Journal articles on the topic 'Conserving Intangible Cultural Heritage'
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1
Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (February 2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.
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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, where industrial or mechanized manufacturing processes and the development of instruments is encouraged, what are the implications for sustaining music traditions? Second, given that instruments as crafted objects deteriorate over time, should instruments inherited from the past be displayed as objects, be restored to playing condition, or be updated and developed for contemporary use? To explore these questions, I take three case studies that juxtapose musical instruments from opposite sides of the world and from societies with very different philosophical and ideological approaches. The three case studies are Britain’s piano heritage, traditional Korean instruments (kugakki) in the Republic of Korea/South Korea, and “national” instruments (minjok akki) in the Democratic People’s Republic of Korea/North Korea. Based on fieldwork, ethnography, and collecting and curating work, my choice of case studies allows me to look at both the country I call home (Britain) and the region where I have researched matters musical for 40 years (the Korean peninsula). But the case studies also demonstrate that there is no single answer to questions about the role of musical instruments when (and if) instruments are recognized as both tangible and intangible heritage.
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Khan, Mazlina Pati, Andika Aziz Hussin, Khairul Azhar Mat Daud, and Nordiana Mohd Nordin. "Mak Yong’s Performing Art: A Collection Analysis of Malaysia Institutional Memory." Record and Library Journal 8, no. 1 (June 28, 2022): 34–49. http://dx.doi.org/10.20473/rlj.v8-i1.2022.34-49.
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Background of the study: Documentation is an imperative initiative in safeguarding Intangible Cultural Heritage (ICH) to consolidate and nurture appreciation that is intact to culture and heritage within a society. However, many countries in the world still give less attention to documenting heritage systematically.
Purpose: This study aims to achieve a greater exposure of Institutional Memory’s in Malaysia play a role in preserving and conserving heritage information on Intangible Cultural Heritage (ICH) through the documentation strategy of Mak Yong’s performing art collection.
Method: This study adopted a case study approach by pertaining qualitative research method. Qualitative data were gathered through content analyses towards 521 of Mak Yong’s performing art collection were carried out in three (3) Malaysia Institutional Memory.
Findings: The study found that the lack of Mak Yong’s collection in institutional memories is contributed to some elements that require detailed documentation such as characters, spectacle, diction, and sound.
Conclusion: safeguarding of ICH through preservation and conservation of Mak Yong’s information collection that still needs to be improved by considering the consolidation of integrated institutional memory’s roles and ongoing implementation of documentation strategy program of heritage information.
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Nyaupane, Pashupati. "Cultural Heritage Tourism Management in Pashupatinath Area." Nepalese Culture 13 (December 2, 2019): 95–106. http://dx.doi.org/10.3126/nc.v13i0.27504.
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Heritage represents irreplaceable resources for the tourism industry so conservation is a vital component of their management. Throughout the world, the tourism industry has been an economic generator including conserving the heritage sites. Today, tourism has been considered to have greater socio economic values. Thus Pashupatinath area, with its rich cultural heritage, has great potential to be tapped through cultural heritage tourism. Pashupatinath area is known for its rich cultural heritage, but lack of proper tourism guidelines in the areas has not been able to showcase its potential. Thus, the paper tries to bring the importance of heritage tourism in the core area of Pashupatinath and its vicinity into limelight. The paper addresses the need of improvement in management, information and development in infrastructure. Moreover it covers the approach of conservation of tangible and intangible cultural heritage. This article examines the significance and value of Pashupatinath area as a cultural heritage tourism destination. This research identifies numerous issues related to cultural heritage tourism management in Pashupatinath area and its cultural heritage tourism products, coordination among stakeholders and interpretation. It explores the current management situation of Pashupati area and provides the suggestion for the betterment of cultural heritage tourism in Pashupatinath area. The paper helps to relate the tourism industry with the economic growth of Pashupatinath area.
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Nyaupane, Pashupati. "Cultural Heritage Tourism Management in Pashupatinath Area." Nepalese Culture 8 (December 2, 2019): 95–106. http://dx.doi.org/10.3126/nc.v8i0.27504.
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Heritage represents irreplaceable resources for the tourism industry so conservation is a vital component of their management. Throughout the world, the tourism industry has been an economic generator including conserving the heritage sites. Today, tourism has been considered to have greater socio economic values. Thus Pashupatinath area, with its rich cultural heritage, has great potential to be tapped through cultural heritage tourism. Pashupatinath area is known for its rich cultural heritage, but lack of proper tourism guidelines in the areas has not been able to showcase its potential. Thus, the paper tries to bring the importance of heritage tourism in the core area of Pashupatinath and its vicinity into limelight. The paper addresses the need of improvement in management, information and development in infrastructure. Moreover it covers the approach of conservation of tangible and intangible cultural heritage. This article examines the significance and value of Pashupatinath area as a cultural heritage tourism destination. This research identifies numerous issues related to cultural heritage tourism management in Pashupatinath area and its cultural heritage tourism products, coordination among stakeholders and interpretation. It explores the current management situation of Pashupati area and provides the suggestion for the betterment of cultural heritage tourism in Pashupatinath area. The paper helps to relate the tourism industry with the economic growth of Pashupatinath area.
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Andrade Amaral, Fellipe Decrescenzo. "Preserving Brazilian vernacular architecture: The need for a different approach." Journal of Traditional Building, Architecture and Urbanism, no. 1 (November 20, 2020): 283–87. http://dx.doi.org/10.51303/jtbau.vi1.352.
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Heritage preservation has commonly focused on conserving or restoring material heritage. Technical projects are its most common tool and there is often a top-down approach to the interventions carried out. This situation frequently leads to a change in the production logic that gave rise to the architecture which they are supposed to be preserving and an expansion of urban sceneries, while causing the loss of local values ??and cultural traditions. An integrated approach is needed, one which seeks to preserve not only the material heritage, but also its intangible supports, thus relating the preservation of the built ensembles to that of traditional techniques, knowledge, and construction processes.
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Marcal, Helia. "PUBLIC ENGAGEMENT TOWARDS SUSTAINABLE HERITAGE PRESERVATION." Protection of Cultural Heritage, no. 8 (December 20, 2019): 185–210. http://dx.doi.org/10.35784/odk.1084.
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Nowadays, heritage conservators are required to have not only a wide variety of technical but also social and human skills. The shift from a material-based conservation to an approach that focuses on subjects instead of objects (Muñoz Viñas, 2005, p. 147) is a structural approach in contemporary theories of conservation. This tendency towards subjectivity created many possibilities by exposing the multiple perspectives that surround a conservation object. At the same time, it made very clear that conservation objects are contextual and contingent (Clavir, 2009, p. 141). This dichotomy between the tangible and intangible features of a conservation object, however, has been successively overlooked in most conservation endeavours. Prior to the conservation decision-making, institutions usually identified the main stakeholders, with publics and communities being part of that sphere together with owners, artists, and conservators, among others. The decision-making process, however, does not engage with communities in practice. This situation is very problematic for the conservation of cultural heritage objects in general, but it becomes truly hazardous for the preservation of cultural heritage with strong intangible features, such as social artistic practices, ethnographic objects, public art, participatory or performance art or even built heritage, which necessarily involves strong cooperation with communities and artists. After all, to whom are conservators preserving cultural heritage? What is the purpose of conserving cultural heritage for “future generations” if “present generations” are not called to decide in that process? This paper attempts to reflect upon these questions through histories around two buildings in Lisbon that had relevant roles during the Portuguese dictatorship (1933-1974).
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Ahmed, Iftekhar. "Community, Heritage and Social Capital: Informal Heritage Management in Old Dhaka." Open House International 42, no. 1 (March 1, 2017): 65–72. http://dx.doi.org/10.1108/ohi-01-2017-b0010.
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Dhaka, the capital of Bangladesh has a recorded history of over 400 years, dating back to the Mughal and pre-Mughal era. A large part of the city's rich cultural heritage; both tangible and intangible, lie in the historic core known as Old Dhaka. There are several traditional neighborhoods with close-knit communities that date back two to three centuries. The communities are rich in social capital gained over successive generations of close social network. Based on this strength, a heritage management system has been developed by informal community bodies in Old Dhaka. Old Dhaka's rich cultural heritage deserves to be conserved for the historical continuity of the city. Unfortunately, the top-down conservation efforts undertaken by the Government are highly bureaucratic and have not been effective in conserving the cultural heritage in most cases. This paper explores the importance of local participatory approach of heritage management in the context of Old Dhaka with a focus on the relationship between social capital and informal heritage management in traditional communities. It also explores the key features that generally make the informal heritage management system more effective than the formal approach. Finally, it recommends an appropriate conservation approach to save the cultural heritage of Old Dhaka where there is a balance between intervention by authorities and continuity of local community involvement.
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Seddighikhavidak, Somaye, and Tazim Jamal. "Interrelations of Ancestral Textile Handicraft Weaving and Tangible Vernacular Karkhanehs (Workspaces) in the Historic Destination of Yazd, Iran." Sustainability 14, no. 10 (May 23, 2022): 6363. http://dx.doi.org/10.3390/su14106363.
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This research studies the traces of an ancestral textile produced in karkhanehs (workspaces) located in the historical city of Yazd, Iran. The case study undertaken here demonstrates how an intangible heritage of textile weaving through generations of families in Yazd, Iran, interrelates with tangible vernacular architecture and tourism at three different scales: (i) in everyday life in karkhanehs at home, (ii) in the neighborhoods, and (iii) the UNESCO World Heritage city of Yazd. The three scales related to the enactment of this vernacular handicraft are examined using architectural methods to examine structures ranging from 90 to 600 years in age. This was complemented by discussions with local weavers and residents, as well as direct observation in domiciles, neighborhoods, and the city. Actor-Network Theory helped to trace the networks of actors and relationships between the tangible built architectural heritage and intangible cultural practices of weaving, showing how different genders, ages, worldviews (beliefs) and practices came together to produce this heritage textile. Actor-Network Theory also helped to study the relationships between economy, culture, society and tourism, with respect to the evolution and transformations of the historic urban dwellings, vernacular architecture and vernacular weaving handicrafts through the three scales examined. Implications for sustaining and conserving this ancestral tradition of textile weaving and managing tourism’s positive as well as disruptive influences on cultural heritage conservation are discussed.
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Rajapakse, Amanda. "Exploring the Living Heritage of Galle Fort: Residents’ Views on Heritage Values and Cultural Significance." Journal of Heritage Management 2, no. 2 (December 2017): 95–111. http://dx.doi.org/10.1177/2455929617743583.
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The Galle Fort of Sri Lanka was inscribed as a World Heritage Site in 1988 by UNESCO on the basis of criterion (iv) of the outstanding universal value (OUV), which places clear emphasis on the physical exceptionality of the site. Its living, intangible heritage is only given partial recognition in the definition of cultural and universal significance of the place. At present, the living heritage of Galle Fort is a forgotten and neglected entity. Emerging theories on heritage discourse recognize that the OUV of living heritage sites are in a state of evolution and transformation and is not a, fixed notion that remains unchanged in time and place. This aspect requires frequent exploration in order to determine necessary improvements to be made to conservation and management strategies. The article focuses on heritage values attached to Galle Fort by its living community. In-depth interviews with a cross section of the community disclosed that the residents of Galle Fort lay greater emphasis on the social value of the place. They have pronounced concerns on the risks posed to the social value by commercial and tourism gentrification taking place. The study raises awareness of the importance of the residents’ values in informing, guiding, managing and conserving the cultural significance and OUV of Galle Fort for posterity.
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Zhuang, Qianda, Mengying Wan, and Guoquan Zheng. "Presentation and Elaboration of the Folk Intangible Cultural Heritage from the Perspective of the Landscape." Buildings 12, no. 9 (September 5, 2022): 1388. http://dx.doi.org/10.3390/buildings12091388.
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The folklore of intangible cultural heritage (FICH) is mainly expressed in folkloric activities, which include traditional festivals, living customs, production practices, folk beliefs, life rituals and folk costumes. The more reasonable and efficient ways to achieve conservation and transmission of FICH have become an urgent problem to be solved. Landscape presentation offers a potential method to address that by excavating the landscape characteristics of FICH based on its in-depth connotation and development history. This study aims to explore the cultural connotation of the FICH and extract the elements of landscape design, thus presenting and expressing the FICH using landscape as a carrier, to achieve the conservation and inheritance of the FICH. This research took the Taishun Hundred-family Feast culture, one of FICH in Sankui Town, Taishun County, China, as the study case, and extracted the landscape design elements in FICH after its content excavation and conducted presentation with cultural objectification, landscape narrative and contextualization. The results showed that the Hundred-family Feast culture contains rich landscape genes which can be divided into the ritual culture, food culture, festival culture and spiritual culture. Some of the elements in the Hundred-family Feast culture in terms of patterns, forms and colours for the content of activities, material carriers and spiritual places were also extracted for the landscape presentation. According to the different types and places of the Hundred-family Feast culture activities, the centre of Sankui Town is divided into four landscape thematic areas, namely the Hundred-family Feast cultural entrance experience zone, the food culture experience zone, ritual culture experience zone, and activity performance experience zone. The landscape element and spatial carriers were designed and illustrated for conserving and recovering the Hundred-family Feast culture, respectively. This study innovatively analyses the FICH from the perspective of the characteristics and constituent elements of the landscape and establishes a more reasonable framework system for the method of landscape presentation of the FICH in a structured and comprehensive manner. It enriches the theoretical system of intangible cultural heritage protection and its inheritance via landscape presentation methods for folklore activities.
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Borić Cvenić, Marta, Hrvoje Mesić, and Roko Poljak. "Revitalization of Osijek’s Forgotten Industrial Heritage as a Potential for the Development of Cultural and Creative Industries." Informatologia 55, no. 3-4 (December 23, 2022): 232–45. http://dx.doi.org/10.32914/i.55.3-4.3.
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A highly developed industry used to be synon-ymous with Osijek and the entire Slavonija and Baranja region in the past, but in modern times the notion of industry has taken on a new meaning. Classic factories have disappeared, making room for the development of more modern and innovative industries, including cultural and creative industries. The problem of recognition and conservation of tangible and intangible cultural heritage, which is increas-ingly often at risk, has also come up in the ur-banisation process. Systematic efforts to con-serve and revitalise cultural heritage are need-ed in order to preserve the identity and the culture of the local community. Otherwise it will fall victim to uncontrolled urbanisation, and disappear. Cultural and creative industries are building ways for the development, con-servation and urban regeneration and revitali-sation of the cultural heritage. Repurposed industrial cultural heritage can serve as a re-minder of former glory, but also as a daily in-spiration for new entrepreneurs, creative pro-fessionals, and all other citizens. Local and national governments must make projects aimed at the revitalisation of all types of cul-tural heritage their priority. These projects are highly attractive. Even though they are also challenging and very expensive, they will con-tinue to bear fruit for many years after their implementation by reinforcing their city’s identity, but also through fast-growing cultural tourism. The main objective of this paper is to explore the potentials of the forgotten (invisi-ble) industrial (now cultural) heritage of Osijek within the sector of cultural and creative in-dustries. With this goal in mind, the authors carried out a survey to gauge public awareness of the economic potential offered by the devel-opment of cultural and creative industries, with a focus on the revitalisation of Osijek’s industrial cultural heritage. One of the objec-tives of the survey was also to identify the opinions of different age and education groups in the public about these matters. Regrettably, the awareness of the importance of conserving cultural heritage remains rather low. Educa-tional campaigns, written guidelines, projects and events are needed to educate the broader community in order for the development po-tential of cultural and creative industries to be really manifested.
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Arias-Hidalgo, David, and Maryland Morant González. "PATRIMONIO CULTURAL INMATERIAL INDÍGENA: ANÁLISIS DE LAS POTENCIALIDADES TURÍSTICAS DE LOS SIMBOLISMOS DEL CACAODEL PUEBLO BRIBRI (TALAMANCA, COSTA RICA)." Cuadernos de Turismo, no. 46 (December 16, 2020): 505–30. http://dx.doi.org/10.6018/turismo.451941.
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El artículo explora las potencialidades de los simbolismos del cacao (Theobroma cacao), como elemento diferenciador del patrimonio cultural inmaterial, de la oferta turística indígena del pueblo bribri de Talamanca (Costa Rica), cuya estructura social se caracteriza por ser matrilineal. Se constata en base al análisis de los productos turísticos existentes, que la puesta en marcha de una estrategia de aprovechamiento del cultivo del cacao articulado en torno a sus simbolismos, en la oferta local de turismo, podría representar una oportunidad para diversificar los ingresos de las familias indígenas. Al mismo tiempo, serviría para dar a conocer unas señas de identidad únicas, desde la recuperación y conservación de las tradiciones, sin dejar de lado los riesgos que implica la patrimonialización del acervo cultural indígena. The article explores the potential of the symbolism of cocoa (Theobroma cacao) as a unique element of the intangible cultural heritage that forms part the tourist offer of the indigenous Bribri people of Talamanca (Costa Rica). An analysis of the existing tourism products of the Bribri people – whose social structure is matrilineal – reveals that a strategy for using cocoa cultivation (based around its symbolism) in their tourism offer could help diversify the income of indigenous families. At the same time, without neglecting the risks of patrimonialising the indigenous cultural heritage, it would make known unique signs of identity by recovering and conserving traditions.
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Khalaf, Roha W. "Authenticity or Continuity in the Implementation of the UNESCO World Heritage Convention? Scrutinizing Statements of Outstanding Universal Value, 1978–2019." Heritage 3, no. 2 (April 15, 2020): 243–74. http://dx.doi.org/10.3390/heritage3020015.
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Continuity is a key theme in conservation and one that appears in the text of the UNESCO World Heritage Convention, which requests States Parties to continue to protect, conserve and present properties situated on their territories (Article 26). Despite this fact, it is not put into effect. Instead, the Operational Guidelines for the implementation of this Convention retain authenticity as a benchmark for assessing cultural heritage. This article scrutinizes Statements of Outstanding Universal Value (SOUV) to prove that continuity is the evidence presented to justify inscription. It reveals that at least 263 properties were inscribed on the World Heritage List not because their values are truthfully and credibly expressed through a variety of attributes as per the Operational Guidelines (Paragraph 82), but because their values and attributes continue to exist. It also reveals that continuity is a recurring concept in other sections of the SOUV, and this holds true for natural properties. Indeed, continuity applies to both cultural and natural heritage, and to tangible and intangible attributes, but this is never admitted in the Operational Guidelines. In terms of future research directions, the article suggests exploring how change within properties affects judgements about authenticity and how guidance on impact assessment can be improved to better achieve the goal of compatible change, concluding that “an effective system of collective protection”, which is the raison-d’être of the Convention, is not one that aims at “conserving the authentic”, but one that aims at “managing continuity and compatible change” in an ever-evolving world.
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Khalil, Ahmed, Naglaa Hammouda, and Khaled El-Deeb. "Implementing Sustainability in Retrofitting Heritage Buildings. Case Study: Villa Antoniadis, Alexandria, Egypt." Heritage 1, no. 1 (May 22, 2018): 57–87. http://dx.doi.org/10.3390/heritage1010006.
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Sustainable design is believed to stand on the opposite side of heritage conservation. This view is supported by the fact that sustainable design requires invasive measures to implement new technologies and treatments that challenge the principle of minimum intervention in heritage conservation. Another point of view sees heritage conservation as an already act of sustainable development that protects and preserves social and cultural resources such as heritage buildings and their intangible values. On the other hand, research and practice have proven that heritage buildings can be the subjects of sustainable design projects that achieve outstanding measures of sustainability and energy efficiency while not compromising the authenticity of the heritage value of the building. This sustainable conservation reaches its peak in adaptive-reuse projects of heritage buildings as reusing the building guarantees its ongoing maintenance and promotes its social, cultural and economic values to society, while giving it the ability to withstand modern users’ comfort and energy efficiency standards. This research presents a case study of the adaptive-reuse project of Villa Antoniadis in Alexandria; a heritage building built in the mid-nineteenth century and in the process of a major adaptive-reuse project. The history and significance of the building will be studied as well as the conservation values of the current project, then some proposals for interventions that could achieve more energy efficiency for the project while conserving the building are discussed. The research included a simulation of the building, using building energy modelling software for the current adaptive-reuse project as a base case, and the hypothetical application of different proposed sustainable interventions such as thermal insulation, double glazing, shading, lighting control, natural ventilation, and photovoltaic energy generation, where the energy savings potentials for each proposed intervention were studied. The simulation proved a possible reduction of 36.5% in the cooling, heating and lighting energy consumption as well as generated 74.7% of the energy required for cooling, heating and lighting from renewable energy sources.
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Dogan, Mustafa. "Ecomuseum, community museology, local distinctiveness, Hüsamettindere village, Bogatepe village, Turkey." Journal of Cultural Heritage Management and Sustainable Development 5, no. 1 (May 18, 2015): 43–60. http://dx.doi.org/10.1108/jchmsd-07-2013-0033.
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Purpose – The concept of sustainable development is now widely accepted as a means of protecting natural resources and cultural heritage. One approach to ensuring sustainability, especially in relation to cultural tourism, is the ecomuseum. Turkey has considerable potential to develop ecomuseological models to encourage local sustainable development. The purpose of this paper is to explore the development of ecomuseums in Turkey by analysing the recent implementation of the concept in Hüsamettindere and Bogatepe villages. Current practices at these two sites are evaluated in comparison with the basic principles of ecomuseum theory. Design/methodology/approach – This paper explores local community involvement in two emerging ecomuseums in Turkey based on several years of participant action research by the author; it describes the nature of the two ecomuseums based on that experience. In addition an in-depth survey was carried out between February and April 2013 by Canakkale Onsekiz Mart University when 45 local participants were interviewed for their views on the ecomuseum developments, using the MACDAB method (Borrelli et al., 2008) as a guide. Findings – Even though the two implementations in Turkey have different features deriving from their local dynamics, they have had a similar experience in terms of the development process. Both began with a volunteer movement, the organisation of the local community, the formation of civil initiatives, a joint decision-making processes and the existence of participation and consensus. This process conforms to the basic principles of ecomuseology. The ecomuseums have also raised concerns about the loss of rural heritage and the mechanisms for conserving it within the model of the “living” ecomuseum. The most significant fact to emerge from this initial review of the two ecomuseums is that it is not necessarily their ability to conserve fragments of tangible and intangible heritage that is paramount in Turkey, but their importance in providing employment opportunities in rural areas. Originality/value – Ecomuseum movement is a very important and practical model for sustainable development and tourism. Ecomuseums can also be functional tools for protecting of cultural heritage and developing of local areas. Even though Turkey has got many cultural heritage sources, they are not used productively for local sustainable development. The two implementations will be sample to all natural and cultural heritage areas of Turkey for sustainable development.
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Goes, Diogo José, and Luís Filipe Sardinha. "Turismo e museus: uma reflexão empírica sobre a Região Autónoma da Madeira." PASOS. Revista de Turismo y Patrimonio Cultural 19, no. 4 (2021): 655–73. http://dx.doi.org/10.25145/j.pasos.2021.19.043.
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The aim of this study is to analyze the evolution of guests and visitors to the museums of the Autonomous Region of Madeira (RAM), in the period between 2012 ‑ 2018. By definition, a museum is a non‑profit entity, serving the development of a society. Museums carry out many services such as spreading knowledge, preserving memory, conserving objects for museum research, and by so doing adding value to both tangible and intangible cultural and artistic heritage. Theresearch was based on existing statistics from the National Statistics Institute and the Regional Statistics Office in Madeira. It was found that the global number of visitors increased over the period considered, probably because of tourism though it was not pos‑ sible to demonstrate a direct relationship between tourist flows and the influx of visitors to museums, on the basis of the data available. It was found that the museological reality of RAM,is highly exposed to tourism as occurs in the rest of the national context and so may be subverting the institutional characteristics of a museum
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Craith, Máiréad Nic. "Intangible Cultural Heritages." Anthropological Journal of European Cultures 17, no. 1 (March 1, 2008): 54–73. http://dx.doi.org/10.3167/ajec.2008.01701004.
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Heritage has traditionally been associated with material objects, but recent conventions have emphasized the significance of intangible culture heritage. This article advocates a holistic approach towards the concept and considers key challenges for Europe's heritage at the beginning of the twenty-first century. Reflecting on the notion of 'European', it considers the question of how one defines European heritage and which European heritage is to be protected. It explores links between national and European conceptions of identity and heritage and queries issues of ownership, language and representation. A number of ethical issues are raised - such as the role of women in the transmission of heritage and the implications of information technology for copywriting traditional practices. The author also asks how one ensures that the process of globalisation facilitates rather than eliminates local cultural heritages? How does one enhance the local so that it becomes glocal and not obsolete?
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Reguant-Aleix, Joan, M. Rosaria Arbore, Anna Bach-Faig, and Lluís Serra-Majem. "Mediterranean Heritage: an intangible cultural heritage." Public Health Nutrition 12, no. 9A (September 2009): 1591–94. http://dx.doi.org/10.1017/s1368980009990413.
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Senda, Yasuko. "Bunraku – intangible cultural heritage." Móin-Móin: Revista de estudos sobre teatro de formas animadas 1, no. 15 (March 28, 2018): 210–19. http://dx.doi.org/10.5965/2595034701152016210.
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Ballard, Linda-May. "Curating Intangible Cultural Heritage." Anthropological Journal of European Cultures 17, no. 1 (March 1, 2008): 74–95. http://dx.doi.org/10.3167/ajec.2008.01701005.
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This article discusses a range of pragmatic issues associated with curating intangible cultural heritage, including collection, preservation, interpretation, presentation and representation. It uses as a case study work undertaken with Lough Neagh eel fishermen in preparation for and at the Smithsonian Folklife Festival in 2007, setting this in a much wider curatorial context.
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Su, Rui. "Safeguarding intangible cultural heritage." Journal of Heritage Tourism 8, no. 4 (December 5, 2012): 362–63. http://dx.doi.org/10.1080/1743873x.2012.746026.
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Chen, Gen-Fang. "Intangible cultural heritage preservation." Journal on Computing and Cultural Heritage 7, no. 1 (February 13, 2014): 1–16. http://dx.doi.org/10.1145/2583114.
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Harrison, Rodney. "Intangible heritage embodied and Intangible heritage." International Journal of Heritage Studies 17, no. 3 (March 25, 2011): 280–82. http://dx.doi.org/10.1080/13527258.2011.557864.
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Ding, Hong. "Digital Protection and Development of Intangible Cultural Heritage Relying on High-Performance Computing." Computational Intelligence and Neuroscience 2022 (April 13, 2022): 1–10. http://dx.doi.org/10.1155/2022/4955380.
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The protection of intangible cultural heritage has gradually attracted people's attention. In today's digital information age, the use of digital technology in the protection of intangible cultural heritage has become the focus of research in the field of intangible cultural heritage protection. For the protection of intangible cultural heritage to become the key goal of the continuous inheritance of China's traditional culture, this paper fully analyzes the problems existing in the inheritance and protection of intangible cultural heritage, and applies the high-performance computing method to the digital protection and development of intangible cultural heritage, which provides a strong basis for the protection of intangible cultural heritage. The accurate identification and protection of intangible cultural heritage can be achieved by using high-performance computing methods. In addition, the digital protection and development system of intangible cultural heritage is also designed. Finally, the example results show that the digital protection and development system of intangible cultural heritage proposed in this paper can effectively protect intangible cultural heritage and promote the continuous development of domestic local economy. At the same time, it can also strengthen the public awareness of the protection of intangible cultural heritage and effectively promote the inheritance and development of the protection of intangible cultural heritage.
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Zhang, Jiankun, and Yanhui Jing. "Application of Artificial Intelligence Technology in Cross-Cultural Communication of Intangible Cultural Heritage." Mathematical Problems in Engineering 2022 (September 27, 2022): 1–12. http://dx.doi.org/10.1155/2022/6563114.
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Intercultural communication not only promotes the emergence and development of multiculturalism but also promotes cultural exchanges on a global scale. China has rich resources and a long history. Because of its unique national characteristics, it is even more famous and unique in the world today. However, with the transformation of society, cross-cultural dissemination and blending are inevitable. Intangible cultural heritage is an important cultural form, and its international dissemination is increasingly attracting people’s attention. The spontaneous inheritance mode of intangible cultural heritage, which is mainly based on oral and heart teaching, has been unable to adapt to the development of society and has gradually moved away from people’s sight. How to better protect and inherit intangible cultural heritage is an important topic in the field of current cultural exchanges. However, due to the particularity of intangible culture, especially its abstract nature, it is difficult to show it to the public, which makes it difficult to protect and promote intangible cultural heritage. The application of the advantages of artificial intelligence technology to the dissemination of intangible cultural heritage is to solve these problems, which can not only make it innovative in protection but also promote its sustainable development to a certain extent. This paper discusses the application of artificial intelligence technology in the protection and dissemination of intangible cultural heritage from multiple perspectives and points out that the advantage of artificial intelligence is that although it cannot be creatively inherited, it can be reproduced in a historical moment, so as to meet people’s needs for intangible cultural heritage. It can also be found in the questionnaire for the visitors that 66% of the visitors prefer to learn about the intangible cultural heritage through experience and feel that the personal experience is more intuitive and interesting. Artificial intelligence technology has great advantages in disseminating intangible cultural heritage.
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Pietrobruno, Sheenagh. "Cultural Research and Intangible Heritage." Culture Unbound 1, no. 1 (October 14, 2009): 227–47. http://dx.doi.org/10.3384/cu.2000.1525.09113227.
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Intangible heritage deemed worthy of preservation is often regarded as traditional culture that reflects the identity of a particular nation or group. Traditional cultures are distinct from commercial forms, which are transmitted and promoted via businesses, commercial establishments, and media. Research on culture reveals the way that a large part of the world’s intangible heritage includes practices that interweave tradition and commodification as well as blur the boundaries between nations. As these practices do not fit into the clear categories of “traditional” or “national”, they may not be considered for preservation in official project documents such as the Convention for the Safeguarding of the Intangible Cultural Heritage (2003), by the United Nations Educational, Scientific and Cultural Organization (UNESCO). Many of these practices are being, nonetheless, stored today through the unofficial archiving of moving images on the Internet, facilitated by Web 2.0. Through the case studies of various Caribbean performing arts, this paper illustrates how cultural research can provide a comprehensive understanding of intangible culture in both its lived and digital contexts, knowledge that in turn challenges the process of categorization and the measures of preservation of intangible heritage proposed by UNESCO.
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Zemska, Antonina. "Intangible cultural heritage in Japan." Gdańskie Studia Azji Wschodniej, no. 20 (2021): 157–67. http://dx.doi.org/10.4467/23538724gs.21.011.14843.
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W artykule przybliżono wyjątkowe zarówno w stosunku do standardów zachodnich, jak i standardów krajów postkolonialnych podejście Japonii do niematerialnego dziedzictwa kultury, szczególnie w kontekście gwarantowanego prawnie systemu ochrony oraz historycznego i współczesnego znaczenia tego dziedzictwa dla społeczeństwa. Poczynając od wprowadzenia po raz pierwszy kategorii niematerialnego dziedzictwa kultury w ustawie o ochronie dóbr kultury z 1950 r. aż po obowiązującą obecnie nowelizację z 2004 r., niematerialne dziedzictwo podlega coraz szerszej i bardziej efektywnej ochronie. Składa się na nią zarówno wsparcie finansowe ze strony państwa, jak i edukacja społeczeństwa, promocja i kultywowanie tradycji. Wszystkie te działania zapobiegają odejściu w niepamięć klasycznym umiejętnościom i dziedzinom sztuki. System ochrony w Japonii dzieli niematerialne dziedzictwo na wiele kategorii, które podkreślają zróżnicowany charakter dziedzin, w jakich przejawia się lokalna kultura i które mają zapewnione adekwatne środki prawne, odpowiadające ich szczególnym potrzebom. Starania podejmowane w celu zachowania niematerialnego dziedzictwa kultury i dbałość o nie były podyktowane potrzebą zrekonstruowania tożsamości narodowej po przegranej II wojnie światowej oraz zabezpieczenia folkloru przed postępującą globalizacją i westernizacją, obecnie zaś stanowią przejaw rosnącego zainteresowania różnorodnością kulturową.
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Kuznetsova, Larisa. "Valencian “Fallas”: Intangible Cultural Heritage." Cuadernos Iberoamericanos, no. 2 (June 28, 2018): 88–90. http://dx.doi.org/10.46272/2409-3416-2018-2-88-90.
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Xu, Jingjing, Baotao Li, Zhikang Hu, Xingyu Ye, and Qijun Ding. "Analysis of Fiscal and Tax Support Policies based on Nvivo's Intangible Cultural Heritage for Rural Revitalization." Frontiers in Humanities and Social Sciences 2, no. 11 (November 21, 2022): 172–81. http://dx.doi.org/10.54691/fhss.v2i11.2802.
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Anhui Province is one of the cradles of Chinese civilization, and its intangible cultural heritage resources are very rich. It is very important to inherit and protect intangible cultural heritage to help the development of rural revitalization in Anhui Province. Since 2006, Anhui Province has made continuous efforts in the inheritance of intangible cultural heritage, actively responded to national policies, and implemented the implementation rules of intangible cultural heritage protection, but the development of intangible cultural heritage is still not optimistic. This paper mainly analyzes the problems of intangible cultural heritage analyzed by NVivo software, the policies given by the national government, the interaction between rural revitalization and intangible cultural heritage, and the financial situation of the country for intangible cultural heritage, and puts forward suggestions for fiscal and tax support policies that help promote rural revitalization for the inheritance and development of intangible cultural heritage.
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Soo Jin Jung. "From the Intangible Cultural Property to the Intangible Cultural Heritage." Journal of East Aisan Cultures ll, no. 53 (May 2013): 91–116. http://dx.doi.org/10.16959/jeachy..53.201305.91.
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Wan Isa, Wan Malini, Nor Azan Mat Zin, Fadhilah Rosdi, and Hafiz Mohd Sarim. "Digital Preservation of Intangible Cultural Heritage." Indonesian Journal of Electrical Engineering and Computer Science 12, no. 3 (December 1, 2018): 1373. http://dx.doi.org/10.11591/ijeecs.v12.i3.pp1373-1379.
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<p>Cultural heritage reflects a society’s identity, hence should be protected and preserved for the future generation. Digital preservation is significant for cultural heritage since there are a lot of important knowledge and collections of manuscripts and artefacts which need to be preserved to ensure sustainability for future generations. However, there is still a lack in digital preservation methods for cultural heritage especially intangible cultural heritage. This paper discusses cultural heritage and results of a study on intangible cultural heritage preservation. An interview with five experts in intangible cultural heritage domain has been carried out. Results show that level of awareness of preserving intangible cultural heritage is still low. In addition, the heritage practitioners - artisans and craftsmen keep the knowledge and skills in their memory as preservation method. Thus the knowledge depend on individual practitioners since no documentation is made. Informants are also aware of the importance of digitalization of intangible cultural heritage knowledge for the preservation and safeguard.</p>
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Peng, Xinyu, and Lei Zhang. "Research on personalized training of innovative talents in textile intangible cultural heritage." BCP Education & Psychology 4 (May 31, 2022): 34–38. http://dx.doi.org/10.54691/bcpep.v4i.768.
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At this stage, the protection of intangible cultural heritage is highly valued by the state. Jingchu area has rich traditional textile intangible cultural heritage resources, which provides a good foundation for cultivating textile intangible cultural heritage talents. The article first expounds the significance of cultivating textile intangible cultural heritage talents. By analyzing the current teaching mode of textile intangible cultural heritage in my country, it is proposed to take the innovation of Jingchu textile intangible cultural heritage as the starting point to establish a "four-in-one" textile system of scientific research, courses, competitions and activities. The new model of intangible cultural heritage talent training integrates Jingchu Textile's intangible cultural heritage with the student curriculum system, traditional cultural innovation with student practice, and professional theoretical knowledge with folk skills. On the one hand, it inherits and develops the intangible cultural heritage of Jingchu textile, and on the other hand promotes the development of China's excellent traditional culture.
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Liu, Ying. "Application of Digital Technology in Intangible Cultural Heritage Protection." Mobile Information Systems 2022 (June 8, 2022): 1–8. http://dx.doi.org/10.1155/2022/7471121.
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Intangible cultural heritage itself is fragile, so it needs human protection. The existence of everything is a dynamic process, and its emergence, growth, continuation, and demise are objective existences, including “intangible cultural heritage.” With the continuous deepening and development of science and technology, the development of digital acquisition technology, storage technology, remote sensing technology, and spatial modeling technology provides a corresponding realistic basis and platform for the protection of different types of intangible cultural heritage. This paper mainly discusses the application of a variety of modern information technologies in the protection of intangible cultural heritage, deeply discusses the problems existing in digital protection of intangible cultural heritage, analyzes the characteristics of digital protection of intangible cultural heritage, discusses how to better establish the protection platform and management mechanism, and puts forward the application prospect of computer digital technology in the protection of intangible cultural heritage, so as to realize relatively comprehensive digital protection of intangible cultural heritage.
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Xiao, Lingling. "Intangible Cultural Heritage Reproduction and Revitalization: Value Feedback, Practice, and Exploration Based on the IPA Model." Computational Intelligence and Neuroscience 2022 (August 9, 2022): 1–13. http://dx.doi.org/10.1155/2022/8411999.
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Intangible cultural heritage has a unique value. It is very important to evaluate and discover the value of intangible cultural heritage. Therefore, referring to the relevant references of countries around the world, this paper compares the research status of countries around the world with the development trend of China’s intangible cultural heritage, indicating that the network resources of intangible cultural heritage can be converted into cultural capital according to the basic theory of cultural capital and then get an economic value. The use value of intangible cultural heritage is analyzed and considered according to IPA entity model analysis, kernel density estimation (KDE), and gray correlation calculation (calculated by using IPA analysis conclusion). Among them, because intangible cultural heritage cannot be measured and verified immediately, indirect measurement verification is carried out by selecting indirect indicators such as the total number of intangible cultural heritage and the development trend of intangible cultural heritage tourism. Based on the gray correlation analysis of the total number and relative density of national intangible cultural heritage and the intangible cultural heritage tourism and related industrial chains, the following proposals for the development trend of intangible cultural heritage are clearly put forward as follows: (1) Further excavate the meaning of “non-material property tourism” and increase the scope of development and design of cultural and art tourism network resources. (2) Make full use of the guiding effect of government departments on “intangible cultural heritage tourism,” and improve the normalization of the combination of culture, art, and tourism. (3) Expand the whole industrial chain of “intangible cultural heritage tourism” in an orderly manner, and promote the concept of coordinated and sustainable development of cultural and art tourism.
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Xie, Jing. "Innovative Design of Artificial Intelligence in Intangible Cultural Heritage." Scientific Programming 2022 (July 20, 2022): 1–8. http://dx.doi.org/10.1155/2022/6913046.
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Driven by artificial intelligence technology, the research of intangible cultural heritage innovative design is carried out. Firstly, the appearance modeling characteristics, decorative element characteristics, and composition form characteristics of typical intangible cultural heritage products are analyzed. According to the collected relevant data of intangible cultural heritage products and existing products, combined with the regional cultural characteristics of intangible cultural heritage products and other factors, the analysis Atlas of intangible cultural heritage product innovation design is constructed. Based on perceptual engineering, the elements of intangible cultural heritage product innovation design for user participation are determined according to the needs and perceptual images of users. The shape grammar is used to extract the elements of intangible cultural heritage products, deduce and deform them, and finally generate the preliminary design scheme.
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Luo, Jie. "The Characteristics and Paths of the Dissemination of Intangible Cultural Heritage in the Form of Animation in the New Media Environment." Journal of Environmental and Public Health 2022 (July 30, 2022): 1–9. http://dx.doi.org/10.1155/2022/7857816.
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In recent years, the state and even the society pay more and more attention to the protection of the intangible cultural heritage. How to effectively protect and inherit the intangible cultural heritage is the main work at present. Based on the role and influence of animation in the protection of intangible cultural heritage, this paper systematically discusses the promotion role of animation in the inheritance and dissemination of intangible cultural heritage. First, the role of animation communication in the protection of intangible cultural heritage. Finally, this paper takes the combination of intangible cultural heritage culture and animation as an example to discuss and design the combination of intangible cultural heritage protection animation and specific cases. This paper regards animation as a cultural medium, which is of great significance to the effective protection, dissemination, and inheritance of the national intangible cultural heritage.
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Zhao, Zhi Qing, and Li Tao. "Study on Intangible Cultural Heritage Protection of the Architectural Cultural Heritage." Applied Mechanics and Materials 638-640 (September 2014): 2312–15. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2312.
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In the current context of globalization and regional characteristics of urban and rural culture general lacking, due to the long history and has the heavy connotation, the historical cultural heritage reflected the rich local culture and traditional cultural imprint. According to the definition, the content and relationship of material cultural heritage and intangible cultural heritage, this paper intensively study the non-material cultural heritage factors loaded by buildings architecture cultural heritage, and presented the problems and coping methods during the course of the Intangible Cultural Heritage Protection.
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Littler, Jo. "Intangible roles." Ethnologies 36, no. 1-2 (October 12, 2016): 93–105. http://dx.doi.org/10.7202/1037601ar.
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The emphasis on non-material knowledge and forms of communication in intangible cultural heritage can be related both to the expansion of curatorial interest in “experiential” displays and to the valorisation of what has, more broadly, been termed the “experience economy” in contemporary society. The recent interest in intangible cultural heritage, in other words, might usefully be situated in the context of what has been called “the cultural turn.” Given this context, the author of this article considers how the case of intangible cultural heritage throws two particular issues into stark relief: first, heated contemporary debates over the desirability of academics engaging with the administration of culture – over whether engaging with policy is an abdication of political possibility – and second, the boundaries of cultural policy, or what it is possible to administer. Positioning itself against a narrowly technocratic approach, the paper argues that we need to interrogate the cultural heritage of intangible cultural heritage itself. By doing so, we will be better equipped to consider what capacious, imaginative interactions between theory, policy, process and practice might look like.
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Li, Linsen, Muyu Li, and Ting Deng. "Research on Application of Digital Technology in Anhui Intangible Cultural Heritage Popularization Design-Take the manufacture technology of Huangshan Maofeng tea as an example." E3S Web of Conferences 218 (2020): 04021. http://dx.doi.org/10.1051/e3sconf/202021804021.
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Taking the manufacture technology of Huangshan Maofeng intangible cultural heritage in Anhui as a study case, this paper discussed the application of digital technology in expressing intangible cultural heritage science popularization, and proposed protection and inheritance strategies of intangible cultural heritage in Anhui based on information visualization and science popularization. By constructing digital communication model of intangible cultural heritage, it popularized knowledge of intangible cultural and the production process, making the intangible cultural heritage closer to ordinary people’s life, and offering a new protection and communication approach for intangible culture heritage, which applies to the development in this time.
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Yu, Haijiao. "Application Model Construction of Intangible Cultural Heritage Dissemination in Film and Television Art Creation in Postepidemic Era." Wireless Communications and Mobile Computing 2022 (September 2, 2022): 1–10. http://dx.doi.org/10.1155/2022/5448246.
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Intangible cultural heritage is the inheritance of a national traditional culture and a memory symbol of a national cultural spirit. It tells the timeless cultural journey of an ancient nation with an invisible spiritual force. Strengthening the publicity and promotion of intangible cultural heritage is of great significance to improving the national cultural atmosphere, enhancing the awareness of intangible cultural heritage protection, and increasing the inheritance of my country’s cultural heritage in culture. At present, intangible cultural heritage documentaries are of great significance. The creation of intangible cultural heritage has become the main means of inheritance. It can make intangible cultural heritage known and familiar to more people through multimedia, network, broadcasting, and other media forms and establish an excellent platform for the protection and inheritance of intangible cultural heritage. How to use the media of film and television art to inject the soul of intangible cultural heritage into it, so as to better inherit and develop it among the masses, is the focus of contemporary literature and art creators and art managers to discuss and study. Aiming at the problem that unstructured intangible cultural heritage video resources are difficult to store and manage, this paper proposes an application model of intangible cultural heritage dissemination. Semantic annotation, linked data construction and publishing, etc. make it a structured intangible cultural heritage video semantic unit, which can be better applied to the creation of film and television art.
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Chang, Anni, and Yanfa Wu. "Research on Innovative application of private intangible cultural heritage digitization from the perspective of rural revitalization." Journal of Innovation and Development 1, no. 1 (January 8, 2023): 51–54. http://dx.doi.org/10.54097/jid.v1i1.4471.
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In the context of rural revitalization strategy, this study focuses on how folk intangible cultural heritage provides new ideas for rural revitalization, and further discusses the innovative application of digitalization and intangible cultural heritage. This paper first explains the intangible cultural heritage, and reviews the current situation of the protection and inheritance of domestic intangible cultural heritage. Secondly, it analyzes some problems and principles to be adhered to in the integration of digitalization and intangible cultural heritage. Finally, under the concept of meta-universe, the paper breaks through the obstacles of intangible cultural heritage in time and space, and puts forward corresponding schemes to promote the rural revitalization strategy of intangible cultural heritage empowerment.
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Жиленко, Вилена, and Vilena Zhilenko. "INTANGIBLE CULTURAL HERITAGE OF BELGOROD REGION: PROBLEMS OF INVOLVING IN THE TOURISM SECTOR." Service & Tourism: Current Challenges 10, no. 3 (September 13, 2016): 55–63. http://dx.doi.org/10.12737/21101.
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The article substantiates the necessity for discovering and preservation the intangible cultural heritage and the importance of the developing the legal framework in the field of intangible cultural heritage. The author gives recommenda- tion how to increase the flow of tourists through their learning the intangible cultural heritage and involvement in the rituals and festive events, folk arts and crafts. The article analyzes not only a positive effect on the intangible cultural heritage, but also presents the factors of negative impact. The recommendations how to reduce and minimize their impact are given. The analysis of the problems of involving intangible cultural heritage of Belgorod region in tourism is the aim of the study. This revealed development prospects of such types of tourism as ethnographic and event tourism. Based on the existing inventory of intangible cultural heritage of Belgorod region the author assesses the potential for tourism development based on intangible cultural heritage. The most promising areas of Belgorod region, having the greatest potential for development of tourism based on intangible cultural heritage, are selected. The most valuable objects of intangible cultural heritage of Rakityansky and Chernyansky districts with the greatest potential for tourism based on the intangible cultural heritage are described and identified. Analysis of the major problems of involving the intangible cultural heritage of Belgorod region in tourism has been carried out. Statistical methods, theoretical and problem analysis are the main for the study. As the research result, the set of measures to preserve and secure involvement of the intangible cultural heritage in tourism of Belgorod region has been developed.
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Mohamed, Khadijah, Ahmad Shamsul Abd. Aziz, and Nor Azlina Mohd Noor. "LEGAL ANALYSIS FOR PROTECTION OF INTANGIBLE CULTURAL HERITAGE IN MALAYSIA." International Journal of Law, Government and Communication 5, no. 19 (June 10, 2020): 10–20. http://dx.doi.org/10.35631/ijlgc.519002.
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The National Heritage Act 2005 is the only Act enacted in Malaysia to date to protect the national heritage including intangible cultural heritage. In the field of heritage study, intangible cultural heritage becomes a priority in the context of a 'non-existent' heritage enjoyed through the human senses. However, the Act provides a rather limited definition of intangible cultural heritage due to ambiguity in certain terminologies of its definition and scope. Hence, by using the provisions of the UNESCO Convention 2003 as the basis of discussion, this article analyses the legal provisions which protect intangible cultural heritage in Malaysia for the country in fulfilling its responsibilities as a Member Country of the Convention. This article finds that improvements to the definition of intangible cultural heritage need to be made by expanding the scope of the provision to include relevant intangible cultural heritage elements such as food and fine arts heritage.
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Deng, Wei, and Jiansong Fang. "The Wireless Communication of the Embedded Microprocessor Contributes to the Industrialization of Intangible Cultural Heritage Products." Mobile Information Systems 2022 (September 14, 2022): 1–11. http://dx.doi.org/10.1155/2022/7056883.
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Intangible cultural heritage is very important for the development of a nation. There are clear instructions for the history and inheritance of a country. Tao represents the inheritance of a country in time, and the sustainable development of the protection and inheritance of intangible cultural heritage and derivative cultural products is of great significance. From the past to the present, people's research on intangible cultural heritage has gradually transitioned to industrialization. This article aims to study the influence of wireless communication using embedded microprocessors on the industrialization of intangible cultural heritage products and aims to help the industrial development of intangible cultural heritage products through in-depth understanding of wireless communication. This article puts forward the relevant knowledge of the MIMO system, by introducing the operating process of the wireless communication of the embedded microprocessor, the necessity of the industrialization of intangible cultural heritage products, and the relevant knowledge of how to commercialize it; finally, the industrialization development model of intangible cultural heritage under the support of new technology is drawn. In the experiment, this paper discusses the application of wireless communication technology of embedded microprocessor in the design of intangible heritage products and, based on this, discusses the road of industrialization of intangible heritage products assisted by wireless communication. Finally, the experimental results of this paper show that compared with traditional intangible cultural heritage products, the popularization rate of intangible cultural heritage products produced by wireless communication technology of embedded microprocessor has increased by 15–20%.
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Su, Run, Junbo Chen, Jinglan Xue, Mengmeng Jin, Li Chen, Wenxue Dong, Deyao Zheng, Xiaoqi Zhou, Xuefeng Xiang, and Hongwei Li. "Research on the Training Mode of Intangible Cultural Heritage Talents from the Perspective of Cultural Industry." BCP Education & Psychology 7 (November 7, 2022): 34–42. http://dx.doi.org/10.54691/bcpep.v7i.2604.
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Talent is the foundation of non-genetic inheritance and development. The formation and development of Chaozhou's cultural industry is inseparable from the support of intangible cultural heritage talents. Based on the perspective of cultural industry, this paper analyzes the current problems existing in the cultivation of intangible cultural heritage talents in Chaozhou, and further expounds the relationship between the development of cultural industries in Chaozhou and the cultivation of intangible cultural heritage talents, so as to explore and propose three modes of intangible cultural heritage talent training including government-led, college or secondary vocational school acceptance type, industry-enterprise participation.
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Gao, Fangrui. "Research on The Functions of Local Government in The Protection and Inheritance of Intangible Cultural Heritage." International Journal of Education and Humanities 4, no. 3 (September 20, 2022): 76–80. http://dx.doi.org/10.54097/ijeh.v4i3.1675.
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Intangible cultural heritage is not only the historical memory of a nation and a region, but also the cultural link connecting the feelings of a nation and a region. With the development of the times, the protection of intangible cultural heritage is facing many problems, such as lack of non genetic inheritance and single traditional means of communication. The local government is one of the main bodies of the protection and inheritance of intangible cultural heritage. How to play the role of local government in the protection and inheritance of intangible cultural heritage is a problem worthy of our serious consideration. Taijiquan, originated from Chenjiagou, Jiaozuo City, is one of the first batch of intangible cultural heritage in China. On December 17, 2020, it was listed in the representative list of human intangible cultural heritage of UNESCO. Taijiquan has an important position in China's intangible cultural heritage. Taking Taijiquan as an example, this paper analyzes the current situation and existing problems of the development of Taijiquan, and discusses the functions of local government in the protection and inheritance of intangible cultural heritage.
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Wang, Feng Xia, Guang Yang, and Zhi Yang Jin. "Design and Construction of the Information System of Hainan’s Intangible Cultural Heritage." Applied Mechanics and Materials 373-375 (August 2013): 1810–14. http://dx.doi.org/10.4028/www.scientific.net/amm.373-375.1810.
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As the Construction of International Tourism Island of Hainan develops in depth, Hainan’s intangible cultural heritage shows the increasing attraction to domestic and foreign visitors. So the development and protection of Hainan’s intangible cultural heritage has become the key to the sustainable development of Hainan tourism. Spatial information technologies represented by 3S integrated technology, with the characteristics of efficiency, accuracy and scientificity, are very applicable to the development, management and protection of Hainan’s intangible cultural heritage. This paper first introduces the current situation of Hainan’s intangible cultural heritage and the roles of various spatial information technologies in the development, management and protection of Hainan’s intangible cultural heritage. On this basis, this paper constructs the spatial database of Hainan’s intangible cultural heritage and proposes the overall design and the function design of the information system of Hainan’s intangible cultural heritage.
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Huang, Zhaoyan, and Tao Xu. "Research on Knowledge Management of Intangible Cultural Heritage Based on Linked Data." Mobile Information Systems 2022 (August 27, 2022): 1–14. http://dx.doi.org/10.1155/2022/3384391.
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At present, the protection of intangible cultural heritage has received more and more attention from all levels of society. Intangible cultural heritage is a treasure of national culture. It is an indispensable part of Chinese civilization, the crystallization of the wisdom of Chinese civilization, and represents the country’s soft power. The effective organization and management of intangible cultural heritage knowledge is the premise and foundation for the protection, dissemination, and inheritance of intangible cultural heritage. Ontology and linked data technology provide a new method and realization path for the organization and management of intangible cultural heritage knowledge. In this paper, the intangible cultural heritage knowledge is organized reasonably semantically based on the method of linked data, and the purpose is to use the structure of linked data to express the resource data of different structures in a structured manner. This paper first introduces the meaning and background of the research and analyzes the relevant research at home and abroad. Second, it introduces the related knowledge of linked data, analyzes and sorts out the elements and semantic relationship of knowledge in the field of intangible cultural heritage, and designs and constructs the ontology model of intangible cultural heritage knowledge, Finally, based on linked data technology, the process of intangible cultural heritage knowledge organization and linked data set construction is studied, including key steps such as entity to RDF, entity association, linked data storage, and publication. The application of linked data technology in the field of intangible cultural heritage knowledge organization and management can promote the standardization and standardization of intangible cultural heritage knowledge management and is of great significance to the protection and inheritance of my country’s intangible cultural heritage culture.
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Ma, Chengke. "Communication and Inheritance of Intangible Cultural Heritage: Puzzle-solving Games Help Spread Dunhuang Intangible Cultural Heritage." Journal of Humanities and Social Sciences Studies 4, no. 4 (October 22, 2022): 126–31. http://dx.doi.org/10.32996/jhsss.2022.4.4.16.
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With the development of digital media and the continuous application of digital technologies means in the communication and inheritance of intangible cultural heritage, more and more intangible cultural heritage has found a new way out. However, there are still some problems in the communication and inheritance of intangible heritage, such as difficulty in retaining new blood, superficial output content, and boring long process content in the recording process. This paper takes Dunhuang non-legacy literature as an example, analyzes the current problems of the communication and inheritance of intangible cultural heritage, and puts forward the countermeasures and advantages of introducing puzzle games as a means of communication of long content.
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Lvping, Shen. "Blockchain Technology for Management of Intangible Cultural Heritage." Scientific Programming 2021 (December 3, 2021): 1–7. http://dx.doi.org/10.1155/2021/2613656.
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With the development of information technology and network technology, digital archive management systems have been widely used in archive management. Different from the inherent uniqueness and strong tamper-proof modification of traditional paper archives, electronic archives are stored in centralized databases which face more risks of network attacks, data loss, or stealing through malicious software and are more likely to be forged and tampered by internal managers or external attackers. The management of intangible cultural heritage archives is an important part of intangible cultural heritage protection. Because intangible heritage archives are different from traditional official archives, traditional archive management methods cannot be fully applied to intangible heritage archives’ management. This study combines the characteristics of blockchain technology with distributed ledgers, consensus mechanisms, encryption algorithms, etc., and proposes intangible cultural heritage file management based on blockchain technology for the complex, highly dispersed, large quantity, and low quality of intangible cultural heritage files. Optimizing methods, applying blockchain technology to the authenticity protection of electronic archives and designing and developing an archive management system based on blockchain technology, help to solve a series of problems in the process of intangible cultural heritage archives management.