Journal articles on the topic 'Contemporary popular music'
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Homan, Shane. "A contemporary cultural policy for contemporary music?" Media International Australia 158, no. 1 (February 2016): 37–47. http://dx.doi.org/10.1177/1329878x15622077.
Full textPark, Juyong. "Networks of Contemporary Popular Musicians." Leonardo 45, no. 1 (February 2012): 78–79. http://dx.doi.org/10.1162/leon_a_00341.
Full textChakravarty, Devpriya. "Popular Musics of India: An Ethnomusicological Review." Journal of Ethnic and Cultural Studies 6, no. 3 (December 18, 2019): 111. http://dx.doi.org/10.29333/ejecs/267.
Full textZosim, Olga. "Popular Music in Contemporary Church Chants." Journal of History Culture and Art Research 9, no. 2 (June 25, 2020): 227. http://dx.doi.org/10.7596/taksad.v9i2.2508.
Full textHo, Wai-Chung. "Secondary school students’ preferences for popular music and perceptions of popular music learned in school music education in Mainland China." Research Studies in Music Education 39, no. 1 (April 5, 2017): 19–37. http://dx.doi.org/10.1177/1321103x17700688.
Full textAdjoteye, Eugene Agbasi. "The Cultural Environment of Popular Music Discourses in Contemporary Ghana: A Media and Communication Approach." Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences 4, no. 1 (January 16, 2021): 330–35. http://dx.doi.org/10.33258/birci.v4i1.1597.
Full textPARK, JUYONG, OSCAR CELMA, MARKUS KOPPENBERGER, PEDRO CANO, and JAVIER M. BULDÚ. "THE SOCIAL NETWORK OF CONTEMPORARY POPULAR MUSICIANS." International Journal of Bifurcation and Chaos 17, no. 07 (July 2007): 2281–88. http://dx.doi.org/10.1142/s0218127407018385.
Full textKim, Gooyong. "Neoliberal feminism in contemporary South Korean popular music." Politics of Sound 18, no. 4 (June 12, 2019): 560–78. http://dx.doi.org/10.1075/jlp.18058.kim.
Full textКондратенко, М. В. "Oscillation of Opposites in Contemporary Icelandic Popular Music." Музыкальная академия, no. 1(785) (March 25, 2024): 36–45. http://dx.doi.org/10.34690/362.
Full textPerrone, Charles A. "Brazil." Popular Music 6, no. 2 (May 1987): 219–26. http://dx.doi.org/10.1017/s0261143000006000.
Full textKronenburg, Robert. "Typological trends in contemporary popular music performance venues." Arts Marketing: An International Journal 1, no. 2 (October 21, 2011): 136–44. http://dx.doi.org/10.1108/20442081111180359.
Full textHawkins, Peter, and David L. Looseley. "Popular Music in Contemporary France: Authenticity, Politics, Debate." Modern Language Review 99, no. 4 (October 2004): 1061. http://dx.doi.org/10.2307/3738555.
Full textKim, Chaek. "Transformative Approach for Popular Music Education from the Perspective of Global Citizenship Education." Korean Association for the Study of Popular Music 33 (May 30, 2024): 69–93. http://dx.doi.org/10.36775/kjpm.2024.33.69.
Full textZingaro, Vincenzo. "Against Music? Heuristics and Sense-Making in Listening to Contemporary Popular Music." Philosophies 7, no. 2 (April 1, 2022): 38. http://dx.doi.org/10.3390/philosophies7020038.
Full textTivenga, Doreen Rumbidzai. "Contemporary Zimbabwean popular music in the context of adversities." Tydskrif vir Letterkunde 55, no. 1 (March 20, 2018): 134–48. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.1583.
Full textAlbrecht, Michael Mario. "Mapping the Terrain of Contemporary Popular Music Studies: Reading Authenticity Theory intoThe Popular Music Studies Reader." Review of Communication 7, no. 3 (July 2007): 314–21. http://dx.doi.org/10.1080/15358590701480721.
Full textJing, Wang. "A Research on the Influence of Contemporary Popular Music upon Youths’ Self-identity." Advances in Language and Literary Studies 8, no. 5 (November 2, 2017): 12. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.12.
Full textKang, Stella. "Analysis of practical and popular music as contemporary music: Focusing on elementary school music textbooks." Korean Association For Learner-Centered Curriculum And Instruction 24, no. 5 (March 15, 2024): 77–93. http://dx.doi.org/10.22251/jlcci.2024.24.5.77.
Full textKeil, Charles. "‘Ethnic’ music traditions in the USA (black music; country music; others; all)." Popular Music 13, no. 2 (May 1994): 175–78. http://dx.doi.org/10.1017/s0261143000007030.
Full textSosrowijaya, Kerso Manungga. "Transmission of Local and Traditional Music in Indonesian Popular Music (Case Studies of Indonesian Music Groups)." Harmonia : Journal of Music and Arts 1, no. 1 (November 6, 2023): 55–66. http://dx.doi.org/10.61978/harmonia.v1i1.165.
Full textDe Ferranti, Hugh. "‘Japanese music’ can be popular." Popular Music 21, no. 2 (May 2002): 195–208. http://dx.doi.org/10.1017/s026114300200212x.
Full textBrace, Tim. "Popular Music in Contemporary Beijing: Modernism and Cultural Identity." Asian Music 22, no. 2 (1991): 43. http://dx.doi.org/10.2307/834306.
Full textOjukwu, Ebele, Elizabeth Obielozie, and Chinyere Esimone. "Nigerian values and contemporary popular music: a new look." OGIRISI: a New Journal of African Studies 12, no. 1 (July 21, 2016): 114. http://dx.doi.org/10.4314/og.v12is1.7.
Full textBaker, Sarah, Peter Doyle, and Shane Homan. "Historical Records, National Constructions: The Contemporary Popular Music Archive." Popular Music and Society 39, no. 1 (July 29, 2015): 8–27. http://dx.doi.org/10.1080/03007766.2015.1061336.
Full textRapport, Evan. "International Popular Music Styles and Contemporary Bukharian Jewish Identity." Journal of Jewish Identities 10, no. 1 (2017): 89–103. http://dx.doi.org/10.1353/jji.2017.0005.
Full textParkes, Stuart. "Into the groove: popular music and contemporary German fiction." Journal of Contemporary European Studies 24, no. 4 (April 7, 2016): 539–40. http://dx.doi.org/10.1080/14782804.2016.1170386.
Full textPickup, I. "Review: Popular Music in Contemporary France: Authenticity, Politics, Debate." French Studies 58, no. 3 (July 1, 2004): 443–44. http://dx.doi.org/10.1093/fs/58.3.443.
Full textManuel, Peter. "Music as symbol, music as simulacrum: postmodern, pre-modern, and modern aesthetics in subcultural popular musics." Popular Music 14, no. 2 (May 1995): 227–39. http://dx.doi.org/10.1017/s0261143000007455.
Full textBenjamins, Laura. "Learning through praise: How Christian worship band musicians learn." Journal of Popular Music Education 3, no. 3 (December 1, 2019): 417–33. http://dx.doi.org/10.1386/jpme_00004_1.
Full textBanjo, Omotayo O., and Kesha Morant Williams. "Behind the Music: Exploring Audiences’ Attitudes toward Gospel and Contemporary Christian Music." Journal of Communication and Religion 37, no. 3 (2014): 117–38. http://dx.doi.org/10.5840/jcr201437323.
Full textSklavounakis, Georgios. "Semiotics on music charts: The signification of late-blooming hits in contemporary popular music." Punctum. International Journal of Semiotics 9, no. 2 (2023): 189–208. http://dx.doi.org/10.18680/hss.2023.0025.
Full textO'Brien, Michael. "Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular." IASPM Journal 5, no. 1 (April 29, 2015): 36–53. http://dx.doi.org/10.5429/ij.v5i1.721.
Full textMenger, Pierre-Michel. "Technological Innovations in Contemporary Music." Journal of the Royal Musical Association 114, no. 1 (1989): 92–101. http://dx.doi.org/10.1093/jrma/114.1.92.
Full textPerrott, Lisa. "Experimental animation and the neosurrealist remediation of popular music video." Animation Practice, Process & Production 8, no. 1 (December 1, 2019): 85–106. http://dx.doi.org/10.1386/ap3_00006_1.
Full textHoward, Karen. "Traditional Japanese Music in Contemporary Times." General Music Today 33, no. 3 (February 11, 2020): 52–57. http://dx.doi.org/10.1177/1048371320902753.
Full textHäger, Andreas. "Christian rock concerts as a meeting between religion and popular culture." Scripta Instituti Donneriani Aboensis 18 (January 1, 2003): 36–55. http://dx.doi.org/10.30674/scripta.67281.
Full textMiddleton, Jason, and Roger Beebe. "The racial politics of hybridity and ‘neo-eclecticism’ in contemporary popular music." Popular Music 21, no. 2 (May 2002): 159–72. http://dx.doi.org/10.1017/s0261143002002106.
Full textSpanu, Michael. "Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music." Open Cultural Studies 3, no. 1 (February 1, 2019): 195–206. http://dx.doi.org/10.1515/culture-2019-0018.
Full textNenic, Iva. "We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music." Muzikologija, no. 19 (2015): 135–56. http://dx.doi.org/10.2298/muz1519135n.
Full textWilson, Oli, and Michael Holland. "Not our ‘Dunedin sound’: Responses to the historicisation of Dunedin popular music." Popular Music 39, no. 2 (May 2020): 187–207. http://dx.doi.org/10.1017/s0261143019000278.
Full textATEŞ ASLAN, Irmak, and Gamze Elif TANINMIŞ. "A QUALITATIVE RESEARCH ON POPULAR MUSIC PEDAGOGY." IEDSR Association 7, no. 20 (July 22, 2022): 51–62. http://dx.doi.org/10.46872/pj.559.
Full textKarvelis, Noah. "Popular Music Education as a Technology of Access and Intervention: Tanglewood and Popular Music Education in the US." Action, Criticism, and Theory for Music Education 22, no. 3 (October 2023): 122–43. http://dx.doi.org/10.22176/act22.3.122.
Full textSone, Enongene Mirabeau. "Power, Powerlessness and Radical Protest in Contemporary Cameroonian Popular Music." Muziki 18, no. 1 (January 2, 2021): 82–109. http://dx.doi.org/10.1080/18125980.2021.1947154.
Full textSteinbrecher, Bernhard. "Mainstream popular music research: a musical update." Popular Music 40, no. 3-4 (December 2021): 406–27. http://dx.doi.org/10.1017/s0261143021000568.
Full textEmielu, Austin. "Some theoretical perspectives on African popular music." Popular Music 30, no. 3 (September 21, 2011): 371–88. http://dx.doi.org/10.1017/s0261143011000249.
Full textHidayatullah, Rahmat. "Islamic Underground Movement: Islamist Music in the Indonesian Popular Music Scene." Studia Islamika 31, no. 1 (May 3, 2024): 63–93. http://dx.doi.org/10.36712/sdi.v31i1.30664.
Full textEze, Samson Uchenna. "Echoes of Ethnicity: Popular Music and the Resurgence of Igbo Nationalism in Democratic Nigeria." Ethnomusicology 67, no. 1 (January 1, 2023): 23–44. http://dx.doi.org/10.5406/21567417.67.1.04.
Full textBagaskara, Akbar, Maria Adinda, and Veronica Yoni Kaestri. "Musik Klasik dalam Paradigma Kontemporer: Penyelidikan tentang Apresiasi dan Pendengar." PROMUSIKA 11, no. 2 (October 29, 2023): 65–74. http://dx.doi.org/10.24821/promusika.v11i2.11076.
Full textBurston, Jonathan. "Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical." Popular Music 17, no. 2 (May 1998): 205–18. http://dx.doi.org/10.1017/s026114300000060x.
Full textWilliams, Sean, B. Lee Cooper, and Steve Redhead. "Popular Music Perspectives: Ideas, Themes, and Patterns in Contemporary Lyrics." Notes 49, no. 2 (December 1992): 623. http://dx.doi.org/10.2307/897947.
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