Journal articles: 'Contemporary poetry'

1

Ōoka, Makoto, and James O'Brien. "Contemporary Japanese Poetry." World Literature Today 62, no. 3 (1988): 414. http://dx.doi.org/10.2307/40144290.

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Krātiņš, Ojārs, and Inara Cedrins. "Contemporary Latvian Poetry." World Literature Today 60, no. 1 (1986): 153. http://dx.doi.org/10.2307/40141358.

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Daviau, Donald G., and Beth Bjorklund. "Contemporary Austrian Poetry." World Literature Today 61, no. 2 (1987): 282. http://dx.doi.org/10.2307/40143122.

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Milivojević, Dragan, and Ewald Osers. "Contemporary Macedonian Poetry." World Literature Today 67, no. 1 (1993): 209. http://dx.doi.org/10.2307/40148994.

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Binham, Philip, and Herbert Lomas. "Contemporary Finnish Poetry." World Literature Today 67, no. 1 (1993): 212. http://dx.doi.org/10.2307/40148998.

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Knight, C. J. "Contemporary American Poetry." American Literary History 14, no. 1 (March 1, 2002): 181–93. http://dx.doi.org/10.1093/alh/14.1.181.

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Gandlevsky, Sergey, Marina Boroditskaya, and Maria Falikman. "Contemporary Russian Poetry." Wasafiri 26, no. 1 (March 2011): 28–32. http://dx.doi.org/10.1080/02690055.2011.534262.

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Knowlton, Edgar C., and Kim Jaihuin. "Contemporary Korean Poetry." World Literature Today 70, no. 1 (1996): 243. http://dx.doi.org/10.2307/40152030.

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Kronick, Joseph G., and Robert von Hallberg. "Contemporary American Poetry." Contemporary Literature 27, no. 2 (1986): 265. http://dx.doi.org/10.2307/1208661.

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Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes." Journal of Language and Literature 19, no. 2 (October 2, 2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik poetry is very close to the informal language of the people, and in these poems, we encounter words that are specific to the Tajik dialect. The first Persian she'r-e now (new poetry) in Central Asia was written by Sadriddin Ayni.In Tajik poetry, we occasionally encounter with recurrences, the nostalgia of the missed glory, the oppression of the nation, and the unwanted fate of their ancestors. In these poems, the rely on emotion and content, and the epic and passionate tone prevail other poetic performances. The present study gives a general overview of the poetry of some Tajik poets.Keywords: Poetry, Tajikistan, Tajik, Persian language_________________________________________DOI > <a href="https://search.crossref.org/?q=10.24071%2Fjoll.2019.190206">https://doi.org/10.24071/joll.2019.190206</a>

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Wagstaff, Emma, and Nina Parish. "Translating Contemporary French Poetry." Irish Journal of French Studies 18, no. 1 (December 13, 2018): 163–94. http://dx.doi.org/10.7173/164913318825258347.

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This article examines a bilingual anthology edited by the authors and published in 2016. It argues that the process of editing an anthology of contemporary poetry with multiple translators is a form of re-writing that not only introduces new writers into the target-language poetic system, but also recasts their positions in the poetic system of the source culture by giving them new readers who have no or few preconceptions about the writers' place in that system. Anthologizing operates in tandem with translating in this instance, and we additionally use the notions of inference and cognitive stylistics to discuss the particular habitus of academic translators who are not poets, and the opportunities those approaches offer to produce a creative translation. Style is an appropriate lens through which to consider poems included in this anthology because it is a contested question in contemporary French poetic practice. The article therefore treats the question of présence that this special issue addresses in three ways. It discusses, on the most literal level, the new or more visible presence that French poetry can acquire in the anglophone context through translation and anthologies. Moreover, it examines the ways in which the presence of new or decontextualized voices affects poetic systems. Finally, it considers whether an approach to translation that sees it as an embodied, interpretative process may allow some access to the présence of the 'original' poetic work.

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Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "TAJIKISTAN CONTEMPORARY POETRY THEMES." Journal of Language and Literature 19, no. 02 (October 1, 2019): 55–65. http://dx.doi.org/10.24071/joll.2019.190206.

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13

Rogers. "Introduction: Situating Contemporary Poetry." Yearbook of English Studies 51 (2021): 1. http://dx.doi.org/10.5699/yearenglstud.51.2021.0001.

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Rogers, Samuel. "Introduction: Situating Contemporary Poetry." Yearbook of English Studies 51, no. 1 (2021): 1–8. http://dx.doi.org/10.1353/yes.2021.0007.

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Yeh, Michelle. "Contemporary Chinese Poetry Scenes." Chicago Review 39, no. 3/4 (1993): 279. http://dx.doi.org/10.2307/25305771.

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Brown, Carl R. V. "Contemporary Poetry about Painting." English Journal 81, no. 1 (January 1992): 41. http://dx.doi.org/10.2307/818337.

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Roberts, Neil. "Narrative and contemporary poetry." Revista Leitura 2, no. 36 (2005): 85–99. http://dx.doi.org/10.28998/0103-6858.2005v2n36p85-99.

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18

Basney, Lionel. "Review: Contemporary Religious Poetry." Christianity & Literature 38, no. 1 (December 1988): 67–68. http://dx.doi.org/10.1177/014833318803800112.

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19

Bruno, Cosima. "Contemporary Poetry from Macau." Interventions 16, no. 5 (October 23, 2013): 750–69. http://dx.doi.org/10.1080/1369801x.2013.851526.

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Barry, P. "Contemporary Poetry and Ekphrasis." Cambridge Quarterly 31, no. 2 (June 1, 2002): 155–65. http://dx.doi.org/10.1093/camqtly/31.2.155.

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21

Gardner, Thomas, Paul Mariani, and Cary Nelson. "Language and Contemporary Poetry." Contemporary Literature 26, no. 3 (1985): 351. http://dx.doi.org/10.2307/1208032.

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22

Hudgins, Andrew. "Contemporary Poetry: Four Anthologies." Missouri Review 12, no. 1 (1989): 197–216. http://dx.doi.org/10.1353/mis.1989.0004.

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McGann, Jerome J. "Contemporary Poetry, Alternate Routes." Critical Inquiry 13, no. 3 (April 1987): 624–47. http://dx.doi.org/10.1086/448411.

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24

Hunter, Walt. "Contemporary Poetry and Capitalism." American Literary History 31, no. 4 (2019): 860–69. http://dx.doi.org/10.1093/alh/ajz039.

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Abstract The field of poetry and poetics has been revitalized by a decade and a half of close attention to many of its enduring premises and assumptions. Three new books by Jasper Bernes, Margaret Ronda, and Heather Milne show how US poetry from 1945 to the present responds to the changing conditions of historical capitalism. Departing from older periodizing narratives anchored in the shift from modernism to postmodernism, these books uncover the poetic histories that emerge in tandem with changes in economic structures and political regimes.

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25

Ryan, Francis J. "Contemporary Poetry about Painting." English Journal 81, no. 1 (January 1, 1992): 41–45. http://dx.doi.org/10.58680/ej19928175.

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Roberts, Neil. "Narrative and contemporary poetry." Revista Leitura, no. 36 (March 16, 2019): 85–99. http://dx.doi.org/10.28998/2317-9945.200536.85-99.

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Contemporary narrative poetry presents a challenge to the teacher: how toapproach it from a narratological perspective and still pay attention to the details of poetic language? This essay uses a Bakhtinian approach to explore the generic experiments of five contemporary poets: Tony Harrison, Derek Walcott, Peter Reading, Ted Hughes and Anne Stevenson. DOI: 10.28998/0103-6858.2005v2n36p85-99

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27

Olszewska, Bożena. "Contemporary Polish poetry for children." Children's Readings: Studies in Children's Literature 19, no. 1 (2021): 323–36. http://dx.doi.org/10.31860/2304-5817-2021-1-19-323-336.

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This article mainly deals with the history of the contemporary Polish poetry for children (end of XX century — beginning of XXI). The author shows how contemporary children’s poetry is linked with the traditional one (and also some folklore forms), characterizes the creative styles of several contemporary poets (J. Twardowski, Z. Beszczyńska, J. Kulmowa, W. Oszajca), and points out several breaks from the tradition. The author names two main streams in children’s contemporary poetry as “Lyric poetry” and “Playing with words”, and speaks in detail of their creative approaches and readers’ pragmatics. Especially interesting is the comparison of contemporary children’s poetry samples and the classical ones (Jan Brzechwa, Janina Porazińska, Maria Konopnicka, Ewa Szelburg-Zarembina, Julian Tuwim), and also linking with the tradition of religious and ritual poetry. The authors looks at contemporary poetry for children from diacena have taken place.

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Freeman, Glenn J., and David Caplan. "Questions of Possibility: Contemporary Poetry and Poetic Form." Journal of the Midwest Modern Language Association 39, no. 1 (April 1, 2006): 193. http://dx.doi.org/10.2307/20464176.

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29

Rossiter, Charles. "Contemporary Multicultural North American Poetry and Poetry Therapy." Journal of Poetry Therapy 8, no. 4 (June 1995): 191–94. http://dx.doi.org/10.1007/bf03391456.

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30

Maksimović, Miroslav. "Poetry and the Contemporary Epoch." Transcultural Studies 11, no. 1 (December 23, 2015): 15–21. http://dx.doi.org/10.1163/23751606-01101003.

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In this polemical piece, the author attempts to diagnose the state of the art of poetry in the context of the global market as a dominant social value system. He finds that poetry as a fundamental human need for freedom, is based on the concept of “freedom of meaning”, not “freedom” of the market. The “free market” is for him a misnomer which conceals the contemporary global dependence on profit and a hectic way of life in the pursuit of profit. This is to the detriment of poetry which while never profitable contains the seeds of what it is to be human. However, while poetry does not (co-)exist with the market, even this fact is worthy of being recorded in poetry. Thus poets have to deal with the contemporary situation by re-inventing themselves, and finding new (modern, even market) means of solving poetic questions, following the advice of Vasko Popa and the example of the poet of the advertisement, Dušan Radović.

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31

Zulayxo, Berdiyeva. "Issues Of Artistic Concept In Contemporary Uzbek Poetry." American Journal of Social Science and Education Innovations 03, no. 08 (August 31, 2021): 11–14. http://dx.doi.org/10.37547/tajssei/volume03issue08-03.

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This scientific article focuses on the importance of the concept of art in modern Uzbek poetry. This article is about the works of our talented poets Zebo Mirzo and Halima Ahmedova, who are currently working in the field of our literature. The scientific significance of the article is that it focuses on the main ideas and goals of contemporary poetry.

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Gjorgjieva-Dimova, Marija. "Prolegomena for Contemporary Macedonian Poetry." Stephanos Peer reviewed multilanguage scientific journal 58, no. 2 (March 31, 2023): 63–76. http://dx.doi.org/10.24249/2309-9917-2023-58-2-63-76.

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Lyric poetry in Macedonian literature, continues to have the status of one of the dominant literary genres, attractive to authors of different generations. This text offers an interpretive and typological overview of six books of poems from the recent Macedonian poetry, published in 2021–2022. The interpretive focus is placed on the thematic, structural, compositional, and stylistic features in the poetry of Zoran Anchevski, Risto Lazarov, Sande Stojchevski, Violeta Tаncheva-Zlateva, Daniela Andonovska-Trajkovska, and Andrej Al-Asadi.

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Sheikh Mohammed, Sangar Qadir. "Characteristics of contemporary Kurdish poetry such as the poems of Sabah Ranjdar." Twejer 7, no. 1 (July 2024): 182–200. http://dx.doi.org/10.31918/twejer.2471.07.

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The development of contemporary Kurdish poetry is intricately connected to the evolution of poetry on a global scale. Following the emergence of the Ruanga and Kufri groups, Kurdish literature witnessed the rise of Contemporary Poetry from the Kurdish Region, with numerous poets subsequently following in their footsteps. In addition, it becomes apparent that similar to poetry worldwide, contemporary Kurdish poetry has experienced transformations in terms of linguistics, content, and style. The research paper titled "Exploring the Unique Attributes of Contemporary Kurdish Poetry through the Poems of Sabah Ranjdar". Furthermore, this study aims to delve into the distinguishing characteristics of Contemporary Kurdish Poetry to identify and analyze these characteristics by utilizing Sabah Ranjdar's poems as illustrative examples

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Xing, Yijun, and Yipeng Liu. "Poetry and Leadership in Light of Ambiguity and Logic of Appropriateness." Management and Organization Review 11, no. 4 (July 29, 2015): 763–93. http://dx.doi.org/10.1017/mor.2015.18.

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ABSTRACTThis paper explores the relationship between poetry and leadership – in particular, how business leaders might leverage poetry in practice. Drawing on the theoretical lenses of logic of appropriateness and ambiguity, we suggest a conceptual model to understand the multilayered meaning of poetry, noting that poetry has four layers of meaning: the superficial meaning, the poet's evocative meaning, the reader's recasting into a modern situation, and the recipient's interpretation. Using the storytelling research method, we collected leadership narrative stories that indicate poetry as an effective communication tool in practicing leadership. From these data, we identify four approaches that leaders use to apply the multilayered meaning of poetry in contemporary business practice: drawing lessons from poets' experience through critical interpretation of the poem, inspiring leaders' heroic spirits, guiding leaders' rules of behavior, and adopting poetry as a tactic to influence others. Our study contributes to the argument of ambiguity as a source of intelligence and illuminates how poetry as an artistic form of story facilitates contemporary leadership practice in light of the logic of appropriateness framework.

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Izz Aldin ATARI, Dr Sana. "CREATIVITY IN USING THE MASK TECHNIQUE IN CONTEMPORARY ARABIC POETRY." RIMAK International Journal of Humanities and Social Sciences 06, no. 02 (March 1, 2024): 537–49. http://dx.doi.org/10.47832/2717-8293.28.29.

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This research deals with the mask technique in contemporary Arabic poetry in terms of its concept, spread, characteristics, and the creativity of Arab poets in using it, to express their feelings and thoughts in a time when harsh political and social conditions prevailed, and in light of the lack of freedom of expression in the Arab world. The mask technique is a literary concept that expresses the poet's use of terms and visual images to express his feelings and thoughts in a way that makes them have multiple and different connotations. This poetic style reflects the poet's ability to express in an abstract and symbolic manner, creating deep moral layers in the poetic text. The use of the mask technique in modern Arabic poetry includes many elements, such as metaphor, simile, symbolism, and allegory. The poet relies on these elements to express his feelings and thoughts in a way that makes the reader interact with the text and search for deeper meanings in it. The mask technique is considered one of the literary techniques that distinguishes modern Arabic poetry and adds artistic and cultural value to it. This technique is used to explore different themes such as love, home, identity, freedom, daily life, and social issues. The mask technique in modern Arabic poetry represents an artistic means that allows the poet to express his thoughts and feelings in an innovative and attractive way, and enhances the strength of the poetic text and its appeal to readers

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Muhammad Saeed Ahmad and Dr Saeed Ahmad. "Modern Urdu Poetry and Contemporary Requirements." Tasdiqتصدیق۔ 2, no. 1 (December 30, 2020): 42–49. http://dx.doi.org/10.56276/tasdiq.v2i1.17.

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The contemporary needs, demands, and challenges and their impact on our modern poetry are very pertinent to mention here that contemporary consciousness is very necessary for modern poets and poetry. Challenges of the modern era and contemporary consciousness are the main sources to impress the mind and soul of the Creator and such literature plays a significant role in society. The poets realize, analyze and judge the surrounding issues of their era and discuss them in their poetry. Succinctly we can say that the contemporary demands and challenges have a deep impact on modern poetry.

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37

Salih, Sabah A., Estella Schmid, and Andrew Penny. "Anthology of Contemporary Kurdish Poetry." World Literature Today 70, no. 3 (1996): 753. http://dx.doi.org/10.2307/40042296.

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38

Marsack, Robyn, and Alan Robinson. "Instabilities in Contemporary British Poetry." Modern Language Review 85, no. 2 (April 1990): 432. http://dx.doi.org/10.2307/3731845.

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John, Brian, and Michael Kenneally. "Poetry in Contemporary Irish Literature." Canadian Journal of Irish Studies 25, no. 1/2 (1999): 528. http://dx.doi.org/10.2307/25515291.

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Crown, Bonnie R., and Koh Chang-soo. "Anthology of Contemporary Korean Poetry." World Literature Today 63, no. 4 (1989): 747. http://dx.doi.org/10.2307/40145767.

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41

Bosi, Viviana. "BRAZILIAN CONTEMPORARY POETRY: AN OVERVIEW." Revista Brasileira de Literatura Comparada 22, no. 41 (December 2020): 46–57. http://dx.doi.org/10.1590/2596-304x20202241vb.

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Abstract: Although it may seem an impossible task to offer a panorama of contemporary Brazilian poetry, we will discuss a selection of poets who possibly epitomize the most significant current trends. We start with a brief presentation of four well-regarded authors whose works represent major poetic currents: Augusto de Campos, Francisco Alvim, Armando Freitas Filho and Adélia Prado. We then comment on excerpts from a few important younger poets, whose works embrace several different tones and styles, from indigenous symbolic mythology to crude or ironic testimonials of life in the big city, from melodious lyrical intimacy to a more social perspective. For the second part of this article, we have chosen Paulo Henriques Britto, Josely Vianna Baptista, Ricardo Aleixo, Carlito Azevedo, Eucanaã Ferraz and Ana Martins Marques. We hope this preliminary selection may awaken the interest of future readers to the enormous variety and richness of Brazilian poetry.

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42

Chaturvedi, Manjula, and Sunita Singh. "Environment in Contemporary Hindi Poetry." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 3 (March 23, 2022): 35–37. http://dx.doi.org/10.31305/rrijm.2022.v07.i03.006.

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Environment today is a multifaceted term. The problem of environment is one of the most discussed problems in contemporary times. Environment has become the most discussed topic today. It is being discussed in many academic and non-academic contexts, for example, environment and society, green aesthetics etc. A new form of environment is emerging in Hindi literature, especially in contemporary Hindi literature. Contemporary poetry is composed by being compelled by the deep-pressures of thoughts. Here the normal human has come in the centre, ending the debate of great human and small human. In fact, the poetry of every era tries to define the human of its era. Therefore, in the creation of poetry, it is necessary to study the changing state of mind due to the effects of continuous circumstances. In a broad sense, it can be said that the environment is the basic inspiration of contemporary poetic creation. Abstract in Hindi Language: पर्यावरण आज एक बहुआयामी शब्द है। पर्यावरण की समस्या समकालीन समय में सबसे अधिक चर्चित समस्या में एक है। पर्यावरण आज सबसे अधिक चर्चा का विषय बन चुका है । उदाहरण पर्यावरण एवं समाज हरित सौंदर्यशास्त्र आदि अनेक एकेडमिक और गैर अकादमिक संदर्भ में इसकी चर्चा हो रही है। हिंदी साहित्य में विशेष रुप से समकालीन हिंदी साहित्य में पर्यावरण का नया रूप उभर कर आ रहा है। समकालीन कविता विचारों के गहरे - दवाबों से विवश होकर रची जाती है। यहां महामानव और लघु मानव की बहस को समाप्त करता हुआ सामान्य मानव केंद्र में आ गया है। वस्तुतः हर युग की कविता अपने युग के मानव को परिभाषित करने की कोशिश करती है। इसलिए कविता का सृजन कर्म में निरंतर परिस्थितियों के घात - परिधात से बदलती हुई मनोस्थिति का अध्ययन आवश्यक है ।रचना अपने यथार्थ की तक राह से ही रह बनाती है। व्यापक अर्थ में कह सकते हैं की परिवेश ही समकालीन काव्य सर्जना की मूल प्रेरणा है। Keywords: पर्यावरण, समकालीन, हिंदी साहित्य, सौंदर्यशास्त्र

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Disch, Thomas M., Angela Belli, Jack Coulehan, Thomas Lynch, Ausonius, David R. Slavitt, Anne Powell, Phillip Mahony, Paul Muldoon, and Albert Goldbarth. "Job Opportunities in Contemporary Poetry." Hudson Review 52, no. 2 (1999): 313. http://dx.doi.org/10.2307/3853425.

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LEONG, MICHAEL. "Contemporary Poetry and Comparative Iterature." Contemporary Literature 61, no. 3 (2021): 421–28. http://dx.doi.org/10.3368/cl.61.3.421.

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Tu, Kuo-ch'ing, and Julia C. Lin. "Essays on Contemporary Chinese Poetry." Chinese Literature: Essays, Articles, Reviews (CLEAR) 8, no. 1/2 (July 1986): 117. http://dx.doi.org/10.2307/495124.

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Madden, Heather M. "Contemporary Poetry on CD-ROM." English Journal 86, no. 8 (December 1997): 86. http://dx.doi.org/10.2307/821633.

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Koppensteiner, Jurgen, and Beth Bjorklund. "Contemporary Austrian Poetry: An Anthology." German Quarterly 61, no. 1 (1988): 160. http://dx.doi.org/10.2307/407148.

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Xerri, Daniel. "Shared writing via contemporary poetry." English in Education 45, no. 2 (June 2011): 176–89. http://dx.doi.org/10.1111/j.1754-8845.2011.01097.x.

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McLeod, Russell, and Julia C. Lin. "Essays on Contemporary Chinese Poetry." World Literature Today 61, no. 1 (1987): 155. http://dx.doi.org/10.2307/40142686.

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Ramras-Rauch, Gila, W. Bargad, and Stanley F. Chyet. "Israeli Poetry: A Contemporary Anthology." World Literature Today 61, no. 2 (1987): 344. http://dx.doi.org/10.2307/40143273.

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Journal articles on the topic 'Contemporary poetry'

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