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Books on the topic 'Contemporary Japanese art'

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Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Coffland, Robert T. Contemporary Japanese bamboo art. Chicago: Art Media Resources with Tai Gallery, 1999.

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2

Japan Society (New York, N.Y.), ed. Contemporary Japanese art in America. New York: Japan Society, 1987.

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3

Moroyama, Masanori. Japanese bamboo baskets: Meiji, modern, contemporary. New York: Kodansha International, 2007.

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4

1966-, Baldissera Lisa, Art Gallery of Greater Victoria, and Art Gallery of Hamilton, eds. Great new wave: Contemporary art from Japan. Victoria: Art Gallery of Greater Victoria, 2008.

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5

Bijutsukan, Setagaya. Yasei no fukken =: An aspect of contemporary art. [Tokyo]: Setagaya Bijutsukan, 1991.

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6

Japan Society (New York, N.Y.). Gallery. and Clark Center for Japanese Art & Culture., eds. New bamboo: Contemporary Japanese masters. New York: Japan Society, 2008.

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7

Pawā obu Japanīzu kontenporarī āto: The power of Japanese contemporary art. Tōkyō: Asukī, 2008.

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8

Stampalia, Fondazione scientifica Querini, and Biennale di Venezia (55th : 2013 : Venice, Italy), eds. Imago mundi: Luciano Benetton collection : contemporary Japanese artists. Italy: Fabrica, 2013.

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9

Gakugeika, Setagaya Bijutsukan, ed. Yasei no fukken: An aspect of contemporary art. [Tokyo]: Setagaya Bijutsukan, 1991.

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10

1955-, Ozaki Tetsuya, and Japan Society (New York, N.Y.). Gallery, eds. Bye bye Kitty!!!: Between heaven and hell in contemporary Japanese art. New York: Japan Society, 2011.

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11

Watkins, Jonathan, and Mitzuho Kato, eds. Atsuko Tanaka: The art of connecting. Manchester, UK: Cornerhouse Publications, 2011.

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12

Ito, Masanobu. Sharaku interpreted by Japan's contemporary artists. [Tokyo?]: Published by The Japan Foundation, 1996.

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13

(Japan), Toyama Kenritsu Kindai Bijutsukan. Gendai Nihon bijutsu no dōsei: A current contemporary art in Japan. [Toyama-shi]: Toyama Kenritsu Kindai Bijutsukan, 1986.

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14

Tani, Arata, and Junko Kitamura. Āto, seitaikei: Bijutsu hyōgen no "shizen" to "seisaku" = Art, ecosystem : the contemporary Japanese art scene. [Utsunomiya-shi]: Utsunomiya Bijutsukan, 1998.

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15

Dompierre, Louise. The age of anxiety: September 22 through November 26, 1995, the Power Plant--Contemporary Art Gallery at Harbourfront Centre. Toronto, Ont: Power Plant, 1995.

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16

Dompierre, Louise. The age of anxiety: The Power Plant, contemporary art gallery at Harbourfront Centre, September 22 through November 26, 1995. Edited by Power Plant (Art Gallery) and Kokusai Kōryū Kikin. Toronto, Ont: Power Plant, 1995.

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17

Bijutsukan, Saitama Kenritsu Kindai. Ji, kan, yohaku: Konnichi no hyōgen kara = The space--material, tension, vacancy in Japanese contemporary art. [Urawa-shi]: Saitama Kenritsu Kindai Bijutsukan, 1989.

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18

Ceramics, International Academy of. Exhibition of contemporary tokai ceramic art: September 15-26, 1996, Nagoya Congress Center. [Saga-ken]: IAC Nihon Kaigi '96 Saga-ken Jikkō Iinkai, 1996.

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19

Bijutsukan, Fukuoka-shi. Suishō no tō o sagashite: Gendai āto ga hiraku "watakushi" no sekai = "Secret values," : 5 contemporary artists searching for the quartz tower. Fukuoka-shi: Fukuoka-shi Bijutsukan, 2000.

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20

(Japan), Toyama Kenritsu Kindai Bijutsukan. "Gendai Nihon bijutsu no dōsei--rittai zōkei" ten: A current of contemporary art in Japan, sculpture. [Toyama-shi]: Toyama Kenritsu Kindai Bijutsukan, 1991.

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21

Tada, Tomio, and Reiko Kokatsu. Noontime Meditation. Contemporary Japanese Art having Inner Sight: Tochigi Prefectural Museum of Fine Arts. Tochigi, Japan: Tochigi Prefectural Museum of Fine Arts, 1999.

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22

Bijutsukan, Gunma Kenritsu Kindai, and Tōkyō Kokuritsu Kindai Bijutsukan, eds. Ningen kokuhō Kitamura Takeshi: Kitamura Takeshi Master of contemporary weaving. [Kyoto]: Kyōto Kokuritsu Kindai Bijutsukan, 2011.

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23

Bijutsukan, Shiga Kenritsu Kindai. Shashin ni yoru gendai hanga: Kyo to jitsu no aida : Shiga anyuaru '90 = Contemporary prints : the application of photograph : Shiga annual '90. [Ōtsu-shi]: Shiga Kenritsu Kindai Bijutsukan, 1990.

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24

Bijutsu no Nihon kin-gendaishi: Seido, gensetsu, zōkei = Histories of modern and contemporary Japan through art : institutions, discourse, practice. Tōkyō: Tōkyō Bijutsu, 2014.

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25

Bijutsukan, Tokushima Kenritsu Kindai, ed. Shizen o mitsumeru sakkatachi: Gendai Nihon no shizen hyōgen to dentō = Artists and nature, expression of nature in Japan today, traditional and contemporary ways. Tokushima-shi: Tokushima Kenritsu Kindai Bijutsukan, 2002.

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26

Sentā, Kyōto Kokusai Geijutsu. Gendai bijutsu no danmen: Nikkan 80-nendai zenki no genkyō = Profile of contemporary art : the early '80s in Japan and Korea. Kyōto-shi: Kyōto Kokusai Geijutsu Sentā, 1987.

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27

Sentā, Kyōto Kokusai Geijutsu. Gendai bijutsu no danmen: Nikkan 80-nendai kōki no genkyō = Profile of contemporary art : the later '80s in Japan and Korea. Kyōto-shi: Kyōto Kokusai Geijutsu Sentā, 1993.

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28

Takaezu, Toshiko. Toshiko Takaezu: New works, November 26-December 30, 1994, Forum for Contemporary Art. St. Louis, Mo: Forum for Contemporary Art, 1994.

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29

Bijutsukan, Tōkyō Kokuritsu Kindai, and Kyōto Kokuritsu Kindai Bijutsukan, eds. Kaiga, yūitsunaru mono: Gendai bijutsu e no shiten = Painting, singular object : a perspective on contemporary art. [Tokyo]: Tōkyō Kokuritsu Kindai Bijtusukan, 1995.

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30

Bijutsukan, Tochigi Kenritsu, ed. Meditēshon, mahiru no meisō: 90-nendai no Nihon no bijutsu = Noontime meditation : contemporary Japanese art having inner sight. Utsunomiya-shi: Tochigi Kenritsu Bijutsukan, 1999.

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31

Masato, Nakano, and San Diego Museum of Art, eds. Dyeing elegance: Asian modernism and the art of Kuboku and Hisako Takaku. San Diego: San Diego Museum of Art, 2012.

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32

Volk, Alicia. Made in Japan: The postwar creative print movement. Milwaukee, Wis: Milwaukee Art Museum in association with University of Washington Press, Seattle, 2005.

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33

Thuc, Caroline Ha. Nouvel art contemporain japonais. Paris: Nouvelles éditions Scala, 2012.

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34

L'art contemporain japonais, quête d'une identité: Expression de la crise identitaire dans l'art contemporain japonais, 1990 à nos jours. Paris: L'Harmattan, 2008.

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35

Nouvelle garde de l'art contemporain japonais. [France]: Lézard noir, 2011.

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36

The voyage of contemporary Japanese theatre. Honolulu: University of Hawai'i Press, 1997.

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37

Rogers, Hiromi T. Anjin - The Life and Times of Samurai William Adams, 1564-1620. GB Folkestone: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9781898823858.

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The year is 1600. It is April and Japan’s iconic cherry trees are in full flower. A battered ship drifts on the tide into Usuki Bay in southern Japan. On board, barely able to stand, are twenty-three Dutchmen and one Englishman, the remnants of a fleet of five ships and 500 men that had set out from Rotterdam in 1598. The Englishman was William Adams, later to be known as Anjin Miura by the Japanese, whose subsequent transformation from wretched prisoner to one of the Shogun’s closest advisers is the centrepiece of this book. As a native of Japan, and a scholar of seventeenth-century Japanese history, the author delves deep into the cultural context facing Adams in what is one of the great examples of assimilation into the highest reaches of a foreign culture. Her access to Japanese sources, including contemporary accounts – some not previously seen by Western scholars researching the subject – offers us a fuller understanding of the life lived by William Adams as a high-ranking samurai and his grandstand view of the collision of cultures that led to Japan’s self-imposed isolation, lasting over two centuries. This is a highly readable account of Adams’ voyage to and twenty years in Japan and that is supported by detailed observations of Japanese culture and society at this time. New light is shed on Adams’ relations with the Dutch and his countrymen, including the disastrous relationship with Captain John Saris, the key role likely to have been played by the munitions, including cannon, removed from Adams’ ship De Liefde in the great battle of Sekigahara (September 1600), the shipbuilding skills that enabled Japan to advance its international maritime ambitions, as well as the scientific and technical support Adams was able to provide in the refining process of Japan’s gold and silver.

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38

Tadao, Ando, and Fujimori Terunobu 1946-, eds. The contemporary tea house: Japan's top architects redefine a tradition. New York: Kodansha International, 2007.

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39

The crisis of identity in contemporary Japanese film: Personal, cultural, national. Leiden: Brill, 2008.

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40

Pappalardo, Giuseppe, and Patrick Heinrich. European Approaches to Japanese Language and Linguistics. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-428-8.

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In this volume European specialists of Japanese language present new and original research into Japanese over a wide spectrum of topics which include descriptive, sociolinguistic, pragmatic and didactic accounts. The articles share a focus on contemporary issues and adopt new approaches to the study of Japanese that often are specific to European traditions of language study. The articles address an audience that includes both Japanese Studies and Linguistics. They are representative of the wide range of topics that are currently studied in European universities, and they address scholars and students alike.

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41

Rajeev, Lochan, Kanai Tadashi 1968-, and National Gallery of Modern Art (New Delhi, India), eds. Vanishing points: Contemporary Japanese art. Tōkyō: Japan Foundation, 2007.

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42

Japanese Contemporary Floral Art Naoki Saski. Stichting Kunstboek, 2009.

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43

1957-, Watkins Jonathan, Kataoka Mami, Hayward Gallery, and Kokusai Kōryū Kikin, eds. Facts of life: Contemporary Japanese art. London: Hayward Gallery, 2001.

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44

Modern Twist: Contemporary Japanese Bamboo Art. International Arts and Artists, 2012.

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45

Baten, Lea. Japanese Animal Art: Antique and Contemporary. Shufu No Tomo-Sha, 1989.

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46

(Foreword), Lloyd Cotsen, ed. Japanese Bamboo Baskets: Meiji, Modern, and Contemporary. Kodansha International, 2007.

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47

Fran, Lloyd, ed. Consuming bodies: Sex and contemporary Japanese art. London: Reaktion Books, 2002.

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48

Lloyd, Fran. Consuming Bodies: Sex and Contemporary Japanese Art. Reaktion Books, 2004.

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49

(Editor), Mark Sanders, Fumiya Sawa (Editor), and Kyoichi Tsuzuki (Editor), eds. Reflex: Contemporary Japanese Self-Portraiture. Trolley, 2004.

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50

Sabrina, Kamstra, and Nichi-Ran Gakkai, eds. Tokyo contemporary art guide. Tokyo: Japan-Netherlands Institute, 1995.

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