erudite author, out of tune with the times he lived in, he would seem the least likely candidate to appeal to a hurried and globalised public like that of the twenty-first century. A sophisticated representative of a rationalist positivism, no stranger to the Husserlian canon and not even insensitive to the motivations dear to the gnoseological debate of Cartesian and Kantian matrix (as well as to the major themes of classical metaphysics), Souriau pursues the ideal of a constructive philosophy, capable of understanding – and at the same time favouring – the advancement of the creative process conceived as a set of poetic acts and progressive dynamic operations. In his texts, Souriau is attentive to grasping the correspondences, exchanges and reciprocal transitions between one mode of existence and another, as well as the resonances between the various art forms in the different fields of knowledge, testing an original method that is epistemologically very fruitful.
The aim of this monographic issue of Aisthesis dedicated to Étienne Souriau is to explore his thought in its multiple aspects, in order to measure its topicality in relation to the themes and problems that characterise contemporary philosophical debate, with particular reference to aesthetics and ontology as well as to the dense network of connections between the two fields. One of the most interesting characteristics of Souriau’s thought that has stood the test of time would appear to be its multifacetedness: the quality of lending itself to being applied even to spheres that are apparently very distant from reflection on art, such as cultural anthropology, political philosophy or morality. It seemed to us that it largely owes its relevance precisely to the intersections between one field of knowledge and another.
The issue contains twelve contributions on Souriau that explore his main aspects in depth. They range from analyses devoted to the architecture of Souriau’s thought (his general philosophy) in the essays by Dominique Chateau and Filippo Domenicali, which can furnish a useful overall picture of the man, to essays that attempt to focus on the more properly ontological core of this thought, such as those devoted to the arabesque motif (Luigi Azzariti-Fumaroli), the theory of the soul (Sjoerd Van Tuinen) or the multiplicity of worlds (Noëlie Plé). Interspersed between these are contributions that focus more on the comparison between Étienne Souriau’s thought and the philosophers of his time, such as Dufrenne (Maryvonne Saison), or with well-known later philosophers who explicitly referred to him, prolonging his creative impetus, such as Gilles Deleuze (Casey Boyle) and Bruno Latour (Aline Wiame), the true architect of the current Souriau “comeback”. Finally, in addition to essays of a more theoretical nature, there are contributions that attempt to re-evaluate certain aspects of Souriau’s aesthetics, such as the fruitfulness of the cues that can come from his thought for the debate on animal aesthetics (Maddalena Mazzocut-Mis and Andrea Scanziani), or the possible topicality of his theory of forms (Isabelle Rieusset-Lemarie).
In the “Miscellaneous” section, this issue hosts a number of studies that aim to explore the aesthetic implications of new technologies, the themes of ecological aesthetics, as well as to offer an unusual profile of Baumgarten.
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Hanlon, Aaron R. "Abraham Cowley against Bacon's "Idols of the Mind"." Configurations 32, no. 1 (January 2024): 51–70. http://dx.doi.org/10.1353/con.2024.a917008.
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ABSTRACT: This essay examines the contributions of Abraham Cowley's poetry to the development of Royal Society scientific methods in the seventeenth century, particularly through Cowley's clarification of the forms of cognitive bias that Francis Bacon called "idols of the mind." We should understand many of Cowley's poetic choices and stylistic recommendations as part of an effort to illustrate and shape the cognitive habits necessary for experimental science in the Baconian tradition. Beyond stylistic recommendations, Cowley was interested in understanding what makes for accurate perception and reasoned judgment, both of which were essential to poets and experimental scientists alike in this formative period. This essay places Cowley's poetry in the context of seventeenth-century conventions for style and perception among experimental scientists and concludes by examining how Thomas Sprat, Royal Society historian and Cowley's literary executor, understood the value of Cowley's poetry to Royal Society epistemological aims.
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Bouchard, Mawy. "La translation du « vieil langaige et prose, en nouveau et rime » : Anne de Graville et les visées épidictiques du Beau romant." Renaissance and Reformation 35, no. 4 (June 5, 2013): 25–43. http://dx.doi.org/10.33137/rr.v35i4.19698.
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Around 1521, when Anne de Graville published her adaptation of Boccacio’s Teseida—which had already been translated into French in the second half of the fifteenth century—she was already known for her rendering of Alain Chartier’s Belle dame sans merci into rondeaux. Although the poetical transformation at work in this earlier piece may at first appear as an end in itself, a closer analysis of the process of poetical “translation” reveals another dimension of the text: that is, Graville’s exploration of new modes of male and female discourse. Apparently designed as a word-for-word rendition of Chartier’s dialogue, Graville’s rondeaux are marked by subtle shifts of textual perspective aimed at reinforcing the lady’s rhetorical stance. Goaded by the “translation pretext” at work in the rondeaux, I wish here to explore the rhetorical strategies deployed by Graville in the Beau Romant des deux amants, where, though posing as a humble commissioned writer, she deftly manipulates the topoi of a still dominantly masculine genre. While from the 1530s onwards the genre was to benefit from female contributions, gradually accustoming readers to the “feminization” of sentimental narratives, it still remains to be established whether the need for a feminized rendering of the genre’s discursive modes was articulated in a similar guise in the previous decade.
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Prus, Robert. "Morality, Deviance, and Regulation: Pragmatist Motifs in Plato's "Republic" and "Laws"." Qualitative Sociology Review 7, no. 2 (August 30, 2011): 1–44. http://dx.doi.org/10.18778/1733-8077.07.2.01.
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Envisioning morality, deviance, and regulation as enduring features of human group life, and using symbolic interaction (Mead 1934; Blumer 1969; Prus 1996; Prus and Grills 2003) as a conceptual device for traversing the corridors of time, this paper asks what we may learn about deviance and morality as humanly engaged realms of community life by examining Plato's (420-348 BCE) Republic and Laws.
Focusing on the articulation of two model communities, with Republic primarily under the guidance of a set of philosopher-kings and Laws more comprehensively under the rule of a constitution, Plato considers a wide array of matters pertinent to the study of morality, deviance, and regulation.
Thus, whereas many social scientists have dismissed Plato's texts as the works of a “utopian idealist” and/or an “ancient philosopher,” Republic and Laws have much to offer to those who approach the study of human knowing and acting in more distinctively pragmatist sociological terms.
Indeed, because these two volumes address so many basic features of community life (including morality, religion, politics, poetics, and education) in extended detail, they represent particularly valuable transhistorical and transcultural comparison points for contemporary analysis.
Although the products of a somewhat unique period in Western civilization (i.e., the classical Greek era, circa 700-300 BCE), Plato's Republic and Laws are very much studies of social order. Plato's speakers, in each case, clearly have notions of the moral order that they wish to promote, but, to their sociological credit, they also embark on more distinctively analytic considerations of the broader processes and problematics of humanly engaged life worlds.
Still, given the practical restraints of a single paper and the extended relevance of Plato's texts for the topics at hand, readers are cautioned that the present statement focuses primarily on those materials from Republic that most directly address deviance and regulation and mainly the first six books of Laws.
Employing Prus and Grills (2003) depictions of deviance as a series of generic social processes as a contemporary reference point, the paper concludes with a consideration of the relevance and contributions of Plato's Republic and Laws for the study of morality, deviance, and regulation as fundamental features of human group life.
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Kemal, Salim. "ARABIC POETICS AND ARISTOTLE'S POETICS." British Journal of Aesthetics 26, no. 2 (1986): 112–23. http://dx.doi.org/10.1093/bjaesthetics/26.2.112.
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Britton, Celia. "Philosophy, Poetics, Politics." Callaloo 36, no. 4 (2013): 841–47. http://dx.doi.org/10.1353/cal.2013.0197.
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Baiardi, Daniel Cerqueira. "Cultural antropophagy today: a semiotic approach to Oswald de Andrade’s theory of culture." Cognitio-Estudos: revista eletrônica de filosofia 18, no. 1 (June 28, 2021): 1–14. http://dx.doi.org/10.23925/1809-8428.2021v18i1p1-14.
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Close to the centenary of the Modern Art Week, this paper explores the scenario where sign studies in Brazil found its première. It pays attention to relations of some of these pioneers in semiotics with communities not solely of scholars, but also of vanguard artists, critics and other members of the intelligentsia. Oswald de Andrade reclaims some semiotic features of Tupinambás’s martial rituals to develop the notion of Cultural Antropophagy (C. A.). Supported by the methodological framework of C. S. Peirce and elements from semiotics of culture, this study explores the dialogic situation between the national “spirit” [Volkgeist] and the foreign cultures. According to B. Schnaiderman (1979), the development of semiotic studies in Russia do not as expected begins from division of other scientific programs, but from artistic vanguards and literary movements. Peirce (1931-58) in his writings about Philosophy of Science stressed many times about the social character of scientific activity. Probably endorsed by an evolutionary and semiotic criteria Peirce already had pointed out that science can flourish from other kind of cultural phenomena. Indeed, the analysis focuses Andrade’s Modernist ideas as contributions to awake a kind of “semiotic consciousness” in Brazil. I will argue that the developed idea of C. A. not just worked as the poetic motto of Brazilian Modernists but also as a key concept to an original metacultural theory and a strong factor to the development of sign studies at universities in the State of São Paulo.
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Kapuly, D., and G. Saginadyn. "CREATIVITY OF AKYT ULIMZHIULY AND LITERARY AND FOLKLORE INTEGRATION." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 30, 2023): 214–25. http://dx.doi.org/10.55808/1999-4214.2023-1.17.
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One of the urgent problems of modern Kazakh literature is the analysis of the world of fiction, outside of its historical homeland, the analysis of development trends, the study of prospects, the assessment of the present, the identification of its main representatives. If we talk about the fact that national literature has deep historical roots, then it can be argued that Kazakh literature, which in each country and in different places is distinguished by its local and regional characteristics, is its fruitful, multifaceted Golden Branch. Therefore, the timely study of the rich cultural and literary heritage of near and far abroad is due to national necessity. Akyt Ulimzhiuly is a man who published several books in Kazakh history during his life. He is a great poet and educator at the level of Abai, Shakarim. Of no small importance is the contribution and significance of the works of Akyt Ulimzhiuly to the popularization of traditions, literature, culture, religion, history, philosophy, psychology of the Kazakh people at the end of the 19th-first quarter of the 20th century. Due to the historical reasons of that period, the poet lived alternately in the rich regional region of China and Mongolia. His works reflect the life, religion, state, being, customs, worldview of the Kazakh people who inhabited these two regions. It was in this direction that we studied the life path of the poet-scientist, teacher-educator, public and religious figure, one of the founders of written literature Akyt Ulimzhiuly, who follows the main Kazakh poet Abay. We would like to analyze his rich literary heritage, his national position and reveal the folklore side of Akyt's works. In particular, this article will be devoted to the problem of the poetics of folklore and works by A. Ulimzhiuly. Folklorism, consideration of the patterns of folklore integrity, differentiation of manifestations of folklore motifs underlie the goals and objectives of the study.
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Burger, Ronna. "Aristotle’s Poetics." International Studies in Philosophy 30, no. 4 (1998): 110–11. http://dx.doi.org/10.5840/intstudphil199830416.
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Müller, Wolfgang G. "Autor und Subjekt im lyrischen Gedicht: Rezension und Neukonzeption einer Theorie der lyrischen Persona." Journal of Literary Theory 18, no. 1 (March 11, 2024): 89–120. http://dx.doi.org/10.1515/jlt-2024-2002.
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Abstract The present article discusses, in a first step, ground-breaking recent publications on the lyric subject, and dedicates itself, in a second step, to a new concept of lyric persona, which is devised to overcome the constrictions of the categories of subject and subjectivity and to open access of theory to all kinds and eras of lyric poetry from the Old English Seafarer to modern concrete poetry. The first book to be reviewed is Autor und Subjekt im Gedicht. Positionen, Perspektiven und Praktiken heute (2021), a collection of essays which pursues an argumentatively stimulating dialogical strategy. The articles begin with Wolf Schmid’s twenty theses on the abstract author, an appropriation of the narratological »implicit« author to the theory of lyric poetry. This statement is followed by a number of articles which alternatingly argue in favour of and against the concept of the abstract author. Peter Hühn, for instance, believes the term to be analytically especially fruitful, while Ralph Müller speaks of it as a »narratological spectre«. It is significant that, using Schmid’s term, Rainer Grübel analyzes a number of intriguing modern Russian poems, which he calls hybrid, since he identifies transitions from poetic to quasi reality-related passages and diagnoses concomitant stylistic changes in the texts. The international perspective is then widened by a comprehensive investigation of Russian, German and English terminological traditions. Marion Rutz demonstrates that handbooks and textbooks are by far not compatible. Among other terms she deals with the controversial German term »das lyrische Ich« (the lyric I). An investigation of the use of this term is then afforded by Hermann Korte’s examination of the poetry and poetics of Gottfried Benn, Thomas Kling and Durs Grünbein. Subsequently, a group of articles deals with the fate of the subject in recent and current German poetry. Analyzing poems by Sabine Scho, Anne Cotton and Thomas Kling, Friederike Reents verifies, instead of »subject fatigue«, new possibilities of the subject. Analogous insights are gained by Mirjam Springer in her investigation of the lyric portrait and in a politically tempered article by Peter Geist, which discovers examples of varying degrees of imaginative self-construction going together with increasing author-relatedness. The volume concludes with a large-scale philosophically oriented article by Henrieke Stahl which constructs the model of a polymorphous subject based on Heinrich Barth’s existential variant of transcendental philosophy. The second publication to be discussed is Varja Balžalorsky Antić’s monograph The Lyric Subject. A Reconceptualization (2022), which, though treating roughly the same subject as Autor und Subjekt, is oriented a totally different way. Like the one year previously published work, Antić proceeds from the awareness that the numerous new developments of poetry call for a reconceptualization of the genre and especially of the concept of the subject. In order to clarify the relation between the subject of language and the subject of poetry, she makes wide-ranging excursions into philosophy and discourse theory, which have not been undertaken in that way by other researchers in the field. Antić’s treatment of the prehistory of the concept of subjectivity is comprehensive. She erects her edifice of ideas on the basis of the theories of Émile Benveniste, Henri Meschonnic and others. Also, she goes back to Germanophone philosophers and theorists like Friedrich Schleiermacher and Wilhelm von Humboldt. In particular, she emphasizes the development of Benveniste’s linguistics of enunciation to Meschonnic’s poetics of enunciation, according to which subjectivity does not reside in the lyric persona, but in the »the transsubject, the I-you of enunciation expanded onto all discourse«. In this context Meschonnic’s rhythm theory, which has profound ethical implications, is of central importance. Literary works which she subjects to analysis are troubadour poetry, in which she identifies polyphony and internal dialogism and consequently subjectivization, Nerval’s sonnet »El Desdichado«, to which she applies Paul Ricœur’s dialectic of ipse and idem, and Henri Michaux’ long poem »La Ralentie«, in which she identifies »dispersed multiplicity« and simultaneously integrated totality. The last chapter »Recapitulation and Systematization of Subject Configuration« has deserved special attention. Inspired by a short article, »Persona. Its Meaning and Significance«, by James Dowthwaite (2023), the present author elaborates the concept of the lyric persona in the last part of the contribution. The creative capacity of persona is seen to occupy the free space between the empiric author and the finished product. The independence of the persona from the author has a liberating quality, which allows the author a fictional space and a range of possible expressions. The lyric persona can be called the aesthetic and cognitive laboratory between author and poem, which is responsible for the invention of speakers, the use of pronouns and all the formal and aesthetic elements represented in the poem. One advantage of the persona concept is that it has a liberating effect in regard to the overuse of the subject concept, though forms of I-saying are within the reach of the persona. Another advantage is the scope of the term persona. It can be applied from the Old English »Seafarer« to modern concrete poems like Edwin Morgan’s »Pomander«.
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Martínez Gavilán, María Dolores. "La gramática castellana de Caramuel (1663)." Estudios Humanísticos. Filología, no. 11 (December 1, 1990): 95. http://dx.doi.org/10.18002/ehf.v0i11.4328.
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<p>Juan Caramuel y Lobkowitz (Madrid, 1606-Vigevano, 1682), autor de una gramática filosófica de corte medieval en la que se resucitan muchos de los postulados de la gramática especulativa, Grammatica audax (1654) -hecho que se debe conectar con su posición claramente escolástica en el terreno de la filosofía y de la teología-, ha sido considerado uno de los antecedentes de la Grammaire généle et raisonnée de Port-Royal. Sus aportaciones en el terreno de la gramática general o universal han sido puestas de relieve por varios estudiosos (V. Salmon, H.E. Brekle, G. A. Padley, F. Delgado), cuyos puntos de vista se recogen aquí. Pero el objetivo de estas páginas es analizar su contribución en el campo de la gramática particular, y, en concreto, de la gramática española, y comprobar en qué medida están ahí presentes las pautas de análisis empleadas en su gramática general. Para ello nos basamos en la breve gramática castellana incluida en su tratado de poética Primos Calamos (Roma, 1663), obra en la que se observa una simbiosis de los planteamientos desarrollados por la gramática grecolatina clásica, asimilados por las gramáticas de las lenguas vulgares, y de algunos de los principios de la gramática especulativa medieval, que el autor había aplicado previamente en su gramática filosófica.</p><p>Juan Caramuel y Lobkowitz (born Madrid, 1606-died Vigevano, 1682) was the author of a philosophical mediaeval style grammar in which many of the postulares of the speculative grammar Grammatica audax (1654) are resucitated. This must connected with his position in the terrain of philosophy and theology wich was clearly a scolastic one. Indeed, he has been considered as one of the forerunnes of the Grammaire générale et raisonnée of Port-Royal His contributions to the field of general or universal grammar ha ve been put finto relief by various scholars (V. Salmon, H E. Brekle, G. A. Padley, E Delgado) whose points of view are reviewed here. The objetive of what follows is two-fold a) to analyze his contribution to the fíeld of specific grammar, with especial reference to Spanish grammar, and b) to disco ver to what extent the anlytic guidelines employed in his general grammar are present there. We will be dealing with the brief Castillian grammar which is included in his poetic treatise Primos Calamos (Rome, 1663). In this study a symbiosis of the topics developed by classic Greek-latin and later assimilated by the grammars of common or vulgar languages can be observed, together with some of the beginnings of the speculative mediaeval grammar, which the author had applied previously in his philosophic grammar.</p>
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Aboubakar, Gounougo, and Saran Cissoko. "Prose poétique africaine et philosophie de la création verbale." Elyra, no. 19 (2022): 41–53. http://dx.doi.org/10.21747/21828954/ely19a3.
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The question of mixing genres or generic hybridization does not necessarily arise for African literature whose nature is to be hybrid at the origin. The African creator does not choose to make of the mixture of the kinds, it is the mixture of the kinds which offers itself to him through the total word which it uses. To speak then of poetic prose is to speak of African written literature as a whole. This is the heritage of the first black artists of the emancipatory struggles, among others the negritudians, insofar as they are the manatees who drank from the source of Simal, that is to say here the African orality. This African culture has as its “dogma” this “old principle” of African classical philosophy: “everything is in everything; the unity in the multiple, the multiple in the unity... everything is interaction and mutual influence. This is our law of one universal movement” (Zadi Zaourou 1978: 216). It is to this monistic philosophy of the aesthetics of verbal creation that we will focus in this contribution devoted to African poetic prose. With the help of examples of texts in poetic prose, we will see how, through the poetic andstylistic analyses of the genres that we will apply to these texts, the literarity of the latter derives from the holistic character of the word that founds them.
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Kirby, John T. "Aristotle’s Poetics." Ancient Philosophy 8, no. 1 (1988): 131–33. http://dx.doi.org/10.5840/ancientphil19888128.
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Belfiore, Elizabeth. "Aristotle’s Poetics." Ancient Philosophy 15, no. 1 (1995): 268–72. http://dx.doi.org/10.5840/ancientphil199515159.
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Muldoon, Mark S. "Ricœur’s Ethical Poetics." International Philosophical Quarterly 45, no. 1 (2005): 61–86. http://dx.doi.org/10.5840/ipq200545164.
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Sills,, Clarence F. "Hegel's Pyrrhonian Poetics." Philosophy Today 39, no. 3 (1995): 280–94. http://dx.doi.org/10.5840/philtoday199539313.
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Mazilov, V. A. "The Classic: Details to the Portrait (In Celebration of the 85th Birthday of V.P. Zinchenko)." Cultural-Historical Psychology 12, no. 4 (2016): 74–79. http://dx.doi.org/10.17759/chp.2016120407.
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This paper is dedicated to the 85th birthday of Vladmir Zinchenko (1931—2014), a prominent Russian psychologist and philosopher. It traces the main periods in the life of the scientist and attempts to reveal his personal features that shaped the style of his thinking. It is argued that Zinchenko’s most important contribution to psychological science is methodology (even though his contributions reasonably and undoubtedly involve child psychology, engineering psychology, cognitive psychology, as well as poetic anthropology which he himself established), which is due to the fact that Vladimir Zinchenko’s personality and intelligence were principally that of a philosopher in psychology and made him a methodologist and historian of psychology all in one. The paper also stresses the encyclopedic nature of knowledge and broad- ness of views in Vladimir Zinchenko, the diversity and multi-sidedness of his interests. As it is showed, his works embrace and to a great extent implement the main research pattern suggested by the great honored companions, that is, the future pattern of a synthesis of art and science. The paper concludes that Vladimir Zinchenko himself remains our honored companion and that his works reveal to us their messages of wisdom so distinctive of the classic of psychological science.
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O'REGAN, Cyril. "The Poetics of Ethos." Ethical Perspectives 8, no. 4 (December 1, 2001): 272–306. http://dx.doi.org/10.2143/ep.8.4.503836.
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Crowell, Steven Galt. "The Poetics of Resistance." International Studies in Philosophy 33, no. 4 (2001): 138–40. http://dx.doi.org/10.5840/intstudphil200133458.
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Cheng, Jiewei. "DERRIDA AND IDEOGRAPHIC POETICS." British Journal of Aesthetics 35, no. 2 (1995): 134–44. http://dx.doi.org/10.1093/bjaesthetics/35.2.134.
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Marsh, David, 1950 Sept. "Julius Caesar Scaliger's Poetics." Journal of the History of Ideas 65, no. 4 (2004): 667–76. http://dx.doi.org/10.1353/jhi.2005.0017.
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Атаниязова, Муборак. "OLIM SHARAFIDDINOV AND ISSSUES OF NAVAI STUDYING." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (January 30, 2021): 137–45. http://dx.doi.org/10.26739/2181-1490-2021-1-14.
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This article is devoted to the study of the history of Navoi studies. It analyzes the scientific views of Olim Sharafiddinov on Navoi studies, the views of the literary scholar on the classics, in particular, the poetics of Alisher Navoi. It also discusses the scholar’s views on Eastern poetics on the example of the poet’s works. At the same time, the contributions of Eastern and Western scholars to the science of Navoi are revealed. Issues related to theoretical and historical poetics are also covered
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Vlaad, Sofie. "Transitioning Texts and Genre Reassignment: Trans Poetics as Trans Philosophy." philoSOPHIA 14, no. 1 (2024): 31–49. http://dx.doi.org/10.1353/phi.2024.a922825.
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Abstract: This paper explores trans poetics as a way of doing trans philosophy. I begin by giving an overview of the current state of trans philosophy. I then give examples of other literatures wherein poetics is taken to be philosophically robust. After giving a brief history of trans poetics, I turn to the poetics statements and poetry of three trans poets—D'Lo, Ching-In Chen, and micha cárdenas—featured in the 2013 anthology Troubling the Line . I show how poetry is often uniquely able to capture the ambiguity of the WTF of trans experience in ways that differ from philosophical argumentation. I conclude by suggesting that poetics might move us away from a potential politics of suffering in trans philosophy to a politics of liberation.
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Ford, Andrew, Michael Davis, and Leon Golden. "Aristotle's Poetics: The Poetry of Philosophy." Classical World 88, no. 2 (1994): 139. http://dx.doi.org/10.2307/4351663.
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Kemal, Salim. "Philosophy and Theory in Arabic Poetics." Journal of Arabic Literature 20, no. 2 (January 1, 1989): 128–47. http://dx.doi.org/10.1163/157006489x00172.
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Roberts, Hugh. "Descartes’s fictions: reading philosophy with poetics." Seventeenth Century 35, no. 6 (July 9, 2020): 830–32. http://dx.doi.org/10.1080/0268117x.2020.1790136.
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