Relevant bibliographies by topics / Contemporary practise

Academic literature on the topic 'Contemporary practise'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Contemporary practise"

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McNally, Steve. "Freedom to practise: professionalism in contemporary services." Journal of Learning Disabilities for Nursing, Health, and Social Care 1, no. 3 (September 1997): 102–4. http://dx.doi.org/10.1177/146900479700100302.

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Oparin, Dmitriy. "The commemoration of the dead in contemporary Asiatic Yupik ritual space." Études/Inuit/Studies 36, no. 2 (May 31, 2013): 187–207. http://dx.doi.org/10.7202/1015984ar.

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Contemporary Asiatic Yupik living in Chukotka (Russia) practise various types of ritual feeding of the spirits. People feed the spirits for specific purposes and at different places. The core ritual of feeding the deceased is an autumn commemoration of the dead (aghqesaghtuq), which is described in this article with examples from Novoe Chaplino and Sireniki. This seemingly simple ceremony is full of nuances, and each family practises it in its own manner. The variability of this ritual and the many models of behaviour within present-day ritual space reflect social diversity. Two aspects, the diverse practices of feeding the spirits and the specific ritual of commemoration of the dead, are key to understanding different social and cultural processes in Yupik villages.
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Hora, M., K. Kalusová, V. Eret, I. Trávníček, T. Pitra, O. Dolejšová, and O. Hes. "Surgical treatment of kidney tumours – contemporary trends in clinical practise." European Urology Supplements 14, no. 6 (October 2015): e1266. http://dx.doi.org/10.1016/s1569-9056(15)30303-1.

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Thompson, Melanie, and Sheena E. E. Blair. "Creative arts in occupational therapy: ancient history or contemporary practise?" Occupational Therapy International 5, no. 1 (March 1998): 48–64. http://dx.doi.org/10.1002/oti.67.

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Jonveaux, Isabelle. "Ascetism: an endangered value? Mutations of ascetism in contemporary monasticism." Scripta Instituti Donneriani Aboensis 23 (January 1, 2011): 186–96. http://dx.doi.org/10.30674/scripta.67386.

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This article seeks to understand the shifts which are affecting monastic asceticism in modern society. Is monastic asceticism really changing and in which terms? Why has the place of the body in religious virtuosity changed? As religious virtuosity is based on ascetic practices, we cannot consider that monastic life nowadays has totally eschewed asceticism. So we have to understand the new sense given to this traditional religious practice. It seems that both asceticism and the place of the body in monastic life are changing. Rather than a decline of asceticism, it is more accurate to say that its meaning is being redefined and it becomes more intellectual than physical. At the same time, the body acquires a new position: from mortification to self-fulfilment, it becomes a new ally—and no longer an enemy—of monastic life. So, is asceticism an endangered value? Yes, in the sense that it is no longer a religious value, as was proved by monks who said they are not ascetics, or the nun who said that her community lives a ‘non-ascetic asceticism’. However this does not mean that it has disappeared. The practice of asceticism is necessary to religious virtuosity, but the way to practise it and to define it has been changing, and this is contingent on other evolutions of the religious system and of society. The new kind of asceticism which monks are living nowadays is mainly intellectual asceticism.
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Przednowek, Karolina H., Dorota Kopeć, and Anna Walaszczyk-Iskra. "PHYSIQUE AND BODY COMPOSITION OF GIRLS PRACTISING CONTEMPORARY DANCE." Polish Journal of Sport and Tourism 24, no. 3 (September 26, 2017): 192–97. http://dx.doi.org/10.1515/pjst-2017-0019.

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Abstract Introduction. Physique and body composition are often explored in sport-related research. This is due to the fact that morphological features can be useful for determining a person’s predispositions for practising a given type of physical activity. Dance, as any other sports discipline, has an impact on the physique and motor skills of those who practise it. Most research concerning the physique and body composition of dancers conducted so far has focused on persons practising ballet or competitive ballroom dancing. Investigating these issues in contemporary dancers is a new field of study. The aim of the current study was to examine the physique and body composition of girls aged 14-17 years practising contemporary dance. Material and methods. The study involved 23 girls who trained contemporary dance twice a week for 2 hours. The participants of the study had been training since the age of six. Basic anthropometric measurements were performed. Body composition was analysed based on parameters measured using a Tanita body composition analyser. Conclusions. The analysis found that girls training contemporary dance were characterised by a leptosomatic physique. BMI values in both younger and older contemporary dancers indicated that their weight was normal. Compared to girls who did not practise any particular type of sport, contemporary dancers had a lower weight, a lower body water percentage, and a lower body fat percentage. The dancers were also characterised by a greater circumference of the waist, hips, arm, and chest compared to untrained peers.
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Yi, Lin. "Individuality, subjectivation, and their civic significance in contemporary China: The cultivation of an ethical self in a cultural community." China Information 33, no. 3 (September 24, 2018): 329–49. http://dx.doi.org/10.1177/0920203x18800877.

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Drawing upon ethnographic data collected from fieldwork among a reading-based community in a coastal city over 10 years, and Michel Foucault’s notion of the cultivation of an ethical self, the primary aim of this study is to examine three issues: (1) how do middle-class citizens articulate and practise the cultural activities that they advocate?; (2) are their practices simultaneously individualized and totalized in the way that Foucault demonstrates?; and (3) do these internally oriented practices have civic significance?
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Kusztal, Justyna, and Ewelina Franczyk. "Loneliness in penitentiary isolation in social rehabilitation." Studia z Teorii Wychowania XI, no. 2(31) (August 20, 2020): 245–62. http://dx.doi.org/10.5604/01.3001.0014.3657.

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This article, based on literature analysys, will present the concept of the loneliness in penitentiary isolation over the centuries and the critique of the concept in contemporary social rehabilitation. The article focuses on the analysys of loneliness and the the justifications of the penalty reaction in criminal policy in historical approach. This idea of loneliness is critisezed in contemporary theories and practise of social rehabiltation. The programmes of social rehabilitation of convicted based on resources and socialisation’s and activisation’s strategy in local community
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Asrar ul Haq, Muhammad, It Meng Tsay, Diem T. Dinh, Angela Brennan, David Clark, Nicholas Cox, Richard Harper, et al. "Prevalence and outcomes of trans-radial access for percutaneous coronary intervention in contemporary practise." International Journal of Cardiology 221 (October 2016): 264–68. http://dx.doi.org/10.1016/j.ijcard.2016.06.099.

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Terry, Hoang, Peck, and Lê. "The Historic to Contemporary Challenges among International Medical Graduates Seeking to Practise in Australia." Health and History 23, no. 1 (2021): 61. http://dx.doi.org/10.5401/healthhist.23.1.0061.

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Dissertations / Theses on the topic "Contemporary practise"

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FOWLER, MICHAEL D. "TOSHI ICHIYANAGI'S PIANO MEDIA: FINDING PARALLELISMS TO PATTERNS IN JAPANESE CULTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1113278564.

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Middleton, Steven Anthony, and smi81431@bigpond net au. "A limited study of mechanical intelligence as media." RMIT University. Creative Media, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080717.161751.

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The project investigates mathematics, informatics, statistical analysis and their histories, the history of human engagement with machines, and illustrates some uses of artificial intelligence and robotic technologies as media. It is concerned with, amongst other issues, the sentient and not sentient binaries offered in discourses on machine intelligence. The term intelligence is used to distinguish between human and not human. However, a non-human, the intelligent machine, has become incorporated into the processes by which our culture defines intelligence. Those processes were explored in phases of the project that focused upon various kinds of interactions between people and machines, particularly the ways in which those interactions are mediated by knowledge. The discourses that underpin the field of mechanical intelligence spring from the same sources as the rhetoric that delineates human beings from all other things. We make intelligent machines because we have something to prove regarding our own intelligence. The devices expose attributes considered in our culture to be intelligent. The size and technical sophistication of modern robots result from the expenditure of considerable funds across several disciplines. Such machines signify wealth, power and excess, despite any other significance their makers intend.
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Ely, Bonita. "Change and continuity the influences of Taoist philosophy and cultural practices on contemporary art practice /." View thesis (Appendix 3 available at UWS Library for private study and research purposes only), 2009. http://handle.uws.edu.au:8081/1959.7/40805.

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Thesis (Ph.D.)--University of Western Sydney, 2009.
A thesis presented to the University of Western Sydney, College of Arts, School of Communications Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies. Thesis front, chapters, appendices 1, 2 also available online at: http://handle.uws.edu.au:8081/1959.7/40805.
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Moulon, Dominique. "L'art au-delà du numérique : Pratiques et cultures numériques plurielles d’un art contemporain singulier." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H303.

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Le numérique s'est immiscé dans toutes les sphères, privées, publiques et professionnelles, de nos sociétés et les a façonnées. Depuis toujours, les artistes se saisissent des techniques ou technologies de leur temps afin d'en témoigner. A chaque innovation détournée correspondent ainsi des œuvres mais il faut du temps au monde de l'art pour intégrer de nouvelles pratiques comme de nouveaux médias. Impatients, les plus fervents défenseurs de l'art numérique se sont structurés en communautés à l'international en organisant des événements dédiés. Leurs pratiques arrivent aujourd'hui à maturité et le public est culturellement prêt à accueillir leurs créations comme il le fait déjà au sein de festivals. On remarque, dans un même temps, les premiers signes d'une acceptation du digital dans l'art au travers des institutions comme sur le marché dont on sait la position dominante. L'objet de cette recherche est d'étudier les œuvres des pratiques actuelles sans se focaliser sur leur part de numérique. De les analyser dans le contexte de leur monstration en les assemblant pour qu'ensemble elles dialoguent. Afin de démonter que le numérique n'est autre qu'un médium de l'art contemporain dont il convient toutefois de considérer les spécificités
Digital technologies have insinuated themselves into ail spheres, public, private and professional of our societies and have also shaped them. Historically, artists have always made use of the techniques and technologies of their time to show them off. For each innovation that has been appropriated, there are corresponding works, but it takes time for the art world to incorporate new practices such as new media. The most fervent defenders of digital art are impatient and so have structured communities by organizing dedicated international events. Their practices are now reaching maturity and the public is culturally ready to receive their creations, as they already do in festivals. We note, at the same lime, the first signs of acceptance of digital technology in art through institutions such as the art market, whose dominant position is known. The purpose of my research is to study the works of current practices without focusing on the part of them that is digital ; to analyse them in the context of their exhibition by assembling them together so they may create a dialogue. My goal is to demonstrate that digital technologies are simply a medium of contemporary art, whose particularities should nevertheless be considered
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Seffrin, Georgia Karolina. "Emerging trends in contemporary festival practice." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16440/.

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The Festival is a form that transcends cultures, histories and regimes. It is a construct that has been utilised in a variety of ways, for a variety of purposes, but its raison d'etre is always community, sometimes as celebrated from a popularist level, at other points manipulated by the wielders of power. In its modern context, the festival has similarly been deployed as either a means of celebrating a sense of local community, or embraced by governments as a symbol of sophisticated cosmopolitanism. This research aims to contextualise a particular kind of festival practice within both an historical and contemporary context. This is structured through three key areas: at the heart of the thesis is a study of a particular kind of contemporary festival model, the boutique festival, as produced by the Programming Unit of the Queensland Performing Arts Centre. This festival construct is significant in its positioning of the audience as both producer and consumer in a playful and intelligent manner. This kind of model is different from the more conventional high arts or community arts festival models. Secondly, the research explores how current renderings of the festival can be contextualised within historical functions, so as to highlight points of connection and departure. Thirdly, the study positions the boutique festival as but one example of a range of current local festival practices that highlight the manner in which the festival construct engages with contemporary life. This portion of the study places these local renderings within Creative Industries discourse, focussing on the notion of the Creative City. The thread that ties the areas of focus together is the role of the audience in the festival. The trope of community remains central to contemporary festival practice, but it is a term that is becoming increasingly problematic and opaque, especially within an urban context. Through a variety of constructs, contemporary festivals encourage a cultural discussion about what community means in a current context, and in so doing, invite explorations of space, identity and authenticity as well.
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Moskalenko, Taras. "Solution Selling in Contemporary Business Practice." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-165966.

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This master thesis focuses on the issue of practical implementation of Solution Selling philosophy in general and of its principles in particular. It also covers topics of the sales function in a company, sales workforce and related problems with hiring and differentiating between sales positions, theoretical background of Solution Selling and discussion about its topicality and ability to address needs of modern economic environment. Empirical part is based on three case studies of such companies as VMware, Cisco and DuPont and example of business model of IBM Corporation, which successfully uses Solution Selling as a core for its operational activities. Results of findings are provided in the end of practical part and in general conclusions.
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Smurthwaite, Kathryn C. "Using Contemporary Art to Guide Curriculum Design:A Contemporary Jewelry Workshop." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3903.

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There is currently need for reform in art programs of all kinds, in regards to use of and focus on contemporary art and current practices. Teaching about art of our time and place enables students to understand and make connections to their world, and facilitates art making that is creative and relevant. This thesis describes theory and rationale for basing curriculum on contemporary art practices and presents a jewelry workshop, for all skill levels, that teaches contemporary art themes and practices. There are two units. The first teaches metal texturing, shaping and simple soldering skills while, focusing on art that deals with spectral and compensatory remembering themes. The second unit teaches bezel setting while focusing on alternative to the establishment art themes. The lessons in the workshop were also created using contemporary art teaching techniques and new principles and elements of design.
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Roberts, Teresa L. "Collaboration in Contemporary Artmaking: Practice and Pedagogy." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1248880538.

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Tait, Stuart. "Becoming multiple : Collaboration in Contemporary Art Practice." Thesis, Birmingham City University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527468.

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Mwangi, Gichora. "Orature in contemporary theatre practice in Kenya." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441711.

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Books on the topic "Contemporary practise"

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Copyright Paperback Collection (Library of Congress), ed. Practise makes pregnant. New York: Silhouette Books, 2003.

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Boswell, Gwyneth. Contemporary probation practice. Aldershot: Avebury, 1993.

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Ruderman, Ellen, and Carol Tosone, eds. Contemporary Clinical Practice. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-4124-3.

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Hartstein, Jack. Contemporary contact lens practice. St. Louis: Mosby Year Book, 1991.

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Poole, Colin F., and Sheila A. Schuette. Contemporary practice of chromatography. 2nd ed. Amsterdam: Elsevier, 1985.

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Hartstein, Jack. Contemporary contract lens practice. St. Louis ; Toronto: Mosby Year Book, 1991.

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Collecting in contemporary practice. London: AltaMira Press, 1998.

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L, Maloney Karen, ed. Contemporary dental hygiene practice. Chicago: Quintessence Pub. Co., 1988.

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Policing: Development & contemporary practice. London: SAGE, 2011.

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1925-, George B. James, ed. Contemporary federal criminal practice. 2nd ed. Englewood Cliffs, NJ: Prentice Hall Law & Business, 1992.

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Book chapters on the topic "Contemporary practise"

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Egeberg, Gunstein, and Steinar Thorvaldsen. "Teachers’ Beliefs About Technology in the Classroom from Early Implementation Phase in 2003 to Contemporary Practise in 2016." In Lecture Notes in Computer Science, 606–15. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-35343-8_64.

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Malde, Pradip, and Mike Ware. "Contemporary Practices." In Platinotype, 184–348. London ; New York : Routledge, 2020. | Series: Contemporary practices in alternative process photography: Routledge, 2020. http://dx.doi.org/10.4324/9780367815394-13.

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Rajagopal, Ananya. "Contemporary Entrepreneurial Practices." In Epistemological Attributions to Entrepreneurial Firms, 63–89. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64635-6_3.

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Michels, R. "Psychoanalysis in Practice." In Contemporary Psychiatry, 371–81. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-59519-6_23.

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Holmes, Kay Styer. "Appendix: Shared Practice Examples." In Contemporary Cardiology, 293–341. Totowa, NJ: Humana Press, 2012. http://dx.doi.org/10.1007/978-1-61779-627-2_24.

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Tello, Verónica. "Is Contemporary Art Postdevelopmental?" In Postdevelopment in Practice, 306–20. Abingdon, Oxon ; New York, NY : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, 2019. | Series: Routledge critical development studies: Routledge, 2019. http://dx.doi.org/10.4324/9780429492136-23.

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Clifford, Ben. "Contemporary Challenges in Development Management." In Planning Practice, 55–69. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351203319-4.

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Smith, Sophy. "Social media and choreographic practice." In Contemporary Choreography, 511–27. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315563596-42.

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Meeusen, Jeffrey W. "Lipoprotein Subfractions in Clinical Practice." In Contemporary Cardiology, 527–36. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56514-5_27.

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Wagner, Ralf. "Classifying Contemporary Marketing Practices." In Data Analysis, Machine Learning and Applications, 489–96. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-78246-9_58.

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Conference papers on the topic "Contemporary practise"

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Hansen, Sean, and Kalle Lyytinen. "Challenges in Contemporary Requirements Practice." In 2010 43rd Hawaii International Conference on System Sciences. IEEE, 2010. http://dx.doi.org/10.1109/hicss.2010.98.

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Alexeev, Sergey Khristoforovich, and Olga Setnerovna Nesterova. "Major trends in contemporary opera art." In IX International Research-to-practice Conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-113076.

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Ushakova, Larisa Evgenyevna. "Children with disabilities and contemporary society." In IX International Research-to-practice Conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-113175.

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Francisco dos Santos Neto, Alber, and Gabriel Dias Venâncio. "Free and paid software on Architecture and Urbanism: Essential tools for the contemporary professional activity." In 7th International Congress on Scientific Knowledge. Perspectivas Online: Humanas e Sociais Aplicadas, 2021. http://dx.doi.org/10.25242/8876113220212435.

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Nowadays, the architect and urban planner’s professional have their professional practices intrinsically tied to the use of computers and software. Besides the acquisition of hardware, the prices of these softwares are a barrier for many professionals that are just now entering the job market, who end up using them by improper means -violating intellectual property laws. Such practice incurs illegal activity and creates distortions in market prices practiced by professionals. That’s why there is a need to study architects’ and urban planners’ workflow to formalize guidelines as to the possibilities of free and paid software. To do so, it’s pursued to creating an infographic about the workflow of architects and the free and paid software that can e used. It’s about raising awareness of the legal aspects of the professional activity, bringing recommendations for the academic environment, and enhancing the role of the architect and urban planner
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Di Sivo, Michele, and Cristiana Cellucci. "Strategies for the Contemporary Home." In Research, Development and Practice in Structural Engineering and Construction. Singapore: Research Publishing Services, 2012. http://dx.doi.org/10.3850/978-981-08-7920-4_h-2-0168.

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SU, Pei-hsuan. "Contemporary design practice on meta-interpretation through experimental converging practices of sounds, images and data." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-03_017.

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Rockliff, Larry. "Contemporary Large Aircraft Flight Training Practices." In AIAA International Air and Space Symposium and Exposition: The Next 100 Years. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2003. http://dx.doi.org/10.2514/6.2003-2662.

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Rigby, Peter C., and Christian Bird. "Convergent contemporary software peer review practices." In the 2013 9th Joint Meeting. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2491411.2491444.

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Kokh, Dmitrii Aleksandrovich, and Aleksandra Evgenevna Levchenko. "Phenomenon of Double Exceptionality as Relevant Question of Contemporary Education." In International Research-to-practice conference, Chair Tatiana Vladimirovna Riumina. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98239.

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Xueping, Xu. "Contemporary Value Function of Marxist Theory and Practice." In 2014 2nd International Conference on Advances in Social Science, Humanities, and Management. Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/asshm-14.2014.81.

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Reports on the topic "Contemporary practise"

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Miller, Clara. Indications of feminist influence on contemporary social work practice. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2769.

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Arnold, Samuel. The Cultural Trombone: A Contemporary View on National Performance Practices. Portland State University Library, January 2014. http://dx.doi.org/10.15760/honors.119.

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Couture, Marilyn. Recent and contemporary foraging practices of the Harney Valley Paiute. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.480.

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Kubley, Ashley N. The Impacts of Globalization on Maya Dress Practices and Textile Artisanship in Contemporary Yucatán. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1783.

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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, May 2021. http://dx.doi.org/10.23889/sureport.56822.

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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that speak to a young Cambodian population.The research used NGO Cambodian Living Arts’ 2020 Cultural Season of performances, workshops, and talks as a case study through which to examine key concerns of young Cambodian artists, trace how these affected their creative process, and analyse how the resulting works were received among audiences. It was funded through the AHRC GCRF Network Plus Grant ‘Changing the Story’ which uses arts and humanities approaches to ‘build inclusive societies with, and for, young people in post-conflict settings.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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7

Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.

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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral, theanalysisofthe concept-maximums and concept-minimum gender and their characteristics is carried out in the context of gender stereotypes that have been forme dand function in the society, system atizing the a ctual presentations. The study of the gender concept is relevant because it reveals new trends and features of modern gender images. Taking into account the special features of gender-labeled periodicals in general and the practical absence of comprehensive scientific studies of the gender concept in particular, there is a need to supplement Ukrainian science with this topic. Gender psychology, which is served by methods of various sciences, primarily sociological, pedagogical, linguistic, psychological, socio-psychological. Let us pay attention to linguistic and psycholinguistic methods in gender studies. Linguistic methods complement intelligence research tasks, associated with speech, word and text. Psycholinguistic methods used in gender psychology (semantic differential, semantic integral, semantic analysis of words and texts), aimed at studying speech messages, specific mechanisms of origin and perception, functions of speech activity in society, studying the relationship between speech messages and gender properties participants in the communication, to analyze the linguistic development in connection with the general development of the individual. Nowhere in gender practice there is the whole arsenal of psychological methods that allow you to explore psychological peculiarities of a person like observation, experiments, questionnaires, interviews, testing, modeling, etc. The methods of psychological self-diagnostics include: the gender aspect of the own socio-psychological portrait, a gender biography as a variant of the biographical method, aimed at the reconstruction of individual social experience. In the process of writing a gender autobiography, a person can understand the characteristics of his gender identity, as well as ways and means of their formation. Socio-psychological methods of studying gender include the study of socially constructed women’s and men’s roles, relationships and identities, sexual characteristics, psychological characteristics, etc. The use of gender indicators and gender approaches as a means of socio-psychological and sociological analysis broadens the subject boundaries of these disciplines and makes them the subject of study within these disciplines. And also, in the article a combination of concrete-historical, structural-typological, system-functional methods is implemented. Descriptive and comparative methods, method of typology, modeling are used. Also used is a method of content analysis for the study of gender content of modern gender-stamped journals. It was he who allowed quantitatively to identify and explore the features of the gender concept in the pages of periodicals for women and men. A combination of historical, structural-typological, system-functional methods is also implemented in the article. Descriptive and comparative methods, method of typology, modeling are used. A method of content analysis for the study of gender content of modern gender-labeled journals is also used. It allowed to identify and explore the features of the gender concept quantitatively in the periodicals for women and men. The conceptual perception and interpretation of the gender concept «woman», which is highlighted in the modern gender-labeled press in Ukraine, requires the elaboration of the polyfunctionality of gender interpretations, the comprehension of the metaphorical perception of this image and its role and purpose in society. A gendered approach to researching the gender content of contemporary periodicals for women and men. Conceptual analysis of contemporary gender-stamped publications within the gender conceptual sphere allows to identify and correlate the meta-gender and gender concepts that appear in society.
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8

HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, October 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against this backdrop that M.A. Muqtedar Khan has written a book of breathtaking range and ethical beauty. The author explores the history and sociology of the Muslim world, both classic and contemporary. He does so, however, not merely to chronicle the phases of its development, but to explore just why the message of compassion, mercy, and ethical beauty so prominent in the Quran and Sunna of the Prophet came over time to be displaced by a narrow legalism that emphasized jurisprudence, punishment, and social control. In the modern era, Western Orientalists and Islamists alike have pushed the juridification and interpretive reification of Islamic ethical traditions even further. Each group has asserted that the essence of Islam lies in jurisprudence (fiqh), and both have tended to imagine this legal heritage on the model of Western positive law, according to which law is authorized, codified, and enforced by a leviathan state. “Reification of Shariah and equating of Islam and Shariah has a rather emaciating effect on Islam,” Khan rightly argues. It leads its proponents to overlook “the depth and heights of Islamic faith, mysticism, philosophy or even emotions such as divine love (Muhabba)” (13). As the sociologist of Islamic law, Sami Zubaida, has similarly observed, in all these developments one sees evidence, not of a traditionalist reassertion of Muslim values, but a “triumph of Western models” of religion and state (Zubaida 2003:135). To counteract these impoverishing trends, Khan presents a far-reaching analysis that “seeks to move away from the now failed vision of Islamic states without demanding radical secularization” (2). He does so by positioning himself squarely within the ethical and mystical legacy of the Qur’an and traditions of the Prophet. As the book’s title makes clear, the key to this effort of religious recovery is “the cosmology of Ihsan and the worldview of Al-Tasawwuf, the science of Islamic mysticism” (1-2). For Islamist activists whose models of Islam have more to do with contemporary identity politics than a deep reading of Islamic traditions, Khan’s foregrounding of Ihsan may seem unfamiliar or baffling. But one of the many achievements of this book is the skill with which it plumbs the depth of scripture, classical commentaries, and tasawwuf practices to recover and confirm the ethic that lies at their heart. “The Quran promises that God is with those who do beautiful things,” the author reminds us (Khan 2019:1). The concept of Ihsan appears 191 times in 175 verses in the Quran (110). The concept is given its richest elaboration, Khan explains, in the famous hadith of the Angel Gabriel. This tradition recounts that when Gabriel appeared before the Prophet he asked, “What is Ihsan?” Both Gabriel’s question and the Prophet’s response make clear that Ihsan is an ideal at the center of the Qur’an and Sunna of the Prophet, and that it enjoins “perfection, goodness, to better, to do beautiful things and to do righteous deeds” (3). It is this cosmological ethic that Khan argues must be restored and implemented “to develop a political philosophy … that emphasizes love over law” (2). In its expansive exploration of Islamic ethics and civilization, Khan’s Islam and Good Governance will remind some readers of the late Shahab Ahmed’s remarkable book, What is Islam? The Importance of Being Islamic (Ahmed 2016). Both are works of impressive range and spiritual depth. But whereas Ahmed stood in the humanities wing of Islamic studies, Khan is an intellectual polymath who moves easily across the Islamic sciences, social theory, and comparative politics. He brings the full weight of his effort to conclusion with policy recommendations for how “to combine Sufism with political theory” (6), and to do so in a way that recommends specific “Islamic principles that encourage good governance, and politics in pursuit of goodness” (8).
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