Journal articles on the topic 'Contrafacten'
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Quinlan, Meghan. "Can melodies be signs? Contrafacture and representation in two trouvère songs." Early Music 48, no. 1 (February 2020): 13–27. http://dx.doi.org/10.1093/em/caz094.
Full textPlanagumà-Clarà, Laura. "Cantar “al tono de”: estudio y recreación musical de contrafacta (ca. 1700-ca. 1830)." Cuadernos de Música Iberoamericana 34 (September 17, 2021): 353–92. http://dx.doi.org/10.5209/cmib.74680.
Full textWulstan, David. "Contrafaction." Musical Times 134, no. 1801 (March 1993): 121. http://dx.doi.org/10.2307/1193852.
Full textHARTMAN, CHARLES O. "CONTRAFACTUM." Yale Review 95, no. 4 (October 2007): 21–38. http://dx.doi.org/10.1111/j.1467-9736.2007.00330.x.
Full textΠαπαδόπουλος, Ιορδάνης. "Contrafactio." Επιστήμη και Κοινωνία: Επιθεώρηση Πολιτικής και Ηθικής Θεωρίας 20 (August 10, 2015): 263. http://dx.doi.org/10.12681/sas.528.
Full textMilsom, John. "Caustun's Contrafacta." Journal of the Royal Musical Association 132, no. 1 (2007): 1–31. http://dx.doi.org/10.1093/jrma/fkl015.
Full textPUTS, F. "Een geestelijk contrafact." Spiegel der Letteren 34, no. 2 (May 1, 1992): 159–68. http://dx.doi.org/10.2143/sdl.34.2.2005599.
Full textChizzali, Michael. "Die frühneuzeitliche Kontrafaktur und ihre geschichtswissenschaftlichen Potenziale." Artes 2, no. 2 (September 18, 2023): 253–76. http://dx.doi.org/10.30965/27727629-20230011.
Full textPujol i Coll, Josep. "Ressonàncies musicals en l’obra de Fontanella." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 11, no. 11 (June 11, 2018): 170. http://dx.doi.org/10.7203/scripta.11.12591.
Full textLeaver, R. A. "Richard Freedman, Lassus contrafacta." Early Music XXX, no. 1 (February 1, 2002): 128–29. http://dx.doi.org/10.1093/em/xxx.1.128.
Full textRose, Stephen. "PATRIOTIC PURIFICATION: CLEANSING ITALIAN SECULAR VOCAL MUSIC IN THURINGIA, 1575–1600." Early Music History 35 (September 28, 2016): 203–60. http://dx.doi.org/10.1017/s0261127916000048.
Full textPlanagumà-Calarà, Laura. "Ta, ta, ta, que los gallos no cantan: música i intertextualitat en contrafacta austriacistes durant la guerra de Successió." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 21, no. 21 (June 22, 2023): 55. http://dx.doi.org/10.7203/scripta.21.26452.
Full textBahat. "LES CONTRAFACTA HEBREUX DES ROMANZAS JUDEO-ESPAGNOLES." Revista de Musicología 9, no. 1 (1986): 141. http://dx.doi.org/10.2307/20795010.
Full textGOODMAN, GLENDA. "Transatlantic Contrafacta, Musical Formats, and the Creation of Political Culture in Revolutionary America." Journal of the Society for American Music 11, no. 4 (October 20, 2017): 392–419. http://dx.doi.org/10.1017/s1752196317000359.
Full textRector, Geoff. "Courtly Romance, the Vernacular Psalms, and Generic Contrafaction." Viator 45, no. 2 (July 2014): 117–47. http://dx.doi.org/10.1484/j.viator.1.103915.
Full textTurner, Bruno. "Peñalosa's hymn O lux beata Trinitas—a contrafactum?" Early Music XXIII, no. 3 (August 1995): 485–86. http://dx.doi.org/10.1093/earlyj/xxiii.3.485.
Full textCastillo Cobos, Felicidad. "La simbología cristiana en la novela pastoril a lo divino: La clara Diana." Analecta Malacitana. Revista de la sección de Filología de la Facultad de Filosofía y Letras 43 (December 24, 2022): 175–212. http://dx.doi.org/10.24310/analecta.v43i.15942.
Full textParshall, Peter. "IMAGO CONTRAFACTA: IMAGES AND FACTS IN THE NORTHERN RENAISSANCE." Art History 16, no. 4 (December 1993): 554–79. http://dx.doi.org/10.1111/j.1467-8365.1993.tb00546.x.
Full textJonášová, Milada. "Contrafacta in Bohemian church music of the 18th century." Musicologica Brunensia 49, no. 2 (2014): 107–26. http://dx.doi.org/10.5817/mb2014-2-8.
Full textPrzybyszewska-Jarmińska, Barbara. "The Polish Contribution to Central European Musical Culture in the Seventeenth Century. The Case of Marcin Mielczewski." Musicological Annual 40, no. 1-2 (December 17, 2021): 137–48. http://dx.doi.org/10.4312/mz.40.1-2.137-148.
Full textDe Azevedo Turboli, Carolina. "O corpo poético na obra de Ana Paula Tavares e de Ana Cristina César." Revista Mulemba 7, no. 13 (December 30, 2015): 41–53. http://dx.doi.org/10.35520/mulemba.2015.v7n13a5035.
Full textAlexander, Gavin. "The Elizabethan Lyric as Contrafactum: Robert Sidney's ‘French Tune’ Identified." Music and Letters 84, no. 3 (August 1, 2003): 378–402. http://dx.doi.org/10.1093/ml/84.3.378.
Full textSantos, Fabiana Cabrera Silva, and Sergio Marcus Nogueira Tavares. "Avaliação da/na educação superior: a contraface da qualidade." Educação & Linguagem 24, no. 1 (August 18, 2021): 305–19. http://dx.doi.org/10.15603/2176-1043/el.v24n1p305-319.
Full textMcCarthy, Kerry. "'Brought to Speake English with the Rest': Byrd's Motet Contrafacta." Musical Times 148, no. 1900 (October 1, 2007): 51. http://dx.doi.org/10.2307/25434477.
Full textWaldman, Berta. "Faces e contrafaces: alguns aspectos da Obra de Amós Oz." Revista de Estudos Orientais, no. 6 (February 2, 2016): 263–75. http://dx.doi.org/10.11606/issn.2763-650x.i6p263-275.
Full textVatteroni, Sergio. "Le décasyllabe dans quelques contrafacta galégo-portugais de modèles occitans." Revue des langues romanes, Tome CXXII N°1 (June 1, 2018): 211–33. http://dx.doi.org/10.4000/rlr.628.
Full textJeż, Tomasz. "Contrafacta of Operatic Arias among the Dominicans of Baroque Silesia." De musica disserenda 11, no. 1-2 (June 2015): 147–62. http://dx.doi.org/10.3986/dmd11.1-2.09.
Full textKatheryn Lawson. "Girl Scout Contrafacta and Symbolic Soldiering in the Great War." American Music 35, no. 3 (2017): 375. http://dx.doi.org/10.5406/americanmusic.35.3.0375.
Full textEkaterina Alekseevna, Mylnikova. "Melodic contrafact as a significant component of composition in jazz music of the 1930–1960 years." Vestnik of Saint Petersburg State University of Culture, no. 2 (55) (2023): 84–87. http://dx.doi.org/10.30725/2619-0303-2023-2-84-87.
Full textHascher-Burger, Ulrike. "Music and Meditation: Songs in Johannes Mauburnus's Rosetum exercitiorum spiritualium." Church History and Religious Culture 88, no. 3 (2008): 347–69. http://dx.doi.org/10.1163/187124108x426538.
Full textMcIlvenna, Una. "The Power of Music: the Significance of Contrafactum in Execution Ballads." Past & Present 229, no. 1 (October 28, 2015): 47–89. http://dx.doi.org/10.1093/pastj/gtv032.
Full textKruger, Daleen. "“Mein Gmut ist mir verwirret”: contrafactum-practice in the Liedboek van die Kerk (“Afrikaans Hymn book of the Church”)." Koers - Bulletin for Christian Scholarship 81, no. 2 (October 31, 2016): 61–79. http://dx.doi.org/10.19108/koers.81.2.2252.
Full textPinto, David. "Pious Pleasures in Early Stuart London." Royal Musical Association Research Chronicle 41 (2008): 1–24. http://dx.doi.org/10.1080/14723808.2008.10541019.
Full textFasquel, Samuel. "Quevedo y las travesuras del mito." Lectura y Signo, no. 5 (November 21, 2010): 129. http://dx.doi.org/10.18002/lys.v0i5.3542.
Full textCaldwell, Mary Channen. "Conductus, Sequence, Refrain." Journal of Musicology 39, no. 2 (2022): 133–78. http://dx.doi.org/10.1525/jm.2022.39.2.133.
Full textDobszay, László. "The responsory: Type and modulation." Studia Musicologica 49, no. 1-2 (March 1, 2008): 3–33. http://dx.doi.org/10.1556/smus.49.2008.1-2.1.
Full textCALDWELL, JOHN. "St Ethelbert, King and Martyr: his cult and office in the West of England." Plainsong and Medieval Music 10, no. 1 (April 2001): 39–46. http://dx.doi.org/10.1017/s0961137101000043.
Full textDavies, Drew Edward. "Arranging music for the liturgy: contrafacts and opera sources from New Spain." Early Music 47, no. 2 (May 2019): 147–60. http://dx.doi.org/10.1093/em/caz020.
Full textSkinner, David. "‘Deliuer me from my deceytful ennemies’: a Tallis contrafactum in time of war." Early Music 44, no. 2 (May 2016): 233–50. http://dx.doi.org/10.1093/em/caw044.
Full textGiron Sheridan, Luciana. "¿Contrafactum, parodia, arreglo? Caracterizando una tradición italiana desde sus manifestaciones en Córdoba, Argentina." Resonancias: Revista de investigación musical 28, no. 54 (June 2024): 55–89. http://dx.doi.org/10.7764/res.2024.54.4.
Full textVardi, Jonathan. "Music in the Dīwān of Samuel ha-Nagid." Medieval Encounters 29, no. 4 (June 26, 2023): 358–90. http://dx.doi.org/10.1163/15700674-12340169.
Full textBrugnago, Naira Vicensi, and André Augusto de Almeida Alves. "Preencher os vazios: sociedade e estrutura fundiária na constituição do espaço urbano de Cascavel - da "Encruzilhada" à década de 1960." Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP 24, no. 43 (August 31, 2017): 36. http://dx.doi.org/10.11606/issn.2317-2762.v24i43p36-55.
Full textDröse, Astrid. "Liedpoetik und soziale Praxis." Daphnis 49, no. 1-2 (March 30, 2021): 188–211. http://dx.doi.org/10.1163/18796583-12340009.
Full textCamurça, Marcelo, Joana Bahia, and Camilla Fogaça Aguiar. "Relações interétnicas, luta contra intolerância religiosa e produção de candidaturas no campo político: eleições municipais de São Gonçalo (RJ) de 2020." Religião & Sociedade 41, no. 3 (December 2021): 75–98. http://dx.doi.org/10.1590/0100-85872021v41n3cap03.
Full textSarpong, F. A. Sarpong. "The place of music in missions work in Ghana: with reference to the church of Pentecost." Pentecost Journal of Theology and Mission 3 (December 31, 2019): 101–11. http://dx.doi.org/10.62868/pjtm.v3i1.125.
Full textButchart, David. "A VISION OF THE NEW JERUSALEM: THE TEXT OF STRIGGIO’S ECCE BEATAM LUCEM." Early Music History 41 (October 2022): 143–80. http://dx.doi.org/10.1017/s0261127923000037.
Full textTakao, Makoto Harris. "‘In their own way’: contrafactal practices in Japanese Christian communities during the 16th century." Early Music 47, no. 2 (April 29, 2019): 183–98. http://dx.doi.org/10.1093/em/caz035.
Full textPark, Sara. "The Church Hymn Thine be the Glory and Study on the Use of Contrafactum." Bible & Theology 106 (April 25, 2023): 125–45. http://dx.doi.org/10.17156/bt.106.05.
Full textCaminhas, Lorena. "Face e contraface da violência de gênero: diálogos entre telenovelas e contexto nacional." Mana 24, no. 3 (December 2018): 33–62. http://dx.doi.org/10.1590/1678-49442018v24n3p033.
Full textMeyer, Christian, Orazio Vecchi, and Ruth I. DeFord. "The Four-Voice Canzonettas. With Original Textes and Contrafacta by Valentin Haussmann and Others." Revue de musicologie 80, no. 1 (1994): 150. http://dx.doi.org/10.2307/947318.
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