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Books on the topic 'Contracts for concurrency'

Author: Grafiati
Published: 28 June 2021
Last updated: 1 February 2022

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1

Office, General Accounting. Navy ships: Concurrency within the SSN-21 program : report to Congressional requesters. Washington, D.C: The Office, 1990.

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2

Laguerre, Alain. Concurrence dans les marchés publics. Paris: Berger-Levrault, 1989.

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3

Dhillon, Jasbir Singh. Concurrence of duties in contract and tort. Harlow: Longman, 1991.

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4

Houin, Roger. Droit commercial.: Concurrence et contrats du commerce. 9th ed. Paris: Dalloz, 1990.

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5

Holyoak, J. H. Concurrent liability in tort and contract. Croydon: Tolley Publishing, 1990.

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6

Pédamon, Michel. Droit commercial: Commerçants et fonds de commerce : concurrence et contrats du commerce. Paris: Dalloz, 1994.

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7

Pédamon, Michel. Droit commercial: Commerçants et fonds de commerce, concurrence et contrats du commerce. 2nd ed. Paris: Dalloz, 2000.

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8

Shaw, Daniel J. Politique de concurrence: Fusions verticales et restrictions contractuelles verticales du commerce. Ottawa, Ont: Bibliothèque du Parlement, Service de recherche, 1991.

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9

Choné, Anne-Sophie. Les abus de domination: Essai en droit des contrats et en droit de la concurrence. Paris: Economica, 2010.

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10

Iannuzzi, Piero. L'obligation de non-concurrence dans les sociétés de professionnels: Vers une théorie de liberté de choix contractuelle. Montréal, Québec: Wilson & Lafleur, 2006.

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11

United States. Congress. House. Committee on Transportation and Infrastructure. Subcommittee on Aviation. H.R. 2107, a bill to preempt state law requiring approval of certain airport projects: Hearing before the Subcommittee on Aviation of the Committee on Transportation and Infrastructure, House of Representatives, One Hundred Seventh Congress, first session, August 1, 2001. Washington: U.S. G.P.O., 2001.

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12

Vogel, Louis. La franchise au carrefour du droit de la concurrence et du droit des contrats: États-Unis, Union européenne, France, Allemagne, Italie. Paris: Panthéon Assas, 2011.

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13

Steele, Gregory K. Employment covenants and confidential information. Markham, Ont: Butterworths, 2002.

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14

Molina, M. Susana Quicios. Efectos de las garantías reguladas por la Ley de ventas a plazos de bienes muebles en caso de incumplimiento del comprador y concurrencia de acreedores. Cizur Menor, Navarra: Thomson/Aranzadi, 2006.

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15

Sidak, J. Gregory. Deregulatory takings and the regulatory contract: The competitive transformation of network industries in the United States. Cambridge, United Kingdom: Cambridge University Press, 1997.

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16

Budget, United States Congress Senate Committee on the. Concurrent resolution on the budget for fiscal year 1995: Hearings before the Committee on the Budget, United States Senate, One Hundred Third Congress, second session. Washington: U.S. G.P.O., 1994.

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17

Concurrent resolution on the budget for fiscal year 1995: Hearings before the Committee on the Budget, United States Senate, One Hundred Third Congress, second session. Washington: U.S. G.P.O., 1994.

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18

New Jersey. Legislature. General Assembly. Committee on Education. Public hearing before Assembly Education Committee: Assembly Concurrent Resolution No. 77/40 Acs (ACS) : proposes constitutional amendment to prohibit State from requiring local boards of education to perform new or expanded program or service without full State funding : date, August 15, 1994, 9:00 a.m. Trenton, N.J: The Unit, 1994.

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19

Peter, Huber. Ch.7 Non-performance, s.3: Termination, Art.7.3.6. Oxford University Press, 2015. http://dx.doi.org/10.1093/law/9780198702627.003.0147.

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This commentary analyses Article 7.3.6 of the UNIDROIT Principles of International Commercial Contracts (PICC) concerning restitution with respect to contracts to be performed at one time. Under Art 7.3.6, when a contract to be performed at one time is terminated, either party may claim restitution of whatever it has supplied under the contract, provided that such party concurrently makes restitution of whatever it has received under the contract. This commentary discusses contracts to be performed at one time, concurrent restitution, reasonable allowance for restitution in kind that is not possible or appropriate, compensation for expenses reasonably required to preserve or maintain the performance received, rules on non-performance, rights of third parties with respect to performance, and burden of proof relating to restitution.
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20

Contrats concurrence consommation 12e annee no 2 fevrier 2002. Litec, 2001.

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21

Jacques, du Plessis. Ch.3 Validity, s.2: Grounds for avoidance, Art.3.2.15. Oxford University Press, 2015. http://dx.doi.org/10.1093/law/9780198702627.003.0069.

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This commentary focuses on Article 3.2.15 of the UNIDROIT Principles of International Commercial Contracts (PICC) concerning the duties of restitution that arise after avoidance of the whole or part of a contract. On avoidance either party may claim restitution of whatever it has supplied under the contract, or the part of it avoided, provided that such party concurrently makes restitution of whatever it has received under the contract, or the part of it avoided. This commentary discusses the content of the duty to restore, the consequences of restitution being impossible or inappropriate, application of the general rules relating to obligations to the restitutionary obligations created by Art 3.2.15, and burden of proof for the requirements of a restitutionary claim arising after avoidance.
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22

Ingeborg, Schwenzer, Hachem Pascal, and Kee Christopher. Part XI Remedies for Breach of Contract, 49 Concurrent Remedies. Oxford University Press, 2012. http://dx.doi.org/10.1093/law/9780199572984.003.0049.

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23

US GOVERNMENT. H.R. 2107, a bill to preempt state law requiring approval of certain airport projects: Hearing before the Subcommittee on Aviation of the Committee on ... Congress, first session, August 1, 2001. For sale by the Supt. of Docs., U.S. G.P.O. [Congressional Sales Office], 2001.

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24

Bomberger, E. Douglas. Making Music American. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872311.001.0001.

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Nineteen seventeen, the year the United States entered World War I, was transformative for American musical culture. The European performers who had dominated classical concert stages for generations came under intense scrutiny, and some of the compositions of Austro-German composers were banned. This year saw the concurrent rise of jazz music from a little-known regional style to a national craze. Significant improvements in recording technology facilitated both the first million-selling jazz record and the first commercial recordings of full symphony orchestras. In a segregated country, as the US military wrestled with how to make use of several million African Americans who had registered for the draft, James Reese Europe broke down racial barriers with his Fifteenth New York National Guard Band. This book tells the story of this year through the lives of eight performers: orchestral conductors Karl Muck and Walter Damrosch, violinist Fritz Kreisler, pianist Olga Samaroff, contralto Ernestine Schumann-Heink, jazz cornetists Dominic LaRocca and Freddie Keppard, and army bandmaster James Reese Europe. Their individual stories, traced month by month through the eventful year of 1917, illuminate the larger changes that convulsed the country’s musical culture and transformed it in uniquely American ways.
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25

Hamann, Edmund T., and Jenelle Reeves. Humanizing Latino Newcomers in the “No Coast” Region. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037665.003.0009.

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In December 2006 and again in May 2008, the Midwest was the setting for large-scale Immigration and Customs Enforcement (ICE) raids in rural meatpacking towns that drew national attention. In the first raids, concurrent sweeps in six different communities that hosted Swift plants, children, and schools emerged as important and sympathy-generating themes as children were separated from detained parents and schools were left struggling to figure out what to do with those children. Both of these issues distracted from the intended law enforcement thrust of the raids, reducing their popularity and making them more controversial. In contrast, the May 2008 raid at a kosher meat-processing facility in Postville, Iowa, had the ICE enforcement agents querying their detainees about whether they had children and placing those who answered yes under house arrest. Although this, too, destroyed the former workers' chance at earning a livelihood, it did not separate mothers from children, nor did it require schools to become emergency sanctuaries for frightened and marooned children. Thus, two key sympathy-generating factors that could make the larger public dubious of ICE enforcement were bypassed. Invoking trope theory, this chapter looks at local and regional mainstream print media coverage of both raids to see how the imagining of children, school, transnationality, and workers in and by Middle America was changed between the two raid cycles, in turn changing the semiotics of how these raids were to be responded to.
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26

Gagliano, Marco da. Madrigals, Part 4. Edited by Edmond Strainchamps. A-R Editions, 2021. http://dx.doi.org/10.31022/b221.

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Il quarto libro de madrigali a cinque voci, the fourth of six books of madrigals by the Florentine composer Marco da Gagliano, was published in 1606. The book is distinguished by the excellence of its music as well as by its varied settings of texts by some of the most celebrated poets of the day. Five of the madrigals use texts by Giovanni Battista Guarini, three by Giambattista Marino, one each by Gabriello Chiabrera, Cosimo Galletti, and Alsaldo Cebà, and a final two-part madrigal for six voices sets a sonnet by the great fourteenth-century poet Francesco Petrarca. In addition to fourteen madrigals by Gagliano, the book contains three by guest composers Luca Bati and Giovanni and Lorenzo Del Turco. Gagliano's madrigals in book 4, in contrast with those of his earlier books, are lighter and show the clear influence of the contemporary canzonetta, which is manifested in their brevity; the discrete sectioning of the music, frequently with concurrent rests in all the voices that separate the presentation of individual poetic lines; the omnipresent syllabic setting of words; and the simpler and shorter motives that are most often presented in a homophonic texture. In some of these madrigals, motives shaped by the melody and rhythm of spoken language might serve well in monodies. Indeed, in his magisterial study of the madrigal, Alfred Einstein went so far as to suggest that some of these madrigals have the effect of polyphonic, imitative arrangements of Florentine monodies.
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