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Academic literature on the topic 'Contre-Réforme – Naples (Italie) – 16e siècle'
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Dissertations / Theses on the topic "Contre-Réforme – Naples (Italie) – 16e siècle"
Marin, Brigitte. "Réformes et espace urbain à Naples à l'époque des Lumières (1734-1799)." Paris 1, 1991. http://www.theses.fr/1991PA010542.
Full textAs opposed to other cities in the 18 th century, Naples faced peculiar social and economic problems, including those linked to the connections between the city and its provinces and its growth rate. Within the framework of the reforms instigated by the bourbons, doctors, architects and economists put forward new solutions to handie the extensive population and redefine the functions of the city. The urban question was reviewed in this thesis in relation to past analysis of the city, revealing a complete transformation of the urban vision between 1730-1740 by the groups. Referred to above. Their approach is examined from a demographic and economic viewpoint, highlighting its specific chronology, all within the framework of european thinking on cities. The proposals made by the reformers are looked at in relation to the policies adopted by the Bourbon dynasty : struggle against the urban government, urban improvements, housing policy, the creating of a new urban police. These royal reforms, inspired by the proposals of the illuministi reveal a royal urban policy designed to take over the governing of the city from the traditionnal powers: the church and the urban representants, who had ensured the control until then
Andretta, Elisa. "Le scalpel de Pierre : médecine et médecins à Rome au XVIe siècle." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0065.
Full textThis thesis deals with physicians and medicine in 16th century Rome. The medical community in Rome can be taken as a useful model for the redefinition of the medical world century and of the forces which interact in it. The research undertaken situates itself at the crossroads of various types of historiography. The thesis intends to shed some light on the professionalisation of medicine in the specific context of patronage by popes and cardinals. Rome, an urban centre, the centre of the Papal States and the centre of Christendom constitutes a laboratory, a centre of diffusion and a relevant model for shedding more light on a period characterised by an explosion of activity and a reconfiguration of status, methods and topics in medicine in general. This project represents a work on the social and political history of science, dealing with the Catholic world and its centre, as well as its capacity to redefine the medical knowledge it possesses by acquiring and integrating new practices
Sarlin, Simon. "Le gouvernement des Bourbons de Naples en exil et la mobilisation européenne contre le Risorgimento entre 1861 et 1866." Paris, EPHE, 2010. http://www.theses.fr/2010EPHE4041.
Full textBetween 1861 and 1866, the Bourbons of Naples and the Neapolitan government-in-exile in Rome fought to maintain the loyalty of their supporters in their former Kingdom and win recognition from the international community, in the hope of hastening the collapse of unified Italy that they deemed inevitable. By comparing the Bourbons’ records to others sources (police, military and diplomatic) in Italy and abroad, this study first examines the relationships between the Neapolitan government-in-exile, legitimist emigration and domestic opposition, from the fall of Gaeta to the revolt of Palermo. Then, a section devoted to the anti-Italian guerrilla in the Southern border of the Papal States focuses on the participation of foreign volunteers in the service of King Francis II and the attitude of the Roman authorities towards the activities of the Neapolitan government and emigration. Analyzing the actual mechanisms of the international armed mobilization in favor of the Bourbons of Naples, the following section discusses the idea of a European counter-revolutionary solidarity that expresses itself throughout the nineteenth century through the circulation of combatants. The last part brings out the Neapolitan government-in-exile’s efforts to ensure, through its network of diplomatic agents, both the support of European powers and the sympathy of public opinion
Jeanne, Boris. "Mexico-Madrid-Rome : sur les pas de Diego Valadés, une étude des milieux romains tournés vers le Nouveau Monde à l'époque de la Contre-Réforme (1568-1594)." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0134.
Full textPapal bulls at the end of the 15th century conferred upon Iberian rulers a significant control over the young American churches. In the wake of the Council of Trent, the Holy See attempted to strike roots through spiritual and diplomatic means. Following in the footsteps of Diego Valadés, a Franciscan mestizo born in New Spain and turned procurator general of his order at the Roman Curia, the present thesis highlights how Rome developed an interest in the New World by collecting information and undertaking diplomatic moves while reckoning with the limits set up by Iberian ecclesiastical patronages. These limits were sometimes over passed through Roman Church structures proper, and in particular through missionary networks converging towards the Curia. The Spanish crown then showed it was likely to react, as was exemplified by the exclusion of Valadés, who thus fled to Perugia to publish his Rhetorica Christiana in 1579. The study of this Latin work intended for European readers offers an insight into the Roman way of seeing America. Starting from the life and work of Valadés, different circles looking towards the New World will be explored, illustrating the world's renewed apostolic concerns regarding papacy at the heart of the Counter-Reformation, in the years preceding the creation of the congregation of Propaganda Fide in the 17th century
Lemos, Maya Suemi. "Du discours moral au discours musical : le thème de la vanité dans la musique italienne post-tridentine." Paris 4, 2006. http://www.theses.fr/2006PA040103.
Full textThe theme of vanity underlies the entire episteme of the sixteenth and seventeenth centuries: veritable discourse on the transience of life, on the ephemeral and vain character of all earthly things, it affects all the domains of artistic expression - literature, the visual arts, but also music. The musical representations on the theme of vanity abound in Post-Tridentine Italy, where they constitute an autonomous category within the ensemble of devotional music. Through the appropriation of almost every musical genre of the time - the sacred and the secular, the serious and learned but also the lighter forms - they take various discursive and operational paths. This variety testifies of the necessity to extend the moral discourse to all parts of society: the Vanities - be they pictorial, literal or musical - seem to materialize, in their condensation of meaning, the moral code of the time. Giving form to it, they affirm it and spread it, but can't, nevertheless, avoid to exhaust it
Comensoli, Antonini Lorenzo. "Une carrière ecclésiastique : le cardinal Giovanni Girolamo Albani (1509-1591)." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040230.
Full textThis thesis is about the life and work of Giovanni Girolamo Albani (1509-1591). It begins with the study of the rise of the Albani family in Bergamo. It is followed by an analysis of the three books published by Albani on the eve of the Council of Trent. The De Cardinalatu (1541) and the De potestate papae et concilii (1544) defend the papal authority from the demands of the cardinals and the councils. Albani argued that the Church should react against the Reform by concentrating the power in Peter's seat. Liber pro oppugnata Romani Pontifici dignitate (1547) takes the Pope’s side in the controversy that arose after the attacks of Luther and Jean Calvin. Then, the thesis examines the reasons for Albani’s cardinal promotion in 1570. It focuses especially on the aid he gave to the Inquisition in 1536, and in 1551 during the investigation against Bergamo’s bishop led by Michele Ghislieri (who later became pope Pius V). The thesis tries to retrace Albani’s curial activity from 1569 to 1591, his role in the College of Cardinals, his family’s networks and his relations with Spain. Special attention is given to his neutral position during the conclaves and the strategies used by competing factions of cardinals. In particular, a chapter focuses on a group of letters in which some familiares of the cardinal talk about prophecies that foresee the imminent death of the pope, nurturing among Albani’s entourage the hope to see their master elected
Lepoittevin, Anne. "La statuaire très chrétienne des Sacri Monti d'Italie (1490-1680) : Génèse, histoire et destin d'une invention moderne." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2012.
Full textThis dissertation examines the history of the Italian Sacri Monti from a comparative perspective. The main objective is to understand how “architectures” that were copies of void monuments from the Holy Land were transformed into large chronological cycles animated through the use of numerous paintings and statues. The religious motivations of these sites define a specific relationship between the different art forms, one that emphasizes sculpture and which can be characterized as a “Christian paragone”. Statuary is particularly didactic and emotional. It is didactic in the sense that the Sacri Monti serve to stage a narrative statuary It is also emotional since the life-sized and polychrome terracotta sculptures are so “alive” that they seem to be performing the scenes. The many characters in the chapels are both familiar and exotic, diverse and repetitive. They constitute types that often look strangely outraged. Their beauty but also their cruel and deformed ugliness serve a didactic purpose: grounded on a physiognomic reading of the scenes, the (guided) pilgrimage to the Sacri Monti mediates a Christian catharsis
Simonetta, Elisabetta. "Lucrezia Gonzaga et Ortensio Lando. Enjeux et contraintes d'un camouflage épistolaire (1552)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA151/document.
Full textLucrezia Gonzaga da Gazzuolo’s (1524-1576) Lettere, first published in 1552 in Venice and reprinted in 2009 only, constitutes a rich epistolary corpus that remains relatively untouched, not having been studied systematically yet.The few academic studies that introduced us to this volume of letters made apparent the need for an extensive analysis of it, with a focus on its intertextuality. Our work reveals the constant, if many-faceted, intellectual presence of Lucrezia’s unofficial editor: the polygraph Ortensio Lando. His editorial decisions capitalize on Lucrezia’s exemplarity, given her misfortunes and active daily life, and on the growing importance of women authors in the cultural industry and, in turn, of women readers.Suspicions of a not-so-straightforward authorship prompted us to center our reflection on the tight relation of interdependence between the gentlewoman and the writer. Our study sheds light on the formal and thematic influence of the irreverent polygraph’s ‘irregular’ writing style on Lucrezia’s letters. This leads us to uncover the full scope of a tortuous publishing project, conceived and orchestrated by Lando, aiming crucially at propagating a new strain of spiritual dissidence, inspired by Erasmus’s Philosophia Christi. Such dissemination, in face of rising religious tensions, would rely on the overwhelming demand for ‘letterbooks’, and take the form, among others, of a complex and reformist proselytism. The letters are thus part of an intricate literary universe ranging from the writings of Lando published between 1550 and 1554 to Erasmus’s much-maligned Enchiridion militis christiani. During a time of increased inquisitorial control and interventions, epistolography become a discrete means of heterodox religious propaganda. The collection of letters also opens up a promising field of investigations and research on the letter: first as a tool to broadcast modern ideas as well as the socio-cultural claims of learned women, but also as a crux for meta-literary issues such as authority, authenticity and auctoriality, and finally a springboard for reflecting on the editorial possibilities and limitations acting upon the literary consecration of women