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Bidgood, Lee. "Consort Cooperative Concert." Digital Commons @ East Tennessee State University, 2017. https://vimeo.com/239922609.
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Linnell, Anna-Marie. "Writing the Royal Consort in Stuart England." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23628.
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This dissertation examines the literature of royal consorts in Stuart England. Critics and historians have devoted considerable attention to the creation of the monarch’s image during this tumultuous period, which witnessed two revolutions and the explosion of print. We know that the Stuart monarchs embraced different forms of visual media – including pageantry, portraiture and print – to disseminate their image within the court and to a broader public. However, the extensive literature about the royal consorts remains under-examined. My thesis makes an original contribution to scholarship by exploring what texts were written about the royal consorts, by whom, and how these writers constructed images of the royal consorts that participated in broader debates over the status of the monarchy. The dissertation is divided into two main parts. Part 1 comprises six chapters that analyse succession writing, when a new monarch came to the throne and established their iconography for the new reign. I draw on hundreds of texts that were printed about the Stuart consorts at these moments. These writings span a variety of genres, from poems and plays to sermons and political pamphlets. I investigate the literature of each succession in turn, analysing the main themes and motifs that emerged. This approach enables me to uncover a swathe of anonymous and under-utilised literature, but also re-interpret works by more canonical writers such as Aphra Behn. I ask how the royal consorts themselves, their spouses and members of the public could influence the creation of the royal consorts’ images at these moments. Critically, I also compare the conventions that were used to describe the consorts across the century. Part 2 analyses how writers re-constructed ideals for the royal consorts in Restoration England, as debates about the structure of the monarchy came to be more explicit. Chapter 7 concentrates on images of Henrietta Maria when she returned to England as Queen Mother. Chapter 8 asks how writers adapted former models of representation to praise Catherine, the infertile queen, when it became clear that she would not bear an heir. Finally, Chapter 9 examines the numerous secret histories and romances that were authored about Mary Beatrice’s purported behaviour during her exile in the 1690s. These chapters highlight the continued importance of these women and examines how writers constructed their legacies. As a whole, the literature about the royal consorts reveals a dynamic project as part of which authors engaged with and adapted earlier models of writing. This enabled them to address broader questions about changes in the nature of the Stuart monarchy and political life.
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Malloch, Joseph W. "A consort of gestural musical controllers : design, construction, and performance." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112506.
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This thesis project presents the T-Sticks, a new family of digital musical instruments (DMIs). Most DMIs are either entirely unique interfaces, or exist as design iterations in which each incarnation is intended to improve on the last. The T-Sticks are instead intended to form a complementary group or consort which may be performed ensemble and also performed individually in solo pieces or works for mixed instrumentation. Each of the T-Sticks is based on the same general structure and sensing platform, but each also differs from its siblings in size, weight, timbre and register.This document explores some of the issues challenging and motivating the field of DMI design and performance, and describes the motivations behind the T-Stick project in this context. Several existing DMIs are examined for similarities to the T-Stick and compared in terms of design intention, implementation, and usage. The hardware and software designed and built for this project is presented, along with insights gained through collaboration with performers and composers in the context of McGill University's Digital Orchestra project. The performers in question have collectively practiced and performed with the T-Stick for hundreds of hours in the lab, practice room, and on the concert stage. The consort of T-Sticks will be featured as an ensemble in a piece to be performed during the 2008 MusiMarch festival in Montreal.
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Jay, Emma. "Caroline, Queen Consort of George II, and British literary culture." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402981.
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Grant, Sean Patrick. "Development of a CONSORT extension for social and psychological interventions." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:c1bd46df-eb3f-4dc6-9cc1-38c26a5661a9.
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Background: Defined by their mechanisms, social and psychological interventions are those interventions that work through mental processes and social phenomena. They are often complex and challenging to evaluate, so understanding randomised controlled trials (RCTs) of these interventions requires detailed reports of the interventions tested and the methods used to assess them. However, reports of these RCTs often omit important information. Poor reporting hinders critical appraisal and synthesis of RCTs in systematic reviews, thereby impeding the effective transfer of research evidence to policy and practice. The Consolidated Standards for Reporting Trials (CONSORT) Statement is a reporting guideline that has contributed to improvements in the quality of RCT manuscripts in journals publishing medical research. However, studies have shown persistent deficiencies in the reporting quality of social and psychological intervention trials. A new CONSORT extension for these interventions may be needed given their distinct and complex features. This DPhil thesis reports on a project to develop and disseminate an official CONSORT Extension for Social and Psychological Interventions: CONSORT-SPI. Structure: Following a preface, this DPhil thesis includes eight chapters. Chapter 1 provides an overview of the conceptual rationale that prompted the CONSORT-SPI project. Chapter 2 details the project protocol, which consists of a five-phase methodology that follows current best practices for reporting guideline development and dissemination. Chapter 3 discusses systematic literature reviews to assess reporting guidelines for and the reporting quality of publications of social and psychological intervention RCTs. Chapter 4 discusses an online, international Delphi process to generate a prioritised list of possible items to include in the CONSORT-SPI extension. Chapter 5 discusses a formal consensus meeting to select reporting items to add to or modify for the CONSORT-SPI Extension checklist. Chapter 6 involves drafts of the CONSORT-SPI checklist as well as a template for the Explanation and Elaboration (E&E) document providing detailed advice and examples of good reporting for each checklist item. These drafts have not yet been circulated to co-authors or other members of the project team; their purpose in this thesis is to give an indication of how previous project phases have led into initial prototypes of the checklist and E&E, which will undergo further development and revision by the project team before publication. Chapter 7 proposes a coordinated dissemination and implementation strategy informed by theoretical frameworks and tools used to guide the implementation of clinical guidelines and empirically-supported interventions. The final chapter summarises the information gained from the CONSORT-SPI project to date, assesses strengths and limitations of the project methodology, and discusses implications for future research. Conclusion: A CONSORT-SPI Extension could improve the reporting quality of social and psychological intervention RCTs. This extension could also facilitate better critical appraisal of this body of research and its use in evidence-based decision-making. With successful dissemination and implementation, the guideline will hopefully contribute to the improvement of intervention evaluations—as well as the methodology underpinning these studies—within the social and behavioural sciences.
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Robertson, Michael Neil. "The consort suite in the German-speaking lands (1660-1705)." Thesis, University of Leeds, 2004. http://etheses.whiterose.ac.uk/360/.
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It is likely that most of the composers considered in this dissertation would have thought of themselves as being German, even if they were nominal citizens of the Holy Roman Empire. The end of the Thirty Years War in 1648 had hardly brought lasting peace to Germany: in France, Louis XIV had territorial ambitions, and this brought him into conflict with Leopold I, the Holy Roman Emperor. Despite the political machinations of the period, French cultural influence was very strong in Germany. The music of Jean-Baptiste Lully swept through the German courts during the 1670s and '80s, and remained the dominant influence in German suite writing until the early part of the eighteenth century. French music was known in Germany long before Lully. Dance music from France was widely disseminated, and this dissertation considers the manner of this dissemination as well as the influence of the ballet de cour. But there were parallel traditions of suite Writing during this time: suites by town musicians exhibited quite different characteristics from the French courtly suite. Here, concepts of careful organisation came to the fore: town musicians often issued their suites in printed collections that used a variety of techniques to link movements within suites. The collections themselves were often carefully organised: a similar, if not identical, sequence of movements could be used throughout a collection, and suites themselves could be arranged in ascending order of key. This dissertation will also study two particular trends of suite composition in Leipzig and Hamburg. In Leipzig, composers such as Rosenmiffler and Pezel offered performers a choice, not of individual dances, but of movement sequences. In Hamburg, Becker and Reincken were part of a late flowering of variation techniques that had been popular at the start of the century. The trio suite is considered as a separate genre, as are the suites written by composers such as J. H. Schmelzer at the imperial court of Vienna. Throughout, the dissertation deals with questions of instrumentation, national style, organisation and whether suites were intended to be abstract instrumental music or functional dance music. It ends with four case studies that indicate the trends in suite writing at the start of the eighteenth century.
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Adham, Mohamad Sami. "L'axiomatique de ferdinand gonseth." Paris 1, 1987. http://www.theses.fr/1987PA010630.
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Adham, Mohamad Sami. "L'Axiomatique de Ferdinand Gonseth." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37602113g.
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Craft, Emalee, and Rachel Ogumbo. "Use of CONSORT Criteria for Reporting Randomized Controlled Trials in Pharmacy Journals." The University of Arizona, 2012. http://hdl.handle.net/10150/623596.
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Class of 2012 AbstractSpecific Aims: To explore whether publishing requirements for human-centered randomized control trials, particularly the CONSORT criteria, have any relationship to impact as measured by the Journal Citation Reports TM Impact Factor. Methods: A worksheet was used to evaluate a methodically selected list of journals, including types of articles published, requirements of authors for human-focused randomized control trials, JCR Impact Factor and other JCR metrics for each specific journal title. A worksheet was filled out for each journal by each member of the research team and answers combined for consensus. Group means and SDs were calculated and the Student’s t-Test applied to values for selected journals. Main Results: 50 candidate pharmacy journals were identified and 41 met the criteria for publishing human-centered randomized control trials. Journals were grouped according to whether they required CONSORT or had other reporting requirements for human RCTs, or had no requirements for such studies. Few (6; 15%) pharmacy journals required authors to use CONSORT; and additional 15 (37%) journals provided as least some author guidelines similar to CONSORT. Pharmacy journals using CONSORT or other guidelines had a higher average impact factor (3.5; SD = 1.5) than did journals without guidelines (2.4; SD = 0.9; p = 0.007). Conclusions: There appears to be a statistical difference in average JCR metrics between journals which require specific RCT guidelines and those which do not. The use of reporting guidelines, such as CONSORT, by pharmacy journals is associated with increased impact as represented by JCR influence measures.
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Craft, Emalee, Rachel Ogumbo, and Marion Slack. "Use of CONSORT Criteria for Reporting Randomized Controlled Trials in Pharmacy Journals." The University of Arizona, 2012. http://hdl.handle.net/10150/614462.
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Class of 2012 AbstractSpecific Aims: To explore whether publishing requirements for human-centered randomized control trials, particularly the CONSORT criteria, have any relationship to impact as measured by the Journal Citation Reports ™ Impact Factor. Methods: A worksheet was used to evaluate a methodically selected list of journals, including types of articles published, requirements of authors for human-focused randomized control trials, JCR Impact Factor and other JCR metrics for each specific journal title. A worksheet was filled out for each journal by each member of the research team and answers combined for consensus. Group means and SDs were calculated and the Student’s t-Test applied to values for selected journals. Main Results: 50 candidate pharmacy journals were identified and 41 met the criteria for publishing human-centered randomized control trials. Journals were grouped according to whether they required CONSORT or had other reporting requirements for human RCTs, or had no requirements for such studies. Few (6; 15%) pharmacy journals required authors to use CONSORT; and additional 15 (37%) journals provided as least some author guidelines similar to CONSORT. Pharmacy journals using CONSORT or other guidelines had a higher average impact factor (3.5; SD = 1.5) than did journals without guidelines (2.4; SD = 0.9; p = 0.007). Conclusions: There appears to be a statistical difference in average JCR metrics between journals which require specific RCT guidelines and those which do not. The use of reporting guidelines, such as CONSORT, by pharmacy journals is associated with increased impact as represented by JCR influence measures.
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Robson, Tristram Newton Fatkin. "The Irish harp in art music c1550-c1650." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/9354/.
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The sixteenth century brought increased English military occupation and settlement to Ireland. Members of the invading nobility, who consequently came into contact with the native culture, were seduced by the sound of the Irish harp and took the instrument from its roots in Gaelic society and placed it in the setting of European courtly music. My aim is to examine this process, the resulting developments which took place in the evolution of the Irish harp, and compositions associated with its usage in the 'art' music of England and the Continent. Particular reference is made to the 'Harpe' Consorts of William Lawes together with their sources and resulting implications when considering the capabilities of the instrument employed. The harp's role within this music is also analysed and a complete set of transcriptions of Lawes' consorts is included. Works by other musicians associated with the Irish harp during the period 1550-1650 are also discussed with specific reference to the compasses and accidentals of the instruments required by the composers where appropriate. Transcriptions of works attributed to Cormack MacDermott and the anonymous harp parts located at the back of Ch Ch Mus MS 5 are included. Martin Peerson's 'Mottects or Grave Chamber Music' and a collection of works for 'Treble Bass Viol and Harp', included in the back of the 1687 edition of Christopher Simpson's A Compendium of Practical Music are also discussed. A major part of the research involved the reconstruction of an Irish chromatic harp (presented as part of this thesis) capable of playing the music examined. An account of this is given in a report which looks at the decisions and processes involved, difficulties encountered, as well as some recommendations for future experimental directions.
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Polášek, Matěj. "Ferdinand Laub - život a dílo." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79399.
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The aim of the master thesis Ferdinand Laub - Life and Work is to offer comprehensive but not exhaustive facts about a practically forgotten Czech violinist, conductor and composer F. Laub. The text presents a summary of available data and some revisions because the last biography was published in 1951. The most extensive part of the work includes biographical data of the violinist and his artistic relevance which is generally undervalued. Attention is also paid to compositions that are available in a small number only. His composing style is demonstrated on his best known piece - Polonaise, op. 7. The text also contains chapters about Laub's ascendants at the Prague Conservatory. The thesis is finished with personal evaluation of Ferdinand Laub in the context of the Czech musical culture.
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Sullivan, Sandra Jean. "Representations of Mary of Modena, Duchess, Queen Consort and exile : images and texts." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1349620/.
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This study of the way in which the "image" of Mary of Modena was constructed, and then deconstructed, examines the changing ways in which this late seventeenth-century Italian Catholic aristocrat was represented, both visually in portraits,prints and engravings, and textually in verse and prose, opera, masque and pamphlet plays, after her arrival in England in 1673 as the wife of James, Duke of York (later James II). The images and texts are placed within the cultural context of the age: contemporary artists, writers, patronage, conventions and expectations, including those relating to women, are discussed. The focus of the first chapter is James's first wife, Anne Hyde. A comparison of the manner in which these two women, both Catholic, were represented, one coming from an ancient and noble foreign house,the other from an undistinguished country family, is instructive. The next four chapters examine the themes of "beauty", her "otherness", her patronage of music, artists and writers, and her court, during the years 1673 to 1685 when Mary of Modena was Duchess of York. The contrast between the portraits, music and poetry produced at the time of James II's coronation in 1685 and the representations produced as part of the adverse propaganda campaign waged by James's son-in-law, William of Orange which culminated in the "warming pan scandal" after the birth of Mary of Modena's son ("The Old Pretender"), and led to the "Glorious Revolution" of 1688 are the subject of chapters 6 and 7. The final chapters how show Mary of Modena was represented during her exile in France from 1689 until her death there in 1718.
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Benz, Lisa. "Queen consort, queen mother : the power and authority of fourteenth century Plantagenet queens." Thesis, University of York, 2009. http://etheses.whiterose.ac.uk/14154/.
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Between 1299 and 1369 there was a continuous succession of queen consorts and queen dowagers. Margaret of France was queen consort between 1299 and 1307 and died in 1318, Isabella of France was queen consort between 1308 and 1327 and she died in 1358 and Philippa of Hainault was queen consort between 1328 and 1369 when she died. A continuous transition between queens is particularly exciting for a study of queenship because an analysis of these queens' activities provides a unique opportunity to form conclusions about nonnative queenly behaviour, and to determine the extent to which their activities depended on circumstance and inclination. The overlapping of consorts and dowagers also allows us to study the relationships between these women. Yet there has been no full-length study which takes advantage of this exceptional period in late medieval history. This present study proposes to do so, and frames this examination around four major themes: gender; status; the concept of the crown; and power and authority. By using administrative, visual and literary sources this study seeks to address the themes of gender, status, medieval concepts of the crown and power and authority. Through these themes it expounds upon the relationship of the ideology of queenship and the historical actions of three fourteenth-century queens. This thesis will demarcate when the queen's power is symbolic or achieved through her own initiative. It examines the extent to which gender and status dictated the nature of her power and authority, and it will use the concept of the crown to assess her royal status. It acknowledges that gender inequality existed in the medieval period; the queen could not rule in her own right, nor act as chancellor, treasurer or member of parliament. However, instead of emphasizing the queen's independence or her constraints and limitations, this study seeks to provide an even-handed analysis of how the queen acted. Overall, this thesis concludes that not only did the queen remain a visible part of the centralized monarchy, she also held official roles within government She was embedded in the administrative apparatus of government as a wife, a mother and a widely recognized representative of the crown.
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Berthiot, François. "Le baron d'Eckstein, journaliste et critique littéraire /." Paris (147-149 rue Saint-Honoré, 75001) : Éd. des Écrivains, 1998. http://catalogue.bnf.fr/ark:/12148/cb36708305w.
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Rouayrenc, Catherine. "C'est mon secret : la technique de l'écriture populaire dans "Voyage au bout de la nuit" et "Mort à crédit /." Tusson : Ed. du Lérot, 1994. http://catalogue.bnf.fr/ark:/12148/cb357349788.
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Klemm, Margot. "Ferdinand Julius Cohn, 1828-1898 : Pflanzenphysiologe, Mikrobiologe, Begründer der Bakteriologie /." Frankfurt am Main : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39125696x.
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Llorente, M. "The image of the Catholic Queen, Mariana of Austria : consort, regent and Queen Mother." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1348748/.
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María Anna of Austria was the daughter of Emperor Fernando III and the Infanta María. She married her uncle, Felipe IV. After the death of Felipe IV, Queen Mariana became regent, guardian-tutor and guardian-curadora of her son, the child-King, and in his name ruled the monarchy. Although Mariana is relatively obscure as a historical figure, we know her portrait thanks to Velázquez, who produced a number of portraits and included her, as wife of the King and mother of the Infanta, in Las Meninas, in the famous background mirror. The goal of this thesis is to examine the various portraits of the Spanish Queen Mariana in order to distinguish and explore the roles she played. There has been little recent historical research treating the years 1665-1696, the period which covers Queen Mariana´s designation as governor and tutor, and ends with her death. My research directly addresses this gap. A thorough list of illustrations of these portraits will facilitate an analysis of the iconography of her portraits and of the different elements which worked to constitute and represent her roles. The overall intention is to retrieve, reconstruct and bring back Queen Mariana’s image as a whole, the image that she, in the course of her life, originally commissioned. A systematic examination of Queen Mariana’s portraiture has allowed me to engage with the visual forms consciously used to represent the elements characteristic of the three states of womanhood -maid, wife and widow- as well as of the functions pertaining to queen consort, governor, tutor, curadora and queen mother. In addition, in my analysis of royal portraiture in seventeenth century Spanish painting, I have incorporated viewpoints developed by what is known as Court Studies. In this regard, my study of the royal portraits includes a detailed reading of the Spanish etiquettes, cortesias, and royal regulations (premáticas y pragmáticas), as well as an analysis of ceremonial and gender oriented subjects (period documents concerning the use of jewels, dress, female ceremonial, etc.).
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Russo, Carole. "Confessions of a consort: the role of Meg in The Hostage by Brendan Behan." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392304909.
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Geyer, Brigitte, and Barbara Wiermann. "Die musikalische Bibliothek Carl Ferdinand Beckers." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-61242.
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Bereits in jungen Jahren hatte Carl Ferdinand Becker eine Sammelleidenschaft an jeglicher Art von musikhistorischer Betrachtung. Vor allem Musikdrucke und –handschriften sowie musikhistorische Werke aus dem 15. Jahrhundert bis zu seiner Zeit gerieten in sein Blickfeld. Das zu seiner Zeit völlig vernachlässigte und unbekannte Repertoire wird heute als musikalische Universalbibliothek angesehen. Im Jahre 1865 übergab Becker seinen „Schatz“ an die Stadtbibliothek Leipzig. In den Jahren 2010-2012 wird die gesamte Sammlung nun in die internationale Quellendatenbank RISM und in den SWB eingepflegt.
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Staub, Alexander. "Die Musikbibliothek von Carl Ferdinand Becker." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-107292.
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Die Ausstellung veranschaulicht vom 24. Januar bis 14. April 2013 mittels einiger ausgewählter Handschriften und Drucke die Entstehung und Bedeutung der Bibliothek Carl Ferdinand Beckers. Es werden erste Stücke der Sammlung, seltene Drucke, unikale Quellen und Objekte gezeigt, die aufgrund ihrer Provenienz kulturgeschichtlich und musikhistorisch wertvolle Informationen enthalten. Oft besprochen, aber selten zu bewundern, überragt dabei das „Andreas- Bach-Buch“, eine Sammelhandschrift mit größtenteils einmaligen Klavier- und Orgelkompositionen des 17. und 18. Jahrhunderts aus dem Umfeld und partiell von der Hand Johann Sebastian Bachs die anderen Exponate.
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Lorenzi, Gilles. "Profil homéopathique de Louis Ferdinand Céline." Montpellier 1, 1990. http://www.theses.fr/1990MON11043.
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Alves, Ana Maria. "De l'antisémitisme chez Louis-Ferdinand Céline." Master's thesis, Universidade de Aveiro, 2002. http://hdl.handle.net/10773/8731.
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Mestrado em Estudos FrancesesEste trabalho visa o estudo de alguns aspectos do anti-semitismo em Louis- Ferdinand Céline. Incide, na sua essência, na tentativa de compreender o percurso psicológico do autor que o leva da afirmação e reivindicação virulentas do seu anti-semitismo, na época dos panfletos, a uma reflexão e justificação dolorosas aquando da Libération. Após uma breve contextualização histórica para melhor definir e apreender o posicionamento político de Céline, a reflexão desenvolvida ao longo de toda a dissertação tende a demonstrar que, hoje em dia, o verdadeiro ódio, bem patente nos pamphlets anti-semitas do autor, parece ter desaparecido. Tal facto permite um distanciamento desses escritos anti-semitas, no sentido de estabelecer um paralelismo com a trilogie –D’un château l’autre, Nord, Rigodon- onde o escritor narra o exílio vivido entre 1944 e1951, provocado pela sua atitude política e anti-semita. Os seus três últimos romances vêm permitir a Céline, responder, publicamente, às acusações contra ele proferidas na época. Estes concedemlhe, finalmente, a oportunidade de traçar, com orgulho, uma biografia que se ergue em balanço definitivo de um destino.
This study is about some aspects of the anti-Semitism in Louis-Ferdinand Céline’s work. Essentially on the perception of Celine’s world and what drove him to state virulently his anti-Semitism at the time when he wrote the pamphlets, and later on to question and justify himself painfully. To help understand the author’s position in politics, a short analysis of his time will be drawn previously. Then, this research will try to demonstrate that nowadays the real hatred from the anti-Semite pamphlets seems to have faded away. This allows us to distance ourselves from the pamphlets and to compare them to the author’s trilogy. This way we can verify that Louis-Ferdinand Céline not only tells us about his anti-Semite opinions in the context of the Frentch Libération – but also, it grants him the possibility of answering publicly the accusations that he was charged with at the Libération, and finally enables him to outline a biography and make a proud and final balance of his destiny.
Cette recherche a pour objet l’étude de certains aspects de l’antisémitisme chez Louis-Ferdinand Céline. Elle porte, dans son essence, sur la tentative de comprendre la démarche psychologique de l’auteur qui l’amènera de l’affirmation et de la revendication virulentes de son antisémitisme, à l’époque des pamphlets, à une réflexion et justification douloureuses lors de la Libération. Ce travail propose, d’abord, une brève approche de l’époque, de façon à appréhender, par la suite, sa position d’écrivain en politique. Ainsi, cette étude tend à démontrer que, de nos jours, la véritable haine, celle qui découle, en partie, des pamphlets antisémites de l’auteur, semble s’estomper. Ce fait nous permet de mieux nous distancer de ces écrits et de les comparer à la trilogie –D’un château l’autre, Nord, Rigodon-, afin de prouver que ce dernier y fait, non seulement le récit de son exil au cours des années 1944-1951 – exil dû aux dangers que ses prises de positions antisémites lui font courir en France, au moment de la Libération-, mais cette trilogie lui permet également de répondre publiquement aux accusations qui lui ont été portées à la Libération et lui concède, in fine, l’occasion d’ébaucher une biographie, et de dresser, avec une certaine fierté, le bilan définitif de son destin.
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Hartmann, Marie. "L'envers de l'histoire contemporaine : étude de la "trilogie allemande" de Louis-Ferdinand Céline /." Paris : Société d'études céliniennes, 2006. http://catalogue.bnf.fr/ark:/12148/cb40209609r.
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Cunningham, John Patrick. "Music for the privy chamber : studies in the consort music of William Lawes (1602-45)." Thesis, University of Leeds, 2007. http://etheses.whiterose.ac.uk/21097/.
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The first half of the seventeenth century was one of the most vibrant periods in English music. William Lawes is arguably one of the finest English composers of the period, and indeed, ranks with the best of his Continental contemporaries. He gained a post among the private musicians of Charles I in 1635, a group known as the Lutes, Viols and Voices (LVV). Much of his surviving consort music appears to have been written for performance by members of LVV; nevertheless, little is known of the internal workings of this elite group. Thus, this dissertation first considers the evidence available from court records in attempting to understand the structure and activities of the LVV. The remainder of the dissertation primarily deals with William Lawes the composer. First, a detailed survey is provided of the autograph sources of Lawes's music. This provides an analysis of the sources and their functions, and offers evidence for their chronology; the development of Lawes's hand throughout the sources is also considered. Second, several studies of Lawes's consort music are presented. The studies generally focus on areas of Lawes's consort music that have received the least scholarly attention: the lyra viol trio, the Royall Consort, the harp consorts, and the pieces for two bass viols and organ. A common theme throughout these studies is Lawes's revision of existing pieces and collections of pieces in order to incorporate elaborate divisions, suggests that this was a growing consideration for Lawes in the mid-to late 1630s. The main aim of this dissertation is to understand better William Lawes as a composer, and to understand the court environment in which he composed during an increasingly turbulent political time.
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Christen, Gabriela Hodler Ferdinand. "Ferdinand Hodler - Unendlichkeit und Tod : monumentale Frauenfiguren in den Zürcher Wandbildern /." Berlin : Reimer, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016153067&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA.
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Alves, Ana M. "Guerra e exílio em Louis-Ferdinand Céline." Doctoral thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10198/4227.
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O nosso estudo incide, primordialmente, sobre as polémicas de carácter político e consequentes acusações de que Louis-Ferdinand Céline foi – e continua a ser – alvo. Tais aspectos conduzem-nos a questionar, com alguma veemência e perplexidade, as razões da sua fuga através da Alemanha, bem como as relações que estabeleceu com os Nazis durante a segunda guerra mundial. Num primeiro momento, elaborámos uma contextualização de cariz temporal e factual, tentando perceber – quiçá explicar -, o sentido das posições assumidas por Céline aquando da composição dos seus pamphlets, marcada por uma reivindicação violenta do seu antisemitismo e que surge, omnipresente, sob forma de cartas, entrevistas e outros escritos. Contudo, a essência do nosso trabalho consistiu numa análise detalhada das diferentes etapas dos anos de exílio do escritor, primeiro numa Alemanha devastada pela guerra, onde se refugia a partir de 17 de Junho de 1944 e mais tarde, na Dinamarca (1945-1951), de onde terá de responder às acusações de traição que lhe são dirigidas pela justiça francesa, antes de um regresso sem glória, a França, e de uma reabilitação tardia e titubeante. Os escritos que constituem o corpus do nosso trabalho traduzem, de modo inequívoco, a experiência amarga e cruel dos anos de exílio e da lembrança feita de dor e ódio, que o escritor sentiu profundamente, como um espinho na própria carne. Apesar do caminho tortuoso, que lhe confere uma aura de escritor “maldito”, Céline permanece, ainda hoje, como um dos maiores génios da literatura francesa do século XX.
Our study is focused mainly on the political controversies and the consequent accusations, still current nowadays, on Louis-Ferdinand Céline. These aspects lead us to question, vehemently and indignantly, the reasons of his escape through Germany, as well as the relationship he established with the Nazis during the Second World War. In a first moment, we prepared a temporal and factual contextualization, trying thus to understand – possibly explain – the meaning of the positions embraced by Céline during his pamphlets writing period, marked by a violent vindication of his anti-Semitism patent in letters, interviews and other writings. However, the crux of our work consisted in a detailed analysis of the different stages of the author’s years of exile he had to endure. He was first a refugee in a devastated Germany, after June 17 1944, and later, in Denmark (1945-1951) where he will have to answer to the accusation of betrayal indicted by the French justice, before an inglorious return to France and before an overdue and vague rehabilitation. The writings that represent the corpus of our work undoubtedly express the cruel and bitter experience of the years of exile and of the painful and unbearable memories of the writer, as a thorn in his own flesh. Despite the excruciating path, which confers him the aura of a ‘damned’ writer, Céline is still considered one of the greatest geniuses of the French Literature of the twentieth century.
Notre étude porte, essentiellement, sur les polémiques, à caractère politique, dont Louis-Ferdinand Céline a fait et continue de faire l’objet, ainsi que sur les accusations portées contre lui. Celles-ci nous conduisent à nous interroger sur la cause de sa fuite à travers l’Allemagne et sur la relation que l’écrivain entretint avec les Allemands à l’époque de la seconde guerre mondiale. Nous avons, dans un premier temps, esquissé une approche de l’époque, afin de mieux d’appréhender le sens de la position de Céline lors de ses pamphlets – marquée par une revendication virulente de son antisémitisme et qui surgit, omniprésente, sous forme de lettres, interviews et autres écrits. Cependant, l’essence de notre travail consiste en une analyse détaillée des différentes étapes de ses années d’exil, d’abord dans une Allemagne en feu, où il choisit de se réfugier le 17 juin 1944, puis, au Danemark (1945-1951), d’où il devra répondre aux accusations de trahison formulées contre lui par la justice française avant son retour en France et une réhabilitation tardive. Les écrits qui forment le corpus de notre travail gardent l’empreinte profonde de l’expérience amère et cruelle de l’exil et du souvenir fait de haine et de douleur, ressenties par l’écrivain comme une écharde dans la chair. Malgré un cheminement tortueux, qui lui confère un halo d’écrivain «maudit», Céline demeure, aujourd’hui, comme l’un des plus grands génies de la littérature française du XXème siècle.
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Blondiaux, Isabelle. "Louis- ferdinand celine et la chose psychiatrique." Amiens, 1991. http://www.theses.fr/1991AMIE0011.
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L'oeuvre de celine, qui procede du double registre du roman et de l'autobiographie tout en se reclamant d'une praxis du delire, illustre de facon exemplaire la proposition, elaboree par shoshana felman dans la folie et la chose litteraire. De l'existence d'un rapport constitutif entre litterature et folie qui passe par les enjeux de l'ideologie. Clette proposition se verifie soit que l'on considere l'ecrivain comme un "cas clinique" (d'un celine "fou") ou soit que l'on adopte la perspective inverse de l'ecrivain-medecin, acteur de l'entreprise follitteraire (d'un celine "psychiatre"). C'est ainsi que l'interpretation pathographique de l'oeuvre celinien est inseparable d'une demarche de banalisation, de mise a distance, sinon de refoulement de son enjeu ideologique; l'alibi "spy" ayant pour resultat d'eluder le probleme critique pose par l'argument politique. De la meme maniere, la facon dont celine convoque (dans des interviews d'apres-guerre) ou recuse (dans bagatelles pour un massacre) une possibilite d'approche pathographique de son oeuvre nous apparait tout aussi indissociable d'une visee ideologique, amenant a reinterroger la valeur et la portee d'un style qui pretend privilegier le perceptible sur l'intelligible et l'emotion sur le verbeShoshana felman has shown the existence of a constitutive link between literature and madness, a relationship which can implicate an ideological orientation. An autofiction which claims to be a praxis of madness, celine's works are a perfect example of her theory. From the critical point of view, the notion of madness refers to a repression of the ideological orientation of celine's works. By another way, the writer himself has not avoided --either by rejecting or by accepting-- aplay on the madness ideology double approach to the literary text. In other words, pathographic reading of celine's works would be inseparable from a process of repression of the basic ideological orientation of his works; the result of the "psy" alibi would be to avoid the critical problem established by political content. In the same way, the manner by which celine accepts (in the post--war interviews) or rejects (in bagatelles pour un massacre) any possibility of a pathological approach to his works is inseparable from an ideological intention, leading to a new questioning of the worth and the ideological weight of a style which claims to value the perceivable over the intelligible and feelings rather than words
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Alves, Ana Maria. "Guerre et exil chez Louis-Ferdinand Céline." Doctoral thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10773/2874.
Full textAbstract:
Doutoramento em CulturaO nosso estudo incide, primordialmente, sobre as polémicas de carácter político e consequentes acusações de que Louis-Ferdinand Céline foi – e continua a ser – alvo. Tais aspectos conduzem-nos a questionar, com alguma veemência e perplexidade, as razões da sua fuga através da Alemanha, bem como as relações que estabeleceu com os Nazis durante a segunda guerra mundial. Num primeiro momento, elaborámos uma contextualização de cariz temporal e factual, tentando perceber – quiçá explicar -, o sentido das posições assumidas por Céline aquando da composição dos seus pamphlets, marcada por uma reivindicação violenta do seu antisemitismo e que surge, omnipresente, sob forma de cartas, entrevistas e outros escritos. Contudo, a essência do nosso trabalho consistiu numa análise detalhada das diferentes etapas dos anos de exílio do escritor, primeiro numa Alemanha devastada pela guerra, onde se refugia a partir de 17 de Junho de 1944 e mais tarde, na Dinamarca (1945-1951), de onde terá de responder às acusações de traição que lhe são dirigidas pela justiça francesa, antes de um regresso sem glória, a França, e de uma reabilitação tardia e titubeante. Os escritos que constituem o corpus do nosso trabalho traduzem, de modo inequívoco, a experiência amarga e cruel dos anos de exílio e da lembrança feita de dor e ódio, que o escritor sentiu profundamente, como um espinho na própria carne. Apesar do caminho tortuoso, que lhe confere uma aura de escritor “maldito”, Céline permanece, ainda hoje, como um dos maiores génios da literatura francesa do século XX.
Our study is focused mainly on the political controversies and the consequent accusations, still current nowadays, on Louis-Ferdinand Céline. These aspects lead us to question, vehemently and indignantly, the reasons of his escape through Germany, as well as the relationship he established with the Nazis during the Second World War. In a first moment, we prepared a temporal and factual contextualization, trying thus to understand – possibly explain – the meaning of the positions embraced by Céline during his pamphlets writing period, marked by a violent vindication of his anti-Semitism patent in letters, interviews and other writings. However, the crux of our work consisted in a detailed analysis of the different stages of the author’s years of exile he had to endure. He was first a refugee in a devastated Germany, after June 17 1944, and later, in Denmark (1945-1951) where he will have to answer to the accusation of betrayal indicted by the French justice, before an inglorious return to France and before an overdue and vague rehabilitation. The writings that represent the corpus of our work undoubtedly express the cruel and bitter experience of the years of exile and of the painful and unbearable memories of the writer, as a thorn in his own flesh. Despite the excruciating path, which confers him the aura of a ‘damned’ writer, Céline is still considered one of the greatest geniuses of the French Literature of the twentieth century.
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Labreure, David. "Hygiène et hygiénisme chez Louis-Ferdinand Céline." Thesis, Nantes, 2017. http://www.theses.fr/2017NANT4008.
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L’hygiénisme, vaste programme de prise en charge de la santé du corps social, a fait partie intégrante de la vie comme de l’œuvre de Louis-Ferdinand Céline. Élevé dans le respect de préceptes hygiéniques largement diffusés au tournant du XXe siècle, il embrasse une carrière de médecin de santé publique après avoir soutenu sa thèse sur l’hygiéniste hongrois I.P. Semmelweis qui lui servira aussi bien de modèle médical que littéraire. Céline s’est emparé des thématiques hygiénistes et en a fait ressortir une véritable pensée originale, personnelle sur des sujets aussi variés que la lutte contre les fléaux sociaux, la médecine du travail ou la manière dont la profession médicale doit aborder l’hygiène. Certaines de ses thématiques sont présentes non seulement dans les réflexions du médecin mais aussi dans l’œuvre littéraire. Le champ hygiéniste a ceci de particulier qu’il déborde le strict cadre médical et s’envisage aussi d’un point de vue social et racial à travers le prisme d’une crainte de la dégénérescence de la population durant toute la Troisième République. Les thèses eugénistes et antisémites de Céline, si elles ne constituent pas le cœur de sa pensée hygiéniste, occupent une place importante et doivent être prises en compte. Le paradigme hygiéniste s’avère également un élément primordial de l’esthétique célinienne, à travers, notamment la figure de la danseuse, dont il transpose le travail minutieux et l’aspiration à la légèreté et à la pureté vers son propre style. Concept délicat et protéiforme, l’hygiénisme offre une grille de lecture efficace de la vie comme de l’œuvre de L.F. CélineHygienism is a large public program, in charge of the Health of the social body. It played a major part in Louis-Ferdinand Céline’s Life and Work. Céline has been raised in the observance of hygienic principles, which were widely spread at the beginning of XXth Century. He also becomes a public health doctor after he presented a medical thesis about the hungarian hygienist I.P. Semmelweis whom will serve as a medical and a literary model for him. Céline embraced hygienist themes and brought out a real and original thought about social problems, work medicine or the way doctors should approach hygiene. Some of these themes are located not only in doctor Destouches reflections but also in the literary writings. The hygiene Field’s specificity is that it goes beyond the strict medical aspects and offers also a reflection about social and racial problems through the prism of degeneration during the whole 3rd Republic. Céline’s Eugenics and anti-Semitism take a significant place in his Hygienist thought but are not the only aspects of it. Hygienist paradigm plays also a key role in Céline’s Esthetics towards the Dancer Figure, which he transposes the meticulous work and the aspiration of lightness and Purity to his own writing style. Hygienism, as a difficult and protean concept, offers an efficient reading grid of L.-F. Céline’s Life and Work
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Racelle-Latin, Danièle. "Le "Voyage au bout de la nuit" de Céline, roman de la subversion et subversion du roman : langue, fiction, écriture /." Bruxelles : Palais des Académies, 1988. http://catalogue.bnf.fr/ark:/12148/cb35487969j.
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Hassler, Christian. "MS-Therapiestudien, evaluiert nach CONSORT und evidence-based medicine neuer Beurteilungsscore für die Validität und Review /." [S.l.] : [s.n.], 2004. http://deposit.ddb.de/cgi-bin/dokserv?idn=972767223.
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Woodacre, Elena Crislyn. "The Queen and her consort : succession, politics and partnership in the Kingdom of Navarre, 1274-1512." Thesis, Bath Spa University, 2011. http://researchspace.bathspa.ac.uk/1491/.
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Although the queens of Navarre form the largest group of female sovereigns ruling in one kingdom during the Middle Ages, they have not been subject to intensive academic study. Outside of works on regional political history and limited biographical study, these important women have been widely overlooked by scholars, particularly those working in English. They have never been subject to comparative analysis nor have they been examined in the context of female rule. This thesis addresses this gap in scholarship by investigating the careers of each of the five ruling queens of Navarre: Juana I (1274-1305), Juana 11 (1328- 1349), Blanca I (1425-1441), leonor (1479) and Catalina (1482-1512). Particular emphasis is given in three key areas; succession to the throne, matrimonial alliances made for and by the queens and their personal and political partnership with their kings consort. By surveying all of the female sovereigns of Navarre, from the accession of the first queen in 1274 to the Annexation of the kingdom by neighbouring Castile in 1512, it is possible to evaluate both continuity and change and the overall development of queenship in the realm during this turbulent period. This approach also allows trends in the relative ease or difficulty of female succession, shifts in foreign policy and matrimonial diplomacy and power sharing strategies between monarchal pairs to be thoroughly assessed. Finally, the impact of female rule and the role these sovereigns played in the ultimate loss of sovereignty in 1512 can be evaluated. This thesis draws attention to an exceptional group of sovereigns and demonstrates the important role that these women and their spouses played in the political history of Western Europe during the late Middle Ages. It also highlights the particular challenges of female rule and offers new modes of analysis by focusing on unique areas of investigation which have not been previously examined.
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Graf, Ferdinand [Verfasser]. "Essays on Portfolio- and Bank-Management / Ferdinand Graf." Konstanz : Bibliothek der Universität Konstanz, 2011. http://d-nb.info/1017933863/34.
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COLLIER, GUY. "Ferdinand heckenroth (1880-1959) : sa vie, son oeuvre." Aix-Marseille 2, 1989. http://www.theses.fr/1989AIX2OO11.
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Richter, Joachim Burkhard. "Hans Ferdinand Massmann : altdeutscher Patriotismus im 19. Jahrhundert /." Berlin : W. de Gruyter, 1992. http://catalogue.bnf.fr/ark:/12148/cb35712675h.
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Santos, Juliano Buosi dos 1976. "Consort de violinos : música instrumental germânica para mais de quatro vozes na segunda metade do século XVII." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285234.
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Orientador: Esdras Rodrigues SilvaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T00:34:41Z (GMT). No. of bitstreams: 1 Santos_JulianoBuosidos_M.pdf: 5944297 bytes, checksum: 6493cd8b9254b752c233881a86712f71 (MD5) Previous issue date: 2014
Resumo: Esta pesquisa tem o propósito de divulgar um repertório pouco conhecido e interpretado atualmente: a música germânica escrita para consort de violinos para mais de quatro vozes, na segunda metade do século XVII. Um estudo histórico e estilístico nos possibilita aproximar desse repertório, identificando as influências que recebeu, seus antecedentes e seu desenvolvimento. Constataremos que a composição para este tipo de ensemble não foi um movimento isolado e nem raro, mas sim uma forma de instrumentação e escrita musical explorada em sua época, dada a sua rica e sofisticada possibilidade inventiva
Abstract: This research wishes to unveil a repertoire, which is little known and very seldom played nowadays: the music written for consort of more than four violins in the seventeenth-century in germanic lands. An historical and stylistic study shall allow us to improve our knowledge of this repertoire, identifying its origins, its influences and development. We will realize that this type of music was neither a peculiar nor a remote one, but rather that it was a particular form of instrumentation, customarily used by composers in that period, given its beautiful and sophisticated aesthetics
Mestrado
Praticas Interpretativas
Mestre em Música
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Gmür, Remo Saussure Ferdinand de. "Das Schicksal von F. de Saussures "Mémoire" : eine Rezeptionsgeschichte /." Bern : Institut für Sprachwissenschaft Universitaet Bern, 1986. http://www.stub.unibe.ch/index.php?p=1&i=645.
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Schwarz-Jandrisics, Marlene. "Ferdinand Kürnbergers "Der Amerikamüde" : eine Analyse der narrativen Struktur /." kostenfrei, 2008. http://othes.univie.ac.at/1684/.
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Anten, Hans. "Het bekoorlijk vernis van de rede : over poetica en proza van F. Bordewijk /." Groningen : Historische uitg, 1996. http://catalogue.bnf.fr/ark:/12148/cb369866595.
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Cros, Francis. "Tagger-Bruckner (1891-1958) ambiguités modernistes et humanisme militant." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb375941489.
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Osterkamp, Frank. "Gemeinschaft und Gesellschaft : über die Schwierigkeiten einen Unterschied zu machen : zur Rekonstruktion des primären Theorieentwurfs von Ferdinand Tönnies /." Berlin : Duncker & Humblot, 2005. http://catalogue.bnf.fr/ark:/12148/cb40141481n.
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Hafner, Jochen. "Ferdinand Brunot und die nationalphilologische Tradition der Sprachgeschichtsschreibung in Frankreich /." Tübingen : G. Narr, 2006. http://catalogue.bnf.fr/ark:/12148/cb40944544t.
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Platelle, Fanny Tunner Erika. "L'oeuvre dramatique de Ferdinand Raimund (1790-1836) l'ennoblissement de la comédie populaire viennoise /." Créteil : Université de Paris-Val-de-Marne, 2003. http://doxa.scd.univ-paris12.fr:80/theses/th0226294.pdf.
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Philogène, Simone. "The feminization of the Crown : the role of a Governor-General's consort in post-Confederation Canada, 1867-1898." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=67521.
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In Walter Bagehot's book, The English Constitution (1867), he described the role that the Crown was to play in the late Victorian Age. Separating the Constitution into two parts, the dignified and the efficient, he deemed the Crown part of the dignified part of the Constitution. The roles he assigned to this dignified Crown, were by nineteenth century standards, "feminine"--symbol of virtue, societal leader and personification of family life. In Canada, this feminization of the Crown was particularly evident from 1872 onwards. With the arrival of Harriot, Lady Dufferin, Consort to Canada's third Governor-General, Lord Dufferin, the functions of the Crown in Canada became increasingly feminine activities. Lady Dufferin's successors extended the feminization of the Crown.
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Hafner, Jochen. "Ferdinand Brunot und die nationalphilologische Tradition Sprachgeschichtsschreibung in Frankreich." Tübingen Narr, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2820924&prov=M&dok_var=1&dok_ext=htm.
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Bastek, Alexander. "Ferdinand Brütt und das städtisch-bürgerliche Genre um 1900." Weimar VDG, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2920486&prov=M&dokv̲ar=1&doke̲xt=htm.
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Singer, Ferdinand [Verfasser]. "Charakterisierung oberflächennaher Materialparameter mit laserangeregten akustischen Oberflächenwellen / Ferdinand Singer." Aachen : Shaker, 2017. http://d-nb.info/1149278714/34.
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Seng, Kilian [Verfasser], and Ferdinand [Akademischer Betreuer] Müller-Rommel. "Arbeitsmarktregime und Sparverhalten / Kilian Seng. Betreuer: Ferdinand Müller-Rommel." Lüneburg : Universitätsbibliothek der Leuphana Universität Lüneburg, 2014. http://d-nb.info/1051999308/34.
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Boudinaud, Magali. "Figures de diplomates dans l'oeuvre de Conrad Ferdinand Meyer." Aix-Marseille 1, 1998. http://www.theses.fr/1999AIX10065.
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Cette these a pour objet l'etude des personnages de diplomates dans l'oeuvre de l'ecrivain helvetique conrad ferdinand meyer (1825-1898). Il s'agit, au moyen d'une approche historique et linguistique, de determiner dans quelle mesure ces diplomates sont conformes a leurs modeles historiques et sont capables d'agir sur leur environnement et de manipuler autrui. Il est necessaire de s'appuyer aussibien sur une recherche historique que sur une etude linguistique et comportementale des personnages de diplomates. En effet, l'outil principal de ces acteurs de l'histoire est le langage, qu'ils manient en virtuoses, montrant des competences qui se rapprochent de celles de l'ecrivain. Une certaine mise en scene leur est necessaire pour parvenir a leurs fins, ainsi qu'un certain cynisme. Tout ces artifices impliquent qu'ils s'avancent masques, et ont peine, parfois, a definir leur propre identite. Cet aspect proteiforme et problematique du diplomate explique la place centrale qu'il occupe dans l'oeuvre de c. F. Meyer, auteur qui connut lui-meme de graves problemes psychologiques et douta sans cesse de sa propre valeur.