Relevant bibliographies by topics / Contemporarya

Academic literature on the topic 'Contemporarya'

Author: Grafiati
Published: 25 July 2024
Last updated: 26 July 2024

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Journal articles on the topic "Contemporarya"

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Penwell, William F., Adam B. Shapiro, Robert A. Giacobbe, Rong-Fang Gu, Ning Gao, Jason Thresher, Robert E. McLaughlin, et al. "Molecular Mechanisms of Sulbactam Antibacterial Activity and Resistance Determinants in Acinetobacter baumannii." Antimicrobial Agents and Chemotherapy 59, no. 3 (January 5, 2015): 1680–89. http://dx.doi.org/10.1128/aac.04808-14.

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ABSTRACTSulbactam is a class A β-lactamase inhibitor with intrinsic whole-cell activity against certain bacterial species, includingAcinetobacter baumannii. The clinical use of sulbactam forA. baumanniiinfections is of interest due to increasing multidrug resistance in this pathogen. However, the molecular drivers of its antibacterial activity and resistance determinants have yet to be precisely defined. Here we show that the antibacterial activities of sulbactam vary widely across contemporaryA. baumanniiclinical isolates and are mediated through inhibition of the penicillin-binding proteins (PBPs) PBP1 and PBP3, with very low frequency of resistance; the rarepbp3mutants with high levels of resistance to sulbactam are attenuated in fitness. These results support further investigation of the potential clinical utility of sulbactam.
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Klinkhammer, Lutz. "Has "Il Novecento" Superseded "Storia Contemporanea"? Some Thoughts on Italian Contemporary History." Soudobé dějiny 15, no. 2 (June 1, 2008): 357–76. http://dx.doi.org/10.51134/sod.2008.025.

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Comunian, Roberta. "URBAN BRANDING AND CONTEMPORARY ART ‘TORINO CONTEMPORANEA’ AS A MODEL OF CULTURAL MARKETING." Regions Magazine 268, no. 1 (December 2007): 15–17. http://dx.doi.org/10.1080/13673882.2007.8628826.

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Spiridonova, Lidya A. "Горьковедение на современном этапе развития." Studia Litterarum 1, no. 3-4 (2016): 419–33. http://dx.doi.org/10.22455/2500-4247-2016-1-3-4-419-433.

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Ordaz Hernández, David, and Javier Figueroa Castellanos. "Hacia una criminología contemporánea." Vox juris 33, no. 1 (June 30, 2017): 113–22. http://dx.doi.org/10.24265/voxjuris.2017.v33n1.10.

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Dr.K.SELVAKUMAR, Dr K. SELVAKUMAR. "Classical to Contemporary Management." Indian Journal of Applied Research 4, no. 4 (October 1, 2011): 1–2. http://dx.doi.org/10.15373/2249555x/apr2014/238.

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BRELIK, Agnieszka, and Ireneusz ŻUCHOWSKI. "COMPETENCIES OF CONTEMPORARY MANAGERS." Folia Pomeranae Universitatis Technologiae Stetinensis Oeconomica 339, no. 89 (December 30, 2017): 15–28. http://dx.doi.org/10.21005/oe.2017.89.4.02.

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LESENCIUC, Adrian. "PERSPECTIVES ON CONTEMPORARY CEREMONIALISM." Review of the Air Force Academy 16, no. 1 (August 1, 2018): 95–99. http://dx.doi.org/10.19062/1842-9238.2018.16.1.14.

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V, Darshan, Vijay Sudharshan, and Rishikesh R. "Reservation-A Contemporary Analysis." International Journal of Trend in Scientific Research and Development Volume-3, Issue-1 (December 31, 2018): 65–73. http://dx.doi.org/10.31142/ijtsrd18943.

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Cortés García, Alba. "HETEROTOPÍAS DEL PAISAJE CONTEMPORÁNEO." Journal of Arts and Visual Culture, no. 1 (2018): 22–31. http://dx.doi.org/10.12795/jovc.2017.i01.03.

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Dissertations / Theses on the topic "Contemporarya"

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Masiero, Valentina <1989&gt. "Contemporary Love - panoramica sull'arte erotica giapponese contemporanea." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7535.

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L'elaborato si propone di presentare l'arte erotica giapponese contemporanea con l'intento di tracciarne un profilo tecnico e tematico. La ricerca contestualizza lo sviluppo dell'arte erotica a partire dagli shunga di periodo Edo fino i giorni nostri per comprenderne le sfumature, i collegamenti e la simbologia ricorrente, cercando di esplicitare i motivi di tali eventuali riprese, senza tralasciare la componente sociale. L'approfondimento si situa all'interno degli studi artistici e cerca di estrapolare dal calderone della definizione “arte erotica” varie tipologie di produzioni nei sottoinsiemi di fotografia, manga, architettura e danza. L'incipit si occupa di introdurre il lettore al mondo degli shunga e della fruizione di questi ultimi. Il sentiero prosegue poi verso i primi anni del Novecento e profila lo sviluppo delle tecniche artistiche e l'introduzione di nuove tematiche in relazione al cambiamento della figura femminile all'interno della società. Segue poi una terza parte incentrata nelle produzioni di fotografia ed illustrazione dagli anni Sessanta ad oggi, che tratterà nello specifico la simbologia esplicita ed implicita all'interno delle opere. L'indagine approda, infine, all'analisi di alcune collaborazioni fra più campi artistici e sfocia nell'attuale pervasività della “commercializzazione” dei corpi e dei sentimenti.
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POLA, FRANCESCA. "MITICO PLASTICO MAGICO. Italia e Germania 1918-1925. Episodi e figure di un dialogo artistico." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/218.

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La ricerca ha individuato come elemento specifico d'interesse la ricostruzione storico-critica delle relazioni artistiche tra Italia e Germania, nel periodo compreso tra il 1918 e il 1925, nel corso del quale sono stati riscontrati gli episodi più rilevanti e i momenti originanti di sviluppi significativi per gli artisti, i galleristi e gli intellettuali coinvolti in queste relazioni. La ricostruzione storica delle vicende espositive, bibliografiche, documentarie, che hanno costituito il tessuto attraverso il quale si sono sviluppati e intrecciati i percorsi dei due ambiti culturali, è stata arricchita dall'individuazione e dall'approfondimento di alcuni aspetti e tematiche che si sono riconosciuti come ricorrenti e fondanti il dialogo artistico tra Italia e Germania nel corso del periodo preso in esame. Il primo capitolo si concentra sul quadro di riferimento storico-critico e sulle figure di mediatori che ne hanno permesso gli scambi, mentre il secondo sull'ambito delle relazioni tra Valori Plastici e la Germania. Il terzo capitolo ricostruisce le vicende di alcuni artisti tedeschi che nel periodo in questione soggiornano in Italia (Georg Schrimpf, Carlo Mense, Alexander Kanoldt, Christian Schad). L'ultimo capitolo accenna invece ad alcune ipotesi di analisi comparativa, che testimoniano del comune terreno di ricerca.
This research has been considering as a specific element of interest the historical-critical reconstruction of the artistic relationships between Italy and Germany in the period 1918-1925. During these years, it has recognized the most relevant episodes and the originating moments for meaningful developments in the following decades, for artists, galleries, intellectuals involved in these relationships. The historical reconstruction of exhibitions, publications, documents, which determined the environment for the courses of the two cultural surroundings to develop and intertwine, has been enriched by the identification and study of some aspects and themes recognized as recurring and founding for the artistic dialogue between Italy and Germany in the analyzed period. The first chapter focuses on the historical-critical frame of reference and on the figures of mediators who allowed these exchanges, while the second concentrates on the relationships between Valori Plastici and Germany. The third chapter reconstructs the Italian stays of some German artist who reside in Italy during this period (Georg Schrimpf, Carlo Mense, Alexander Kanoldt, Christian Schad). The last chapter proposes some hypotheses for comparative analysis, that testify the common ground of research.
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POLA, FRANCESCA. "MITICO PLASTICO MAGICO. Italia e Germania 1918-1925. Episodi e figure di un dialogo artistico." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/218.

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La ricerca ha individuato come elemento specifico d'interesse la ricostruzione storico-critica delle relazioni artistiche tra Italia e Germania, nel periodo compreso tra il 1918 e il 1925, nel corso del quale sono stati riscontrati gli episodi più rilevanti e i momenti originanti di sviluppi significativi per gli artisti, i galleristi e gli intellettuali coinvolti in queste relazioni. La ricostruzione storica delle vicende espositive, bibliografiche, documentarie, che hanno costituito il tessuto attraverso il quale si sono sviluppati e intrecciati i percorsi dei due ambiti culturali, è stata arricchita dall'individuazione e dall'approfondimento di alcuni aspetti e tematiche che si sono riconosciuti come ricorrenti e fondanti il dialogo artistico tra Italia e Germania nel corso del periodo preso in esame. Il primo capitolo si concentra sul quadro di riferimento storico-critico e sulle figure di mediatori che ne hanno permesso gli scambi, mentre il secondo sull'ambito delle relazioni tra Valori Plastici e la Germania. Il terzo capitolo ricostruisce le vicende di alcuni artisti tedeschi che nel periodo in questione soggiornano in Italia (Georg Schrimpf, Carlo Mense, Alexander Kanoldt, Christian Schad). L'ultimo capitolo accenna invece ad alcune ipotesi di analisi comparativa, che testimoniano del comune terreno di ricerca.
This research has been considering as a specific element of interest the historical-critical reconstruction of the artistic relationships between Italy and Germany in the period 1918-1925. During these years, it has recognized the most relevant episodes and the originating moments for meaningful developments in the following decades, for artists, galleries, intellectuals involved in these relationships. The historical reconstruction of exhibitions, publications, documents, which determined the environment for the courses of the two cultural surroundings to develop and intertwine, has been enriched by the identification and study of some aspects and themes recognized as recurring and founding for the artistic dialogue between Italy and Germany in the analyzed period. The first chapter focuses on the historical-critical frame of reference and on the figures of mediators who allowed these exchanges, while the second concentrates on the relationships between Valori Plastici and Germany. The third chapter reconstructs the Italian stays of some German artist who reside in Italy during this period (Georg Schrimpf, Carlo Mense, Alexander Kanoldt, Christian Schad). The last chapter proposes some hypotheses for comparative analysis, that testify the common ground of research.
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CODIGNOLA, FEDERICA. "Mercato dell'arte e prodotto artistico contemporaneo." Doctoral thesis, Università degli Studi di Milano - Bicocca, 2006. http://hdl.handle.net/10281/46013.

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The author agrees with the current hypothesis, namely, that the contemporary art market can be examined from an economic perspective, by using analytical instruments that are typical of the management and marketing sciences. It is a fact that the evolution of the artist-as-artisan towards the artist-as-creator is based upon the concept of the non-retribution of the creative act. (The latter is described as the artist's intimate expression.) This fact, however, does not prevent the result of such a creative act from becoming the object of a monetary exchange and being assigned a price tag. The author then accepts that, when compared to other products, the artistic product is unique due to the subjectivity of its value. In this framework, she examines the laws regulating the contemporary art market and the behavioral patterns of its actors -- the creative, production, and exchange levels, the promotion of the artists' activity, the networks of often conflicting individuals and institutions. Still, she is well aware that, far from being stable, the contemporary art market is still deeply influenced by evolving mechanisms that aim towards an overall simplification. The typical features of the contemporary art market significantly enrich the scope of the management and marketing sciences. Their analytical instruments, however, remain of fundamental value even for the contemporary art market, in spite of the fact that they normally take for granted homogeneous market conditions which are not so in the contemporary market. The author concludes that any examination of the contemporary art market must focus on its special features and be wary of concepts and frameworks normally used for manufactured products (efficacy, competition, well-being). According to the authors, these special features are the results of values and criteria that are peculiar but not irrational, of subjective but not arbitrary judgments, and of irregular but non incomprehensible dynamics. The author also examines how globalization influences the contemporary art market. She singles out phenomena such as democratization, superimposition, enlargement, and approximation as the more evident results of such an interaction. By well using the analytical instruments of the management and marketing sciences, the author shows the innovative dimensions of the contemporary art market and identifies its institutional and organizational needs. Finally, the author points to the ways in which the contemporary art market tries to enlarge its scope by reaching out to new consumers.
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Castellini, Luisa. "L'opera d'arte contemporanea sacra nella cultura dell'occidente cristiano." Doctoral thesis, Università di Catania, 2012. http://hdl.handle.net/10761/1193.

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La ricerca si muove dalla irriducibile polisemia del sacro. All'interno di questo, l'indagine si sviluppa per verificare le premesse ontologiche necessarie per riconoscerne autenticamente l'essere medium tra l'uomo e il divino. Tale funzione si attua sui medesimi segmenti nei quali si attiva l'opera d'arte intesa come evento della verità. All'interno di una ricognizione del panorama artistico contemporaneo volta a rintracciare la presenza del sacro e nel seguire le premesse e gli sviluppi del mutamento da un regime di ostensione a uno di esposizione, si va chiarendo l'essenza dell'opera d'arte sacra che quindi viene condotta ad analisi nel suo creare uno spazio-tempo specifico, nel suo anelito al divino inteso come possibile e nella sua funzione epifanica.
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NAPOLITANO, PAOLA. "Nella Berther: edizione e studio dei diari inediti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/384.

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NAPOLITANO, PAOLA. "Nella Berther: edizione e studio dei diari inediti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/384.

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Masseroni, Andrea. "La religione di Mussolini. Fascismo, politica e religione negli scritti e nei discorsi." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86047.

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Da qualche anno a questa parte, la figura di Benito Mussolini è tornata violentemente alla ribalta della cronaca, al punto che il quotidiano "Il tempo" ritenne opportuno dedicargli la prima pagina dell’edizione del 30 dicembre 2017 definendolo «L’uomo dell’anno». Oltre che nella cinematografia, la figura di Mussolini ritorna sulla carta stampata, anche in merito al suo sentimento religioso. Insieme a Mussolini, anche il ruolo del fascismo nella società italiana – e non soltanto – è tornato a presenziare fra forze politiche che intendono rifarsi – più o meno coscientemente – ad una ideologia e ai motti fascisti (pseudo-mussoliniani), fra personaggi della politica rivestiti di incarichi istituzionali che elogiano tanto il fascismo quanto la stessa figura di Mussolini e, non può stupire a questo punto, anche fra gli eventi della cronaca pressoché quotidiana. Che si possa parlare lecitamente o illecitamente di ritorno del fascismo è un dibattito ancora aperto; è tuttavia innegabile che qualcosa stia succedendo in seno alla democrazia repubblicana italiana. [...]
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Menti, Daiana. "L’Italia fuori d’Italia: il cattolicesimo veicolo dell’identità nazionale nell’ottica del fascismo. Compromessi e punti fermi dall’archivio di p. Pietro Tacchi Venturi S.I. (1923-1929)." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86049.

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[...] Lo studio dei 2210 fascicoli consultabili della sola serie Affari (su un totale di 2697) ha messo in luce un complesso intreccio di questioni in cui Tacchi Venturi fu coinvolto in veste di intermediario ufficioso fra Santa Sede e governo fascista. Si tratta di numerosi incarichi estremamente diversificati per materia (peraltro chiaramente indicata sulla camicia dei singoli fascicoli secondo un ordine messo a punto dal gesuita stesso), che costrinsero Tacchi Venturi a muoversi non solo fra il pontefice, la Segreteria di Stato e il capo del governo, ma soprattutto fra i diversi ministeri di volta in volta competenti, le Congregazioni, nonché singole personalità sia della sfera ecclesiastica che politico-istituzionale. Ciò che emerge dallo studio di questo fondo archivistico è un attivismo non comune [...]
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Ferraz, Vidal Junior Icaro. "Présence et représentation de l’analité dans l’Art contemporain." Doctoral thesis, Università degli studi di Bergamo, 2018. http://hdl.handle.net/10446/130058.

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This thesis offers an analysis of the presence and representations of anality in contemporary art. The works analyzed here are grouped around three central axes: the first one investigates the relationship between sex and politics, the second is dedicated to the links between excretion and the industrial production system, the third one proposes a link between eroticism and ecology. In the first axis, we propose a path that goes through the relationship between matriarchy and patriarchy and comes to contemporary queer theory. In this context, we study the artistic and activist pornterrorist production. The second axis takes up the historical process of sanitizing cities and the Freudian formulations on the anal character to create a context for the analysis of works by Piero Manzoni, Wim Delvoye, Paul McCarthy and Andres Serrano. The last axis tries to create resonances between the philosophy of Gilbert Simondon, The solar anus, a short essay by Georges Bataille, the pictorial production by Jakub Julian Ziolkowski and the video Cooking, by Tunga, based on Simondon’s concept of order of magnitude, from which we try to unravel the relationships of the anus with the cosmos in contemporary artistic production.
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Books on the topic "Contemporarya"

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Barcellona: Architettura contemporanea = Barcelona : contemporary architecture. Roma: DBCARD-edizioni associate, 2003.

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Israele: Arte contemporanea = Israel : contemporary art. Cinisello Balsamo, Milano: Silvana, 2007.

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Giovanardi: Produrre arte contemporanea = producing contemporary art. Cinisello Balsamo, Milano: Silvana editoriale, 2022.

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Milano, Christie's. Arte moderna e contemporanea: Modern and contemporary art. Milano: Christie's, 2002.

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Arte moderna e contemporanea: Modern and contemporary art. Roma: Christie's, 2002.

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Censi, Maria Rita. RM 06: Roma-architettura contemporanea = Rome-contemporary architecture. Roma]: Kappa, 2006.

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Centre de Cultura Contemporània de Barcelona., ed. Contemporary Barcelona 1856-1999 =: Barcelona contemporanea 1856-1999. Barcelona: Centre de Cultura Contemporània de Barcelona, 1996.

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Milano, Christie's. Arte moderna e contemporanea: Modern and contemporary art. Milano: Christie's, 2001.

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Monica, Toraldo di Francia, and Magherini Graziella, eds. Artemisia Gentileschi: Nostra contemporanea = Artemisia Gentileschi : our contemporary. Firenze: NICOMP LE, 2002.

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Luca, Quattrocchi, Mileti Orsola, and Palazzo pubblico (Siena Italy), eds. Erranti nella videoarte contemporanea =: Wanderers in contemporary video art. Cinisello Balsamo (Milano): Silvana, 2008.

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Book chapters on the topic "Contemporarya"

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Ballaster, Ros, Margaret Beetham, Elizabeth Frazer, and Sandra Hebron. "Contemporary magazines, contemporary readers." In Women’s Worlds, 126–68. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21391-7_6.

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Wee, C. J. W. L. "Contemporary theatre, the contemporary, and historicity." In The Routledge Companion to Theatre and Politics, 29–32. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge theatre and performance companions: Routledge, 2019. http://dx.doi.org/10.4324/9780203731055-8.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Explorations in Art and Technology, 185–90. London: Springer London, 2002. http://dx.doi.org/10.1007/978-1-4471-0197-0_20.

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Mackey, Hollie J. "Contemporary Decolonolization." In The Wiley Handbook of Educational Policy, 267–87. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781119218456.ch12.

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Husquinet, Jean-Pierre. "Contemporary Totemism." In Springer Series on Cultural Computing, 211–16. London: Springer London, 2018. http://dx.doi.org/10.1007/978-1-4471-7367-0_20.

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Churton, Mel, and Anne Brown. "Contemporary Theory." In Theory and Method, 118–59. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-02163-2_4.

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Churton, Mel, and Anne Brown. "Contemporary Debates." In Theory and Method, 160–207. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-02163-2_5.

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Avery, Simon, and Nicolas Tredell. "Contemporary Reviews." In Thomas Hardy, 15–30. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-02168-7_2.

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Gordon, G. A. H. "Contemporary Circumstances." In British Seapower and Procurement between the Wars, 69–75. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08958-1_7.

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Stanišić, M. M. "Contemporary Turbulence." In Universitext, 423–50. New York, NY: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4612-3840-9_6.

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Conference papers on the topic "Contemporarya"

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Lisle, David A., and Lyle D. McGinnis. "Contemporary stress fields, ancient lithospheric blocks, and contemporary earthquakes." In 1985 SEG Technical Program Expanded Abstracts. SEG, 1985. http://dx.doi.org/10.1190/1.1892747.

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Akuru, U. B., and M. J. Kamper. "Contemporary wind generators." In 2014 International Conference on the Industrial and Commercial Use of Energy (ICUE). IEEE, 2014. http://dx.doi.org/10.1109/icue.2014.6904205.

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Aubrecht II, Gordon J. "Teaching contemporary physics." In AIP Conference Proceedings Volume 173. AIP, 1988. http://dx.doi.org/10.1063/1.37537.

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Ekhaguere, G. O. S. "Contemporary Stochastic Analysis." In International Conference on Contemporary Problems in Stochastic Analysis and its Applications. WORLD SCIENTIFIC, 1991. http://dx.doi.org/10.1142/9789814538756.

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Barnas, Janusz. "CONTEMPORARY TIMBER BUILDINGS." In 18th International Multidisciplinary Scientific GeoConference SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgem2018v/6.4/s09.043.

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Mantziaras, Panos. "The contemporary picturesque." In International Conference Virtual City and Territory. Guadalajara: Centre de Política de Sòl i Valoracions, 2007. http://dx.doi.org/10.5821/ctv.7469.

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O'Neil, L. Jean, and Michael F. Passmore. "A Contemporary Fable." In Wetlands Engineering and River Restoration Conference 1998. Reston, VA: American Society of Civil Engineers, 1998. http://dx.doi.org/10.1061/40382(1998)134.

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Sugimoto, Natsuki, and Minako McCarthy. "Magnificent Contemporary Hepburn." In Breaking Boundaries. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.13523.

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Vaida, Daria Nikolaevna. "Contemporary Religious Architecture." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-530599.

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Vallières, Michel, and Da Hsuan Feng. "Symposium on Contemporary Physics." In Symposium on Contemporary Physics. WORLD SCIENTIFIC, 1993. http://dx.doi.org/10.1142/9789814535359.

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Reports on the topic "Contemporarya"

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Margolis, Leo, and Nicole Eckerson. Contemporary Utilitarianism. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1674.

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Creamer, Elizabeth. Contemporary Mixed Methods Research. Instats Inc., 2023. http://dx.doi.org/10.61700/s0sqns3fhs62h469.

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This 3-day seminar offers a comprehensive understanding of mixed methods research, focusing on its integration and theoretical approach. Participants will acquire skills such as crafting a mixed methods purpose statement, creating diverse visual displays that combine data from various sources, and designing a procedural diagram that shows the integration points in the research process. The seminar is based on the seminar leader's two textbooks on mixed methods, and each day ends with a chance to win a complimentary copy of one of these books. An official Instats certificate of completion will be provided along with 2 ECTS Equivalent points.
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Creamer, Elizabeth. Contemporary Mixed Methods Research. Instats Inc., 2023. http://dx.doi.org/10.61700/ellubimu8hji0469.

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Abstract:
This 3-day seminar offers a comprehensive understanding of mixed methods research, focusing on its integration and theoretical approach. Participants will acquire skills such as crafting a mixed methods purpose statement, creating diverse visual displays that combine data from various sources, and designing a procedural diagram that shows the integration points in the research process. The seminar is based on the seminar leader's two textbooks on mixed methods, and each day ends with a chance to win a complimentary copy of one of these books. An official Instats certificate of completion will be provided along with 2 ECTS Equivalent points.
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4

Linn, II, and William D. Officer Development: A Contemporary Roadmap. Fort Belvoir, VA: Defense Technical Information Center, May 2008. http://dx.doi.org/10.21236/ada485357.

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Lindbeck, Assar. Pensions and Contemporary Socioeconomic Change. Cambridge, MA: National Bureau of Economic Research, June 2000. http://dx.doi.org/10.3386/w7770.

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Wirtz, James. Strategy in the Contemporary World. Fort Belvoir, VA: Defense Technical Information Center, June 2000. http://dx.doi.org/10.21236/ada384204.

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Pfeffer, G. J. Weather and Overlord: Contemporary Lessons. Fort Belvoir, VA: Defense Technical Information Center, March 1985. http://dx.doi.org/10.21236/ada159211.

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Pal, Nikhil, Jehangir Din, and Peter O'Kane. Contemporary Management of Stent Failure. Radcliffe Cardiology, July 2019. http://dx.doi.org/10.15420/rc.2019.m028.

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Jayasimha, Sudhindra, and Anthony Devasia. Contemporary diagnosis of genitourinary tuberculosis. BJUI Knowledge, January 2021. http://dx.doi.org/10.18591/bjuik.0555.

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Schluckebier, Kai. Intersections in contemporary traffic planning. Goethe-Universität, Institut für Humangeographie, August 2021. http://dx.doi.org/10.21248/gups.58866.

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In Germany, traffic planning still follows the tradition of modernist urban planning theory from the beginning of the 1930s and car-oriented city planning during the post-war period in West Germany. From a methodological perspective, the prevailing narrative is that traffic can be abstracted and modelled under laboratory conditions (in vitro) as a spatial movement process of individual neutral particles. The use of these laboratory experiments in traffic planning cannot be understood as a neutral application of experimental results, assumed to be true, in a variety of spatial contexts. Rather, it is an active practice of staging traffic according to a particular social interactionist paradigm. According to this, traffic is staged through interventions in planning authorities as well as the practices of people on the streets. In order to describe these staging conduits, traffic is ontologically thought of as a social order that is continuously reproduced situationally through interactions, following Erving Goffman and Harold Garfinkel. To investigate the staging conduits empirically, an ethnographic-inspired field study was conducted at Willy-Brandt-Platz in Frankfurt am Main in May and June 2020. Through situational mapping and observation of social interactions (in situ), knowledge about the staging of social orders was generated. These empirical findings are further embedded in debates that discuss traffic not only as a staging but also as an enactment of certain realities. Understanding planning practice as a political enactment, through which realities are not only described but also made, makes it possible for us to think and design alternative realities.
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