Academic literature on the topic 'Contemporary animation'
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Journal articles on the topic "Contemporary animation"
Thesen, Thomas P. "Reviewing and Updating the 12 Principles of Animation." Animation 15, no. 3 (November 2020): 276–96. http://dx.doi.org/10.1177/1746847720969919.
Full textSingh, G. "Mixing audio and animation: contemporary synesthesia." IEEE Computer Graphics and Applications 21, no. 5 (July 2001): 4–5. http://dx.doi.org/10.1109/mcg.2001.946623.
Full textLi, Chenmei. "Influence of Hayao Miyazaki’s Animation on the Cross-Cultural Spread of Japanese Traditional Culture under the Background of 5G and Wireless Communication." Wireless Communications and Mobile Computing 2021 (October 11, 2021): 1–5. http://dx.doi.org/10.1155/2021/1640983.
Full textBeckman, Karen. "Animation on Trial." Animation 6, no. 3 (November 2011): 259–75. http://dx.doi.org/10.1177/1746847711416568.
Full textKrivulya, Natalya Gennadyevna. "Problems of Animation Film Visual Anthropology." Journal of Flm Arts and Film Studies 4, no. 2-3 (September 15, 2012): 184–201. http://dx.doi.org/10.17816/vgik42-3184-201.
Full textSon, Kook-Hwan, and Sung-Dae Park. "Artistic Achievement of Abstract Animation and Contemporary Significance." Journal of the Korea Contents Association 12, no. 6 (June 28, 2012): 132–41. http://dx.doi.org/10.5392/jkca.2012.12.06.132.
Full textVillén Higueras, Sergio Jesús, Xinjie Ma, and Francisco Javier Ruiz-del-Olmo. "Crowdfunding as a Catalyst for Contemporary Chinese Animation." Animation 15, no. 2 (July 2020): 130–44. http://dx.doi.org/10.1177/1746847720933792.
Full textTai, Peng-yi. "The Animator as Inventor: Labour and the New Animated Machine Comedy of the 2010s." Animation 13, no. 3 (November 2018): 238–51. http://dx.doi.org/10.1177/1746847718805163.
Full textMan-chi Cheung, Terrie. "The Discourse of Independent Animation in the Contemporary Chinese Context." Animation 16, no. 3 (November 2021): 175–89. http://dx.doi.org/10.1177/17468477211050974.
Full textDe Bruyn, Dirk. "The Beauty of the Fragment Reconstituted in the Great Wall." International Journal of Film and Media Arts 6, no. 2 (December 17, 2021): 42–62. http://dx.doi.org/10.24140/ijfma.v6.n2.03.
Full textDissertations / Theses on the topic "Contemporary animation"
Husbands, Lilly Marie. "Animated experientia : aesthetics of contemporary experimental animation." Thesis, King's College London (University of London), 2014. http://kclpure.kcl.ac.uk/portal/en/theses/animated-experientia(85e342f2-7ec9-4c7c-9024-20e2a8931677).html.
Full textCrawte, Derrin. "Darkness visible : contemporary stop motion animation and the uncanny." Thesis, Anglia Ruskin University, 2017. http://arro.anglia.ac.uk/702164/.
Full textdaCosta, Charles C. H. "Racial stereotyping and selective positioning in contemporary British animation." Thesis, University of Brighton, 2007. https://research.brighton.ac.uk/en/studentTheses/1dcf3124-b4a3-4c63-9807-c053782bb36c.
Full textWilliamson, Naomi, and naomiruthwilliamson@mac com. "The Drawn Subject: Meaning and the Moving Drawing." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080617.142838.
Full textPINNA, DANIEL MOREIRA DE SOUSA. "BRAZILIAN ANIMATED CHARACTERS: THE VISUAL LANGUAGE OF CONTEMPORARY BRAZILIAN ANIMATION CHARACTERS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9582@1.
Full textO presente estudo analisa os aspectos comunicativos da visualidade de personagens de curta-metragens de animação contemporâneos brasileiros, empregando recursos oferecidos pela Semiologia. O cinema de animação é uma arte que tomou contornos na virada do século XX. Junto à indústria cultural, consolidou inúmeras personagens na memória de espectadores em todo o mundo. Contudo, os altos custos de produção das obras animadas obrigam muitos artistas a realizarem seus filmes independentes no formato de curtas metragens. Devido à brevidade dos filmes, esses criadores empregam repetidamente tipos e caricaturas como personagens principais, apresentando-os sob a forma de signos de fácil reconhecimento pela maioria dos espectadores. Esta pesquisa parte da hipótese de que a visualidade das personagens de obras cinematográficas de animação breves é um sistema projetado (intencionalmente ou não) para transmitir ao espectador mensagens de compreensão praticamente imediata a respeito da narrativa apresentada e dos conceitos personificados pelas personagens no curto intervalo de tempo em que elas estão em cena. Com base no levantamento de sessenta principais personagens apresentadas nos filmes brasileiros premiados no festival Anima Mundi em suas doze primeiras edições (1993-2004), esta dissertação investigou os estereótipos existentes nas produções recentes do cinema de animação brasileiro. Em seguida, buscou delinear maneiras com que os elementos visuais que os constituem atuam no processo de significação das personagens animadas, articulando-se enquanto uma linguagem visual específica. Para realizar tal investigação, os procedimentos metodológicos adotados tomaram por fundamentos os estudos de Semiologia de Roland Barthes e o conceito de atributos das personagens desenvolvido por Vladimir Propp.
This paper analyses the communicative aspects of the look of contemporary Brazilian animation short movie´s characters, using resources from Semiology. Animation cinema became an art at the beginning of the 20th century. With the cultural industry, it has cemented lots of characters in spectator´s memories around the world. However, the high expenses of animated movies´ production force many artists to produce their authorial animations as short movies. Due to the brevity of these movies, their creators repeatedly use types and caricatures as main characters, presented morphologically as signs that can easily be recognized by most of the audiences. This research considers the hypothesis that the look of characters from animated short movies is a system designed (intentionally or not) to communicate to the spectator messages of prompt comprehension concerned to the narrative shown and to the concepts personified by the characters in the short period of time in which they are acting. Based on the survey of sixty main characters from Brazilian awarded movies at the twelve first editions of Anima Mundi festival (1993- 2004), this dissertation investigated the existing stereotypes in recent Brazilian animation short movies. Then, it tried to outline ways in which the visual elements that constitute these stereotypes act in the signifying process of the animated characters, working together as a specific visual language. In order to carry out such investigation, the adopted methodological procedures were based on Roland Barthes´ Semiology and Vladimir Propp´s concept of characters´ attributes.
Ehrlich, Nea E. "Animated realities : from animated documentaries to documentary animation." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25699.
Full textSilva, Michelle Ramona. "Digital alchemy matter and metamorphosis in contemporary digital animation and interface design /." online access from Digital Dissertation Consortium, 2005. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3224047.
Full text潘文慧 and Man-wai Poon. "Cultural globalization?: the contemporary influence of Japanese animation on Hong Kong teenagers." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31226620.
Full textPoon, Man-wai. "Cultural globalization? : the contemporary influence of Japanese animation on Hong Kong teenagers /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24872970.
Full textPapp, Zilia English Media & Performing Arts Faculty of Arts & Social Sciences UNSW. "Investigating the influence of Edo and Meiji period monster art on contemporary Japanese visual media." Publisher:University of New South Wales. English, Media, & Performing Arts, 2008. http://handle.unsw.edu.au/1959.4/41276.
Full textBooks on the topic "Contemporary animation"
Halas, John. The contemporary animator. London: Focal Press, 1990.
Find full textHalas, John. The contemporary animator. London: Focal, 1990.
Find full textAnimators unearthed: A guide to the best of contemporary animation. New York: Continuum, 2010.
Find full textAnime from Akira to Princess Mononoke: Experiencing contemporary Japanese animation. New York: Palgrave, 2000.
Find full textAnime from Akira to Howl's moving castle: Experiencing contemporary Japanese animation. New York, NY: Palgrave Macmillan, 2005.
Find full textMariotti, Marcella, Maria Roberta Novielli, Bonaventura Ruperti, and Silvia Vesco. Rethinking Nature in Post-Fukushima Japan. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-264-2.
Full textR, Lugo-Lugo Carmen, and Bloodsworth-Lugo Mary K, eds. Animating difference: Race, gender, and sexuality in contemporary films for children. Lanham, Md: Rowman & Littlefield, 2010.
Find full textRichard, King C. Animating difference: Race, gender, and sexuality in contemporary films for children. Lanham, Md: Rowman & Littlefield Publishers, 2010.
Find full textKing, C. Richard. Animating difference: Race, gender, and sexuality in contemporary films for children. Lanham, Md: Rowman & Littlefield, 2010.
Find full textThe films of Tim Burton: Animating live action in contemporary Hollywood. New York: Continuum, 2005.
Find full textBook chapters on the topic "Contemporary animation"
Walden, Victoria Grace. "Animation, Assemblage, the Affection-Form." In Cinematic Intermedialities and Contemporary Holocaust Memory, 113–54. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10877-9_4.
Full textGowanlock, Jordan. "Conclusion: Engineering Movies." In Palgrave Animation, 171–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74227-0_7.
Full textChen, Zhi, and Ming Cai. "Hybrid Teaching Application and Exploration in the Mobile Media Era——Taking the “Interactive Animation” Course as an Example." In Design, User Experience, and Usability: Design for Contemporary Technological Environments, 3–14. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78227-6_1.
Full textOstherr, Kirsten. "Animating Informatics." In A Companion to Contemporary Documentary Film, 280–97. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118884584.ch13.
Full textPallant, Chris, and James Newton. "Animating Class in Contemporary British Television." In Social Class and Television Drama in Contemporary Britain, 215–30. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55506-9_15.
Full textBrown, Noel. "Change and Continuity: The Making of Contemporary Hollywood Animation." In Contemporary Hollywood Animation, 1–40. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474410564.003.0001.
Full textBrown, Noel. "Crossing Boundaries: Families, Audiences and the Mainstream Aesthetic." In Contemporary Hollywood Animation, 41–77. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474410564.003.0002.
Full textBrown, Noel. "Ways of Being: Identity and Hollywood Animation." In Contemporary Hollywood Animation, 109–43. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474410564.003.0004.
Full textBrown, Noel. "Conclusion." In Contemporary Hollywood Animation, 178–84. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474410564.003.0006.
Full textBrown, Noel. "Hollywood Animation, Late Modernity and Contemporary America." In Contemporary Hollywood Animation, 78–108. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474410564.003.0003.
Full textConference papers on the topic "Contemporary animation"
Gu, Jie. "On Key Animation and Key Animator." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.172.
Full textZhao, Ran. "Design of Animation Derivative Products and Practice in Animation Major Teaching." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.201.
Full textZhang, Jin. "Creation and Teaching of Realistic Animation Making Animation Shine into Reality." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.74.
Full textMitkus, Tomas, and Dimitrios I. Maditinos. "The Born-Global Phenomenon in Creative Industries: the Case of Lithuanian Animation Industry." In Contemporary Issues in Business, Management and Education. Vilnius Gediminas Technical University, 2017. http://dx.doi.org/10.3846/cbme.2017.031.
Full textEvallyo, Violetta. "Split Screen Aesthetics in Soviet Animation." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.1.
Full textJing, Peng. "Application of Color and Musical Language in Chinese Contemporary Animation Film." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.13.
Full textSun, Hongjuan. "A Brief Introduction of Symbol Application in Animation Design." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.221.
Full textZhao, Ran. "Construction and Practice of Teaching System of Animation Products Design Project of Animation Major Driven by Original Brand." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.115.
Full textShang, Lina. "Fashion Representation of Henan Opera Art in Two-dimensional Animation." In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.68.
Full textSun, Hongjuan. "Research on the Teaching Reform of “Two-Dimensional Animation Production”." In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.82.
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